Abstract Art

Francesca Owen is one of the foremost Expressionist artists in the UK. Her works are heavily influenced by the sights, sounds and colours of India where she travels extensively and w...

This vibrant diptych showcases the dynamic interplay between two acrylic paintings by Linda Clerget, each measuring 100 x 80 cm. "Desire for Summer" captures the essence of a sun-dr...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

These "TopoTablet" tiles by Gregor Turk are available in groups. Please contact if interested in purchasing more than one tile. As a self-proclaimed topophiliac, Gregor Turk is know...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

LeWitt has been the subject of hundreds of solo exhibitions in museums and galleries worldwide since 1965. A leading figure of the Conceptual and Minimalist movements, his prolific ...

Original art by Daria Kusto. Acrylic , acrylic spray on canvas Shipped rolled in a tube, From Spain.

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso oil painting on paper stuck on canvas, unframed canvas size: 34 x 42 inches con...

A tapestry of glorious colour meets the viewer’s eye in this gorgeous abstract work by Milly Ristvedt. The master colourist uses bright yellow as a brilliant backdrop to a cloud of g...

The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the bibli...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Artist/ School: French School, signed with initials, dated 1960's Title: Cubist abstract Medium: oil painting on board, unframed board: 13.75 x 10.5 inches Provenance: private co...

"Wild Summer Flowers in Champagne" is an abstract expressionist painting by Romina Milano where a landscape of black gestures unfolds across colorful brushstrokes infused with raw em...

This contemporary bronze indoor sculpture was inspired by music and created by David Chamberlain. David Chamberlain’s compelling, lyrical sculptures are celebrations of form inspire...

A beautiful Peter Keil original painting. Keil's signature style is shown in these Picasso inspired portraits. These portraits are characteristic of Keil's work in the 1980s when the...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

The Landscapes of Thought project is inspired by the impermanent nature of all things. Observing the continuous transformation of the environment, of time, of thought, is one of the ...

Mark TOBEY (1890-1976) Blue Composition, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Authenti...

Blurring the distinction between figure and abstract settings, Swiss artist Edith Konrad’s spectral forms—human in shape—inhabit muted abstract environm...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This 48" x 34" mixed media painting, 'Surfacing II,' by Dragana Milovic features an abstracted geometric composition featuring 3d objects adhered to th...

This artwork embodies a profound sense of freedom in both exploration and expression. While creating it, my focus was on its aesthetic qualities. The harmonious arrangement of vibran...

Damien Hirst Spin Painting 2009: A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless, mysterious form of a shark. This Damien Hirst Spin painting originates from Hirst’s ‘Spin Workshop’ - a public event hosted by the artist to celebrate the opening of his heralded 2009 exhibition: ‘Requiem’ at the PinchukArtCentre, Ukraine. Acrylic on paper. 2009. 19.25 x 26.5 inches. Excellent overall condition. Unique; one of. Features a stamped (printed) signature on the reverse and inscription: © Damien Hirst. A beautifully rendered Damien Hirst painting defined by strong colors, classic Hirst motifs & a unique overall presence. Artist Bio: Damien Hirst is a British Conceptual artist known for his controversial take on beauty and found-art objects. Along with Liam Gillick, Tracey Emin, and Sarah Lucas, Hirst was part of the Young British Artists movement that rose to prominence in the early 1990s. “I have always been aware that you have to get people listening before you can change their minds,” he reflected. “Any artist's big fear is being ignored, so if you get debate, that's great.” Born on June 7, 1965 in Bristol, United Kingdom, Hirst was raised in Leeds. As a student at Goldsmiths College in London, his work caught the eye of the collector and gallerist Charles Saatchi, who became an early patron. Hirst’s The Physical Impossibility of Death in the Mind of Someone Living (1991)—a large vitrine containing an Australian tiger shark suspended in formaldehyde—was financed by Saatchi and helped to launch the artist’s career. Hirst went on to win the coveted Turner Prize in 1995. In 2012, he showed what went on to be one of his most controversial work in decades, the installation In and Out of Love, which consisted of two white windowless rooms in which over 9,000 butterflies flitted around and died. In 2015 Hirst opened the Newport Street Gallery in London, which grew from his long-term ambition to share his art collection with the public. The artist lives and works in London, United Kingdom. His works are held in the collections of the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Rubell Family Collection in Miami. Related Categories Damien Hirst Swirl Paintings. Damien Hirst prints...

"Turquoise" abstract acrylic paint on linen panel 95x62cm 2022 The color that makes me feel good, that seems welcoming to me is turquoise. Watching the transparency of the water whe...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 52/100 Publisher : Galerie de France (Paris) Printer : Mourlot (Paris) 66.00 cm. x 50.50 cm. 25.98 in. x 19.88 in. (...

"Heart of the sea" is a large blue abstract landscape painting, depicting the grandeur of the sea. It is made in a stunning palette of blues, with a bright yellow light at its center...

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

The Circle and the Ellipse is an original artwork realized by the Italian contemporary artist Giorgio Lo Fermo in 2018. Original oil painting on canvas. Hand signed and dated by t...

Between Black and White - Original 1972 Oil on Paper Original black and white oil painting on paper by Louis Nadalini (American, 1927-1995). Black and white lines take up the paper...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Abstract Post-Cubism is an original artwork realized by Giorgio Lo Fermo in 2012. Oil on canvas applied on hardboard. Hand signed by the artist on lower left. This contemporary ar...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Sunny yellow, white, sienna and light beige tones together with strong black and brown tones form an arc of tension and create a lively character of the abstract painting with its a...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Flourishing florals blowing in the wind encounter a wrinkle in time which adds calm and relaxation into this exquisite contemporary abstract expressionist landscape. Impressionisti...

This is a print of an original contour drawing. It is nicely matted and signed by the artist on the back. It is limited edition 1/1. Shipping options are available.

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

George Dannatt (1915-2009) Aigues - Mortes 1961 Gouache on paper Image: 11.4 x 22.8 cm Frame: 38.7 x 48.9 cm Exhibition 1981 May. Newlyn Gallery: Retrospective Exhibition Pr...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Let your g...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Vertical, abstract expressionist oil painting on canvas in stone blue, dusty peach, green and black, against an off-white grey background 'What Do I know of This Place (5)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, midnight blue, dusty peach, and green. The contrasting patches of dark yellow and forest green pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspirations are the expressionistic skylines of big cities like Manhattan, Philadelphia, or Chicago filled with colorful skyscrapers. The urban, scenic views are abstracted and rich with vivid and textured layers. Ermilkina’s emotional architectural patchwork and mosaic cityscapes radiate a life of balance and positive energy. This artwork measures 12 inches high by 48 inches wide. Ermilkina carefully adds thick cube-like dots of oil paint with a palette knife in distinct patterns onto the surface, adding an intricate three-dimensional texture to her oil paintings. The color spots partially blend into a fuller range of background tones and give the artworks a significant depth. She signs the front of the artwork and paints the sides as a continuation of the front. It does not require framing. It is wired and ready to hang. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the gallery is included. Born in 1975, Saratov, Russia, Ekaterina Ermilkina now lives and works in New Jersey. She grew up in the beautiful city of Yalta in Crimea on the North coast of the Black Sea, where in 1985 she enrolled as a student at the School of Art of F.Vasiliev, graduating in 1991. After her first introduction to fine art in Yalta, in 1992, Ekaterina Ermilkina moved to Saint-Petersburg, Russia. In 1998 she received her MFA from State Art and Industry Academy. The unique beauty and rich culture of the city inspired her to paint cityscapes. In late 2005, Ermilkina moved to the U.S. Her works have been presented in various solo and group exhibitions in international galleries and art fairs and have been collected throughout the United States, as well as Canada, Germany, France, Switzerland, Japan, Hong Kong, and Russia. Her artworks pop with color and motion, casting a candied haze across the urban landscape. “I am focused on art all my life. It makes me optimistic, full of energy and happy. The vivid colors of Crimea where I grew up, the beautiful marine of the Black Sea, inspired me to paint for the rest of my life. I believe that paintings can reflect our desires for beauty, poetics, and perfection.” Artspace Warehouse has been representing and exhibiting Ekaterina Ermilkina's original oil paintings since 2013. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles, CA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 “Urban Ecologies: Cities Are Built for Art”, Artspace Warehouse, Los Angeles, CA 2022 Paper Mill Playhouse, Millburn, NJ 2022 Affordable Art Fair, New York, NY 2022 Alcheringa, IIT Guwahati, India 2021 Affordable Art Fair New York 2021 Port Authority Bus Terminal, New York, NY 2021 “The Real Presence”, Artspace Warehouse, Los Angeles, CA 2020 High Point Market, North Carolina 2020 Hamptons Virtual Art Fair 2020 Six Summit Gallery, Westbrook CT 2019 Affordable Art Fair New York, NY 2019 Artspace Warehouse, Los Angeles, CA 2019 Leo House, Chelsea, New York City, NY 2019 David Parker Gallery, New York City, NY 2019 High Point Market, NC 2018 Affordable Art Fair, Hong Kong 2018 Artspace Warehouse Gallery, Los Angeles 2018 Gallery 104, New York, NY 2018 Discovery in the Details, SMI, Montclair NJ...

Maggy Clarysse (1931-2011) Oil on board, unframed 10.75 x 8.75 inches Signed Initials ...

Golden Reticulum is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 1993. Original Oil Painting on Canvas. Hand-signed and dated by the artist on the lback of the can...

Medium: original etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A rich impression with plate tone, one o...

Superb original British abstract oil painting, from the 1980's period. The painting is by the hitherto undiscovered abstract painter Isaiah Gerard Calleja (1936-2016), who was base...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº3 + Year: 2024 + Edition Size: 50 + Stamped and Certificate of Authenticit...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. Understated and subtle, the work doesn’t only refer to itself, and it doesn’t explain everything. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. The meditative process of the work is achieved through the transformation and subtle layering of geometric and organic shapes. This black and tan...