Abstract Expressionist Art

Here is another “Musicians” oil painting on canvas paper by artist Koko, signed in the lower right. The painting measures 16 x 20 inches and features a vibrant composition centered o...

Blue & yellow abstract watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed on verso and unframed. Image...

Paul Wadsworth has a very special, innate talent for transporting the viewer into other realms. In his stunning, vibrant works from his travels on the Indian sub-continent the painti...

Leonardo Nierman, Mexican (1932 - 2023) - Moonlight, Medium: Oil on board, Size: 32 x 24 in. (81.28 x 60.96 cm), Frame Size: 40 x 32 inches

Abstract by Yvette Dubois-Habasque (1929-2016) dated verso oil painting on artists board, unframed painting measures: 9.5 x 13 inches Stunning original abstract painting by the Fre...

This work is a strong example of Abstract Expressionism in the drip or gesture painting style. It uses layered, all-over compositions with dripped and poured paint forming overlappin...

1960s Italian Signed Dated and Autenticated Painting Mino Maccari work Three stylized figures Work by the Sienese artist Mino Maccari, signed at the bottom right Maccari 1969. Mixed ...

Sophie Dumont — Layers of Color Oil on canvas – 23.62 x 23.62 in (60 x 60 cm) Framed: 26.37 x 26.37 in (67 x 67 cm) – Choice of black or natural wood floater frame Year: 2025 – Signe...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Gorgeous abstract expressionist painting by Bay Area artist Michael Pauker (American, b.1957), circa 1977. Can be installed either vertically or horizontally. Unsigned. Purchased as ...

Dan McCaw's (US based) "Waiting" is an original, handmade oil painting that depicts an abstracted figure in an interior setting. Artist Statement: Born: 1942 A solid foundation o...

MAREKS GURECKIS (1974) CREATIVE WORK: 2025 Creation of a fire sculpture as part of the “Night of Fire” festival in Saulkrasti 2025 Visual design of the stage of the “Saulkrasti Jaz...

Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Dan McCaw's (US based) "Textures" is an original, handmade oil painting that depicts an abstracted figure in a moody interior setting. Artist Statement: Born: 1942 A solid founda...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

Blue Iris. Stillife, Oil on Canvas, Floral, Flowers, Iris, Horisontal, Rectangular, Impressionism, Interior, Blue, Green, Medium. This painting was created in 2025. It's a rectang...

This gestural, abstract, acrylic and pigment on canvas is by Montreal-based artist Shireen Kamran. Early in her career, Shireen Kamran’s enigmatic artwork was influenced by famed ab...

Artist: Charles Christopher Hill, American (1948 - ) Title: Socony Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 15/19 Size: 30.5 x 23 inches Frame Size: 33.2...

shipped rolled in a tube. The Air Feels New from the series “Inner Landscapes” This painting is part of the Inner Landscapes series, where landscape becomes a reflection of memory, ...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated indistinctly oil painting on canvas, unframed canvas size: 39.5 x 39.5 inches condition: ...

Sorin Bica's "I Can Assure You" is a 24 x 24 x 2 inch abstract expressionist oil painting on canvas. This painting is a surreal abstract portrait of three faces in an intimate embrac...

Nicely painted American school abstract expressionist painting. Oil on canvas. Framed. Signed verso. Measuring 30 by 30 overall and 24 by 24 painting alone.

This original oil painting on linen is by Sophie Dumont, a French contemporary artist whose abstract landscapes and structured compositions are exhibited internationally and held in ...

Elegant abstract oil painting in warm yellow and gold with metallic pigments including gold and metal leaf on Belgian linen. The large scale vibrant painting shimmers and changes wit...

This striking exhibition poster by Peter Nyborg showcases his mastery of color and form. Printed on heavy stock paper, it boasts vibrant, richly layered hues that radiate energy and ...

Marc Raphael’s "Meteor Shower" is a captivating display of action painting that explodes with color and kinetic energy. This original 24 x 60-inch acrylic painting combines elements ...

Sorin Bica's "Imagine" is a 50 x 38 inch oil painting on canvas. It's an expressive, abstract painting of a seated figure rendered in bold, almost glowing blocks of color. The person...

112. pareja de gatos 120x120 cm original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production c...

“Tulips of Love” — Large-format contemporary Fauvist-inspired, Matisse-influenced floral still life created in a modern expressive / metamodern figurative style, executed in acrylic ...

This 19x14 mixed media abstract draws you into the depths, with fluid tones and layered textures that create a sense of movement and mystery. The intricate details capture the essenc...

"The Calm Within" contemporary woman's portrait painting by French artist Natalya Mougenot, in her signature expressive style, opens her ongoing Women series — a profound body of wor...

Title: Liberty Portrait Painting Liberty Flowers Abstract Artwork Striking Bold Original Blue Red Life This abstract contemporary artwork takes one to a place of freedom and the fe...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso oil painting on canvas, unframed canvas size: 24 x 20 inches condition: overall ver...

Three Poems: Mexico City Personages II Robert Motherwell, American (1915–1991) Portfolio: Octavio Paz Date: 1988 Lithograph on Japon with Chine Colle Edition of 750 Image Size: 13 x ...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Abstract oil on canvas, circa 1960s

There are days I find myself looking back at moments that live quietly in memory, days filled with laughter, noise, and the warmth of people I once stood beside. I painted this from ...

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite C...

"Moodâ€

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

Jazzu Coup de chance Techniques mixtes sur papier 2025 Signé et daté au recto Titré , signé et daté au verso 76 x 56 cms 890 euros

Abstract multicolor watercolor with softly blended color fields by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signe...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated verso oil painting on canvas, unframed canvas size: 20 x 20 inches condition: overall very...

Large French Mid Century Abstract Oil Painting Black Purple Pink Gestural Composition by Gilbert Pelissier (French, born 1924) signed and dated 1997 French abstract expressionist oil...

Mid-Century "The Red Village" #50 F Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 12 x 10 inches, frame size “The savage art of Bosco bears its rudeness ...

Artist : Svetlana Shalygina, "The Elegance of Simplicity" Original black & white textured diptych. Large scale, uniquely textured Contemporary paintings, with 2.5" gallery wrap edg...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1958. Signed o the plate on the lower. The print suite was realized i...

Dan McCaw's "Reverie" created in 2024, is a striking oil painting measuring 48 x 42 inches. This original artwork features an abstract composition of a figure, rendered with rich tex...

Richard Andres (American, 1927–2013) Sailing, 1973 oil on canvas signed lower right, signed and titled verso 58 x 72 inches Exhibited: Cleveland Museum of Art, May Show 1973 Richard...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

"Just human" is an original contemporary portrait painting by Natalya Mougenot, featuring an expressive portrait of a human figure created with acrylics and pens on heavyweight, acid...

Antoni Tapies, Spanish (1923 - 2012) - Invitation, Medium: Lithograph, signed in the plate, Size: 9 x 17 in. (22.86 x 43.18 cm), Frame Size: 16.25 x 24.25 inches, Description: An...

This contemporary abstract expressive nature painting, created by French artist Natalya Mougenot, bursts with color and emotion. "Spring on the Horizon" captures the fresh energy of ...

A contemporary abstract expressionism painting in acrylic on canvas .An original ONE-OF-A-KIND textured abstract painting. Minimalistic but powerful, full of energy, details and has...

Artist: K.B. (Kyu-Baik) Hwang, Korean (1932 - ) Title: Burrow Year: circa 1970 Medium: Mezzotint, signed and numbered in pencil Edition: 24/60 Size: 22 x 30 in. (55.88 x 76.2 cm)

Textured Abstract Expressionist Composition in Plaster and Acrylic on Canvas Brightly colored and deeply textured abstract composition by an unknown artist (20th century). Layers of...

A whimsical and imaginative maritime composition by Serg Graff, Lucky Catch presents a fantastical sailing vessel navigating colorful waters beneath a radiant pink sky. Painted in th...

A Large, Dynamic 1960s Mid-Century Modern Abstract Expressionist Painting by Notable Chicago Artist, George Waite (Am. 1935-1994). Executed in the artist's signature palette of brig...

Métamorphose Des Fleurs Arthur Secunda, American (1927) Date: 1989 Screenprint, signed and numbered in pencil Edition of 98/150 Image: 43.5 x 25.5 inches Size: 46.5 x 28.5 in. (118.1...

Mid century modern abstract expressionist oil on canvas in rusty earth tones blending with subdued dark blues and whites by S. Palmer (American, 20th Century), c.1960. Signed lower r...