Porcelain Sculptures

Technique: handmade porcelain, made in Italy Edition: handmade piece, limited edition Certificate of authenticity provided Dimensions: 20 x 14 cm Weight: 0.5 kg Ardor is a bra...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Contemporary Moon Jar, Porcelain with China Paint 12.5 x 13.5 x 13 in, Sam Chung Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

In this sculptural jar series, the artist draws on iconography surrounding nature, women and the history of Western art to question our place in the order of things. Women and nature...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Sara Fine Wilson's "Rumble" is a small scale abstract mixed media ceramic and plaster sculpture in a neutral palette measuring 6 x 3 x 3 inches. M...

Joan Lurie Untitled #3 White Glazed Porcelain 20" x 14" x 14" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...

Tea Bowl
2017
Porcelain, Glaze, Gold
16.5 x 20.5 x 16.5 cm

In this work, Takuro Kuwata transforms the archetypal Japanese tea bowl into a glea...

Sara Fine-Wilson's "Levitate" is an abstract mixed media sculpture in neutral tones. Multiple ceramic elements were previously hand formed and extruded, then fired and incorporated i...

Origin: Chinese Artist: Unknown Title: Children Playing Medium: Porcelain Urn Size: 16 x 9.5 x 9.5 in.

“I could start fires..” I could start fires with what I feel for you. Destructive love. Engulfing flames. Burn the world until the ashes fly into space. Nothing left but feeling. “...

“Your pulsing giant heart..” Your pulsing giant heart bringing you to your knees. Praying while you pull it out. Shove it into the earth and let it be home. May flowers grow where th...

Grayson Perry ''100% Art'' Ceramic Plate. On the reverse is the classic Grayson Perry Stamp, depicting the Crown, Anchor and 'W' The Plate measures 21cm in diameter.

"Take Out (Csirke-Fogo)" is an original lithograph on Gampi paper, and glazed porcelain artwork by Yoonmi Nam measuring 5”h x 13”w x 16”d (variable). Yoonmi...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

White and blue, glazed, ceramic piggy bank. With rubber stopper, contained in the original cardboard box.

Joan Lurie Untitled #3801 Glazed Porcelain 22" x 12" x 12" 2014 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the ...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

The panel paintings ""Expanded Metal Tile Paintings"" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bl...

“Is beating me from the inside..” …Is beating me from the inside. Breaking my ribcage just to reach you. The palm trees are rustling, making secrets with the wind. The water is rumbl...

“So I lay here..” So I lay here curled in a home that is not my home (anymore). The sound of the memory. Tire whirring on asphalt. Echoing against the trees, becoming a hum. This cu...

“I could start fires...” I could start fires with what I feel for you. Destructive love. Engulfing flames. Burn the world until the ashes fly into space. Nothing left but feeling... ...

“Your lipstick left a bruise..” Your lipstick left a bruise on my wrist. I tried to wipe it away, but my pulse was still thumping. The honey on your tongue left me sticky. Sweating s...

“Here I learn..” Here I learn the smallest of sounds become thunder if you let them. So I gave you silence to hear every frequency of you, echo off every frequency of the forest... ...

Glazed porcelain

Artist: Ilena Finocchi Title: Bottles Year: circa 2009 Medium: Plaster-Cast Ceramic Molds, Lights, Wooden Display Light Box Size: 16 x 20 x 20 in. (40.6...

This piece is an original bowl by Wayne Fischer. It is a double-walled bowl made from porcelain and features delicate and subtle coloration. 11" diameter Milwaukee ceramist current...

Intricate, monochrome florals contrast with the flat, near-abstract twin vases from which they grow, yearning toward one other. “Reaching and Pulling” (2022) by Colleen Toledano. Por...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. Focusing on the narrative qualit...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire at her throat, and the other with a pattern, which may be interpreted as ...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

“This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that represents Mary holding Jesus after his crucifixion. By replacing Jesus and loving Mary’s traditional appearance, the two women's images become the apex of women caring for other women.” The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

This vessel is part of the Unsung Muses series, and it illustrates various versions of the Goddess Astarte in juxtaposition with rows of pattern and text. The text on the body of the...

Iren Tete is currently a Visiting Artist at the University of Florida in Gainesville, and holds an MFA from the University of Nebraska-Lincoln. H...

Javier Calleja – Little Devil Cat, Lladró, Limited Edition Porcelain and glass sculpture, signed and numbered by the artist. This playful and contemporary sculpture is the result of...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

"Wild Cherry" (2024) by Carolyn Barlock is an original, handmade sculpture made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Den...

Joan Lurie Untitled #4 White Glazed Porcelain 19" x 14" x 13" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...

Artist: Matteo Thun, Italian (1952 - ) Title: Le Damigelle in Craquelet Year: circa 2008 Medium: Porcelain Size: 15 x 7 x 7 inches Produced by Orlando Andrian and Claudio Gambalonga...

Contemporary Glazed Porcelain Sculpture, 7 x 11 x 11 in, Peter Christian Johnson "My work explores transformation using the kiln as a vehicle for deconstruction. The porcelain grid ...

Melanie Sherman Vase with Koi and Blue Wave Hand Built & Painted Vase Year: 2024 Porcelain, Glaze, China Paint, Gold & Platinum Luster Fired: Electric Kiln, Cone 6 Approx. Size: 27 x...

Melanie Sherman Vintage Moth III (Hand-Painted, Gold Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster Year: 2025 Size: 4.5 x 6 x 0.5 inches S...

Original sculpture vase made of porcelain, gold and Persian lusters by artist Carolyn Barlock.

Medium Print Condition Plate is in perfect condition and has only been opened to take pictures. Signature Signed in plate, Signed in plate, Printed signature and edition details on Verso of the plate. Printed Signature on Custom Artist Box. Certificate of authenticity Included (issued by authorized authenticating body) Frame Not included Series Coalition For the Homeless...

In her lakeside studio surrounded by nature, Paula Murray creates uniquely beautiful porcelain pieces. This vessel has a tall undulating form accentuated by waves of lines that run b...

Melanie Sherman Large Corset Platter Porcelain, Glaze, ChinaPaint, Vintage Decals, Flocking Cone 6, oxidation + multiple cone 018 firings, handpainted 2016 Size: H 0.75" x W 16" Sign...

Biography Molly Schulps saw the possibilities of clay at an early age through the lens of her father, who was a successful production potter and well respected in the field of cerami...

Unusual 19th century English Staffordshire musical figures crafted in porcelain and hand decorated depicting a female figure with an accordion and a male with a barrel piano.

"My work explores the nature of relationships through the animal forms and environment, as well as folkloric references. The animals are the metaphor for our own needs; the need to c...

Life-Size Unique Hand-Painted Clay Sculpture, Modern Figurative Art, 2013s zeitlosnah (“timeless and close”) This series of lifesize female sculptures exuding a static aura of self...

Life-Size Unique Hand-Painted Clay Sculpture, Modern Figurative Art, 2010s zeitlosnah (“timeless and close”) This series of lifesize female sculptures exuding a static aura of self...