Men Nude Sculptures

This artwork titled "Ixchel" 1977, is a bronze sculpture with brown patina by noted Mexican artist Enrique Gottdiener Soto, 1909-1986. Signature is impressed on the bronze. The sculp...

Modernist nude bronze sculpture by Houston, TX artist David Adickes. The sculpture depicts an abstract armless female nude torse that stands on a wooden base. The piece is signed by the artist at the back of the sculpture's left leg. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

Charles Theodore Perron (French, 1862-1934) "Woman with Iris" Gilt and Patinated Bronze Sculpture, late 19th century, the standing figure upholding Irises, on a circular base, signed...

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

Bill Starke's "In My Dreams I Can Fly" is a limited edition, cast and patinated aluminum sculpture created by Bill Starke depicting a male figure free falling through the air. ( 3/99 ) Note: Images 4 and 5 depict additional available patinas. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reclining Nude Resin bronze 56 x 26 cm An enigmatic resin bronze sculpture of...

Monumental finely carved limestone fountain sculpture of Goddess with a putto figure and three magnificent dolphins . Proveniente from an important Villa Veneta. Including a round ...

Ludwig Eisenberger (active in Berlin between 1895-1920), Spear Fighter, around 1910. Brown patinated bronze with residual gilding on a cast terrain plinth with marble base (8 cm high...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Unveiling is a contemporary artwork realized by Maryam Pezeshki in 2021 Terracotta sculpture. Original title: Svelamento Maryam Pezeshki was born in Tehran on August 18, 1977. SHe began to paint at the age of three. Her first painting was a Pinocchio. Participate in national and international painting competitions and festivals among Asian and Iranian children, winning first prize each time. At the age of ten she participated in a television program entitled "Little Great Artists". At the age of fourteen she won the prize for the best drawing and sculpture among Iranian teenagers, and she enrolled in the artistic high school, continuing to do her first personal exhibitions of sculpture, painting and drawing. From the age of seventeen to nineteen she won the national prize for best sculpture at the youth festival for three consecutive years. At seventeen he enrolled at the University of Art in the graphics sector and at twenty-one he graduated with full marks. In the same year she began studying for the master of graphics and managed to be among the seven students admitted. At the age of twenty-five she finished his studies and won a competition for teaching drawing and sculpture at the University of Art. In the meantime, visit the European and Indian museums...

Abstracted sculpture of a nude woman by Francis Xavier "Frank" Bracken (American, 20th Century). Signed, dated and numbered "Francis X. Bracken 1981 2/7...

Bruno Zach (1891 Zhitomir - 1945 Vienna), Gladiator ready for battle, c. 1930. Blackish patinated bronze with silver-plated helmet, shield rim and shield pommel mounted on a fluted m...

Large French Neoclassical sculpture of Androcles and the Lion. Exceptional quality casting and patina. Mid 19th century. The runaway slave ...

Icaro III bronze 28h x 12w x 12d in 71.12h x 30.48w x 30.48d cm ed. 1/8 JCP073 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasure. We can analyze his wor...

Emmanuel FREMIET (1824-1910) Gorilla kidnapping a woman A rare bronze group with a greenish dark brown patina signed "E. Fremiet" on the base cast by " F. Barbedienne Fondeur " (fo...

Ian Edwards - Born of Fire - Original Signed Bronze Sculpure Dimensions: 30 x 32 x 32 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavour. He draws inspiration from natural forces, with his powerful masculine figures often bearing the surface texture of time enduring landscapes. Edwards uses this external inspiration to explore very internal themes of fortitude and self-discovery. Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self...

"Gynaeceum" ("Gynécée") is a poetic bronze sculpture of three nude women being at one with Nature, by Isabelle Jeandot. The diameter of its circle bo...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

Alfredo Pina’s Extreme Effort (Le Suprême Effort) is a striking bronze sculpture that embodies the raw struggle of human perseverance. This expressive work portrays a muscular male f...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Canadian sculptor WW Hung has chosen another poignant and powerful pose to explore the human condition in this contemporary mixed-media piece. A nude male sit...

Ian Edwards - The Root Within - Original Signed Bronze Sculpure Dimensions: 220 x 70 x 70 cm Edition of 6 Edwards’ practice expresses the power and determination of human endeavour...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

"Young girl sitting at her toilet" also known as "Young girl with braids" by Joseph BERNARD (1866-1931) Sculpture in bronze with a nuanced brownish dark green patina Signed on the ...

Grand tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers...

Nude woman figure knelling on the pillow. Signed illegibly with initials, dated '64 edition 1/3. Bronze on marble base.

Danse Mystique Dance Mystic Bronze Sculpture Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling ...

Three years after surprisingly winning the commission for the Paris Opera House—today known as the Palais Garnier—Charles Garnier entrusted one of the four major sculptural groups fo...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Beautiful original bronze sculpture of a female nude dancer in the Art Deco period. Circa 1930. The artist is the well known American sculptor, Allan Clark. Signed in the base by th...

A rare example of late Renaissance sculpture, this impressive Italian bronze captures one of the greatest divine heroes of myth and legend: Hercules. The figure is rendered with stun...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Male classical torso.

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

The Three Graces by Alfred JANNIOT (1889-1969) A bronze group with a nuanced brownish green patina Signed on the side of the base "A. Janniot" Cast by "Susse fondeur Paris" (inscrib...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Donald De Lue, American (1897-1988). Sun God, 1937. Bronze, 35 x 19 x 9 inches. Bronze with Renaissance Brown patina and gold patina on sun. Number 6 in an ed...

Cupid and Psyche by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group with nuanced brown patina signed on the base "Carrier-Belleuse" old edition cast France circa 1870 hei...

Dean Kugler Atlas Shrugged, 2024 bronze, ed. 9/12 22h x 14.50w x 16d in 55.88h x 36.83w x 40.64d cm ed. 9/12 DK0046 Dean Kugler is a seasoned interdisciplinary artist, painter, and ...

Volo Standing Male Nude Sculpture Figure Bronze Boy - In Stock Volo is a standing male nude figure in bronze, a boy reaching, in brown patina. This sculpture is suitable for indoors ...

Duco Lineam Bronze Sculpture Boy Male Nude Figure Marble Duco Lineam is a bronze male nude figure, a sculpture on a marble foot, from a boy bending and wri...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Desperate by Jules DALOU (1838-1902) A bronze sculpture with a nuanced dark brownish-green patina Signed on the base " Dalou " Cast by " Susse Frères Editeurs Paris " (with the fou...

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David was one of his most popular works. The Biblical hero is depicted naked with the head of Goliath at his feet like Donatello's David, but with a turbanned head and sheathing his long sword...

"The Broken Mirror" also named "The Unrecognized Truth" by Aimé-Jules Dalou (1838-1902) Bronze with a very nuanced brown patina cast by SUSSE France circa 1910 height 34 cm A similar model reproduced in "Jules Dalou, le sculpteur de la République", Exhibition held at the Musée du Petit Palais, Paris, 2013, page 391, n°316. Biography : Aimé-Jules Dalou, said Jules Dalou(1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler Ancient Art bronze 18h x 9w x 7d in 45.72h x...

The Odalisque is an original decorative object realized by Giuseppe Salvi in 1886. Silver-plated Bronze representing a young odalisque, Sign, place and...

Seated Female Nude, circa 1930-1940, Giorgio Rossi (1894–1981), Tuscan sculptor Period: circa 1930-1940 Artist: Giorgio Rossi (1894–1981) This sculptu...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

Diana with an arrow by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with a dual light and dark brown patina signed on the base "Carrier-Belleuse" inscribed on a front plaque "Diane à la Flèche par Carrier-Belleuse (Sculptr)" France circa 1870 height 83 cm arrow added probably in the 20th c. Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart. Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

Bronze sculpture. Incised signature by the artist and numbered. Artwork is in excellent condition. Edition of 10. Certificate of authenticity included. All reasonable offers will be ...

Emile Coriolan Hippolyte Guillemin (French, 1841-1907) "The Falconer" Patinated Bronze Sculpture, late 19th century, the figure of a young man holding a falcon whilst standing on a d...

Lost wax bronze 3/8. founder Paumelle. French artist, born in 1954 in Versailles. Lives and works in Paris but also in Lozère (in the south of France) where, as soon as she can, she ...

Max Kalish The Road Builder inscribed M. KALISH 23, with Meroni-Radice foundry mark, on top of base bronze with dark brown patina, on an ebonized rectangular plinth Height: 13 1/8 in. not including base Provenance: Spanierman Gallery, New York BIO Max Kalish (1891 – 1945) Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

Jafet Torelli (active in Florence in the second half of the 19th century), Pan and Siringa Terracotta sculpture 54 x 22 x 22 cm signed Torelli Firenze on the base.

Edition of 12. Signed and inscribed on front right of base: "De LUE sc '86 © 1987 4/12 Tx". Cast at the Tallix Foundry in Beacon, NY. "Job, as much as any work of De Lue, shows t...

Beautifully proportioned and handsome nude male bronze with Roman classically refined features after the Antique . It looks best with a key lighting th...