Men Nude Sculptures

This AFTER BOTERO sculpture is a very beautiful, faithful reproduction in the style of BOTERO'S work that has sold very well here on 1st Dibs. The edition is 50 in Roman numerals. ...

Dancer III is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 100 × 50 × 20 cm (39.4 × 19.7 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

Sleeping Hermaphrodite, large neoclassical white marble sculpture, Rome, early 19th century. The Sleeping Hermaphrodite is a life-size marble sculpture depicting the Greek mythology...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 2013. It is part of a series of sculptures of bodies made with chisel and hammer, in the ...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

Bronze Figure of Crouching Venus, or The Naked Aphrodite, 19th Century Italian School Bronze raised on a marble base 21 in. h. x 10 in. w. x 7 in. d., overall 18 in. h. x 8.5 in. w....

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

19th-Century Marble Torso of Apollo Impressive 19th-century white marble torso of Apollo, after the Antique, finely carved in the classical Greco-Roman tradition. The idealized male...

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

Amazing male bronze bust with a black patina. This work is the 6th from an edition of eight. Its creator, Igor Mitoraj, is a polish sculptor deeply rooted in the classical tradition....

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

Retrorsum Bookend Bronze Sculpture Nude Boy Classic Contemporary In Stock Wim van der Kant, born in Kampen in 1949, is a sculptor known for his refined, realistic bronze sculptures....

After Giambologna (Italian, 1529-1608) Mercury Standing on the Breath of Zeus Bronze 27.5 x 14.25 x 5.5 inches The sculpture depicts Mercury wearing his winged helmet and sandals and holding a caduceus. Created after one of Giambologna's most celebrated sculptures in the Renaissance, Mercury, was designed as part of a fountain for the Villa Medici in Rome.The head on which Mercury steps symbolizes the figure being “exhaled, purified, unburdened.” When the Giambologna sculpture...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Handmade Benin sculptural tribal bronze figural judgement throne chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standin...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Franz Iffland (1862 Tempelhof - 1935 Berlin), Javelin thrower, after 1910. Olive-black patinated bronze with cast plinth mounted on a white-veined black marble base (7 cm high). Tota...

Measurements Male: Figure: H=35” W=15” D=8” with base H=6’4” weight ca. 600 lbs. Edition of 9 2009 Measurements Female: Figure: H=34” W=14” D=7.5” with base H=6’-3” weigh...

Nude Male Torso Bronze Sculpture on Marble Base Nicola Rivelli large bronze sculpture of a male torso mounted on a rectangular gray stone/marble base, artist signed on back lower ri...

The Borghese Gladiator, 19th Century Bronze on marble base Musée du Louvre signed on base 15 x 12 x 8 inches Since its discovery in the early seventeenth century, the Borghese Gladi...

It is marvelous to find discoveries such as Lorrie Goulet's female form, one of our few American women sculptors who direct carved in marble. Goulet has an attractive technique of u...

In this work, the author turned to classical mythology and created the image of the goddess Venus. Goddesses of youth, beauty and love. He created the classical female torso on a marble basement. Кeferring to the classical works of antiquity, the sculptor created his own version of the Venus statue...

Tom Otterness Lovers, 1992 Incised with the artist's initials and inscribed AP 5/10 on the underside Bronze 4 3/8 x 4 x 3 1/2 inches Tom Otterness (born 1952) is an American sculpt...

Prometheus Freed is a sculpture by Guatemalan artist Walter Peter Brenner. Dimensions are 50 x 30 x 16 cm (19.7 x 11.8 x 6.3 in). This artwork is signed and numbered. Prometheus hol...

Edris Eckhardt (American, 1905-1998) Vernal Equinox, c. 1975 Bronze Signed on base 16.5 x 4 x 3 inches Born in Cleveland, Ohio January 28, 1905, Edris was given the name Edythe Alin...

Seated Mercury (Hermes) — Grand Tour Life-Size Bronze Italian School (possibly Naples) Italy, Late 19th–Early 20th Century This commanding life-size Grand Tour bronze depicts Mercury (Hermes) seated in quiet repose upon a rock, rendered with classical authority and exceptional refinement. The youthful god’s finely modeled anatomy, serene, introspective expression, and distinctive winged sandals draw directly from the celebrated ancient prototype, creating a sculpture of enduring presence and balance. Fully restored and ready to place, the bronze presents beautifully for interior display or garden installation, where its patinated surface responds richly to natural light. The composition derives from the renowned Seated Mercury discovered on August 3, 1758, in the peristyle garden of the Villa dei Papiri at Herculaneum. The ancient original—now housed in the Museo Archeologico Nazionale di Napoli—became a touchstone of classical taste and a must-see for Grand Tour travelers of the 18th and 19th centuries, admired for its harmony, restraint, and technical mastery. Cast in richly toned bronze and finished with a nuanced patina, this example exemplifies the Neapolitan tradition of Grand Tour bronzes, prized for archaeological fidelity and sculptural finesse. Its impressive scale and poised silhouette make it a significant focal point in both modern and classical settings—an object that bridges antiquity and the cultivated collecting culture of the Grand Tour. Notable Related Examples: Getty Villa · Kunsthistorisches Museum · Villa San Michele...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

Prorsum and Retrorsum Bookends Set Two Sculptures Bronze Nude Boys In Stock Wim van der Kant, born in Kampen in 1949, is a sculptor known for his refined, realistic bronze sculptur...

Ver Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises...

“Woman” is a Stainless Steel Sculpture by the artist Marian Owczarski. It measures approximately 15 x 8.5 x 6 inches. The date of creation is unknown,...

Bronze founder CHAPON 3/8. Lost wax. Sophie Susplugas lives and works in Paris. From her earliest years she carved busts, hands, dancers and dancers. It all starts with the ground...

Miratio Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively pract...

Antonio is an elegant figurative sculpture of the male form by Nando Kallweit. Modelled on modern postures but with a nod to the importance of heritage through the stylised Egyptian...

Sizes including stone pedestal 97 x 22 x 22 cm Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

Suspensus Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher...

Ad Dextram Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Nex...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

The Guardian, or Wächter, is an elegant figurative bronze sculpture by Nando Kallweit. This sculpture exudes elegance through its elongated, slender form, capturing attention with i...

Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at...

Tollit Bronze Sculpture Nude Boy Contemporary Male Figure Balance Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his bu...

French sculptor Georges Colin depicts Icarus in an idealized pose, featuring a handsome, fit, semi-nude male with an acutely delineated musculature. Mod...

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

'Stepping Stones' by Benson Landes is a Solid Bronze 20th Century Nude Ballet Dancer - she is so light on her feet and beautifully elegant. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing...

Finis Saltationis Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a b...

Gallulus Bronze Sculpture Nude Boy Male Figure Green Patina Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Lucifer Evangilans Bronze Contemporary Sculpture Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as ...

Tuemini Ergo Sum Bronze Sculpture Nude Boy Male Figure Marble Stone - In Stock - Height Sculpture without Stone pedestal: 7...

Cursus Bronze Sculpture Contemporary Nude Boys Male Figures Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession...

The unique contemporary figurative sculptures of William Hung often express the human condition and are imbued with emotion. This striking piece, cast in ...

At Dawn is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 68 × 65 × 38 cm (26.8 × 25.6 × 15 in) The sculpture is signed and numbered, it is part of a...

Last Heroic Season Bronze Sculpture Classic Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling a...

Walter Sinz (American, 1881-1966) Zinnia, c. 1930 Plaster Signed on base 9 x 8 x 4 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fa...

Mother and Child, with a base by Baltasar LOBO (1910-1993) A bronze group with a dark brownish green patina Signed on the base " Lobo " Cast by " Susse Fondeur Paris " (with the fou...

A Roman sculptor (17th century) - Hercules and Cerberus. 18 x 9.5 x h 37 cm. Full figure carved in alabaster. Separate alabaster base (not signed). The sculpture depicts the clima...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.