English School Art

English Provincial School, early 19th Century Travellers at an inn Oil on canvas 17 x 21 in. (43.2 x 53.3 cm.)

José WEISS Neuilly-sur-Seine, 1859 - Houghton (England), 1919 Oil on wooden panel Signed lower left “José Weiss” 40 x 61.5 cm (54 x 75 cm with the frame) Joseph Vincent Nicholas Fr...

Winter landscape with Seagulls on ploughed fields in the English Countryside by 20th Century British Artist Art measures 24 x 20 inches Frame measures 28 x 24 inches Richard Woo...

William Heath: 1794-1840. well, listed early 19th century British artist with Auction results for a watercolor over $35,000. This is fabulous, watercolor, and ink on paper and is typ...

Vintage English Woman in Suburbia with Classic Ford Anglia Car 1960's 1970's England entitled ‘The Temptations Of Travel’ by Retro Nostalgic Artist, Paul F Harding...

A very atmospheric scene of a religious ceremony in a Cathedral or church interior Harry Willson (1813-1852) A candlelit cermony in a cathedral Signed Watercolour with gouache and g...

A lovely Regency era composition with a billowing sky and timber-framed houses; likely the Cotswolds or East Anglia. English School, 19th century c1820. Pen and ink in grayish black ...

workman bridge over the river avon in Evesham worcestershire. Workman Bridge was erected in 1856 to replace a medieval bridge. It was named after Henry Workman, long-time mayor of Evesham. oil on canvas by George Willis Pryce...

Winter Sunset with Snow - Pink, Orange & Purple Sky in the English Countryside by British Landscape Artist, Stephen Hawkins (1964-) Art measures 12 x 10 inches Frame measures ...

Thatched Cottages with Wild Flowers & Village Church in the English Countryside by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This exquisite origi...

The 19th-century, affluent young English gent was practically obligated to make The Grand Tour as a rite of passage. Of course, the itinerary had to include Italy. Afterwards, the tr...

Hedgerow & Fields with Wild Flowers in an Overcast English Countryside Landscape by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14.5 x 9 inches Frame mea...

Farm Horse Drunking Charcoal and pastel on artist's board, c. 1920 Signed lower right in pencil (see photo) Titled in ink lower center, as are all the illustration for At the Farm (s...

Beautiful watercolor of snowy mountains in the spring at Glen Spean, Scotland by Colin Bent Phillip. Watercolor on Paper, signed and dated lower right. Exhibition label on reverse fr...

Watercolor on heavy gauge watercolor paper, 9 3/8 x 11 1/8 inches (238 x 283 mm), the full sheet. In very good condition with scattered small pin-point spots of discoloration on the ...

Although this painting has a plaque stating Duncan Cameron, I don’t believe it is by that artist. This charming 19 century painting of a Scottish f...

'A Racy Little Number’ a Woman with a Red Austin Mini Car in 1970's England, by Retro Nostalgic Artist, Paul F Harding. Signed, Original, Acrylic on Canvas. Presented in a high quality off-white shabby chic frame. Art measures 20 x 16 inches Frame measures 25 x 21 inches Born in Blackpool in 1954 Paul has lived and worked on the Fylde Coast ever since. “My interest in art began during my schooldays in the mid 1960's through into the early 1970s. I had much enjoyment from this and a degree of success, though I did not follow a career in art until a few years ago after gaining an appreciation of the work of Edward Hopper, and of the Californian artist R. Kenton Nelson...

Elsie Marian Henderson (British, 1880-1967) Crouching Leopard Charcoal and pastel on paper 8 x 12.1/8 in. (20.3 x 30.8 cm.) Provenance: The estate of the artist Sally Hunter Fine Art, London Elsie Marian Henderson was born in Eastbourne in Sussex and with the encouragement of her mother, a keen amateur painter, she attended the South Kensington Schools before studying at the Slade School of Fine Art between 1903 and 1905. She continued her art education in Paris and in 1916, after returning to London she enrolled at the Chelsea Polytechnic, where she was taught lithography by the artist Francis Ernest Jackson...

Hedley Fitton (British, c. 1857-1929) John Knox's House, c. 1900 Etching 17 x 12 3/4 in. Framed: 25 x 20 1/2 in. Signed in the plate by Hedley Fitton Sig...

A wonderful view of St Peter's, Rome encompassing the elegant landscaped gardens with rolling campagna in the background. Attributed to Thomas Hartley Cromek...

Walter Richard Sickert ARA (British, 1860 – 1942) Harry Anderson – in memoriam etching 1922 signed and titled in ink (lower edge) 5.1/8 x 4.1/2 in. (13 x ...

London: Thomas Holloway, 1794. Engraving on cream laid paper, 9 3/4 x 8 inches (246 x 201 mm), full margins. In good condition with some light discoloration throughout the sheet. As...

A Method of Riding as Practised by the Rustics of Japan. One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...

Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...

18th century image of a priest presiding over a traditional Japanese nuptual ceremony. One plate from A new and complete collection of voyages and travels containing all that have b...

Plate XXXVIII Claremont, Homerton's white, Ford's black and the Genoa nectarines. Aquatint, engraving with some stipple, printed in colors with hand finishing 1804-1812 Engraved signature on the bottom left (see photo) From: Pomona Britannica or A Collection of the Most Esteemed Fruits (90 Plates) Published: White, Cochrane & Co., E. Lloyd and W. Lindsell, London: [1804-] 1812 Format: Folio size, 1st edition Printer: Thomas Bensley (active c. 1760-1935) Considered to be a msaterpice of natural history illustration Condition: Excellent Image/Plate size: 18 3/4 x 15 7/8 inches Sheet size: 21 1/4 x 17 inches Refereence: Dunthorne 050 Publication legend lower center: “Painted & Published as the Act Directs by the Author G. Brookshaw” followed by date, varying from 1804 to 1812. Title page credits: “Printed for the author by T. Bensley, Bolt Court, Fleet Street. Published by White, Cochrane and Co. Fleet Street; E. Lloyd, Harley Street; and W. Linsell, Corner of Wigmore Street.” George Brookshaw (1751-1823) (after) from Pomona Britannica; Or, a collection of the most esteemed fruits at present cultivated in this country… selected principally from the Royal Gardens at Hampton Court T. Bensley, London (printer) White, Cochrane & Co., E. Lloyd and W. Lindsell, London: [1804-] 1812 Folio edition Stipple engravings, printed in color, finished by hand 17.5 x 14 inches, plate mark, average approximate 22 x 17 inches, overall, average approximate Pomona Britannica, or a Collection of the Most Esteemed Fruits at present cultivated in the country…selected principally from the royal gardens at Hampton Court…accurately drawn and coloured from nature, with full descriptions was published in London from 1804—1812. Comprising 90 aquatint engravings, including 256 depictions of British fruit, after paintings by George Brookshaw. Published in London and engraved by R. Brookshaw and H. Merke. George Brookshaw (1751—1823) was born in Birmingham, England where he was apprenticed to Samuel Troughton (d. 1783), a Birmingham painter and japanner. According to a recent blog post related to St. Philips Cathedral, Birmingham, England, entitled In Search of Sobieski Brookshaw, by Gill Partridge, he may have received some art training from his father, also named George Brookshaw, who is listed as an engraver in a document dated 1751. George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed his brother. In 1777, Brookshaw moved from Birmingham to London and began a celebrated career building fine cabinets detailed with hand-painted botanical and pomological motifs. Shortly afterward, in 1778, he married Sobieski Grice (1749—1811), daughter of William Grice, a prosperous gunsmith.The Prince of Wales was the most distinguished of Brookshaw’s well-heeled patrons, and today examples of Brookshaw’s cabinetry may be seen at the Victoria & Albert Museum, London. According to church records noted in Gill Partridge’s post, both George Brookshaw and Sobieski Grice were baptized at the Birmingham Cathedral. In his cabinet-making shop, Brookshaw also offered lessons in flower painting to ‘Ladies of Taste and Fashion’. During the mid 1790s, it appears his furniture-making business went bankrupt, and he led his life under an assumed name, G. Brown. In 1991, Lucy Wood wrote two articles in which she drew the connection between G. Brown and George Brookshaw. During his years of anonymity, Brookshaw worked as an illustrator of botanical books and gave flower-painting lessons, which may have been his primary source of income. Apparently, the marriage dowry he enjoyed while married to Sobieski Grice was lost after their marriage dissolved. Brookshaw returned to public view as the earliest parts of Pomona Britannica were issued. In Flower and Print Books of the 18th and Early 19th Centuries, Gordon Dunthorne extolls the virtues of George Brookshaw’s large folio edition. “One of the eminent English artists of the early nineteenth century is George Brookshaw, who issued in 1812, Pomona Britannica. Ninety aquatint plates, printed in colour and on a scale comparable to Thornton’s Temple of Flora...

Official Vintage 1937 program of the Coronation of King George and Queen Elizabeth. Framed in a dark brown wood shadowbox with an off-white colored ma...

Artist: Maud Hollyer (English, 1867-1910) Title: "Cotswold Village, England" *Signed by Hollyer lower left Circa: 1900 Medium: Original Watercolor on paper Framing: Recently beautifu...

Artist: Tom Whitehead (English, 1886-1959) Title: "A Windy Day ... Blackstone Edge" *Signed by Whitehead in green watercolor on verso Circa: 1920 Medium: Original Watercolor on paper...

Cat 'At Home' by Anne Harriet Fish (1890-1964) Portrait of Vanity Fair and Vogue illustrator A. H. Fish aka Anne Harriet Fish, circa 1915 Actual Picture measures W 38 cms 15 ins H 45...

A charming scene of men and women in various dress, perhaps a theater company costume fitting. English School, 19th century (circle of Cruikshank), circa 1860. Watercolor and pencil...

London: Thomas McLean, 1825. Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...

London: Allen & West, 1797. Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...

Stunning oil on canvas landscape of the River Conway in Wales by British artist R. Ellis Wilkinson. Painted in 1881 and signed lower right. In what apears to be the original period f...

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...

London: c 1750. Steel engraving on cream wove paper, 5 3/8 x 6 3/8 inches (sheet) (142 x 162 mm), margins trimmed inside the platemark. Scattered handling wear, creasing and edge nic...

Peter de Wint (British, 1784 – 1849) Fishing boats at low tide Pencil on watercolour 10.3/4 x 16.3/8 in. (27.3 x 41.7 cm.) Peter de Wint was born in Stone in Staffordshire, the son ...

Rainy Night in Rome Drypoint, 1913 Signed in pencil and titled in the lower margin by the artist (see photo) Provenance: Kennedy Galleries, Stock # A6538 Reference; Doddgson 299 _/X ...

A period Joseph Nash ca. 1839-49 hand-colored lithograph Porch and Corridor, Ockwells, Berks. from "The Mansions of England in the Olden Time". Printed by Charles Joseph Hullmandel ...

Francis Hewlett RWA (British, 1930 – 2012) A Welsh Idyll Signed and titles ‘Francis Hewless RWA, Welsh Idyll’ (on the stretcher) Oil on canvas 24 x 30 in. (61.3 x 76 cm.) Francis He...

Robert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...

London: Robert Wilkinson, 1820 Copperplate engraving on buff wove paper, 13 x 9 3/4 inches (330 x 247 mm) full margins. In good condition with some minor toning and surface soiling ...

London: Robert Wilkinson, c1620 Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, including two small horizontal tears which appear at the right and left center sheet edges. There is a vertical edge tear on the the lower sheet edge which is expertly repaired with a tab of paper tape mounted to the verso, and a soft horizontal fold, as issued. Plate created circa 1620, however printed later, likely early 19th century. Dr. John King preaching at St. Paul's Cross for James I, his Queen, Charles Prince of Wales...

An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...

Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata. London: Robert Wilkinson, 1814 Engraving on buff wove paper, 11 ...

London: William Herbert & Robert Wilkinson, 1809 Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater. An impression of this work may be viewed in the permanant collection of the Royal Collection...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

London: Tallis & Co., 1851 Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplat...

London: Tallis & Co., 1851. Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear...

This charming landscape features the structure now known as the Worplesdon Place Hotel, near Guildford, Surrey. The house is of notable historical significance, and it is registered ...

Originally the property of Mrs. John D. Rockefeller, Jr., this watercolor scene, depicting a group of ordinary, early 19th-century English folk and their dogs resting in the shade, p...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...

Lithograph in colors with engraving on buff wove paper. Each of the two images measures 10 3/4 x 6 5/8 inches (271 x 167 mm), with the sheet measuring 14 1/4 x 20 1/2 inches (360 x 5...

Michael Grimsdale is a British painter known for his refined portrayals of horses, sporting subjects, and commissioned portraits. Born in London in 1936, Grimsdale spent much of his early life abroad, following his family’s military postings to Hong Kong, Singapore, and South Africa. These formative experiences, coupled with his early exposure to varied landscapes and cultures, would later inform the breadth and vitality of his artistic vision. Educated at Cheltenham College and the Royal Military Academy, Sandhurst, Grimsdale initially trained for a military career before pursuing his true vocation as a painter. He later studied at St Martin’s School of Art in London, where he developed a disciplined, realist approach to painting grounded in keen observation and a deep respect for traditional technique. Periods of residence in Mexico and Australia broadened his visual vocabulary and deepened his sensitivity to light and colour. Grimsdale established his reputation through a steady stream of private commissions—portraits of individuals, equestrian studies, and sporting scenes, especially polo—executed with precision and elegance. His celebrated work Galileo at Coolmore Stud exemplifies his command of equine anatomy and his ability to convey both the physical presence and inner nobility of his subjects. His paintings have been exhibited at the Royal Academy Summer Exhibition, Cowdray Park Polo Club, and galleries in London, Jersey, Sydney, and Houston, and they are represented in numerous private collections worldwide. Working primarily in oil, Grimsdale paints in a realistic yet lyrical style, characterized by clarity of form, balanced composition, and a polished surface. His art stands firmly within the British tradition of sporting and animal painting, yet it also reflects a modern sensibility—an attention to atmosphere, light, and personality that transcends genre. Now an established and widely collected artist, Michael Grimsdale continues to embody the enduring appeal of fine figurative painting in the contemporary era, blending technical mastery with the warmth and grace of lived experience. This painting commemorates the 1991 edition of the British Open Championship Gold Cup...

Title: Set of Four Miniature Watercolors of Redcliffe and Bristol Harbour by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements (each)...

Title: Set of Four Miniature Watercolors of Corn Street and Churches in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements ...

Title: Set of Four Miniature Watercolors of Bristol Cathedral and Harbour Views by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements ...

Title: Set of Five Miniature Watercolors of Historic Timber-Framed Inns in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...