Abstract Expressionist Art

Colorful Vermont I created this vivid painting with a symphony of brushstrokes that dance on the canvas, weaving into a tapestry of color and energy. Each stroke is a whisper of emot...

"Recycling Post" (FRAMED) Abstract Painting 72 x 48 in by Yoram Katz Medium: Used items, Enamel and Spray paint on Canvas Size framed: 73.5 x 49.5 in ABOUT THE ARTIST: Born in Is...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Dan Christensen, American (1942 - 2007) - Micmac I, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 43/100, Image Size: 38.25 x 27 inches, ...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

Title: Mid Century French Abstract Tree Expressionist Ink Wash Painting Medium: Black ink and wash on paper, unframed French, circa 1950's Size: 25.75 inches x 19.75 (height x width) Condition: The work is structurally sound though with visible creasing, surface rippling and age related toning throughout the sheet. There is light edge wear and handling marks consistent with storage. The ink and wash remain stable. This would benefit from professional flattening and framing. Provenance: from a large collection in Paris Description: A striking mid-century French abstract expressionist ink painting on paper, executed in bold black gestural marks with a strong sense of movement and rhythm. The composition reads as a lively field of calligraphic brushwork, with sweeping strokes, broken textures, and clustered forms that suggest foliage, energy, or a landscape fragment without becoming literal. The confident use of black against the raw paper creates a dramatic, graphic impact, making this an ideal piece for modern interiors, particularly for collectors drawn to monochrome abstraction, post-war European modernism, and expressive works on paper. In this particularly elegant example, the composition resolves clearly into a stylised tree form. A strong central trunk rises vertically from the lower edge, branching outward into sweeping limbs that extend across the upper half of the sheet. The addition of grey wash introduces tonal variation and a subtle sense of depth, softening certain areas while reinforcing the organic structure of the branches. The upward movement of the limbs creates a sense of growth and vitality, while the spareness of the background allows the form to stand boldly against the natural tone of the paper. The work captures the essence of a winter tree or windswept branches through expressive, economical brushwork, aligning closely with the spirit of post-war French Art Informel and modernist landscape abstraction. This fabulous mid century original French expressionist abstract tree painting...

Abstract by Yvette Dubois-Habasque (1929-2016) dated verso and signed with initials oil painting on artists board, unframed painting measures: 16.25 x 13 inches Stunning original ...

Signed and dated by artist on verso

Dan McCaw's (US based) "Symbiotic" is an original, handmade oil painting that depicts three abstracted figures in an interior setting. Artist Statement: Born: 1942 A solid founda...

Gene Hedge Untitled, circa 1957 Oil on paper 23 x 17 1/2 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military service, he ...

James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Title: Wild Abundance Wild Abundance - Abstract Maximalism Painting Show-stopper Unique Bold Symbolism One-of-a-kind This painting is a vibrant and colorful celebration in mixed me...

Untitled, from Zahra Shahcheraghi’s Enchanters of Heaven series (2024) Acrylic and oil pastel on canvas · Zahra Shahcheraghi’s monumental abstraction bridges Persian artistic herita...

Lynda Benglis Untitled, 1995 Letterpress on Somerset Paper Edition 91/100 Pencil signed and numbered from the edition of 100, top recto. Framed Measurements: Sheet: 6 inches by 6 inc...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Pa...

Artist: Elwood Howell, American (1933 - ) Title: Neritic No. 33 Year: 1979 Medium: Acrylic on Paper, signed l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Who is the dreamer and what is the dream. Dreamer in Pink is a lovely, romantic painting from Francesca Owen and adds to the range of her work. It’s a s...

Vintage American abstract cityscape by Dorothy Dixon. Framed. Measuring: 23 by 30 inches overall. Signed on verso. Excellent condition, ready to hang and enjoy.

“Change World” is a striking original vintage abstract painting by Colorado artist Beverly Rosen, created in 1964 at the height of American Abstract Expressionism. This vibrant oil o...

Dan McCaw's "Reverie" created in 2024, is a striking oil painting measuring 48 x 42 inches. This original artwork features an abstract composition of a figure, rendered with rich tex...

Vintage American modernist abstract expressionist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 19 inches overall. Handsomely fr...

shipped in roll “Spring Flowers” is built around a memory of early spring days, when the grass turns vivid and saturated, full of life. It captures that moment when everything begins...

Beverly Pepper, American (1922 - 2020) - Untitled, Year: 1987, Medium: Etching, signed and numbered in pencil, Image Size: 22 x 16.25 inches, Size: 37 x 26.25 in. (93.98 x 66.68 cm)

Large-scale abstract with multi-colored brains layered on a neutral background by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of h...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

This striking 1985 abstract painting by Ynez Johnston (1920–2019) exemplifies the artist’s imaginative fusion of modernist abstraction and symbolic narrative. Executed in watercolor ...

This special large drawing on wood board (ready to hang) created by Shizico in early autumn where her Cat and the garden take centre stage. The pictorial language in this series pays...

Syril Frank (American, 1929-2021) Untitled, c. 1970s/80s Oil on canvas Framed: 21 3/4 x 25 2/3 x 1 in. This fantastic painting in the abstract expressionist style loosely depicts a ...

Dan McCaw's "Textures" created in 2024, is a striking oil painting measuring 30 x 24 inches. This original artwork features an abstract composition of figures, rendered with rich tex...

Simply Precious from the series Reflections Simply Precious is the emotional heart of the series — a clear and intimate hymn to feminine value. It speaks of a woman as precious not t...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

Colorful abstract expressionist painting by contemporary Texas artist Winifred Booth. The work features sections of bright yellow and magenta emerging through a field of grey. Signed...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe...

Intense figurative abstract with bold colors and the text "I Don't See Anything Here" by R. Navarro (American, 20th Century). Signed "R. Navarro" and dated "2000" on verso. Image, 30...

Serenity with Fuchsite and Amethyst stones this painting is 48 X 48. Amethyst is known for having healing properties. Nancy Seibert began her art stu...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed inscribed verso dated 68' canvas size: 35 x 46 inches condition: ov...

Edward Zutrau Untitled Signed and dated on stretcher Oil on linen 26 x 31 1/2 inches Edward Zutrau is among the American artists who worked within the whirlwind of diverse abstract...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Gree...

From Paul's India Series; pearlescent moonlight glints off the water and casts shimmering light onto the surface. A beautiful place to relax and wash away the days heat and dust. The...

This original contemporary abstract expressionist painting is defined by a richly textured surface and layered painterly structure. Earthy neutrals, muted blues, warm rust tones, and...

Vintage American modernist abstract expressionist painting. Oil on canvas. Framed.

This colorful abstract lithographic poster was printed at the Atelier Mourlot on Bank Street in New York City in 1967. Calder is one of the most acclaimed and influential sculptors...

This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

This is a beautiful oil painting by Alexis Portilla. Color, lines and shapes that resemble pictographs and vessels convey symbolism. Influenced by the emotion of artistic expression...

Jules Olitski 2002 “Delight Green” Acrylic on Canvas Signed and Dated Verso Private Collection New York City Fresh from a private collection New York! Color Field painter, Jules ...

Softness 24.0 x 24.0 x 1.5, 5.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Impasto painted strokes of bright colors are the framework of artist Shiri Phillips’ abstrac...

Title: Only One Earth Abstract Bold Invest Statement Protest Contemporary Color ONLY ONE EARTH... Mars has no Dancing Trees or Roaming Wildlife, no Wonderous Oceans! With acryli...

Title: Landscape and Geology of the Heart Extra-large Abstract Painting Bold Invest Striking Unique One-of-a-kind Original In this piece, I reflected the journey, geology and land...

Richard Andres (American, 1927–2013) Untitled, 1968 acrylic on canvas signed lower right, signed and titled verso 88.5 x 50.5 inches Has an indent and a tear in the canvas. See phot...

Title: Catalyst for Consciousness Flow Contemporary Abstract Showpiece Bright Lively This series expresses our unity and our interconnectedness. We are dancing to a traverse tune ...

Aldo Caselli. Venice. Industries and the Dragon. Dated 1978. Born in Venice, in 1942 where he lives and works. The painting, at first impression abstract, with more accurate observ...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed canvas size: 46 x 35 inches condition: overall very good, a few min...

Beautiful mid-century Abstract Expressionist color field painting. Oil on canvas, 16 x 20 inches; 16.5 x 20.5 inches in simple vintage wood strip frame original to the piece. Signed ...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Dana Gordon, American (1944 - ) - Abstract IV, Year: circa 1990, Medium: Monotype on Wove Paper, Image Size: 30 x 22 inches, Size: 32 x 24 in. (81.28 x 60.96 cm)