Abstract Geometric Art

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Erle Loran (American, 1905-1999) Set of six landscapes Each mixed media on paper Two signed, lower right and left corners Sheet (largest, unframed): 8.25"h x 11.25"w. Loran was a very influential Bay Area artist whose works are held in public collections across the U.S., including the Metropolitan Museum of Art, the Smithsonian Institution, de Young Museum, SF MoMA...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

The constraints of the rectangle are central to Meg Atkinson’s thinking. It is for this reason that each of her paintings begins as a grid. In response to the grid and to create tens...

Robert Glick (American, born 1950) "Mayor of Lyon" 2022 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "Mayor of Ly...

Vincent Longo Transparent, ca. 1970 Etching on wove paper with deckled edges Signed, titled and numbered 2/25 in pencil by Vincent Longo on the front 22 × 14 inches Unframed Exquisit...

Rectangles and squares in deep rose, sky blue, moss green, light orange and red dance across a ground of chocolate brown in this lively painting by Burton Kramer. The title of the painting refers to line dancing...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Limited edition of 30 museum quality prints on CANVAS,...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Sand game 3 2023, canvas, oil, collage, 50x40 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Prizma VI Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates paintings that are comprised of both abstract and representational elements, and consider the natural world as it intersects with utilitarian design. 'Landscape No. 2' — 3x6 feet (36 x 72 inches), — depicts a bird's-eye-view of the Delta as viewed by the artist during his frequent flights over California's Sacramento–San Joaquin River...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #2, by Jeanette Fintz in 2018 24 x 24 x 2 inche...

Hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Bold mid century abstracted landscape by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the estate of Ruth Loran (wife of artist). Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, light brown, with details of white and fern green "Passing Through #1", by Jeanette Fintz in 2018 60...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon ...

"Rays" is an original abstract colorist painting by the renowned artist and filmmaker Victor Atkins. This striking work features geometric strips of vivid color, masterfully arranged...

This artwork titled "For Wally" 1974 is a collage on paper by New York artist Gerald Johnson, 1944-2000. It is hand signed, titled and dated in pencil by the artist. The artwork size is 24.5 x 18.15 inches, sheet size is 27.35 x 21 inches. It is in good condition, the paper is originally wavy as it show on the pictures. About the artist: Gerald Johnson [b.1944-2009] played a dynamic role in the Brooklyn art scene from the late 1960’s through the late 1980’s. After graduating from Pittsburgh State, he established a studio on Green Street and became right-hand to Steve Poleskie at the famed Chiron Press in 1967. There he formed creative relationships with the artists he was in charge of bringing to life; Andy Warhol, Roy Lichtenstein, Thomas Wesselman...

This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...

Somewhere Inside the Endless House 14 x 11 8 color ultra chrome HD archival digital ink on archival paper. Editions of 25 Print to Order About the Artist: Eric Ernst was born in Nor...

Dark Garden, 2021 acrylic and ink on watercolor paper 42 x 48 in. (and371) This original acrylic painting on paper by Ky Anderson features geometric shapes and abstract lines in bri...

Two rectangular shapes one in painterly brown the other in dark navy are topped with white and beige. These enigmatic and humorously titled "things with tops" are contrasting outcrop...

Chinatown 6 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Dish" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k German Gold Luster...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** This colorful, sophisticated, mesmerizing and highly labored design w...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Bold abstract black and white pastel landscape drawing by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the estate of the artist. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Deep Down Orange Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200; AP 30 Image Size: 30 x 23.5 in...

David Morris So What Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Colin Lawson says "I work primarily with oil on canvas. Attention to detail, precision, and accuracy in the application of pigment is my main concern when constructing the surface of...

"After intuitively painting this piece, I noticed the dark blue shape in the centre of the painting reminded me of a cave. At the time, I was reading a book by my friend, the poet an...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Forking Paths Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Image Size: 26 x 19 inches Size: 30 ...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Colorful, sophisticated, mesmerizing and highly labored design by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Pr...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Simon Samsonian (1912 - 2003) Colorful Geometric Abstraction, 1981 Oil on paper 16 x 22 inches Signed and dated lower right Provenance: Estate of the artist This survivor of the Armenian genocide wound up in a Cairo orphanage in 1927. He rose to fame as one of Egypt’s great modernists, but after moving to Long Island late in life he withdrew into anonymity. Now his compelling story is being told. Art historians are finally beginning to realize that the power of abstraction in its early years was a zeitgeist not limited to the major European centers of the avant-garde — Paris, Munich, and Moscow — but one that quickly rippled to major cities throughout the world. Within a few decades that original shock of a new vision had inspired thousands of artists from different cultures — particularly those the Middle East — whose translations were not slavish imitations of works by seminal figures like Picasso, Braque, Malevich, and Kandinsky but creative variants colored by their respective cultures. This essay focuses on an extraordinary Armenian artist, his harrowing survival of the genocide, his rise to fame in Cairo, and his creation of a unique style of abstraction. Art historians have typically formed a chorus that teaches the history of abstraction like this: Just before and during the World War I era, several avant-garde artists emerged to create shockingly different new forms by which artists could express themselves. In Paris, Picasso and Braque broke out with cubism, quickly followed by Mondrian. In Moscow, Malevich created Suprematism, the ultimate hard-edge geometric abstraction. And in Munich, Kandinsky emerged as the father of Abstract Expressionism. Within these few short years a zeitgeist was sensed throughout the art world. American pioneers, too — particularly Stanton Macdonald-Wright and Morgan Russell — felt this explosive freedom of expression. When Europe was recovering after World War I it became clear that Paris would retain its title as capitol of the art world, lasting through the Roaring Twenties and even through the Great Depression. But the end of World War II changed everything. A parallel war had been won by a group of irascible young Abstract Expressionists in New York — led by Pollock, Rothko, DeKooning, and Kline. No sooner had Paris been liberated from the Germans than Picasso, Matisse, Breton, and Duchamp surrendered to the Americans. From that point on New York would be the epicenter of the art world. But a lens that focuses myopically on the war between the avant-garde of Paris and New York misses the wider narrative of multiple aesthetic modernities that developed in the several decades following World War I. For Armenian artists the matter is even more complex owing to the genocide of 1915 where more than 1.5 million people — seventy-five percent of Armenians in the Ottoman Empire — were massacred. Those not shot on the spot were sent on death marches through the Mesopotamian desert without food or water. Frequently, the marchers were stripped and forced to walk naked under the scorching sun until they dropped dead. As a child Samsonian witnessed the murder of his parents and most of the members of his family. Soon thereafter, his older sister, Anahid, quickly shepherded him into a line of children being rescued by Greek nuns. But they became separated and he lost her, too. He was sent to a Greek orphanage in Smyrna (now Izmir), on Turkey’s west coast. Because he only knew his first name, the orphanage gave him a last name based on the place where they found him — Samsun — a major port on Turkey’s north coast on the Black Sea. His birth date was unknown, too. According to Samsonian’s vague recollections he assumed he was about three or four years old at the onset of the genocide, which would place his birth year in 1911 or 1912. In 1922, when Samsonian was about 10, the Turks ended their war with the Greeks by putting Smyrna to the torch in what has been called the “Catastrophe of Smyrna.” Once again, the child was on the run, escaping the fire and slaughter. He found temporary refuge in Constantinople, but within a year that major port would fall to the Turks, too, and become renamed as Istanbul. This time, Samsonian was whisked away to an orphanage in Greece founded by the American charity, Near East Relief — which is credited with saving so many Armenian orphans that the American historian Howard M. Sachar said it “quite literally kept an entire nation alive. Any understanding of Samsonian’s approach to modernism requires careful consideration of the impact of his early years because his art is inseparable from the anguish he experienced. In 1927, when he was a teenager, he was transferred to Cairo, Egypt, then a cosmopolitan city hosting a sizable portion of the Armenian diaspora. There he lived with thirty-two other children on the top floor of the Kalousdian Armenian School. Upon graduating in 1932 he won a scholarship to attend the Leonardo da Vinci Art Institute — an Italian art school in Cairo — where he won first prize in final examinations among one hundred students. He found work with an Armenian lithographic printer and he returned to the Kalousdian Armenian School to teach drawing. In 1939 he married one of his students, Lucy Guendimian. The Cairo in which Samsonian matured as an artist was home to many prominent art collectors after World War I. In this receptive environment Samsonian exhibited widely and won many awards. Beginning in 1937 and for the next thirty years he exhibited annually at the prestigious Le Salon du Caire hosted by the Société les Amis de l’Art (founded in 1921). After World War II he hit his stride as a modernist in Cairo, counting among his peers other artists of the Armenian diaspora such as Onnig Avedissian, Achod Zorian, Gregoire Meguerdichian, Hagop Hagopian...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1979 Signed, numbered and dated by ha...

David Morris Red Baron Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

Vasarely - Kinetics 4 Silkscreen printing Vasarely Foundation numbered 14/50 Circa 1965 76x85 1300€

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

David Morris Miles Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802-...

From the Evolution Series by Thomas Benton, this bold red screenprint resembles an eye with the iris descending down into it. Benton drew upon his career as an architect, the strong ...

Abstract work of art by New York artist Anthony Polizzi. To Polizzi the end product is not the principal focus, it is purely a human expression to fin...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

This Vanna Nicolotti abstract oil on canvas is a representative of the three-dimensional Italian research typical of 1970th and started with the internationally known artworks of Lu...

The illusion of intimacy, 2020, 70x100 cm

Nancy Charak Title: Geologies Series 9042 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Snow Fence on Dunes in the Hamptons Black & White Photography Printed to order edition of 10 Dye Sublimation Print on Metal 16x24 on metal - 20x30 on metal - Title: Great Dune Year:...

Digital art print on Lex Jet, 170 gram Satin Stock paper Deep pink with orange and gray - taupe, neutrals; abstract geometric kaleidoscope pattern made as abstractions of the artist'...