Abstract Expressionist Art

Artist: Larry Zox, American (1937 - 2006) Title: Moro II Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition: 185 Size: 42.5 x 30 inches

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

This came from the collection of the Horace Richter Gallery, Old jaffa, Israel These were done in the 1990's Hand signed and dated. titled Old Jaffa. Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Couple in love synchrony

Below the Surface of Venice Domenick Turturro, American (1936–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of AP 30 Image Size: 24 x 34 inches Size: 26 in. x 3...

Genre: Expressionist Subject: Landscape Medium: Watercolor Surface: Paper Country: United States Dimensions w/Frame: 16" x 28" Murray Hantman (1904–1999) was a painter, muralist, an...

Acrylic and Flashe on canvas - Unframed Note that this artwork will be sent rolled in a tube if shipped outside the United States. This method is especially safe for large works....

Large Celestial Mythical Horse Painting by Alex K. Mason "Wardusa", Acrylic Gouache Ink on Canvas, Blue, White, Gold, Yellow This painting is part of a constellation series I did f...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

MELISSA MEYER (American, b. 1946), 'Chance' Oil on Canvas 2006 Hand signed, dated and titled, verso Height: 30 inches, Width: 28 inches Provenance: Rebecca Ibel Gallery, Columbus, OH Melissa Meyer (born May 4, 1946) is an American artist and painter. The Wall Street Journal has referred to her as a "lighthearted Abstract Expressionist". She works in various formats, large abstract paintings, watercolors, prints, monotype, monoprint and drawings made up of fields of gestures. This one is abstract swirling hues of purple, red, blue, orange and yellow, Selected solo shows: Lennon, Weinberg, Inc., New York, NY; List Gallery, Swarthmore College, Swarthmore, PA; New York Studio School, New York, NY; Rebecca Ibel Gallery, Columbus, OH. Selected Group shows: “The Maslow Collection: Context and Content”, The Maslow Study Gallery for Contemporary Art, Scranton, PA; “Summer Reverie Invitational,” William Siegel Gallery, Santa Fe, NM.; "One of a Kind; Monoprints, Monotypes", The Gallery, Spencertown Academy...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

Artist: Oskar Maria D'Amico, Italian (1923 - 2003) Title: Untitled Year: 1967 Medium: Oil on Canvas, signed Size: 54 x 60 in. (137.16 x 152.4 cm)

"Serenely Deep Blue" This painting is a work of art that unfolds on a deep and captivating blue background. The background blue sets an atmosphere of serenity and depth that envelops...

JOHN CHAMBERLAIN Paris Rue 1991 Ektacolor Professional print taken with Wide Lux camera Unsigned AP 1/1 apart from an edition of 9 24” x 20” Chamberlain began to explore photogr...

The piece is called ‘The Piano’ because it is the central instrument in the orchestra arrangement and composition. -"As a pianist myself, one of my favorit...

Artist: Gregory Amenoff, American (1948 - ) Title: El Santurio de Chimayo Year: 1986 Medium: Lithograph, Signed and numbered in Pencil Edition: 40 Paper Size: 37 x 38 inches (93.98 x...

Folded Wings by Peggy Cozzi [2018] original oil on canvas Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:30 cm x D:2cm Sold Unf...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large...

The Desert Shall Rejoice – Jon Rowland – Abstract Expressionism [2020] Please note that insitu images are purely an indication of how a piece may look During this year it was difficult to travel. So I looked through some of the images I had photographed from an earlier trip to the desert with its wide views, amazing colours and BIG sky; somewhere warm and interesting. This is one of a series of paintings influenced by the visit to the deserts of Jordan and Israel. After the fascination of Petra, hewn out of rock, it was the sense of freedom in its immensity, the natural forms of craters and wadis at different times that stimulated me; gold in the morning, purple and orange at dusk. Discover new paintings by Jon Rowland and his abstract expressionism with Wychwood Art. Each work has been carefully selected by Deborah Allan our Chief Art Curator. Wychwood Art have exhibited Jon Rowland in London during a pop-up exhibition of theirs at the Darren Baker Gallery. His paintings have been displayed at the Royal Academy and at the Berthold and Darren Baker Gallery in London. He has also exhibited in group exhibitions at Linacre and Green Colleges, at Swann Gallery in Woodstock, and with Wychwood Art at Battersea Art Fair. He was one of six contemporary artists who took part in an exhibition of views of Blenheim Palace, juxtaposing the original visions with today's, as part of the celebration of the 300th anniversary of Capability Brown...

Beautiful exhibition poster by Puerto rican artist, Rafael Tufino (1922-2008). Augusto Marin, Exposicion de Pinturas, 1965. Screen print on paper, 20 x 3...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 10 Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250 (on Arches), L (on Japon) Size: 22 x 30...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Encaustic on Okawara paper - Unframed The title, Guna (2016), is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. “It’s a key concept in ...

This surreal, contemporary-cubist screenprint by the artist is reminiscent of a harlequin kneeling before an audience, one hand raised. The piece is nicely framed and is signed and n...

Vividly colored Abstract Expressionist painting filled with light and energy, primarily in blues, white, chartreuse, yellow, turquoise, red, and black. "T's and O's" 2019 Oil on C...

Soothing Turquoise is an original abstract color field painting on canvas by Suzanne Vaughan. An abstract expressionist style painting with thick layers of paint in soothing turquois...

This contemporary abstract impressionist landscape painting, enriched with elements of expressionism and brut art, is a creation by French artist Natalya Mougenot. Titled "Almond Tre...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Medium: Etching with chine colle...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...

Acrylic and oil on paper. Unframed. Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic unity that can exist between seem...

Artist: Antoni Tapies, Spanish (1923 - 2012) Title: untitled from St. Gallen Year: 1965 Medium: Lithograph, signed and numbered in pencil Edition: 15/75 Size: 22 x 30 in. (55.88 x ...

Yektai composes a still life of flowers and one of his own canvases in front of his studio window. One of Yektai's more personal paintings, he gives us a look into his point of view ...

A very good impression of this color aquatint and lift-ground etching on Arches cover paper. Initialed and numbered 3/32 in pencil by Motherwell. Printed by Catherine Mosley at the a...

An original abstract expressionist painting created in 1962 by American artist James Koenig. This work will be featured in our exhibition "Draw Near" which will run from March 11...

Artist: Sylvia Lark– Native American (Seneca) (1947- 1990) Title: Untitled (Blue and Gold Flower) Year: 1985 Medium: Pastel, mixed media (chine colle) on paper Size: 22.5 x 24 inches...

Artist: Yannick Ballif, French (b. 1927) Title: Red Planet Year: circa 1975 Medium: Acrylic Monoprint with India Ink on Rag Paper Size: 30 x 44 inches

This is a one of a kind original abstract expressionist painting by local San Diego artist, Kelsey Overstreet. This is an acrylic on canvas and its d...

Michael David (b. 1954) Hand signed, Prestige Art blind stamp; edition of 45; 1993 Color Etching on Arches Buff "The Mugual Series" Printed by the artist with master printers Sylvia Roth and Mary Seibert at Hudson River Editions and published by Prestige Art Ltd., Mamaroneck, New York. 22 X 18 framed Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2010-2011 “Post Mammalian Tension, Michael David & Scott Browning”, Bill Lowe Gallery, Atlanta, GA 2006 “Unspoken Connections,” The Lowe Gallery, Santa Monica, CA 2004 The Lowe Gallery, Atlanta, GA 1999 “Waxing Poetic: Encaustic Art in America,” Montclair Art Museum, Montclair, NJ “Forty Years of American Drawings,” Raab Galerie, Berlin, Germany 1997 “Michael David and James Hyde,” Margulies Taplin Gallery, Coral Gables, FL 1996 “Different Sides: Drawings/Photographs/Prints/Paintings/Sculpture,” Knoedler and Company, New York, NY 1994 “Michael David: Paintings / Nicholas Pearson: Sculpture,” Margulies Taplin Gallery, Boca Raton, FL 1991 “Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, New York, NY 1989 “Projects and Portfolios: the 25th Print National,” The Brooklyn Museum, Brooklyn, NY “Important Works on Paper,” Meredith Long and Company, Houston, TX “New Editions,” Pace Prints, New York, NY 1988 “Golem! Danger, Deliverance, and Art,” The Jewish Museum, New York, NY 1987 “Monotypes,” Pace Editions, New York, NY “Working in Brooklyn / Painting,” The Brooklyn Museum, Brooklyn, NY “Art Against AIDS,” benefit exhibition Knoedler and Company, New York, NY “Jewish Themes: Contemporary American Artists,” Spertus, Chicago, IL 1986 “First Impressions: Recent Monotypes by 15 Artists,” Allan Frumkin Gallery, (Charles Arnoldi, Pat Steir etc) “Saints and Sinners: Contemporary Responses to Religion,” De Cordova Museum, Lincoln, MA “Jewish Themes: Contemporary American Artists,” The Jewish Museum, New York, NY “Public and Private American Prints Today,” Brooklyn Museum, Brooklyn, NY 1985 “A Decade of Visual Arts at Princeton: 1975-1985,” The Art Museum, Princeton University, Princeton, NJ 1984 “Cunningham Dance Benefit,” Leo Castelli Gallery, New York, NY (Robert Rauschenberg, Arman etc) Twelve Abstract Painters, Siegel Contemporary (Elizabeth Murray, Melissa Meyer, Leon Polk Smith etc.) “Small Paintings,” Jeffrey Hoffeld Gallery, New York, NY 1982 “Elaine de Kooning’s Inadvertent Collection,” Elaine Benson Gallery, Bridgehampton, NY 1981 “New Visions,” The Aldrich Museum of Contemporary Art (James Biederman, Louisa Chase,Mel Kendrick etc.) 1980 “Seven Young Americans,” Sidney Janis Gallery, New York, NY (Sean Scully, Thornton Willis...

Artist: Robert Kautz, Austrian Title: untitled Year: 2001 Medium: Acrylic and Mixed Media on Paper, signed and dated lower right Size: 23.5 in. x 19.5 in....

The textural, earthy tones of the moor are complimented by the green/greys and dusky pinks of the sky. I wanted to create movement in this piece, with fast moving scudding clouds. Chalk pastel and Inktense were worked over the earth colours to create moorland grasses. This piece is presented in a soft, off white deep cut mount. Luisa Holden artist paints original art and is available to buy online and in our art gallery at Wychwood Art. Luisa is a York based contemporary painter who works spontaneously in a semi abstract/abstract style. Her work often features the North Yorkshire Moors...

Memories of the days of pinball machines. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

Artist: Arman, French (1929 - 2005) Title: Romanticism in Gold Year: circa 1978 Medium: Silkscreen, Signed and Numbered in Pencil Edition: 150, AP 19/30 Size: 30 x 22 inches

History Maps by Maria Pierides [2020] original Oil, oil stick collage, pastel and wax on cradled panel Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20...

Artist: Robert Kautz, Austrian Title: untitled Year: 2001 Medium: Acrylic and Mixed Media on Paper, signed Size: 25.5 in. x 19.5 in. (59.69 cm x 49.53 cm)

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed dated 91' canvas size: 38 x 51 inches condition: overall very good,...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Oil on paper. Unframed. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. Conference of the Birds...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - F Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Gonz's work is characterized by his ability to present us with a distorted version of reality. Through the use of matter and color, he manages to create images that challenge our per...

video copyright by the artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Serendipity #5 – By Lucy Moore [2022] original Acrylic on canvas Image size: H:60 cm x W:98 cm Complete Size of Unframed Work: H:60 cm x W:98 cm x D:1.5cm Sold Unframed Please n...

Collection: Beyond The Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Change can be both daunting and exciting - a whirl-wind of emotions. A kaleidoscope of feelings and colours. Pixie Willoughby has paintings available with Wychwood Art. Born in Lincolnshire in 1972, Pixie qualified from Lancaster University in 1994, with BA hons QTS in English Literature...

Good people close inside when they're broken, but those who look from the outside think they're clever." People will use your prejudice when they can't figure you out. Cause ain't no...

About "Promise of Tomorrow": Embrace the Light of Hope with "Promise of Tomorrow"! Transform your space with the radiant energy of "Promise of Tomorrow", a deeply inspiring paintin...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Nature Prays Without Words IV Year: 1967 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 68/150 Image: 28.75 x ...

A print by James Rosenquist from 1978. This print is multi-layered with different mediums including etching with aquatint, pochoir and paint. Artist: James Rosenquist, American (19...

Artist: Adja Yunkers, American (1900 - 1983) Title: A II Year: 1972 Medium: Silkscreen, Signed and Numbered in Pencil Edition: 2/50 Image size 40 x 30 inches Size: 41 x 31 in. (104.1...