Cubist Art

Superb original abstract painting by the contemporary British abstract artist Robert Somerton, born 1972. Bold and vivid brushwork shapes all make up this highly unique and appeali...

About the artist: Ruslan Perekucha was born in 1967. Since childhood, he has been interested in the history of art, and he loves modernism most of all. This prompted him to collect a...

Artist: Arnold Weber, American (1931 - 2010) Title: Three Cubist Figures Year: circa 1970 Medium: Oil on Canvas Size: 30 x 44 in. (76.2 x 111.76 cm)

CLAES-THOBOIS Albert Statue. Pastel. Signed and dated 1929. Provenance : Collection of the mistress of the artist. Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald...

CLAES-THOBOIS Albert Statue. Pastel. Signed and dated 1929. Provenance : Collection of the mistress of the artist. Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald...

Artist: Andre Minaux, French (1923 - 1986) Title: Linge from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 15...

Eclatante Venise Acrylic on Canvas 70 x 50 cm Éclatante Venise — Radiant Venice — does not depict the city from the ground. The viewpoint is elevated and shifting, looking down and...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Artist: Avi Farin, Turkish/American (1943 - ) Title: Still Life with Horses Head Year: 2003 Medium: Oil on Canvas, signed l.r. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 41 x 35...

This portrait of a woman by Menachem Gueffen clearly reflects the artist’s two main influences. First, Cubism et Picasso influences, which can be seen in the strong geometric structu...

Artist/ School/ Date: French School, circa 1970's Title: cubist still life scene of an interior setting with food and wine. Medium & Size: oil painting...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 2 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 15 x 22 inches...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x30"x1.5". It is unframed. A Certificate of Authenticity will follow ...

An oil painting by Jorge Dumas from 1982. A modernist portrait in a Latin American mural-style painting. Bold and bright colors are accented by blue cubist shadows. Signed and dated ...

Artist: Pablo Picasso Title: Square Head of a Woman Half Smiling (Plate XII) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" ...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 6 Year: 1969 Medium: Aquatint Etching with collage, Signed and numbered in pencil Edition: 58/100 Image Size: 19.5 x...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

"The Canal" by Geneviève Zondervan (French 1922-2013) stamped verso oil painting on canvas canvas: 8.75 x 10.5 inches Original oil painting on canvas by the French artist, Genevièv...

Deep tonal cubist style painting of the Crucifixion of Christ. Like traditional Crucifixion imagery, there are two figures on either side ...

Huile sur toile. Dimensions encadré: 59x68 cm

Artist: Pablo Picasso Title: Abstract Design (Plate VI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed ...

Ming Ming Liang (Chinese, born 1964) "Orange Flowers" 2022 Oil paint on canvas, stretcher bars The artist signed the bottom right corner of the painting. Ming Ming Liang's "Orange F...

Artist: Josette Cayol (French, circa 2000) Title: Violette Medium: Oil on canvas Size: 20 x 16 inches Frame: Unframed Signature: Signed (lower right) Condition: Good condition, minor...

Page Size: 15 x 22 in. Frame Size: 20 x 27 in. Signed, bottom right. This brilliant watercolor captures the iconic architecture and dramatic light of the Greek islands with an expres...

Nocturne. 2004, oil on canvas, 67x79 cm Abstract still life with game cards and musical instruments In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Artist: Beatrice Rubel (aka Betty Abbott) Title: Blue Symphony Year: circa 1948 Medium: Pastel on paper, signed verso Size: 12 in. x 18 in. (30.48 cm x 45.72 cm) Frame Size: 19.5 x 2...

Ted Hinrichs Jericho Acrylic on Canvas Year: 2022 Size: 36x24in Framed: 38x26x1.75in Signed by hand COA provided Ref.: 24802-1724 *Framed in naural Woo...

Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...

Still Life. Oil on canvas, 94.5x115.5 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, gradua...

Pablo Picasso A.R. 412 Scène de Tauromachie 1959 16.5” round Edition of 100 White earthenware clay, partially glazed. Ramie 412 is a Madoura ceram...

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x30"x2". It is unframed. A Certificate of Authenticity will follow th...

This Cubist-inspired portrait of a woman was created by the painter Menachem Gueffen. Faithful to the artist’s figurative-expressionist style, this oil on canvas is distinguished by ...

Late 20th century. Cubist still-life

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

"Story Time" Painting 47" x 39" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of the...

This original lithograph was designed for the Tapestries at Pace exhibition held at Pace Columbus in 1974. Though the exhibition featured works connected to Pablo Picasso, this litho...

Title: Untitled 4 Medium: Oil on canvas Size: 24 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This...

George BRAQUE Elegant flight Lithograph on vellum after a painting Printed signature in the plate 399 copies unnumbered On Arches vellum 18 x 23" (45 x 58 cm) Excellent condition

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...

This is a one of a kind original cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 20"x 24" x1.5". It is unframed. A Certificate of Authe...

Artist: Pablo Picasso Title: Monogram "L" with Landscape (Plate XXXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Sig...

Roundism – 06-11-20 The Next One After Roundism – 27-10-20 I thought to postpone future colored pencil drawings for a while and return to graphite pencil. I kind of like chan...

Après Midi en Grèce II Acrylic on Canvas 56 x 46 cm Après Midi en Grèce II — Afternoon in Greece II — takes its cue from light rather than landscape. Where many works inspired by t...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 10.25 x 7.5 inches ( 26.035 x 19.05 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Here is a large oil painting in celebration of African juju which is a kind of voodoo. Wikipedia explains Juju so you’ll be prepared to talk about it with your guests: “Juj...

This painting is part of the Love series buy had a mind of it's own and became a linking of letters and shapes - Its in a Large White hand carved frame that gives it a wonderful retr...

A one of a kind 48" x 24" Figurative Cubist Acrylic Portraiture Painting executed by artist Alexander Arshansky. A certificate of authenticity will be provided upon its purchase or d...

Nu au guéridon 60 x 49 cm Acrylic on canvas Nu au Guéridon is among the most kinetic works in Mathias's practice. Where other compositions hold their fragments in measured balance, ...

All Things Round? This pastel drawing Golden Night – 08-02-21 is based on a previous graphite pencil drawing Roundism 10-08-20. What I do is to browse through my collection of dra...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

This is a one of a kind original abstract cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 20"x 24"x1...

One of a kind biomorphic cubist painting by local San Diego artist, Alexander Arshansky. It's dimensions are 25.25 x 25.25 x 2.5 in. A certificate of authenticity will follow deliver...