Plastic Sculptures

Linda Stein, Specimen 94 - Mixed Media Collage Contemporary Wall Sculpture Diorama This diorama was made in the 1970s as part of Linda Stein's Missives series--a body of work born f...

'Silver Dreams', Part of Void and Substance series. Composite materials and fiberglass is 18 x 18 x 9 inches, While Oleg is a classically trained master stone carver, as an artist an...

From the newest original works by Zammy Migdal, these wall objects hang as sculpture on the wall, each one unique, forming its own fluid story. This light gray work is from a series...

Donut with Sprinkles – Large 3-Foot Pop Art Sculpture 🍩✨ 📏 Size: 3 Feet (36 Inches) – Oversized Statement Piece 🎨 Style: Pop Art, Americana, Vintage Advertising, Retro Decor 🏗 Material: Durable, Hand-Painted This large, eye-catching donut sculpture...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Unsig...

This circular moon wall relief by Vera Vizzi combines foam clay, acrylic paint and enamel on a fir wood panel. A cratered lunar surface surrounds two small figures standing on a vivi...

Political play and the fragility of systems converge in this modular domino wall sculpture red lunar motif on black wood panel, mixed-media foam clay. This mixed-media work presents...

Sculpture combining a Plexiglass box displaying a plastic/resin character enhanced with acrylic paint and real customized candies are scattered around the base of the sculpture. Ins...

This modular domino wall sculpture is executed in foam clay and acrylic on a black painted wood panel. The composition pairs a deep matte ground with a sculpted white shell and two g...

The distinctive shape of a bull’s head attached to a horn-like stand pops in glossy bright colours of red, yellow and black in this whimsical sculpture by Benny Katz. As a former gra...

This new work by Tal Nehoray is from her latest body of works called "1000 MG Love Pills". All are hand made with Fiberglass and hand painted with automotive paint. It stands on a bl...

Mixed Media Ceramic Cup Sculpture, 6 x 6.5 x 5 in, Matt Mitros, 3D Printed Resin Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was a...

Pigmented hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Technique: Mixed media - plexiglass, bronze, aluminum, marble, Murano glass, and more Dimensions: 27 cm (base is 7,5 x 8,5 x 1.5 cm) Weight: 1.2kg Edition:  limited edition 5/8 pi...

Blue coastal wall sculpture with miniature boat, ocean wave relief and layered marine imagery inspired by travel, memory and the experience of the sea. This unique mixed-media wall ...

“Hadron (white)” is a folded flag sculpture by American sculptor, Mimi Herbert. Made of silkscreen formed acrylic sheet and 9700 Naz-dar industrial ink, this sculpture can be install...

Treatment - Luxury Social Emoji Sculpture INCLUDES BOTH SYRINGES Do No Harm Volume 1 Handmade Sculpture Emoji Addictions 2020 "PINK", 2019 Handma...

"Future Summary Twenty-Two" exemplifies Kal Mansur's sophisticated exploration of light, transparency, and spatial perception. Constructed from layered acrylic elements, the work occ...

Using smooth, minimalist forms in black with bright green, blue, red and white, Israeli-based sculptor Benny Katz creates the playful essence of a body builder...

Ultramarine wall relief from the Domino Series combining sculptural texture, fluid abstraction, and intense blue chromatic depth on a black panel. This vertical mixed media wall scu...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth, piled upon one another into a column, or as the artist calls it, a totem. The pastel painted plaster in peach and lavender looks almost soft. The piece is smooth and the bold navy blue, taupe and marigold yellow paint embellish the abstract geometric design. This sculptural votive candle holder is a functional and decorative tabletop art...

Modular mixed-media domino relief in bright cyan foam clay on a black-painted wood panel, featuring white hemispherical domes, a painted linear divider and a dripping, sculpted casca...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Future Summary Twenty-Five is a sophisticated contemporary abstract wall sculpture by Kal Mansur that explores the relationship between light, color, transparency, and spatial percep...

Sculpture combining a Plexiglass box displaying a plastic/resin character enhanced with acrylic paint and real customized candies are scattered around the base of the sculpture. Ins...

Contemporary, Abstract, Mixed Media, Ceramic, Sculpture, PVC, Pigmented Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into t...

Wim Van Borm (Belgian, born 1972) "Between Strokes" 2025 Mixed media, epoxy resin, and polyurethane on a wood base The artist signed the back of the artwork. "Between Strokes" is a ...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

Tom Holland (American, b. 1936) Hopps fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1982, hand signed and dated Dimensions: 65.5 X 78 X 10 inches Tom Hollan...

This expressionist ceramic bust by Óscar Aldonza Torres portrays an elderly man through richly modelled surfaces, oil-painted color and copper lea...

Irina Daylene Leap of Faith (blue chrome freestanding), 2024 Chrome paint on fiberglass 26 x 31 x 25 in (66.04 x 78.74 x 63.5 cm)

This wall-mounted conceptual sculpture by María Magán features a border fully covered with hand-shaped chewing gum forms in alternating tones of soft grey, strawberry pink, and dusty...

The sunflower and the bouquet is an idea that has been floating around in the artist's head for years. It starts with the notion of the still life, the most basic subject when approaching visual art. It's the attempt to look at that which is full of life, yet by acknowledging its existence, one understands that beauty is temporary and will fade. This series starts with the flower, the symbol of fleeing beauty. By taking this character and turning it into a cast object, the artist has turned it into an icon, further removed from reality by bleeding it of color. The sunflowers then become beautiful shadows their former selves, as dying coral becomes enticing when it bleaches. They are elegant reminders of their past, whilst also becoming new figures that reference archaic notes of classical beauty expressed monochromatic hues. STATEMENT In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. Because sculpture is so heavily rooted in the ground, one has to accept its materiality. Yet, some of the most effective work I have witnessed is that which attempts transcendence. It is that steady push and pull between mass and lightness, solidity and absence, form and void. Additionally, I am drawn towards familiar objects and associations that are embedded within them. Current work makes reference to visual anchors such as bodily forms, sagging, or bloating. Whether the product is a still life created in Scotch tape or a bouquet composed of plaster flowers, I look to the fantastic as a goal in my work. The work is intensely representational in content but without clearly assigned meaning, thus creating a disquiet. In this way I think in a surrealist vein, looking to traditional figures like Eva Hesse and Piero Manzoni, and contemporary figures like Robert Gober and Matthew Barney. The juxtaposition of the seemingly simple streamline objects with this disquiet adds a powerful force to the work, again symbolic of the contrast between the emotional life which defines us as humans and the compulsions and minutia that compose our daily lives. Joe Davidson

Political play and the fragility of systems converge in this modular domino wall sculpture. Dripping ultramarine foam clay over a black painted wood panel, modular domino wall sculpt...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia ...

In ARCHITECTURAL HYPERBOLE 03, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

KAWS:HOLIDAY SPACE (Black), is a celebration of 20 years of the KAWS Companion. Using a sounding balloon, the KAWS:HOLIDAY SPACE was sent up 41.5km into the stratosphere before retun...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

This white lunar wall relief by Vera Vizzi is a circular mixed media sculpture made with hand-modelled foam clay, acrylic paint and enamel on fir wood. A pale avalanche-like mass flo...

The sculpture is a part of the series - Forward to the Future. The core idea of this project is to encourage people to use infinite and environmentally friendly natural energy. The ...

FERRARA SHOWMAN GALLERY is proud to present Offerings, the first solo exhibition in twenty-three years of New Orleans-based artist and gallery co-owner, Jonathan Ferrara. For his gal...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Blue circular wall sculpture with nautical relief, miniature figure and coastal imagery inspired by memory, travel and the emotional pull of the sea. Portami Al Mare (Bring Me to th...

This white winter wall relief by Vera Vizzi is a mixed media sculpture made with hand-modelled foam clay, acrylic paint and enamel on fir wood. Layered bands form a tactile landscape...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Title: Impronta Artist: Marilina Marchica (1984, Italian) Year: 2025 Dimensions: 15 x 25 x 3 cm Medium: Silicone cast mounted on handmade iron frame Materials: Silicone, Iron Support...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** ***The artist is moving on to a new full time venture in 2026**...

Miniature figures balance and play upon floating planets in this blue cosmic round mixed media wall sculpture by Italian artist Vera Vizzi. Created in 2022 and titled Blue Players, ...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...