Paint Sculptures

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

acrylic on African fabric

Crevice is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of porcelain, wall putty and paint on wooden frame, dimensions are 40 × 40 × 12 cm (15.7 × 1...

Embrace (Apricot) is a Fired clay constructed and painted sculpture by Patricia Volk, dimensions are 38 × 40 × 32 cm (14,9 × 15,7 × 12,6 in). It is a unique signed piece and comes w...

Pinecone Boy: Sunset, 2021 En Iwamura Limited Edition Material: Vinyl Dimensions: 7.8 x 9.5 x 8 inches Printed signature on underside

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Thomas Pfannerstill has worked as a full-time studio artist since 1986, following his education at Western Kentucky University (BFA 1975). He currently resides and works in Louisvill...

Forest Fern Excess from Chloe Hedden’s Excess series captures the rich depth and organic movement of nature through thick, sculptural layers of dee...

"Tonka II" is the second piece in a 3 piece series of monochromatic wall sculptures. Tonka I features a matte off-white finish made from high end automotive enamel. The result is a stunning beautiful surface that absorbs light and looks extremely rich and luxe. Four different levels of depth and thicknesses on the piece allow for striking shadows when spotlights are used to light the piece. The pinlines are metallic charcoal gunmetal and bright red. Finally, the name "Tonka" comes from the inspiration for these pieces. The pieces are meant to abstractly resemble Native American dancers...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Vinyl 10 × 4 × 3 in 25.4 × 10.2 × 7.6 cm Edition of 1000 Medium Sculpture Condition Figure is in pristine condition and has never been displayed. The box is also in Mint Condition. Signature Signed in plate, • Printed signature under foot. Certificate of authenticity Included (one issued by gallery; one issued by authorized authenticating body) Frame Not included Series "Stop Being Poor...

Varco is a mixed media wall sculpture by Vera Vizzi that explores the emotional depth of the sea through a vivid interplay of texture, gesture and color. Composed in foam clay, plast...

*For questions, special requests or commission inquiries, please text the gallery directly using ASK THE SELLER button. Grouping of 3 paintings is $2000 and of 4 paintings is $2500. ...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Evan Holloway (b. 1967) Untitled, 2011 Steel, brass, Sculptamould, lead and paint 200 x 160 x 120 cm (78 3/4 x 63 x 47 1/4 in) Complex suspended network of rods, wires, and small cl...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

Artist: Paul Von Ringelheim, Austrian/American (1933 - 2003) Title: Bust of Alberto Giacometti Year: Circa 1970 Medium: Painted Plaster Size: 29.5 x 13 x 17.5 inches

SALE ONE WEEK ONLY The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. It does become more ...

This abstract painting by Teodora Guererra features a teal, pink, and white palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping stro...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Organic, clean, minimal, white and yellow gold sculptural wall relief that is ceramic on painted wood panel. 24 x 30 x 2 inches. A beautiful and tactile work of art from Pop Art pion...

This abstract painting by Teodora Guererra features a blue and white palette ranging from deep blue-grey at the bottom of the composition, and fading up to light blue and white at th...

The intricate retablos of Chicago-based artist Patrick Fitzgerald are his means of paying homage to those who have inspired him throughout his life. Derived from Mexican votive...

Brindle’s Light Glyph’s, are luminescent and mercurial sculptures, constantly shifting in hue as the viewer moves around them. Absorbing and reflecting light, they have a meditative ...

"Gaucho" Abstract Metal Sculpture by Kevin Barrett Red automotive paint on bronze Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reli...

Daniele Fortuna's Venus sculpture is a captivating fusion of classical beauty and contemporary vibrancy, marrying the timeless elegance of ancient Grec...

"Stellar" by John Clement Abstract Metal Sculpture in red painted aluminum In his sculptures, John Clement bends stainless steel into fanciful curvilinear forms focused on essential...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Linda Smith original painting

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...

Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

This evocative wall sculpture by Vera Vizzi, titled VITA, forms part of the artist’s ongoing exploration of maritime themes and human vulnerability. Crafted in mixed media on reclaimed wood, the piece presents a poetic seascape made of three stacked wooden blocks, each painted in shifting shades of deep blue and stormy grey to evoke a layered oceanic horizon. Atop the highest block sits a delicate miniature boat with small figures, amplifying the sense of fragility and scale. The composition recalls coastal environments and states of emotional suspension—between movement and stillness, presence and absence. The textured surfaces and chromatic modulation suggest tides, foam, and sediment, while the figurative element introduces a narrative of journey, survival, or return. Like much of Vizzi’s work, VITA resonates with themes of resilience, the pull of memory, and our longing for connection with the sea. This one-of-a-kind sculpture belongs to the artist’s new 2024 collection and is ready to hang. Ideal for collectors interested in contemporary marine art, mixed media assemblage, or metaphorical sculpture. Keywords: By the Sea, Miniature Boat, Mixed Media Sculpture, Marine Art, Wall Sculpture, Ocean Artwork, Seascape Assemblage, Contemporary Nautical Art, Small Boat Sculpture, Vera Vizzi, Blue Wall Art...

This textured abstract painting by Teodora Guererra features a deep, royal violet palette with subtle white and magenta accents. The artist applies paint in thick layers and wide, en...

Light (Leggero) is a mixed media wall sculpture by Vera Vizzi combining modeling clay and acrylic paint on a circular fir wood support. This 30 cm Ø piece presents a textured lunar r...

Hexagonal gold clay wall sculpture in hand molded ceramic relief designed for modular wall installation. This wall-mounted clay sculpture is composed of hand molded natural clay, low-temperature fired and spray-finished in a metallic gold tone. The surface develops through compact braided strands compressed within a hexagonal structure, creating a dense ceramic relief defined by repetition and tactile accumulation. The gold finish intensifies the sculptural depth of the piece. Rather than functioning as a flat metallic surface, the color interacts with the relief geometry, producing shadowed recesses and reflective highlights. The intertwined clay elements generate a continuous textured field, emphasizing material density and structural cohesion. The hexagonal format establishes a precise geometric boundary that contrasts with the organic flow of the braided forms. This balance between geometry and material fluidity defines the visual language of the work. The sculpture operates both as an independent clay wall relief...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

This 5" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a deep teal palette with light texture over the surface of the cube. It ...

RED BLACK BRILLO Acrylic on canvas with leather and brass fittings over wood. 17 x 17 x 14" (43.18 x 43.18 x 35.56 cm.) 2019 The sculpture was recently featured in the Elle Decor Ar...

This 5" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a grey, white, and beige palette with imperfect white circular forms arr...

Bussie Parker Kehoe’s Bounty exemplifies her innovative practice of transforming recycled house paint into sculptural paintings. Built entirely from layered and carved pigment, the w...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Sinuosity sculpture. Wall mount or pedestal mount. Mid Blue metallic finish. 21"x18"x7" keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

SOUND AND VISION – You called me mellow yellow (9 pieces, B) is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39....

Larry Mohr, American (1921 - 2013) Painted Metal Sculpture Abstract Construction Hand signed, dated and titled (signature is a bit faint) Bars II Sketch 1982 Dimensions: 18.5" x 24....

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

This textured abstract painting by Teodora Guererra features a warm orange and red palette with subtle white accents. The artist applies paint in thick layers and wide, energetic str...

Tom Holland (American, b. 1936) Rivero fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1981, hand signed and dated Dimensions: 73 x 58 X 10 inches Provenance: C...

Phase is a contemporary wall sculpture by Vera Vizzi that merges cosmic topography with symbolic intervention. Executed in modeling clay and acrylic on a circular fir wood base (30 c...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Thomas Pfannerstill has worked as a full-time studio artist since 1986, following his education at Western Kentucky University (BFA 1975). He currently resides and works in Louisvill...

Chloe Hedden’s Persian Rose Excess from her Excess series continues her exploration of Excessivism, using thick, sculptural paint to embody themes of overconsumption and indulgence. ...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

NIGEL HALL Rydbo Maquette, 1989-2000 Painted Steel Unique The authenticity of this work has been confirmed by the artist Provenance: Christie's New York: J...

Drape 114 Champagne by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wrinkl...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...