Abstract Geometric Art

A nuanced and contemplative work by Martín Pelenur, this composition explores the balance between structure, texture, and color. Anchored by a bold horizontal band of luminous yellow...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

A wonderful abstract brutalist welded and torch cut steel wall sculpture with many points and a burnished finish, by 20th century California artist Tony Melendy...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

Califonia artist, Brandon Neher captivates with his figurative abstract artworks that seamlessly blend German Expressionism and Pop Abstraction. His original paintings on canvas embo...

Fortune Magazine has a storied history of innovation, with clean-looking covers defined by cutting-edge graphics without excessive typography. "Parade of Smokestacks" by Antonio Petr...

Artist: Manuel Felguérez Barra, Mexican (1928 - ) Title: Untitled Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 9/100 I...

A study in light, geometry, and repetition. Rhythm transforms an architectural façade into an abstract composition of texture and shadow. The warm glow of the setting sun softens the...

Lithograph on white Arches Cover paper. One of 5 artist's proofs, aside from an edition of 35. Signed by the artist, dated and numbered, in Roman numerals, V/V in pencil, lower rig...

Carmen Louis Cicero, American (1926 - ) - Untitled 9, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24 i...

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: September Year: 1971 Medium: Serigraph, signed, verso and numbered in pencil Edition: 18/135 Paper Size: 17 x 17 inches / 43 x 43 cm Fr...

After Marcel Duchamp Rotorelief Print Framed, circa 1980 Edited by Walther König Series 133, Germany in 1987. Framed Artwork in Wood. In original condition, with minor wear cons...

Artist: Italo Valenti, Italian (1912 - 1995) Title: Untitled (Verde) Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 27 x 29.5 inches

Artist: John Urbain, Belgian/American (1920 - 2009) Title: CM Year: circa 1975 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: 20 Image Size: 28 x 34 inches S...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1991 Medium: Screenprint, signed, ...

A native of New Orleans, Taney Roniger has been living in New York since the 1990s. After graduating with a BFA from New York’s School of Visual Arts, she received her MFA from Yale ...

Artist: Ray Elman Title: Sox Year: 1979 Medium: Screenprint and Collage, signed and numbered in pencil Edition: 88/160 Image: 27.75 x 24 inches Paper Size: 3...

The piece, "Flash Solar," by Pedro Friedeberg is unique and special because it powerfully executes the illusionistic principles of Op Art (Optical Art) while injecting the surreal, ...

Oil on canvas.

Alberto Magnelli Original Lithograph Executed in 1967 for XXe Siecle (issue No. 29 "Vers un nouvel humanism") published in Paris by San Lazzaro There is a fold in the center, as issu...

Bands, squares and rectangles in pink, mauve, aqua and black dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition intersects music, ...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1978 Medium: Screenprint, signed, ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Melisa Taylor Metzger’s Sateen X2 extends her exploration of surface and gesture with a composition that feels simultaneously luminous and turbulent. Broad washes of deep cobalt and ...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

Materials: printed florist paper, woven Winqvist applies the ideal of functionalism by simplifying the forms as much as possible, while avoiding unnecessary decoration. She has expl...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Post Dogmatist Painting on Panel, signed verso Art is 12 x 16 with frame approximately 13 x 17 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, paint...

Roger Selchow oil on canvas 32x40 inches Signer Verso 1970’s Roger Hoffman Selchow was born in Greenwich, Connecticut, and is best known for his paintings of geometric abstraction...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 20 Year: circa 1976 Medium: Lithograph, signed and numbered in pencil Edition: 200 Image Size: 22.5 x 30 inches Size: 27 x...

Created by Al Held in 1988, Almost There is an aquatint with hard-ground etching on Somerset paper. Hand-signed, dated, and numbered from the edition of 60 in pencil on the verso, th...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

City Green Soft Geometry Series 2017 Acrylic on canvas 28X40" Signed, dated and titled on the reverse side

Rectangles and squares, large and small, in orange, mauve, blue and more, dance across a light green ground in this vibrant acrylic painting by Burton Kramer. The title of the painti...

Orange, pink, and blue geometric abstract painting/ wall sculpture by Gary Jurysta titled "Ripple Corner". Meant to be hung in the corner of a room. Acrylic on stretched canvas, cir...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Triangle M Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 60 Ima...

David Morris Miles Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802-...

Diamonds. 2024. Linen canvas, oil, modular artwork 4 pcs. - 80x80 cm; total size 160x160 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art scho...

ABOUT THE ARTWORK “AC 2-2” by artist David Kupferman is a lyrical abstract painting that beautifully combines various elements to explore the idea of u...

Untitled (Undertow Variant) Etching and aquatint printed in colors Signed and numbered in pencil (see photos) Edition: 30 (9/30) see photo Condition: Excellent Image: 7 7/8 x 7" She...

Dānsa by Rubeena Ratcliffe is a bold abstract painting layered with geometric forms, float-framed in light wood. The overlapping shapes and subtle hand-drawn line textures create a s...

Artist: Michael Argov, Austrian/Israeli (1920 - 1982) Year: 1970 Medium: Screenprints, each signed and numbered in pencil Edition (various): 50, 46, 43, 43 & 32 Sheet Sizes (each):...

David Morris Stratus Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

“Structure Series #2” Version 2 2020 Acrylic, oil and chalk on canvas 14 x 24 x x .625 inches Robert Petrick's paintings create a link between the street culture of the East Villag...

Artist: Jacqueline Debutler, French (1928 - ) Title: untitled Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition...

Robert W. Petrick "Labyrinth" Construction series, 2022 Acrylic on canvas 56x56x1.5” NYC, 2nd street studio June 16, 2022One can easily become lost in Robert Petrick’s "untitled"’...

The present work is the fifth sheet from ‘Hommage au carré’: portfolio with 12 colour screenprints, a French foreword by Michael Seuphor, French and English annotations by Josef Albe...

Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...

Blue Ombre Leonid Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 100, AP Image Size: 23 x 23 inches Size: 29 x 29 in. (73.66 x 73.66...

Deja Vu #1 by Judith North [2022] Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Additi...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colors. This work includes primary and...

Melisa Taylor Metzger’s The Seismology of Cantilevered Hearts 1 transforms a circular tondo plywood panel into a multichromatic composition that blends traditional crafting technique...