Pigment Sculptures

Dry pigment and acrylic medium on treated raw canvas stretched over wood and PVC armatures. Dimensions listed are for piece as shown -- note that dimensions are variable depending o...

"Ascension (red reamer)" by John Van Alstine Granite, red pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and m...

Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire Biomorphic and earthy yet industrial style wall sculpture, she...

Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...

Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shel...

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, she...

Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...

Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Two of the oil can sculptures depicted here are sold. Please contact the gallery for specific prices on individual prices and smaller light boxes sold with the sculptures. Prices range from $675 - $2050 including a small lightbox for individual sculptures. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

"Windseeds" by Norman Mooney White-Pigmented Aluminum Norman Mooney is a contemporary, abstract sculptor born in Dublin Ireland. He was selected to participate in the third degree ...