Plastic Sculptures

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

This sculptural wall relief transforms layered blue and white ocean waves into a tactile seascape inhabited by a solitary miniature figure. Created by Italian artist Vera Vizzi in 2...

Roleke creates politically aware work. Her wall reliefs are composed of multitudes of plastic toys, oddly sexualized Disney characters and Happy Meal trinkets. Through investigation ...

Artist: Nancy Graves (American, 1939-1995) Title: "Rope Trap" *Titled, signed, and dated by Graves (inscribed into the metal) on red cylinder lower right Year: 1985 Medium: Original ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

CARLOS CRUZ-DÍEZ - CHROMOINTERFERENCE MANIPULABLE CARIBE Date of creation: 2014 Medium: Screen print on plexiglass Edition: 99 Size: 40 x 35 x 10 cm Condition: In perfect conditions,...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"Breathless Civilization" In this work, I explore the fragility of human systems—the moment when the line between protection and vulnerability begins to dissolve. Gas masks, once symbols of survival, become artifacts here. They no longer protect; instead, they carry the memory of fear and the instinct to endure. I intentionally build a tense, almost fractured surface—through aggressive drips, layered textures, and broken, gestural marks. For me, this is a visual language of urban decay and emotional residue, traces of what remains after overload, anxiety, and loss of control. The fragmented elements within the composition are not just formal—they reflect a world where survival has become automatic, stripped of human presence. I’m interested in that shift—from conscious existence to something mechanical. This work does not follow a direct narrative. I see it as an artifact—a trace of a civilization that adapted too late. Air, in this piece, is not only a physical necessity but also a metaphor for freedom—something increasingly restricted, filtered, and controlled. By merging painting with object, I intentionally blur the boundaries between mediums, reinforcing the central tension of the work: protection and vulnerability, presence and disappearance." Artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

SAFE IN THE MIDDLE is a mixed media wall sculpture by Vera Vizzi that juxtaposes urban sketching with organic relief. Executed in foam clay, acrylic paint and enamel on a 34 × 40 × 3...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Artist: KAWS, Title: Small Lie (Black) Series: Toys Date: 2017 Medium: Sculpture Unframed Dimensions: 11" x 5" x 4.5" Signature: Stamped Edition: Open Edition KAWS (America...

With Midnight Gengar: Meow in the Blue Shade, Saori Nakamishi presents a nocturnal and poetic variation of her neo-pop universe, where Pokémon culture encounters a kawaii aesthetic i...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

This Mixed Media piece titled "I’m on Fire" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 16”h x 11”w x 1”d. Roxana Azar’s wo...

This Mixed Media piece titled "Adansonii Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The piece measures app...

Introducing the ultimate fusion of art and function with the Cleon Peterson X Museum of Contemporary Art Denver X Modernica Case Study Chairs. These t...

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

FERRARA SHOWMAN GALLERY is proud to present Offerings, the first solo exhibition in twenty-three years of New Orleans-based artist and gallery co-owner, Jonathan Ferrara. For his gal...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Fiberglass/carbon fiber with a burnished graphite finish on composite base "Don Frost, sculptor, creator of completely unique, innovative and original fine art. ""We can only truly...

Cristina Ghetti is a leading voice in contemporary Post-Medial Geometry, whose work bridges the gap between digital precision and traditional painting. Born in Argentina and based in...

This Mixed Media piece titled "Orchid Panel" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures 47.5”h x 23.5”w x 1”d. Roxana Azar’s work ...

Be Free Fiberglass / Composites Filled Resin Base Turquoise Finish 15" x 15" x 11" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed guide...

This Mixed Media piece titled "Fern Spiral Series 1" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measures 6.25”h x 7”w x 2”d. Roxana Azar...

"Brillo Box Pink" Pop Art Sculpture 17" x 17.5" x 14" in Ed. 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award winn...

This is a fibre glass sculpture by the noted Chinese artist, Xie Ai Ge, that is hand laid with 99.99% gold leaf, varnished. This piece is for 1 item of "G...

A unique artwork crafted from Plexiglas, featuring an engraved phrase that adds depth and meaning. Perched atop the artwork’s frame is a small figurine, creating a playful yet though...

This piece is offered in the following colors: White, ruby red, coral pink, violet, turquoise, emerald green, promo blue and light blue. When ordering please mention the desired colo...

Fiberglass & Chrome Edition 1/3 Valentin Korzhov is a Russian artist born in 1975 who lives & works in Moscow, Russia. Valentin Korzhov is known for his multi-media works combining...

FERRARA SHOWMAN GALLERY is proud to present Offerings, the first solo exhibition in twenty-three years of New Orleans-based artist and gallery co-owner, Jonathan Ferrara. For his gal...

Breathless Civilization "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by a...

This is a monumental sculpture which gives us a conversation about our relationship with the natural world. It is not only a straight up beautiful form of our majestic elk but it is ...

FERRARA SHOWMAN GALLERY is proud to present Offerings, the first solo exhibition in twenty-three years of New Orleans-based artist and gallery co-owner, Jonathan Ferrara. For his gal...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Pink Sojourn One This contemporary abstract wall sculpture is crafted from layered acrylic and plexiglass, merging painting with sculptural form into a vibrant, light-reactive compo...

FERRARA SHOWMAN GALLERY is proud to present Offerings, the first solo exhibition in twenty-three years of New Orleans-based artist and gallery co-owner, Jonathan Ferrara. For his gal...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Fictional Nonfiction: Archaeology 3019, Plaster, Crushed glass. Book is sealed in Original Packaging and each Book is Unique from one another. Numbered l...

This painted polyester sculpture is signed by the artist ‘Niki’ on the base. It is also numbered from the edition of only seven on the base. There were three artist’s proofs aside fr...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

Geoffrey Rose - Frozen Moments - Root Beer Float, Medium: Resin and Styrofoam Sculpture, Image Size: 6, Size: 8.5 x 6 in. (21.59 x 15.24 cm)

This sculpture titled "Love for Ten Thousand Years" is an original artwork by Kelly Kozma made of handmade origami wishing stars strung on embroidery thread. Kozma's work is supporte...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Title: Liquid Sunshine: Lotus Year: 2009 Medium: Hand-dyed cast polymer rubber, painted steel Size: H 33 x W 20 x D 20 (in) Niho Kozuru is a Japanese-born mixed media artist based ...

Edition of 200 ex. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art...

Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely accepted as a grandfather and leader of the Op art movement. In 1928, he enrolled at Sán...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

Sculpture combining a Plexiglass box displaying a plastic/resin character enhanced with acrylic paint and real customized candies are scattered around the base of the sculpture. Ins...

This super colorful and vibrant wall sculpture is both a painting and a sculpture in one. The piece floats off the wall and is created using black plexiglass which is carved with an...

Doug Aitken EveryThing, 2015 Mirror, Fibreglass & resin 92.5 x 119.5 x 12.5 inches Edition of 4 plus 2 AP's Provenance: NB: Available on sale

KARL LAGERFELD ( 1933 - 2019 ) Kaiser de la mode ! Photographe , designer , dessinateur ... "Chanel addict " directeur artistique de la maison Chanel , ...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Edition of 200 ex. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism ...

Invader 3D Little Big Space, 2022 Medium: 3D Little Big Space Vinyl Sculpture Musart Condition: Brand new Size: 11"x 7.8" x 1.6" / 28 x 20 x 4cm Each piece is numbered and engraved ...

The artist intends to modifie the human landscape with the abstract presence of his artworks. The point of starting to think this artwork, we can say that it is the same of the Fran...

What do you get when art meets math and computer programming? If you’re Ani Aba, what you get are stunning replicas of art historical masterpieces or replicas of animals portraits ma...