Abstract Art

Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...

66 x 94 cms (26 x 37 ins) Edition of 20 Rives BFK paper Proofs: I BAT, 4 AP, 7 CTP, 9 XP Signed lower left; numbered lower left; publisher's chop lower left. Published by Tama...

From the newest original works by Zammy Migdal, these wall objects hang as sculpture on the wall, each one unique, forming its own fluid story. This light gray work is from a series...

A California native, Peter Lodato began making work in the late 1960s as part of the West Coast-specific Light and Space movement. Aligned with the concerns of his contemporaries, Lo...

Digital print mounted on Diasec with lead

Jennifer Wolf grew up in Southern California hiking the Santa Ynez and Santa Monica Mountains. This intimate connection with the landscape led Wolf to explore using the earthen colo...

Abstract Expressionist Painting. Acrylic on Canvas. Collection from revered artist of NYC and The Hamptons. About the Artist: Part of the New York School Abstract Expressionists. Recognized around the world as the leading art movement after WW II. He showed with Jackson Pollock, Willem de Kooning and Franz Kline. 1921 born in Philadelphia 1934 – 38 Graphic Sketch Club 1938 – 40 Philadelphia Museum School of Art 1940 – 41 Pennsylvania Academy of Fine Art 1942 – 45 WWII War Correspondent-Artist, Yank magazine 1946 – 47 Art Students League, Will Barnett 1947- 48 Hans Hofmann Academy 1960–1979 Instructor at: University of California, Berkeley, CA; Princeton University, Princeton, NJ; New York University, New York, NY; Columbia University, New York, NY; Brooklyn College, New York, NY; Temple University, Rome, Italy 2017 deceased Collections: Ciba-Geigy Collection Chase Manhattan Bank Art Institute of Chicago Corcoran Art Museum, Washington Eugene V. Thaw Collection Max Kozloff Collection Montana Historical Society, Montana New York University Norfolk Art Museum Robert Rosenblum Collection Sarah Lawrence Collection Union Carbide Collection University of California Museum University of Massachusetts University of Montana Walter P. Chrysler Collection Walker Art Center, Minneapolis Whitney Museum, New York Yellowstone Art Center, Montana Exhibitions: Individual 2020 Frankfurt TBD 2018 Galerie Barbara von Stechow, Frankfurt 2008 Suvretta House, St. Moritz, Schweiz Galerie Barbara von Stechow, Frankfurt 2006 Ludwigmuseum im Deutschherrenhaus, Koblenz Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf 2005 Galerie Barbara von Stechow, Frankfurt New York „Abstract Expressionism” Galerie Barbara von Stechow, Dr. Alexander Georgieff & Dr. Peter Sewing bei Georgieff Capital, Frankfurt 2004 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf CherryStoneGallery, Massachusetts 2003 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf Galerie Barbara von Stechow, Frankfurt Kunstverein Augsburg 2002 ART Frankfurt, Galerie Barbara von Stechow, Frankfurt 2001 Galerie Barbara von Stechow, Frankfurt a. M. Art Cologne, Galerie Barbara von Stechow Denise Bibro Fine Art, New York City 2000 Galerie Barbara von Stechow, Frankfurt a. M. Art Frankfurt, Galerie Barbara von Stechow, Frankfurt a. M. Galerie Schröder & Dörr, Bergisch-Gladbach 1999 Galerie Peter Bäumler, Regensburg 1998 Conrad Hinrich Donner Bank, Hamburg 1996 Galerie Hexagon, Aachen Olaf Clasen Gallery, Köln 1995 Olaf Clasen Gallery, Köln Denise Bibro Gallery, New York City 1994 Olaf Clasen Gallery, Köln 1993 Galerie Peter Bäumler, Regensburg Bologna-Landi Gallery, East Hampton, New York 1992 Olaf Clasen Gallery, Köln Benton Gallery, East Hampton, New York 1991 St. Mary’s College, Maryland M 13 Gallery, New York City 1989 Randall Gallery, St. Louis, Mass. RH Love Gallery, Chicago, Illinois Pennsylvania Academy of Fine Arts (Morris Gallery), Pennsylvania 1988 Cyrus Gallery, New York City Benton Gallery, East Hampton, New York 1987 Armstrong Gallery, New York City 1986 Barbara Ingber Gallery, New York City 1984 Barbara Ingber Gallery, New York City 1982 The New School, New York City 1981 Benson Gallery, New York City 1980 Landmark Gallery, New York City 1978 Temple University Abroad, Rom 1977 Andre Zarre, New York City 1974 Bertha Schaefer, New York City 1973 Bertha Schaefer, New York City 1971 Westbeth Galleries, New York City 1965 University of Arkansas, Little Rock 1964 Princeton University, New Jersey 1963 Thibault Gallery, New York City 1962 Hacker Gallery, New York City 1960 Poindexter Gallery, New York City 1958 Poindexter Gallery, New York City 1957 Poindexter Gallery, New York City 1956 Ganymede Gallery, New York City 1954 Artists’ Gallery, New York City 1953 Hendler Gallery, Philadelphia 1952 New Gallery, New York City 1950 Artists’ Gallery, New York City Group Exhibitions: 2018 Titans In the Rough Denise Bibro Gallery, New York, NY 2011 Joe Stefanelli...

Acrylic and Soy based inks on single sheets Stonehenge

The painting is being offered with a work and authenticity certificate

Includes a Certificate of Authenticity

Seeking to evolve the way in which she collaborates with nature, Jennifer Wolf’s most recent series of works combine her signature flow process with innovative new layers of painterl...

Seeking to evolve the way in which she collaborates with nature, Jennifer Wolf’s most recent series of works combine her signature flow process with innovative new layers of painterl...

This is an original drawing made up of my unique visual language of weaving glyphic lines. Please feel free to "Google" my name to see more. The drawing is Pitt Artist Pen in black i...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Lin Ji, also known as Webson Ji, is a New York-based Chinese multimedia artist. He holds an M.A. degree in Sculpture from Savannah College of Art and Design and a B.F.A. degree in Public Art from China Academy of Art. Webson Ji is a member of the International Sculpture Center, a member of the New England Sculptors Association and an associate member of the National Sculpture Society. Ji’s practice focuses on the presentation of water, combining it with various industrial materials to present the viewer with a unique interpretation of his meditation. Webson Ji's works have been widely exhibited nationally and internationally. His most recent solo exhibition was held at Obition, Seoul, South Korea 2020. Other exhibitions include solo exhibitions at theBlanc Gallery in Manhattan, NY 2019; Besharat Museum Gallery, Atlanta, GA 2019; Garcia Wilburn Gallery, Atlanta, GA 2018, as well as group shows at the Oculus World Trade Center, Manhattan NY; Greenpoint Gallery, Brooklyn NY; La Mama La Galleria, Manhattan NY; Novado Gallery, Jersey City NJ; BINNAR Art Festival, Portugal; Antilia Gallery, Italy; Loosenart Gallery, Rome Italy; CICA Museum, Gyeonggi-do South Korea; Gustein Gallery, Savannah GA; Yonsei University, Seoul South Korea; Z-Art Center, Shanghai China. In July 2018, Webson Ji was honored as the Best Young Artist of the Year of 2018 GAMMA Young Artist Competition in Tokyo, Japan, out of 226 participants from over 26 different countries. In February 2019, Webson Ji exhibited his work in a group art exhibition curated by the Asian Cultural Center at New York City's landmark, the Oculus World Trade Center. His works and practice were covered by media and press like Art China, Sina, Sohu, Ifeng, Chinaweekly, The China Press...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Artist: Tom Wesselmann Title: Rosemary Lying on One Elbow Medium: Laser Cut Steel Edition: 45 Date: 1989 Dimensions: 8" x 15" X 1/8" Description: Signed Unframed Condition: ...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’re not sure whether it’s intentional or inadvertent. And then you discover he is the son of a notorious Dominican admiral, that the tyrannical dictator Trujillo was best man at his parents’ wedding, that his mother was a fabled high-society beauty, that he grew up on battleships and estancias before going, inevitably, to Brown. Even more surprisingly, Santana stayed in Providence for graduate studies at the Rhode Island School of Design, where he received his degree in architecture, soon plying his trade in Manhattan and his adopted city of Savannah, where he eventually set up his own firm. Astonishingly, in this era of CAD, he draws every detail entirely by hand. Considering his tweeds, his bow ties, his drawl and debonair dress, it is perhaps not surprising to learn that Santana’s architectural taste is strongly neo-classical, inspired by the vernacular Palladianism of antebellum Georgia, with of course a touch of the Postmodern. Santana’s detailed and decorous architectural plans for his clients are complemented by drawings created for solely for himself -- exotic imaginary cityscapes and urban fantasias, like the dreams of Sir John Soane channeled through Aldo Rossi or John Hejduk...

In her “Balcony” series paintings, Lucía Rodríguez Pérez uses an same architectural mindset by constructing images of pillars and the surrounding sky by skillfully manipulating color to create the illusion of natural light. While architects and artists cannot manipulate natural light, she masterfully blends colors in her palette to create a complex yet subtle gradient that evokes the feeling of a sunset or sunrise. Each “Balcony” painting...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Morning meditation: Organic Compositions. Utilizing only naturals materials such as charcoal from burned wood, stones, branches, leaves and feathers I have found on wandering walks ...

Robert Ruello Switch-It #9, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...

original and certificated by gallery

'PS06' is a reminder that today happens only today, everything in life and beyond happens right in this moment. The Universe is full of endless possibilities for us. Get ready to rec...

Powdered pigments with microcrystalline oilsticks

The painting is being offered with a work and authenticity certificate

Always fascinated by the uncertainty of human perception, and the duplicitous nature of vision, which can be both revealing and deceitful, Lodato creates paintings that delve into th...

The painting is being offered with a work and authenticity certificate

Upcycled metal Unique work Includes a Certificate of Authenticity

80 x 94 cms (31.5 x 37 ins) Edition of 100

Upcycled metal Unique work Includes a Certificate of Authenticity

It’s 1963. I’ve quit my teaching job ($4,000 a year) at Fresno High to try working full time as a commercial artist. Got a new home (Trend Homes by Spano, $12,000). Decide my birthday party needs a bottle of red wine (about a half gallon of Gallo Chianti, the kind in a husk basket because I think it will look good with my books on their plank and cinderblock book case. I drive a couple blocks to Jackson Jones Liquor on the corner of Shields and West, park an old gray Chevy sedan I’ve named Moby, walk in, head straight for the wine display...

Jeremy Hoffeld's work plays with ambiguity, and subverts the notion that one must choose between "abstraction and figuration, the new and the borrowed or even clichéd, the bright and the muddy, the natural/primordial and the synthetic/modern." For Hoffeld, "paintings, both abstract and figurative, have always been linked with music and literature. He aims to infuse his paintings with...improvisation, spontaneity, and energy." Hoffeld has had several solo shows since 2006 at galleries in New York including John Davis Gallery, Varga Gallery, Sky-Tree Gallery and Art Center, and the Catskills Gallery, as well as Galerie Hugo Cassel in Berlin and the Emily Harding Gallery...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in the landscape and creat...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Adhesives on galvanized sheet 3 layers satin varnish Thickness 4cm Signed on the back

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

Let’s stop and profoundly analyze this stage… When in a relationship the woman or man doesn’t feel that emotion, that passion, the actions in that being change. One of them is now ...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Donatella Violi was born in Ovada (AL), moved to Milan and subsequently to Reggio Emilia. As she was taking lessons at the Institute of Science, she wa...

Oil on canvas

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

Josef Presser (Poland, United States, 1907 - 1967) Abstracted Shapes signed in red lower right 19 ¾ ” x 14 3/4” 25 1/4 ” x 20 1/4” Medium: Gouache on paper Provenance: Woodstock, NY About Josef Presser was born in Lublin, Poland. He studied at the Boston Museum of Fine Arts School and in Europe, with Bryant Baker...

Barrilete 2, 2015 Ferrite and graphite on paper 9.80h x 7.90w in Unframed Miriam Peralta was born in 1957 in Buenos Aires, where she also received her formal academic training at ...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

the painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Encaustic and oil on canvas

Robert Ruello Switch-It #7, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...

-- Artwork comes with a certificate of authenticity and a premium quality frame -- Signed by Eduard Grossman