Cubist Art

Pablo Picasso A.R. 542 Wood Owl 1968 11.8” x 8.8” Edition of 500 White earthenware clay, decoration in engobes under partial brushed glaze, black patina Ramie 542 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features ...

Le Corbusier (1887-1965) The Rest, Two Reclining Nudes, 1938 Lithograph and watercolor stencil On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition, paper lightly yellow...

Back from a Sore Back This graphite pencil drawing ˜Roundism “ 22-12-22 follows after ˜Neo Deco “ 10-12-22. Usually I make one drawing per week but my mind was occupied with an oil i...

Homme couche et femme accroupie Lithograph on Arches paper, 1956 Signature stamp lower right )see photo) Annotated in pencil lower left: "epreuve d'artiste" (see p[hoto) Edition: 50...

Alfred Reth (1884-1966) Mixed media composition on panel Gritty, sand like texture Hand signed and dated 1952 in lower right corner Frame: H 26.5 in X W 20.5 in. Panel: H 19 in. W 12...

Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Artist: David Fox (American, 1920-2011) Title: Geometric Figure #25 Year: 2002 Medium: Acrylic on paper Paper: Watercolor paper Image size: 8 x 12...

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

Roger Lersy, "Abstract Seascape with Boats," Circa 1958. A vibrant lithograph on paper by French artist Roger Lersy (1920–2004), this stunning Cubist-inspired composition features an...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

"Abstracted Letter Sunset" is an abstract painting by Spanish artist Natalia Roman. These color field paintings are inspired by both modernist shapes of ...

Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix,...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled L'entree du village (The Entrance to the Village), from the album Roger de la Fresnaye, III, Collection Pierr...

Bernard Segal (1907-1986). Cubist portrait, ca. 1960. Gouache and watercolor on paper, sheet measures 10 x 13.5 inches. Unsigned. Estate stamp on vers...

12 Mai 1970 (The King and The Queen) is an artwork realized by Pablo Picasso in 1970. Etching on paper. Date printed on plate. Artist's stamp of signature in the lower right. Hand...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Antique American abstract cubist table top still life oil painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

A captivating oil painting by the Haitian master, Albert Desmangles. This piece is a wonderful example of his work within the highly sought-after School of Beauty art movement, which...

Once Again Once in a while I get that itchy feeling again that makes me want to turn to roundism. The last one by that title I made half a year ago. In between lie an odd couple...

Seated in an armchair, the woman in this Pablo Picasso print appears fragmented and disjointed due to the artist’s integration of multiple perspectives. A lithograph from the Marina ...

This 1971 oil on board landscape by Y. Melo presents an abstracted natural scene executed in a refined Cubist style. The composition flattens and segments a hillside view into interl...

Salade des Fruits by Jean Pierre Stagnaro (French c. 1961) cubist still life composition, very thickly painted. signed oil on canvas, framed framed: 25 x 37.5 inches canvas: 23.5 x 36 inches inscribed verso provenance: private collection, France; exhibition label...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure et nue (Minotaur and Nude), from the folio Picasso, La flute double, 16 Dessins, Aquarelles La...

Les Dormeuses (The Sleepers) Acrylic on Canvas 46 x 61 cm Les Dormeuses by Grégoire Mathias captures the serene stillness of rest through the fragmented yet harmonious lens of Diach...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Visage (Face), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, originates from the ed...

This rare and highly sought-after catalogue raisonné offers a comprehensive overview of Pablo Picasso’s lithographs printed at the renowned Mourlot studio. Published by André Sauret ...

Isabelle Graham Reese (1927-2005). Floral Still Life, ca. 1950s. Oil on canvas measuring 16 x 20 inches; 22 x 26 inches in period frame. Signed l...

Joseph Kardonne (1911-1985). Nude Woman, 1946, 9.25 x 12.5 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in N...

Oscar Dominguez, Spanish (1906 - 1957) - Still Life, Medium: Etching on Japon, numbered in pencil, Edition: 4/10, Image Size: 8.25 x 7 inches, Size: 15 x 11.25 in. (38.1 x 28.58 cm...

Marino Marini (Italian, 1901-1980), "Untitled (Cavaliere)", Mixed Media on Paper, 1955, chalk pastel and wash, signed "Marino" lower right and dated lower left, carved giltwood frame...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Yitzhak Amitai (1907-1984). Still Life with Musical Instruments, 1963 Oil on canvas, 14 x 25.5 inches; 18 x 29.5 inches framed. Artist Isaac Amitai was born into a Jewish family ...

Title: "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 19" Discover the captivating allure of "Abstract Cubist Portrait - HFC 19," a limited edition textured canva...

A Dynamic, 1945 Mid-Century Modern Cubist Studio Scene, Artist's Sketch Class by Noted Chicago Painter, Harold Haydon (Am. 1909-1994). Artwork size: 11 x 8 1/2 inches, unframed, mo...

Artist: Pablo Picasso Title: Square Head of a Man (Plate XXXI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 32/289 Frame Size: 21" x 18" Sheet Size: 13...

Pablo PICASSO (1881-1973) The 156, Degas Imagining. Scene of Seduction between Two Girls... (plate 107), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC ...

ULISES JIMENEZ "MUSICA" METAL, SIGNED COSTA RICA, 2022 30 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Plastic Arts at the Autonomous University of Central America. 1992 He attended the drawing and painting workshop of the painter Eduardo Barracosa, and followed courses of painting at the ESEMPI School of Art, with the painter Francisco Alvarado Avella. In addition to making sculptures in wood and stone "nicoya marble", he is also a painter. As a sculptor he has around 300 sculptures cataloged and sold all over the world, with works in Europe, Latin America, North America, Canada and Asia. EXHIBITIONS: From 1984 to 2010, he has participated in more than 50 group exhibitions, among others: National Exhibition of Plastic Arts of the Costa Rican Art Museum. Zentic Art Exhibition at the Old Customs National Museum of Costa Rican Art and Embassy of Japan, September 2010. Painting Contest of the North American Costarican Cultural Center. Drawing Contest of the Costa Rican Social Security Fund. He has participated in the following sculpture exhibitions and symposiums: I Meeting of Pacific Sculptors, held in Canton de Orotina in 2006. International Sculpture Meeting in Punta Arenas 2007. Sculptural Encounter of San Ramón 2008. I Symposium of Guadalupe 2009. IV International Credomatic Sculpture Symposium, Barva de Heredia, February 2009. He was selected for the Second Biennial of Painting and Sculpture of the ICE Group, March 2009. II Symposium of Guadalupe, 2010. Sculptural Exhibition 2010 organized by the Municipal School of Integrated Arts of Santa Ana, (March-April 2010). I International Symposium of Plastic Arts, Tejeda, Gran Canaria...

Bernard Segal (1907-1986). Cubist painting, ca. 1960. Gouache and watercolor on paper, sheet measures 11 x15.5 inches. Unsigned. Estate stamp on verso side. Excellent condition. N...

Artist: Pablo Picasso Title: Square Head of a Woman Half Smiling (Plate XII) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" ...

Four Sailboats Miriam Bromberg Date: circa 1965 Oil on Canvas, signed lower right Size: 18 x 36 in. (45.72 x 91.44 cm) Frame Size: 24 x 41.5 inches

Christian Marche (1935-2008) was a prolific French artist best known for being one of the most significant pinball machine illustrators of the 1960s and 1970s. Pinball Illustration...

This exquisite lithograph and pochoir after Georges Valmier (1885–1937), titled Femme assise (Seated Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Artist/ School: by Henri Van Der Beck (French 1886-1956), signed Medium: oil on canvas, unframed Painting: 18 x 15 inches Provenance: private collection, France Condition: The p...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Au Foulard Mauve". The original painting was completed in 1937. In the 1970's...

Pablo Picasso A.R. 161 Toros 1952, July 29 8” round Edition of 500 White earthenware clay, decoration in engobes and oxidized paraffin. Ramie 161 is a Madour...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

Lithograph on Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: Published by Atelier Mourlot, Paris, 1964. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...

Modernist abstract composition signed Feist. Oil on board, circa 1964. Signed lower right. Displayed in a wood frame. Excellent ready to hang condition.

Natalya Prager was born in Moscow, Russia in 1938, the daughter of a famous Russian artist Vladimir Prager. She began her life as a ballerina studying at the Bolshoi Theater Ballet School. As a young woman she participated in the Bolshoi Theater performances, but the rigorous training damaged her health. Her exposure to music at a young age certainly influenced the subjects of her future endeavors in art. Her works are lyrical and with observation tell an intimate story. Encouraged by her father, she turned to painting and became a student at the Moscow College of Art. She had two exhibitions of large canvases to critical acclaim at the First Exhibition of Young Painters in Moscow when she was eighteen years old. After marrying her fellow artist Igor Kononov in 1957, she expanded her work in many different different areas, including book illustrations, circus and stage design, and puppet making for a children’s TV channel, receiving critical success and broad recognition. Prager- Kononov came to the United States with her husband and son in 1975. The first years were extremely difficult, but they never looked back. The family settled in Staten Island, New York and since 1985 in Bridgewater, New Jersey. Natalya displayed her works in some of the most prestigious locations in New York City including 57th street and SOHO galleries, Lincoln Center Gallery, Staten Island galleries and many others throughout the country. Her final show, jointly with her husband, was produced by Somerset Arts Association in 1999. Animals had a special place in Natalya’s life and art. Some of the enchanting New York City Toy Center soft animal toys had been designed by her and continue to bring joy to children of the world. Many national and local newspapers published extensive articles and personal interviews praising her enchanting work as a door to the Bewitching Fairy Kingdom...

Vintage American modernist abstract cubist oil painting by Irving Resnikoff (1897 - 1988). Oil on canvas. Framed. Signed. Measuring: 29 by 23 inches overall, and 28 by 22 painting a...

Artist: Pablo Picasso Title: Head of a Man in Broken Lines (Plate XXXIV) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseau sur fond de X (Bird on Background of X), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Mourlot Freres, Paris, October 1975. Oiseau sur fond de X exemplifies Braque’s late-career mastery of poetic symbolism and formal harmony. The composition’s abstracted bird—one of Braque’s most enduring motifs—emerges from an intricate background of interlocking shapes and textures, expressing his lifelong fascination with balance, serenity, and the unity between nature and form. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres, the legendary Parisian atelier known for its collaborations with Braque, Picasso, Chagall, and Matisse. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseau sur fond de X (Bird on Background of X), from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Vallier, Dora, et al. Braque, the Complete Graphics: Catalogue Raisonne. Translated by Robert Bononno, Gallery Books, 1988, illustration 122. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellini in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, was conceived as a landmark tribute to Gualtieri di San Lazzaro, the visionary founder of the celebrated art journal XXe Siecle. The folio unites original lithographs by leading masters of modern art—Braque, Picasso, Chagall, Miro, Calder, Hartung, Moore, and others—printed by premier Parisian ateliers including Mourlot, Arte, Bellini, and Curwen. Representing the creative spirit and internationalism of postwar modernism, this edition stands as one of the great artistic collaborations of the 20th century. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseau...

Pablo Picasso, Spanish (1881 - 1973) - La Peintre Et Son Modele (B 98), Year: 1930, Medium: Lithograph on Johannot, Image Size: 9 x 11.5 inches, Size: 12.75 x 19.75 in. (32.39 x 50....

This is a beautiful 20th-century Russian Art Deco cubist gouache painting on cardboard. There is no obvious signature on the artwork. Although this painting is a typical example of t...

This striking lithograph reproduces Picasso’s original oil on plywood titled Serenade, created on June 18, 1967. The lithograph was designed by Mo...

Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...

Fruits Cubistes (Cubist Fruits) Acrylic on canvas 36 x 27 cm Bold and textured Cubist still life by Grégoire Mathias, featuring a fragmented fruit bowl. A striking composition blend...

Outstanding Monumental Artwork Consists of 8 mounted Cubist charcoal drawings mounted on blind canvas frames. Drawing for the Panon Universi...