Abstract Expressionist Art

"LSD" Abstract Expressionist Impasto Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended colors...

"Autumn Peak" Abstract Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended colors...

"Before we can evolve, balance must be restored. The word goddess contains the syllables expressing both the masculine, god, and the feminine, ESS, sound tones. The suffix ESS and th...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Ronald Davis (American, b. 1937) Pitch, 1983 cel-vinyl copolymer on canvas Hand signed verso and further inscribed with title, date, size and PTG 751 67 x 110 1/2in. Framed 69 x 112in. Bears remnants of old gallery label to reverse. Ronald Ron Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions. Born in Santa Monica, California, he was raised in Cheyenne, Wyoming. In 1955–56 he attended the University of Wyoming. In 1959 at the age of 22 he became interested in painting. In 1960–64 he attended the San Francisco Art Institute. Abstract expressionism, the prevailing artistic movement of the time, would have an influence on many of his future works. In 1962 he was a Yale-Norfolk Summer School Grantee. In 1963 his paintings became hard-edged, geometric and optical in style, and by 1964 his works were shown in important museums and galleries. He lived and worked in Los Angeles, 1965–71, and in Malibu, California, 1972–90. Since 1991 he has lived and worked in Arroyo Hondo on the outskirts of Taos, New Mexico. Ronald Davis from the earliest days of his career had a significant impact on contemporary abstract painting of the mid-1960s. According to art critic Michael Fried: Ron Davis is a young California artist whose new paintings, recently shown at the Tibor de Nagy Gallery in New York, are among the most significant produced anywhere during the past few years, and place him, along with Frank Stella and Walter Darby Bannard, at the forefront of his generation. He had his first one-person exhibition at the Nicholas Wilder Gallery in Los Angeles in 1965. Barbara Rose wrote an in depth essay about Davis' paintings of the 1960s in the catalogue accompanying an exhibition of his Dodecagon Series in 1989 in Los Angeles. Among other observations she wrote: Davis saw a way to use Marcel Duchamp's perspective studies and transparent plane in The Large Glass for pictorial purposes. Instead of glass, he used fiberglass to create a surface that was equally transparent and detached from any illusion of reality. Because his colored pigments are mixed into a fluid resin and harden quickly, multiple layers of color may be applied without becoming muddy. his is essentially an inversion of Old Master layering and glazing except that color is applied behind rather than on top of the surface. Alone among his contemporaries, Davis was equally concerned with traditional problems of painting: space, scale, detail, color relationships and illusions as he was with the California emphasis on hi-tech craft and industrial materials. His work has some connection to the Light and Space art movement related to op art and minimalism. He was a contemporary of Peter Alexander, Larry Bell, Robert Irwin, Ron Cooper...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

José Manuel Broto - IRIS 5 Date of creation: 2006 Medium: Etching on paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

86.4 x 116.8 cms (34 x 46 ins) Edition of 17 Colour Trial Proof

shipped rolled in a tube. From the "Inner Landscapes" series Margins of a Forgotten May is a profound visual exploration into the metaphysics of memory—capturing those subtle, fleet...

EMILE-ANTOINE BOURDELLE (French, 1861 - 1929). La Nuit de profil (The Night in profile) Conceived 1900-1904 Cast 1972 Patinated bronze Interior signature "BY BOURDELLE." Foundry st...

Philip Guston Monograph: Philip Guston (Hand signed and inscribed to major collector by Philip Guston), 1980 Softback monograph (hand signed, inscribed and dated by Philip Guston to Mary Keesling) Warmly signed and inscribed by Philip Guston to Mary Keesling on the title page 10 1/4 × 9 × 3/4 inches If you're reading this description, then we hardly need to tell you, dear collector and Guston enthusiast, that autographed books...

Like Seeing Fallen Brightly Away is a portfolio of three etchings by artist David Urban made in collaboration with Durham Press in 1998. Moving away from ...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). H...

Now by Christopher Lane, American (1937) Date: circa 1965 Oil on Canvas Size: 28.75 x 39.25 in. (73.03 x 99.7 cm) Frame Size: 29.75 x 40.25 inches

"Welcome To My World," by artist Haleh Mashian, serves as a mesmerizing amalgamation of mixed media and expressionistic techniques. Vibrant hues dance upon the canvas, redefining the...

Title: Enchanted - Joy-bringers in Pink - Floral Meadow Flowers Soft Abstract Invest Nature Joy Stillness In this vibrant acrylic painting, I've poured my passion for the abstrac...

Luke Jackson “Sunrise Cave”, 2023 Acrylic Ink, Charcoal, Oil, On Canvas About the Artist: Luke Jackson is a visual artist who has been based in Brooklyn, NY for the last 20 years....

Medium: original lithograph. Printed in 1959 for the art revue Derriere le Miroir (issue number 116) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 560 mm)...

A Visual Journey: Landscape #4, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Signed (at lower right): KLINE EXHIBITED: Pratt Institute, Brooklyn, New York, November 1–30, 1960, The November Show, as “Moonlight in Lower Manhattan” // Pratt Institute, Brooklyn...

This is an oil painting on canvas by Sam Francis. It was painted in 1985. It is hand signed and dated in red pencil by the artist “Sam Francis 85” [2985], verso. This work is ident...

Artist: Jack Graves III (American, 1988-) Title: "The Fountain" Series: Rorschach *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium: Orig...

Artist: Jack Graves III (American, 1988-) Title: "Minotaur" Series: Rorschach *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium: Original...

This vibrant work of art explodes with an intricate interweaving of blue hues, tinged with light shades of yellow, green and pink. The dynamic composition creates a feeling of smooth...

“Solar Bloom” is a vibrant contemporary floral painting by French artist Natalya Mougenot, an expressive composition where color, gesture, and light converge into a radiant celebrati...

Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture. Dehner's legacy has been ...

"In 2018, I took part in the Exhibition Paralax Art Fear in Kensington in London." said Anna Shesterikova about this painting. "One night I had a bright dream. A London taxi rides al...

44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

Title: Mid Century French Abstract Botanical Expressionist Ink Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's Size: 25.75 inches x 19 (height x ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Dimensional Abstract by Jeffery Abouaf (American, 1949 - 2026). Composed of rows of small "scenes," this piece gives the impression of a roll of film, or moments laid out next to one...

Dimitri Petrov, American (1919 - 1986) - Old and Faithful Dog, Year: circa 1980, Medium: Watercolor and pencil on paper, signed lower right and titled verso, Size: 22.75 x 31 in. ...

Science Art Collection by the Russian-Swiss artist Anastasia Vasilyeva (b.1982). Concept In this painting, the Greek alphabet emerges from a luminous field of orange and gold, rese...

"Soul Trinity" is a large-format contemporary figurative painting by French artist Natalya Mougenot, exploring human connection, emotional bonds, and unity between individuals in a f...

High Above the Valley, original painting by Colorado artist Ethel Magafan. Abstracted Colorado landscape featuring a large mountain rising from the valley below. Rendered in colors o...

An Amazing New Piece at an Incredible Price by renowned Canadian Artist Fahri Aldin. This Stunning Beauty titled 'The Stallion III' is Limited Edition 2 out of 27. From his latest se...

Tadashi Sugimata (1914-1994) WORK P oil on canvas 162.3 x 112.1 cm (63 3/4 x 44 1/8 in) Executed in 1963 Signed Signed and titled in Japanese in the back This work is accompanied...

SALE ONE WEEK ONLY "Untitled" by Nicholas Bodde depicts vibrant layers of color on narrow aluminum strips. These pieces are interchangeable and can be hung in various ways. Each is signed on the verso and was created in 2013. All three are sold as a set. Each aluminum panel measures 39 " h x 2.5" w. Bodde was born in New York he lives and works in Germany. He considers himself a German painter, who uses lacquered aluminum to create works that are beautiful in their simplicity and in their joyful exploration of color. The artist drives upon the tradition of European constructivism as well as Colour Field Painting, noting influences by Mark Rothko and Barnett Newmann. Bodde claims that his paintings “reveal themselves differently from close up and from a distance. When viewed from a distance they clearly appear related to constructivist geometric tendencies. But from close proximity, one notices that my main objective is painting and not construction.” The artist has reduced his subject to parallel vertical or horizontal lines and fields that race across the hard surface in a controlled riot – as if the viewer were looking out of a fast moving car while driving by fields of colorful flowers. Bodde constantly questions the colors, focusing on creating a construction through using different colors. He sees his creations as a mode of communication with the world. He paints on aluminum plates by successive coats of painting that he applies with different utensils to finally obtain a result that imprints itself into the eye’s retina. The game of colorful stripes, more or less large, sometimes with the feeling of the brush, sometimes flat, reflects the light differently on each lap. The brightness of his palette, a willful choice, accentuates the vitality that emanates from this painting. His works hesitate between the vibrating and nearly irritating colors and the calm of a monastic construction.   Bodde received his formal education from the University of Arts in Bremen (1989) and has been exhibited in numerous solo and group shows across the world, including venues such as the Yeh Gallery in Seoul, Planet Art...

“[NON] TOXIC?” is a thought-provoking contemporary abstract painting by Finnish multidisciplinary artist Emmi Iida. The work combines raw texture, metallic luminosity, and text-based...

There's a room in my heart- quiet, untouched, heavy with things I’ve avoided. A photo of someone who hurt me but whom I still love. A memory that feels like a bruise when I touch it....

"Color Breath" is a vibrant contemporary floral painting by French artist Natalya Mougenot, an expressive large-scale still life defined by bold color contrasts, gestural brushwork, ...

Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...

Abstract Painting. Can be hung vertically or horizontally. Vibrant Colors. The surface is the result of an intriguing contrast. Acrylics glazed with resin. The acrylic’s softnes...

Sylvia Wald (October 30, 1915 – March 24, 2011) Monnlight, 1954. Screen print on paper, image measuring 14 x 25 inches. Framed measurement: 21 x 32 inch...

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

Materials: oil on canvas, 20x28" Shipping: Rolled in Tube or stretched Style: underwater impressionism, palette knife art, impasto painting Looking for a unique and one-of-a-kind p...

"Echoes of Red" contemporary floral still life by French artist Natalya Mougenot, in her signature expressive style, captures the pulsating vitality of roses in a terracotta vase aga...

Artist: Sandra Gierke, American Title: Untitled Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 48 x 48 in. (121.92 x 121.92 cm) Frame Size: 49.5 x 49.5 inches

Apple trees. Abstract series. In this piece, I poured my energy into capturing the vibrant soul of nature’s abundance through dynamic, swirling strokes. Using oil paints, I wanted to...

Lithograph and chine colle 73.9 x 56.9 cms (29.1 x 22.4 ins) Edition of 19

Temps Minéral (“Mineral Time”) evokes the layered rhythm of memory through a series of horizontal strata, painted with tactile presence. In this abstract and meditative composition, ...

Downtown San Jose Abstract Expressionist Original Painting by Latino Artist Ricardo de Silva This 1986 painting offers an Abstract Expressionist perspective of downtown San Jose by ...

In this oil painting, I delve into expressive, raw emotion, weaving together vibrant strokes and unexpected color juxtapositions. The chaotic blend of turquoises, purples, and muted ...

Notice-ing (Abstract painting) Oil and graphite on canvas. Unframed. This work is rooted in the human figure, but is abstracted. The forms could be construed as figures in space –s...

"Let the colors flow" is an inspiring abstract expressionist painting with turquoise, green and brown tones. A palette of soft and warm colors, and some deep lines that that are ful...

Do You Remember? What About the Colors? / Simple series / Photograph Creator: Hatice Besun Creation year: 2014 Dimension: 28 x 30.1” External Dimension (with white border) : Heig...

Brazil I/ Acrylic on cardboard / 100 x 70 cm. Authors: Tadeusz Zych and Ryszard Miłek. Catalog number A033. Painting abstract. Framed in a beautiful aged whitewashed wooden frame. Re...

Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium. Torea is a writer,...

Abstract expressionist style painting on canvas paper in teal, dark blue, and pink with accents of green 'Untitled 2 (Blue & Pink)' by Jenny Nelson Oil on canvas paper, Painted in 2016 14.5 x 10.5 inch painting in 20 x 16 inch white 8-ply mat This modern abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2016. The colorful abstract is composed of calming tones of teal and dark blue. The contrasting patches of pinks and green beautifully pop against the subtle pale pink background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting includes an 20 x 16 inch 8 ply matte and is signed on the lower right hand corner. About the Artist: It is with her commitment to a lifelong, organic process that Jenny Nelson has achieved what so many artists and creatives work for; a language and a technique that is very much her own. She has wooed audiences here and abroad with consistently exquisite and balanced abstract paintings in neutral palettes of blues and grays that give way to pops of pink and orange. But to pin her as solely an abstractionist would be limiting her skill and versatility as a painter. Classically trained at Bard College, Nelson’s thorough knowledge of composition and color relationships as experienced through drawing from life are the tools that prepared her to work in abstraction and develop her technique. Nelson begins all her paintings the same way; she mixes an extensive palette of colors, preps the square canvas, and goes to town obliterating the surface with lots of color and wild gestures using oil sticks and brushes. After sitting with the discomfort and rawness that remains, Nelson turns the canvas around and around until a shape or color comes to the foreground. The next step is reductive as she blocks out bits of chaos with a solid color applied with a palette knife, oil sticks and brushes. Tension is built through the push and pull of paint as it is layered over colors and unruly forms. Nelson studies the painting at all stages of this process, waiting for it to communicate the next step until harmony and balance is achieved. Each work, with its own identity demanding attention and complete surrender to the process, may seem daunting at the onset. But Nelson is comforted by the perspective that painting is infinite and each new canvas is just one of many, therefore easing her expectations. Some pieces in this new body of work differ from previous paintings in that the abstractions are once again rooted in life. Inspired by the photographs of artist Joseph Podlesnik, Nelson uses his architectural and observational compositions as the framework for her new work. While the origins of the photographs’ subjects are not recognizable in the finished painting, she channels the energy discovered in his real-life findings to her canvas for a result that is entirely abstract. Invigorated by this approach, Nelson bravely moves forward, prepared to shift genres if that is where her journey takes her. A graduate of Bard College, Jenny Nelson also studied at the Lacoste School of the Arts in France and Maine College of Art. She completed a Residency at Byrdcliffe Art Colony from 2004 – 2008 and has exhibited regionally and nationally for many years. Nelson currently teaches workshops and an ongoing weekly class at the Woodstock School of Art. More about the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally including, Tria Gallery, Manhattan, NY; Hidell Brooks Gallery in Charlotte, North Carolina; Carrie Haddad, Hudson, NY. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...