Abstract Expressionist Art

Diana Kurz Untitled, circa 1961 - 1962 Oil on canvas 72 x 58 inches Diana Kurz lives and works in the Soho neighborhood of New York City. She was born in Vienna, Austria and emigra...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Roy Lichtenstein grounded his profoundly inventive caree...

This original oil painting on linen is by Sophie Dumont, a French contemporary artist whose abstract landscapes and structured compositions are exhibited internationally and held in ...

No More Words — just silence thick with meaning. Some truths don’t need to be said. They burn, echo, and stay — long after the noise fades. This painting is part of the MIGHT SWIM s...

Richard Andres (American, 1927–2013) Sailing, 1973 oil on canvas signed lower right, signed and titled verso 58 x 72 inches Exhibited: Cleveland Museum of Art, May Show 1973 Richard...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated verso oil painting on canvas, unframed canvas size: 20 x 20 inches condition: overall very...

Abstract multicolor watercolor with softly blended color fields by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signe...

This contemporary abstract expressive nature painting, created by French artist Natalya Mougenot, bursts with color and emotion. "Spring on the Horizon" captures the fresh energy of ...

Mid-Century "The Red Village" #50 F Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 12 x 10 inches, frame size “The savage art of Bosco bears its rudeness ...

'Tuscan Sunset' is a captivating explosion of bright, vivid colors, reminiscent of the vibrant hues of a Tuscan sunset. This 24x24 painting is perfect f...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

"Tempest" is a large warm sunset abstract landscape painting. This painting was made in the high Rockies of Colorado in the late autumn, when the winds roll through the sky with the ...

Three Poems: Mexico City Personages II Robert Motherwell, American (1915–1991) Portfolio: Octavio Paz Date: 1988 Lithograph on Japon with Chine Colle Edition of 750 Image Size: 13 x ...

Richard Andres (American, 1927-2013) Crusader, c. 1969 acrylic on canvas signed and titled verso 48.5 X 62.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate ...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Elemental Drift Grey, White , Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 36 x 48 inches, unframed The sides are cleanly painted light grey so ...

A bold and dynamic mid-century modern etching by acclaimed American artist Mary Chenoweth, “Flight” captures the energy, rhythm, and movement of postwar abstraction through sweeping ...

This original contemporary abstract expressionist painting is defined by a richly textured surface and layered painterly structure. Earthy neutrals, muted blues, warm rust tones, and...

Textured Abstract Expressionist Composition in Plaster and Acrylic on Canvas Brightly colored and deeply textured abstract composition by an unknown artist (20th century). Layers of...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

This is an exclusive handprinted limited edition cyanotype. "Tempestuous Tidal in Blue" is an original cyanotype diptych portraying the tidal behavior during a storm. Details: + T...

Title: Neptune Stormy Ocean Abstract Blue Sea Nature Invigorating Painting Art Energy In this painting, I've channeled the tempestuous power of the ocean's depths. While I creat...

“Woman Blossom” is a contemporary abstract figurative painting that reveals a poetic, colorful portrait of a woman blooming from within—an expressive artwork where emotion, femininit...

Artist: Dorothy Zilka, American Title: Ariadne Year: 1984 Medium: Acrylic on Cardboard, signed l.r. Size: 12 x 48 inches (30.48 x 121.92 cm) Frame Size: 19 x 54.5 inches

A Large, Dynamic 1960s Mid-Century Modern Abstract Expressionist Painting by Notable Chicago Artist, George Waite (Am. 1935-1994). Executed in the artist's signature palette of brig...

This painting is a wild green song to freedom and nature. I am in love with my abstract expressionist self. While I do love painting tonal pieces and abstract landscape, the quintess...

Title: Let the Light Shine Through Floral Abstract Still-life Painting Contemporary Expressionist Invest Abundance Flowers Vase In this piece, I captured abundance and an experienc...

Antoni Tapies, Spanish (1923 - 2012) - Invitation, Medium: Lithograph, signed in the plate, Size: 9 x 17 in. (22.86 x 43.18 cm), Frame Size: 16.25 x 24.25 inches, Description: An...

Geo #2 36 x 36 x 1.38, 4.0 lbs Acrylic on canvas Hand signed by the artist Artist's Commentary: "This abstract expressionist painting signifies the quiet nights in the Southwest high desert. It is painted with a brush using a wash technique...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1958. Signed o the plate on the lower. The print suite was realized i...

Taro Yamamoto, (American, 1919-1994) "La Gatta Miso" Oil or Acrylic/Canvas 32" x 50" Hand signed lower right, dated 1990, Titled on the stretcher verso, unframed. Taro Yamamoto (...

Métamorphose Des Fleurs Arthur Secunda, American (1927) Date: 1989 Screenprint, signed and numbered in pencil Edition of 98/150 Image: 43.5 x 25.5 inches Size: 46.5 x 28.5 in. (118.1...

Artist: Richard Weston, American XXth Title: Hillsdale, Aug 14 Year: circa 1980 Medium: Acrylic on Canvas, signed u.l. Size: 48 x 48 inches (121.92 x 121.92 cm)

Large 1970s abstract geometric acrylic and oil on plywood panel signed Rivel and dated 1977 to the bottom left. The painting is titled to the rear of the panel. Numbers of colour fields in muted shades jostle against one another. It is the shapes and the space between them which give energy to the painting whilst the colour palette restrains. The painting is highly textured as the artist has applied the paint thickly and energetically with both palette knife and large brushstrokes. At times layers of paint reveal underlying colours. This painting fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled - V Year: circa 1977 Medium: Lithograph, Signed in Pencil Size: 31 in. x 24 in. (78.74 cm x 60.96 cm)

A contemporary abstract expressionism painting in acrylic on canvas .An original ONE-OF-A-KIND textured abstract painting. Minimalistic but powerful, full of energy, details and has...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) oil painting on unstretched canvas unframed: 14 x 21 inches condition: very good and impressive provenance: all the ...

Otto Greis Untitled Composition III Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) F...

The essence of Lee Krasner's (1908-1984) biography is familiar to anyone who has studied women's role in 20th century art history: An accomplished artist whose own output gets eclips...

Antique American modernist abstract painting. Oil on canvas, circa 1940. Housed in a vintage frame. Image size, 18L x 24H.

Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art...

Abstraction (Untitled), 1949, oil on canvas, signed and dated verso, 30 x 32 inches, presented in a new wooden strip frame Jerry Opper was an American painter, printmaker, and comm...

Richard Andres (American, 1927–2013) Untitled, 1968 acrylic on canvas signed lower right, signed and titled verso 88.5 x 50.5 inches Has an indent and a tear in the canvas. See phot...

Title: My African Dream - The Longing Portrait Painting Contemplation Africa Bold Flow Dream Striking Investment Color Gold Abstract portrait in Acrylics and Oil sealed with high qu...

Oil on canvas – 35.04 × 45.66 in (89 × 116 cm) Size framed : 37.79 x 48.42 in (96 × 123 cm) (light wood or black choose) Framed in natural wood – ready to hang Year: 2012 – Signed o...

Edition of 20 pieces

This abstract acrylic portrait painting is inspired by the mid-century masters. Framed in a vintage black wood frame, wired and ready to hang, 11 in. wide x 14 in. high

"Faithful Duo" by French artist Natalya Mougenot is a large contemporary figurative painting of two dogs, celebrating loyalty, friendship, and the enduring bond of companionship. M...

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

Original and unique work of Maria A. RAVENTOS on canvas and collage Signed by the artist . RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elit...

Conrad Marca-Relli M-3-73 (#CO-02892), 1973 Signed and titled "MARCA-RELLI M-3-73" on the reverse Oil, burlap canvas, and newsprint collage on canvas 39 x 62 inches Provenance Marlb...

Garden Series - Expressionist Composition in Acrylic on Canvas, Signed Vibrant and textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). A...

Title: Balance Too Statement Minimalistic Abstract Conversation Gold Contrast Large BALANCE TOO is part of the series Expressions Too, that connects to the earth, ocean and sky... ...

"Essential Force” is a modern vibrant abstract expressionist woman's portrait created by French artist Natalya Mougenot, part of her ongoing series dedicated to Women, where she expl...

"Chromatic Dialogue” is a vibrant contemporary floral still life painting by French artist Natalya Mougenot, known for her expressive brushwork, luminous color palette, and emotional...

Bold abstract composition by California artist Catherine Freethy (American, b. 1962). Bold, sweeping shapes flow into each other in this vertical abstract, with a primarily blue, yel...

Blue, Red & Green Abstract Expressionist Painting, entitled 'Tropical City #1', an extremely rare early work from leading British Contemporary Artist...

Artist Comments
Using a limited palette of transparent purples and yellows, artist Valerie Berkely presents a calming abstract floral. "I want ...

Title: Abundant Energy Energy Painting Abstract Abundant Contemporary Maximalism Bold Unique Contrast Fresh Revival Renewal Texture The Guardians of Abundant Energy is a brilliant...