Men Nude Sculptures

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

Antigone Bronze Sculpture Classical Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling and sculp...

Dionysisch Bronze Sculpture Mythology Classical Contemporary Art. Including Pedestal 130 cm The sculptures of Margot Homan (1956, Oss) show a perfect command of the old craft of mod...

Terracotta bozzetto of a dancing female nude with scarf in mannerist style, on square base.

Tollit Bronze Sculpture Nude Boy Contemporary Male Figure Balance Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his bu...

Per Se Bronze Contemporary Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a...

'Spirit' by Carl Payne is a 20th Century Solid Bronze Nude Figurative Sculpture. Carl is a Staffordshire based sculptor for whom art has played a large part in his academic work taking him through the Burslem School of Art, the Henry Doulton School of Sculpture and then to Stafford College. After qualifying in Figurative Sculpture he launched his career with commission after commission which has now secured his reputation for fine quality workmanship both in life-size format and smaller decorative pieces. The list of his completed commissioned work is extensive, including many ‘house-hold’ names from the sporting world, commerce and the past. The following are just some of the private and publicly commissioned completed works that form Carl’s prestigious portfolio:- King George 5th and Queen Mary – life size portrait buste commissioned by Cunards Cruise Ships and located in the ballroom of the Queen Mary 2 (QM2) cruise ship. Ride a Cock Horse to Banbury Cross – life size and a quarter commissioned by Banbury Council, located at Banbury Cross and unveiled by Princess Anne. Randolph Turpin – life size and a quarter - commissioned by Warwick and Leamington Spa...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

Without Title Bronze Sculpture Hand Female Nude Figure Mythology Classic The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of model...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athlete of Discobolo and the Hercules figure with a lion pelt, on a cylindrical base...

Hippodameia Bronze Sculpture Mythology Classic Contemporary Nude Female Figure. Size is including pedestal The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect...

Broken limbs and the abstraction of the bodies are meant to suggest that the works have been subjected to the vicissitudes of time, decay by the elements and the damages caused by un...

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David was one of his most popular works. The Biblical hero is depicted naked with the head of Goliath at his feet like Donatello's David, but with a turbanned head and sheathing his long sword...

Balans Balance Bronze Sculpture Classical Contemporary . Height including pedestal The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old cra...

Danse Mystique Dance Mystic Bronze Sculpture Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling ...

The Art Deco bronze by Amedeo Gennarelli shows an unclothed lady sitting almost bolt upright and demurely on a high marble column. The naked lady rai...

Hemelse Jacht Heavenly Hunt Bronze Sculpture Classic Contemporary Mythology. Size height including pedestal. The sculptures of Margot Homan (1956, Oss, th...

"Benji - Dance of Sorrow" is a bronze sculpture of a dancing man. The bronze is covered with green patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 7 of 14 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

Aquila Bronze Sculpture on pedestal of marble Hight bronze 57 cm with pedestal of marble (included) 68 cm Wim van der Kant's sculptures are in bronze...

Duality of Vision Bronze Sculpture Classic Contemporary Art The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling and sculp...

Vos Fox Bronze Sculpture Girl with Fox Figure People Animal The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. T...

De Gave The Gift Small Bronze Sculpture Classical Contemporary Mythology The sculptures of Margot Homan (1956, Oss, NL) show a perfect command of the old craft of modelling and scul...

Maät Bronze Sculpture Contemporary Classic Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling and sculpting, ...

De Gave The Gift Bronze Sculpture Classical Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of t...

Movement in bronze You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this tradition in...

The sculpture is signed below, inside Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994....

Dionysisch Tors Bronze Sculpture Classical Mythology Contemporary Art The sculptures of Margot Homan (1956, Oss, NL) show a perfect command of the...

An Exquisite bronze figural pairing of two putti with butterfly wings. One putti holds a bow, while his counterpart cowers behind him. A dynamic piece of fabric hovers over the grouping, showcasing expertly modeled drapery, embellishing the composition of the piece. The figural grouping and pose is base off of a painting by William-Adolphe Bouguereau (1925 - 1905), a french academic painter who created realistic genre paintings of modernized mythological scenes. Itasse studied under Belloc and Jacquot and exhibited at the Salon from 1864 to 1893. The artist worked on multiple public commissions for the Louvre (Retour de la Chasse), l Opera (Philidor, Puccini, Cambert), the Trocadero Palace (L Astronomie) and Hotel de Ville de Paris. He specialized in busts, portrait reliefs of contemporary personalities, also sculpting a number of genre and allegorical works, such as The Kiss, The Birth of Love, Astronomy and Science. Amongst other awards he won a medal at the 1875 Salon and an honorable mention at the Universal Exhibition of 1889. Artist: Adolphe Itasse...

Finis Saltationis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sch...

Dana Younger's (US based) "Leaning Woman is a original, handmade Bas-relief sculpture on Maple and Niove that depicts a classical Roman depiction of the f...

Male classical torso.

This 24.01" x 15.74" bronze table top sculpture by artist Arman Hambardzumyan was created in 2013 and features an abstract nude female form. The figure is seated with crossed legs, the torso is curved upward opening into a corset form with outstretched arms. "The image of a woman always inspires me in both physical and spiritual beauty. In this sculpture, I tried to express the image of a woman with her soul, which has no smell, taste and is not tangible. The contour of the beautiful shimmering body of a woman allows you to feel the presence of the female soul inside."--ArmanH Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA. This work was exhibited in 2015 in 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan; and at the Art Expo, New York, April 21-24, 2017, organized by Redwood Art...

Artist: Kuno Lange, German (1950 - ) Title: Seated Nude Woman Year: 1996 Medium: Bronze Sculpture with Black Patina, signature and number inscribed Edition: 3/9 Size: 17 in. x 18 in....

Cursus Bronze Sculpture Contemporary Nude Boys Male Figures Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession...

Europa Bronze Sculpture Mythology Bull Zeus Female Nude Contemporary The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of ...

Job is a Woman, 2022 by Alex Hodge Ceramic Plate with Sgraffito and Underglaze Detailing 8 in x 8 in x 2.5 in This wall piece centers on the narrative of Job, with the woman being a...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Tuemini Ergo Sum Bronze Sculpture Nude Boy Male Figure Marble Stone - In Stock - Height Sculpture without Stone pedestal: 78 cm Wim van der Kant (1949, Kampen) is a selftaught artis...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Ad Dextram Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he ...

Algeo Bronze Nude Male Figure Sculpture Boy Marble Stone - In Stock Beautiful intimate sculpture of a boy, nude bronze male figure in a grey pat...

Edition of 12. Signed and inscribed on front right of base: "De LUE sc '86 © 1987 4/12 Tx". Cast at the Tallix Foundry in Beacon, NY. "Job, as much as any work of De Lue, shows t...

Luctatio Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher ...

Bronze sculpture from Tauno Kangro's figurative nude bronze selection.

This series consists of bronze casting figures in 5 different postures. The surface can be selected as either copper patina or silver patina. It's actually a deep jump into the unkno...

Venus Bronze Sculpture Woman Contemporary Female Nude Sitting Lady The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They ...

Evelyn Beatrice Longman was a trailblazing female artist getting major commissions at the very begining of the 20th century. Having lived in New York City, I used to walk by the li...

Scy Colorado Artist Image Size: 36 inches tall Medium: Bronze "Rise" The carvings on the hip are an ancient symbol representing the journey of life. The carving in the middle of her core represents leadership. The ribbon is rough textured on one side and smooth on the other as it represents life. She has a grasp on the ribbon representing her strength through life. I wanted to convey the strength within...

Well modeled 19th century French bronze of a standing naked woman. Signed Cartinet, this piece is a wonderful example of the skill of a Sculptor. The piece retains all its origina...

Marion Visione luna 2/7 bronze In cm's: H 55 W 50 D 20 cm An extremely refined realistic sculptor who translates classic stories into modern forms in his own way. Marion Visione ...

A sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his upper torso is c...

This muscular male torso probably comes from a larger relief, which would have decorated the front part of a sarcophagus. It likely represents the figure of a satyr, standing, with t...

David Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at ...

Ira Bronze Sculpture Contemporary Nude Boy Marble Stone Sitting Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession a...

Scy Colorado / Texas Artist Image Size: 12" Medium: Bronze "Antica" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Michael Ayrton (1921-1975) Girl Wringing out her Hair Patinated bronze, 1962 26cm in height Michael Ayrton was a British artist and writer, renowned as...

Canadian sculptor WW Hung has chosen another poignant and powerful pose to explore the human condition in this contemporary mixed-media piece. A nude male sits on the edge of a chil...