Abstract Geometric Art

This artwork features a tangle of white and blue rectangles and basic geometrical shapes over a textured substrate. On the middle top, aquamrine/turquoise almost vertical bands fall from the top, and a dark red pile occupies the middle of the canvas. Most of Françoise Duprat...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 381 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.5 inches. Sheet size: 22.75 x 28.75 inches. Signat...

Detroit, Michigan's skyline is represented in this original watercolor by Detroit artist Aris Nichols. Featured is the Renaissance Center, which was built by Ford, later occupied by...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

Artist: Gene Davis (1920-1985) Title: Lilac Year: 1980 Medium: Silkscreen on Arches paper Edition: 247/250, plus proofs Size: 22.5 x 28.5 inches Condition: Good Inscription: Signed a...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...

Bold abstract geometric composition, Little Boxes by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame, but the edge...

This shiny foil-embossed collage was created by American artist Beverly Pepper (b. 1922). Throughout Pepper's career, she became known for her graceful geometric welded steel sculptu...

Large-scale abstract titled "Rock Image II" by Erle Loran (American, 1905-1999). Erle Loran was a modernist of urban and coastal views and geometric painting. Signed lower right "Lor...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Nedo (1926-2001) Composition 1969. Serigraph on paper, signed, dated 1969 and numbered 12/25 lower left, sheet size 48 x 66 cm. After attending the Commercial and Technical Instit...

D. Tongen "Yellow,Blue, Black" 1980s 12.75"x10" period frame 17.75"x16.75 Soft pastel and pencil on paper Initialed in pencil lower right

Artist: Jules Engel, Hungarian/American (1909 - 2003) Title: Untitled 3 Year: circa 1970 Medium: Acrylic on Paper Size: 21 x 21 inches

LeWitt has been the subject of hundreds of solo exhibitions in museums and galleries worldwide since 1965. A leading figure of the Conceptual and Minimalist movements, his prolific ...

Artist: Murray Zucker, American (1920 - ) Title: Bouncing Ball Year: circa 1970 Medium: Screenprint, signed, titled and numbered in pencil Edition: 9/20 Image: 18 x 24 inches Paper ...

Untitled #526 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Original Vintage Event Poster created 1967 by one of the best known Japanese graphic artists, Yusaku Kamekura; in 1960 he was a founding member, then ...

Get in Gear - Geometric Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting in red by California-based artist, Ricardo de Silva (American/Brazil, 20th C)...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

"Rolled Wrongly - Portfolio 1, Folder 18, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972 and was previously titled "Falsch Gerickelt". This ...

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

Blue Navy Abstract, Size: 31x36.5 framed 32x37.7 Walter Swyrydenko was born in Sloviansk, Ukraine in 1942. A graduate of Kent State University, receiving a B.S. in Art Education and an M.A. in Painting. Studied in Paris, France. Professor of Art at Lakeland Community College. He was awarded the rank of Professor Emeritus in 2002 by Lakeland Community College, and held a retrospective of his work, "A Look Back 1965-2001," at the LCC Gallery in 2003. Listed in Marquis’ “Who’s Who Dictionary of International Biography,” “ Leaders of America,” “Who’s Who in the Arts, 1971-1972,” Artists/USA, 1972-1973, 1974-1975,” “Outstanding Young Men of America,”1971,” International Who’s Who in Art and Antiques, 1972,” Annuaire De L’Art International, 1974-1975, 1975-1976,” “Library Of Human Resources...

Edition of 60 71 x 79 cms (28 x 31 ins)

Transform any interior or exterior into a truly unique space with the dynamic works of an acclaimed sculptor Naomi Press. Naomi Press was one of the very few women working in large ...

Aharon Gluska (Israeli, b. 1951) Mixed Media Painting Markings & Inscriptions: Hand signed bottom right Date: Mid to late 20th century Frame: 26 X 33.75 Image: 23 X 30.75 Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal, Menashe Kadishman, Yaacov Agam, Buky Schwartz, Michael Gross, Michael Gitlin, Benni Efrat, Pinchas Cohen Gan, Zigi Ben Haim, Avi Adler, Arie Aroch. Bertha Urdang Collector's Choice, Space for Modern Artists - Daphna Naor, Jerusalem Group Exhibition - Etched Voices, Yad Vashem, Jerusalem painting and sculpture. Artists: Jankel Adler, Avigdor Arikha, Gideon Gechtman, Menashe Kadishman, Marcel Janco, Samuel Bak, Moshe Gershuni, Ori Gersht, Osias Hofstatter, Zvi Aldouby, Mordecai Ardon,Yosl Bergner, Mikhail Grobman, Igael Tumarkin, Naftali Bezem, Beit Shturman Museum, Kibbutz Ein Harod Artists: Adi Nes, Gal Weinstein...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arctic Bloom" Portfolio: Soft Edge - Hard Edge *Unsigned edition, (there was also a signed edition of 50 on Rives BFK paper)...

Ralph Arnold, 'Cascade', mixed media: acrylic, pencil, conté crayon, marker, oil; 1986-88. Signed 'Arnold' and dated '86-88' in pencil, lower right. A fin...

This luxurious, textural, and tactile abstract feather artwork, "Female," by Spanish artist Henar Iglesias is made with partridge and golden pheasant feathers. The work is mounted on...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Dra...

Deja Vu #1 by Judith North [2022] Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Additi...

The abstract print "CY, SOL AND NOT AT ALL 03032019 1211am" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fi...

In Pollenator No. 1, Kurt Herrmann channels his signature colorist instinct into a luminous geometric abstraction, where vivid hues and precise forms create a sense of harmony and mo...

Dana Piazza's creates abstract black and white and colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper ar...

Artist: Arthur Boden Title: Sea Deep Year: 1970 Medium: Acrylic on Canvas, signed verso Size: 87 in. x 51 in. (220.98 cm x 129.54 cm) (can be hung vertically as well)

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1980 Medium: Screenprint, signed, ...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in white frame. There is no glass or acrylic covering the work to highlight the texture of the paper. Betsy Kenyon...

Tomoe Todd Boppel, American (1934–2000) Date: 1985 Oil on Canvas, signed verso Size: 66 x 44 inches Frame Size: 67 x 45 inches

Harland Miller's 'OUI', 2023 is a contemporary woodcut print. A tribute to Harland Miller’s time spent in Paris as a young artist and writer during the 1990s, OUI is inspired by the ...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Touchon's paintings are abstractions based upon typography. Using the techniques of collage, he reassemble...

« Ref 317 » is the title of a sculpture in coloured resin by Dubreuille. Nicolas Dubreuille is a multi-faceted abstract artist who likes to multipl...

Light Thoughts, 2024 Mix Media on artist board Size - 72" height x 84" width x 1.75" depth Signed Murray Duncan is a self-taught creative visionary. Know for his large-scale, expres...

Aqua Marina draws from Melisa Taylor Metzger’s recent travels to Guadeloupe, where the lush textures and fluid rhythms of sea life left a lasting impression. Merging her signature py...

painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...

"Fandango pink pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the artist us...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Colorful abstract painting by Bay Area artist Michael Pauker (American, b. 1957). Unframed. Unsigned, but acquired with a collection of his work. “I’m driven by curiosity...where i...

Robert Petrick's "The Dancer" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this pie...

Artist: Charles Hinman, American (1932 - ) Title: Untitled from the On the Bowery portfolio Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: AP V/XX Size: 25.75...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

A black, grey, beige, and white silkscreen by Josef Albers from, "Articulation : Formulation," published by Harry N. Abrams, 1972, and printed by Ives - Stillman. The individual imag...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

"Les Competiteurs" by American modernist painter Leonard Nelson is a 36" x 26" oil on canvas abstract figurative painting, created in 1952. The work is framed in classic black and si...

Signed lower right 'S. Aron' (French, 20th century) and dated 1970; additionally signed, verso, on canvas with old label verso. Provenance: Los Robles Gallery, Palo Alto, California.

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: Portfolio 1, Folder 23, Image 2 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

"Nacre, plea and entice 3" explores a singular and cohesive orchestration of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of ...