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Medium: Slip
Katharine Morling, Porcelain Camera Sculpture with Long Lens, Black and White
Located in Dallas, TX
Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Long Zoom Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling.
Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK.
In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date.
After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital through Vital Arts and a contemporary dance piece at the Royal Opera House...
Category
2010s Contemporary Slip Sculptures
Materials
Clay, Porcelain, Slip, Ink
The World
Located in Denton, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Slip Sculptures
Materials
Earthenware, Slip, Glaze
Propositions are Truth Functions
Located in Denton, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Slip Sculptures
Materials
Earthenware, Slip, Glaze
Wood Fired Ceramic Painting: 'Fire Painting 9.6.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 6.9.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 4.9.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 14.6.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 13.11.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Ceramic Painting: 'Fired Ceramic Painting 8.6.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 5.9.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 3.9.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Fired Ceramic Painting: ' Fire Painting 14.11.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition.
“In recent ceramic Fire Paintings...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
The Pod
Located in Denton, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Slip Sculptures
Materials
Earthenware, Slip, Glaze
Potential
Located in Denton, TX
Earthenware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Slip Sculptures
Materials
Earthenware, Slip, Glaze
Wood Fired Ceramic Painting: 'Fire Painting 4.4.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 2.9.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 3.4.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 7.14.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 1.4.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 5.4.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 3.2.10'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Ceramic, Clay, Glaze, Slip
Wood Fired Ceramic Painting: 'Fire Painting 14.11.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 15.6.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
Wood Fired Ceramic Painting: 'Fire Painting 13.6.18'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Slip Sculptures
Materials
Stone
One night ii
By Toni Ross
Located in Fairfield, CT
One night ii, 2016
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
One night iv
By Toni Ross
Located in Fairfield, CT
One Night IV, 2016
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
April 13, 2016
By Toni Ross
Located in Fairfield, CT
April 13, 2016
Stoneware, slip and gold leaf
Category
2010s Contemporary Slip Sculptures
Materials
Gold Leaf
Stele #29
By Toni Ross
Located in Fairfield, CT
Stele #29
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Stele #28
By Toni Ross
Located in Fairfield, CT
Stele #28
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Stele #11
By Toni Ross
Located in Fairfield, CT
Stele #11
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Composition #8
By Toni Ross
Located in Fairfield, CT
Composition #8
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Stele #13
By Toni Ross
Located in Fairfield, CT
Stele #13
Stoneware and black slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Stele #16
By Toni Ross
Located in Fairfield, CT
Stele #16
Stoneware and slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Stele #5
By Toni Ross
Located in Fairfield, CT
Stele #5
Stoneware and black slip
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Stele #22
By Toni Ross
Located in Fairfield, CT
Stoneware and slip
14 x 6 x 4 in.
Category
2010s Contemporary Slip Sculptures
Materials
Stoneware, Slip
Gray Whale
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa
Gray Whale
Medium: Black stoneware and white slip
Year: 2021
Size: 25" x 13" x 6.5"
Description: Slip-trailed skeleton sculpture
Signed
COA provided (by representing gallery)
------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
BIO
Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category
2010s Contemporary Slip Sculptures
Materials
Slip, Stoneware
Fruit Bat
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa
Fruit Bat
Medium: Black stoneware and white slip
Year: 2021
Size: 28" x 10" x 3"
Description: Slip-trailed skeleton sculpture
Signed
COA provided (by representing gallery)
------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
BIO
Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category
2010s Contemporary Slip Sculptures
Materials
Slip, Stoneware
Yellow Stingray
By Grace Khalsa
Located in Kansas City, MO
Grace Khalsa
Yellow Stingray
Medium: Black stoneware and white slip
Year: 2021
Size: 10" x 19.5" x 2"
Description: Slip-trailed skeleton sculpture
Signed
COA provided (by representing gallery)
------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
BIO
Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...
Category
2010s Contemporary Slip Sculptures
Materials
Slip, Stoneware
Full
Located in Kansas City, MO
Stephanie Lanter
Title : "Full"
Materials : Porcelain, glaze, stoneware
Date : 2020
Dimensions : 15" x 12" x 5"
Description : Manually slip-trailed & coil built sculpture
Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.”
Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...
Category
2010s Abstract Geometric Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Missed
Located in Kansas City, MO
Stephanie Lanter
Title : "Missed"
Materials : Porcelain, glaze, stoneware
Date : 2019
Dimensions : 15" x 13.5" x 11"
Description : Manually slip-trailed sculpture on coil built pedestal
Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.”
Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...
Category
2010s Abstract Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Find the Line
Located in Kansas City, MO
Stephanie Lanter
Title : "Find the Line"
Materials : Porcelain, glaze, stoneware
Date : 2018
Dimensions : 12" x 8.5" x 9"
Description : Manually slip-...
Category
2010s Contemporary Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Screenmeat
Located in Kansas City, MO
Stephanie Lanter
Title : "Screenmeat"
Materials : Porcelain, glaze, nichrome wire
Date : 2018
Dimensions : 12" x 11" x 5"
Description : Manually slip-trailed word sculpture on hand-built stand
Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.”
Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...
Category
2010s Abstract Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
If Nothing Else
Located in Kansas City, MO
Stephanie Lanter
Title : "If Nothing Else"
Materials : Porcelain, glaze, stoneware
Date : 2019
Dimensions : 15" x 15.5" x 8"
Description : Manually sl...
Category
2010s Contemporary Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Truthology
Located in Kansas City, MO
Stephanie Lanter
Title : Truthology
Materials : Porcelain, glaze, stoneware
Date : 2018
Dimensions : 20" x 13" x 8"
Description : Manually slip-trailed word sculpture on coil built p...
Category
2010s Abstract Geometric Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Lopsided
Located in Kansas City, MO
Stephanie Lanter
Title : "Lopsided"
Materials : Porcelain, glaze, stoneware
Date : 2018
Dimensions : 15" x 10" x 7"
Description : Manually slip-traile...
Category
2010s Abstract Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
You
Located in Kansas City, MO
Stephanie Lanter
Title : "You"
Materials : Porcelain, glaze, stoneware
Date : 2019
Dimensions : 15" x 10" x 6"
Description : Manually slip-trailed word sculpture on coil built pedestal
Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.”
Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh, Eva Hesse, Lee Bontecou, Judith...
Category
2010s Contemporary Slip Sculptures
Materials
Ceramic, Luster, Porcelain, Stoneware, Slip, Glaze, Underglaze
Slip sculptures for sale on 1stDibs.
Find a wide variety of authentic Slip sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tony Moore, Toni Ross, Stephanie Lanter, and Robert Milnes. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Slip sculptures, so small editions measuring 0.12 inches across are also available
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By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.
How to Spot a Fake KAWS Figure
KAWS art toys have developed an avid audience in recent decades, and as in any robust collectible market, counterfeiters have followed the mania. Of course, you don’t have to worry about that on 1stDibs, where all our sellers are highly vetted.
A Giant Wedding Cake Has Us Looking at Portuguese Tiles in a New Light
At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.
These Soft Sculptures Are Childhood Imaginary Friends Come to Life
Miami artist and designer Gabriela Noelle’s fantastical creations appeal to the Peter Pan in all of us.
Hideho Tanaka Carefully Stitched Together Pieces of Paper to Make This Sculptural Textile
The Japanese fiber artist’s ‘Vanishing and Emerging Wall’ may seem innocuous — but it plays with conceptions of time.