Abstract Geometric Art

Urban on Old Farms is an abstract geometric painting, float-framed in light wood, that feels both modern and organic. The composition balances bold, flat shapes with delicate white l...

Phlomis Russeliana by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles Revell r...

Rhododendron Denny Hybrid by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles ...

Papaver Rhoeas The Corn Poppy by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Gil...

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Rosa Sweet Haze by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles Revell red...

Rosa Loving Memory by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles Revell...

Rosa Young Princess by Giles Revell This s an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles Revell r...

Rosa East Park Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles Revell reduce...

This painting is gouache on board by tapestry designer Dirk Holger. Born in 1939, Holger worked in Jean Lurcat’s atelier in Munich, Germany. Lurcat (1896-1966) was a famous French pa...

“Structure Series #2” Version 2 2020 Acrylic, oil and chalk on canvas 14 x 24 x x .625 inches Robert Petrick's paintings create a link between the street culture of the East Villag...

This painting by Alex McClurg depicts an underpainting of purplish grey equilateral triangles with hard-edged pink lines radiating from the center on top ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artis...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Pigmented and Sealed Steel Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the m...

riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Artist: Kyohei Inukai Title: Idea Year: circa 1977 Medium: Screenprint, Signed and numbered in pencil Edition: AP 30 Image: 32 x 24 inches Paper Size: 35 x 26 inches

Artist: Arthur Boden Title: Sea Deep Year: 1970 Medium: Acrylic on Canvas, signed verso Size: 87 in. x 51 in. (220.98 cm x 129.54 cm) (can be hung vertically as well)

The Bright Row by Rubeena Ratcliffe is an abstract painting, float-framed in light wood, that combines bold geometric forms with a rich, contemporary palette. Layered shapes overlap ...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

Crossover, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the...

oil enamel on steel stone Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the m...

Sisyphean Circle (Diagonally Down), John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these material...

Rose Granite / Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most b...

Gouache, colored pencil, graphite, and pastel on paper Signed and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Born in Peekskill, New Yo...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

'Window no.2' Detail of Christ Church by architect John Peter Darvall. 2023 Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper. Photograph is signed front and back and com...

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

It Is A Fearful Thing, acrylic on museum board, 8.5 x 9.5 inches (Framed size: 17 x 16 inches), $650 Tom Kass was born on the East Coast to a father who was ...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas. Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work. After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media. By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow. Such notable collectors of the era, including Fred and Marcia Weisman, Steve Martin...

Artist: Gene Davis (1920-1985) Title: Lilac Year: 1980 Medium: Silkscreen on Arches paper Edition: 247/250, plus proofs Size: 22.5 x 28.5 inches Condition: Good Inscription: Signed a...

Chiharu Shiota "I HOPE..." 2021 stainless steel, heat-resistant satin glass, transparent Din A5 sheets Edition of 100 + 20 APs 120 x 120 cm 28 x printed artworks by the artist 65 x...

"Dual Roots" by Rubeena Ratcliffe is a lively abstract geometric painting, float-framed in light wood. The layered shapes and subtle hand-drawn line textures create a sense of moveme...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Artist: Robert Melee Title: Another Unrendered Quasi-Articulated Substitution Year: 2006 Medium: Beer bottle caps, Plaster and Enamel on Wood, signed verso Size: 40 inch Diameter

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 20.1 x 16 x 1.3 and it is Hand Embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of authen...

Artist: Hong Hao, Chinese (1965 - ) Title: Untitled (Red) Medium: Lithograph, Signed and Numbered in Pencil Edition: 175 Paper Size: 29 x 21 Inches (73.66 x 53.34 cm)

Oil on birch panel.

Structural tapestry, my interpretation of contemporary, traditional Ukrainian folk art. I saw the idea and the visual form of the sculpture as a picture in my imagination just the other day, and I immediately wanted to try to implement it, because. I don’t always fully understand how in the process it will be possible to realize what was conceived. This tapestry differs from others in that it has a form, a small volume created from wooden sticks and wire. And then the usual textiles. This tapestry is part of the project on my idea before the war, I continue to implement my ideas old and new. My arrival home gives me new strength and ideas. Despite the danger of living in a frontline city. My new tapestry is a modern interpretation of classic tapestries...

Detroit, Michigan's skyline is represented in this original watercolor by Detroit artist Aris Nichols. Featured is the Renaissance Center, which was built by Ford, later occupied by...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Robert Petrick's "Line Control" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece is both timeless and contem...

Oil on canvas.

Charles Battaglini was a professional artist/teacher in printmaking. He exhibited for more than 55 years in juried and gallery exhibits, including the Associated Artists...

Robert Petrick's "Rushhour" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 76 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

Adrian Barquero Vanished, 2024 graphite on paper 30h x 23w in 76.20h x 58.42w cm Framed dimensions: 34h x 26.50w x 1.50d in 86.36h x 67.31w x 3.81d cm ABQ012 The artwork depicts a r...

Artist: Cris Cristofaro, American Title: Untitled - Orange Rectangles Year: 1978 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 50 Size: 22 x 30 in. (55....

Oil on canvas.