Abstract Expressionist Art

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start ...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag colours, his symbolic cat sculptures and a highly colourful geometric image of the artist's mother sitting in a chair. The work is signed and dated to the reverse and comes with a certificate of authenticity from the gallery. This montage fully demonstrates Avril's geometric period whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, plywood, oil paint, acrylic, bottle top and nails . The more sculpted areas of the piece stand out up to 3cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...

Abstract. The garden XV Original painting, inspired by summery feelings, Andrei Sitsko has painted a picture with green, yellow, orange, red, magenta, pink, blue, as well and white c...

Joan Miró Lithographie Originale (Cover) Color Lithograph Year: 1981 Size: 15.6 × 12.75 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972, Ref.: 1255, p.178 Publisher: Maeght Editeur, Paris, France With coverfold, recto - as issued Recto, right: Typographically annotated: 'Lithographie Originale' Unsigned, Unknown Edition Size COA provided --------------------------------------- Joan Miró i Ferrà was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981 Surrealism, Fauvism, Cubism, Abstract expressionism, Naive art, Expressionism, Suprematism Pablo Picasso, André Breton, Hans Arp, André Masson, Hieronymus Bosch, Tristan Tzara, Modest Urgell

One side signed. Lower right corner slightly bent. Measures 29x20. Frameless. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to ...

Dan Christensen, American (1942 - 2007) - Micmac I, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 43/100, Image Size: 38.25 x 27 inches, ...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Limited Edition edition of 3433 12 1/2 × 16 3.5 inches Unframed Accompanied by gallery issued Certificate of Guarantee Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Bay Area Abstract Expressionist Composition in Oil Pastel on Cardboard San Francisco Bay area abstract expressionist composition by Ho...

Interior design paintings. The work was done with acrylic in violet, black, beige, pale pink, rose color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality so...

This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qua...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

This painting is a part of the Summer Bloom Series. Night Bloom Jasmine, commonly known as Lady of the Night, has the sweetest scent and attracts moths and bats in the wild, though i...

Francoise with brush in hand, Colors dance at her command. Canvas whispers tales untold, In vibrant hues, her stories unfold. :: Painting :: Abstract Expressionism :: This piece c...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

Luminary Nights James Hiroshi Suzuki, Japanese/American (1932) Date: 1960 Oil on Canvas, signed lower right, dated and titled on verso Size: 23 x ...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

John von Wicht (German American, 1888-1970) "On Blue" 1964 Oil and acrylic on canvas Hand signed lower right "V. Wicht", Hand signed, titled, and dated on the stretcher "1964-66" D...

Tejinder Kanda "In-Within" reflects the Artist's exploration of time and space, presenting spontaneous works that embody absolute independence, free from preconceived notions. These...

Abstract Portrait French School, mid 20th century oil on board, unframed 36 x 25 inches provenance: private collection, France condition: very good and sound condition though there i...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Frank Stella Large Limited Edition Hand Signed Whitney Museum Print, 1985 Offset Lithograph Hand signed, dated and numbered 93 from the edition of 100, lower left front 75 7/10 × 52 ...

Steven H. Rehfeld (American, born 1954) "Eclipse" 2022 Oil Paint, Mixed Media, Colored Pencil, Glue, Paper, Canvas, Stretcher Bars The artist signed the back of the painting. “Eclip...

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

Francesca Owen is an award winning contemporary fine art painter and a former Slade graduate where she studied under some influential artists such as Dame Phyllida Barlow RA CBE, And...

Artist: (after) Lee Krasner (American, 1908-1984) Title: "Lee Krasner: A Retrospective - The Museum of Modern Art (Celebration)" *Signed and dated in the plate (printed signature) lo...

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Roses have long been a favourite subject for artists and this modern expressionist painting by English painter Francesca Owen is a beautiful piece. This work is built up through the ...

This acrylic on canvas unique painting features a stylized and textured depiction of Spider-Man in an action pose, swinging on webs across a vibrant, abstract cityscape. The artist ...

"Ranunculus III", 2025, 60" H x 60" W. Abstract painting in a deep rose, magenta hue consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentine...

Coincidence, by Philadelphia based painter Matt Higgins combines chance and intention into one finished painting. Layers of paint are worked on the surface of the canvas in various s...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso oil painting on canvas, unframed canvas size: 18 x 22 inches condition: overall ver...

Cubist Composition by Armand Rottenberg (French 1903-2000) signed lower corner, oil painting on board, unframed painting: 17 x 9.75 inches Stunning original Cubist painting by the...

"Adagio in Burnt Umber" 2025, 72" H x 60" W. Abstract, mixed media painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (feat...

Damien Hirst - KYNANCE COVE Date of creation: 2023 Medium: Laminated Giclée print on aluminium composite panel Edition: 411 Size: 120 x 90 cm Condition: Brand new and never framed T...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the vibrant energy of New York City with Alex Hook K...

Original and unique work of Maria A. RAVENTOS on canvas and collage Signed by the artist . RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elit...

Antique American school abstract expressionist painting. Oil on board. Signed. In excellent original condition. Nicely framed in a period wood molding. Excellent condition, read...

Flourishing florals blowing in the wind encounter a wrinkle in time which adds calm and relaxation into this exquisite contemporary abstract expressionist landscape. Impressionisti...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Pastures Green” is a meditation in movement and cool luminos...

Sophie Dumont – “Les Gardiens du Savoir” Oil on canvas – 19.69 x 59.06 in (50 x 150 cm) Framed dimensions: 22.44 x 61.81 in (57 x 157 cm) – Choice of black or natural wood frame Year: 2025 Certificate of authenticity included Les Gardiens du Savoir is a monumental bookshelf painting by French artist Sophie Dumont, known for her poetic and textured abstractions of literary spaces. In this large horizontal composition, vertical books stand as sentinels of silence and memory, painted in a harmonious palette of ivory, navy blue, ochre, rust, and soft grey. Built entirely with oil and palette knife, the surface is richly textured, offering tactile depth and visual rhythm. Each book, slightly irregular, becomes a unique entity—together forming a sculptural architecture of thought and time. This elegant and balanced work makes a powerful statement in modern interiors, reading rooms, or creative spaces. Part of Dumont’s acclaimed “library” series, Les Gardiens du Savoir combines minimalist structure with emotional resonance. Her work is collected internationally and exhibited in galleries and museums across Europe and North America. 🔍 Keywords SEO : bookshelf painting, large oil on canvas, French artist Sophie Dumont, contemporary library art, abstract book painting, neutral and blue wall art...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Abstract expressionism artwork inspired by all the thoughts racing through my head. The palette is colorful, mainly pink. Worked in several layers with spontaneous gesture and brus...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on th...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Expansive and emotionally charged, Living it Up by Alison John...

graphite & ink on trace paper

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Work signed on front and back It is sent in a tube

Dynamic, colorful painting of a man floating in a pool by Marc Foster Grant (American, b. 1947). Signed, titled and dated, "Monster Five," and "Grant...

Title: Untamed Ocean Freedom Sea Blue Peace Flow Energy Abstract Contemporary Artwork Living close to nature, brings with it the abundance of life. The blue reflects the state of ou...

"Nothing lasts forever, even our pains too" Ephemeral is a captivating piece from the Life in Circles series that explores the transient nature of existence. The artwork evokes the i...

Green, Yellow, Red - Textured Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended...

Acrylic and enamel on Canvas The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realit...