Feminist Art

2021, 110x88 cm

“I fell in love with black; it contained all color. It wasn't a negation of color... Black is the most aristocratic color of all... You can be quiet, and it contains the whole thing....

This painting explores the quiet dialogue between vulnerability and inner strength. The figure is partially concealed by flowing crimson fabric, revealing only fragments of the body....

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

A woman with cigarette, 2021, 110x88 cm

Linda Stein, Profile Landscape 438.072 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.072 is from Linda Stein's Profiles series--drawings, collag...

Linda Stein, Long Journey 45 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Long Journey 45 is from Linda Stein's Profiles series--drawings, collages and paintings of facial pr...

Linda Stein, Fascist Five 937 - Feminist Contemporary Fabric Mixed Media Sculptural Tapestry Fascist Five 937 is from Linda Stein's Armored for Today's Events series, which advocat...

Cancer, by María Conejo - Ink on Paper - 40x30cm - Feminist, Zodiac Series, c. 2024. Drawing inspiration from ancient medical texts, alchemical treatises, astrological imagery, an...

“Untitled, 1966” by Carolee Schneemann (American, 1939-2019) A rare, early collage by Carolee Schneemann composed of ribbons, film, and gift-wrapping paper. The piece is an explosio...

Linda Stein, All Letters Rest on a Base Line 3 - Mixed media and stone on board, sculptural diorama All Letters Rest on a Base Line 3 is from Linda Stein's Missives series--a body ...

Linda Stein, Profile Solid 383.044 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.044 is from Linda Stein's Profiles series--drawings, coll...

Painting and three dimensional collage relief in gold, red and blue with portrait, stars, mandala like patterns; from the artist's MAGI INTENTIONS series exploring mystical symbols and characters. Layered found paper collage relief, acrylic paint, mixed media on panel. Custom white shadow box frame. ABOUT THE ARTIST Deming King...

Linda Stein, Profile Flying 446.101 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.101 is from Linda Stein's Profiles series--drawings, collages and paintin...

2021, 110x88 cm

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Linda Stein, Profile Flying 446.155 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.155 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Flying 446.156 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.156 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile 1165 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an intern...

Linda Stein, Textural Letter in Earth Tones 23 – Signed Feminist Acrylic and Collage Colorful Painting Textural Letter in Earth Tones 23 is from Linda Stein's Missives series--a b...

Linda Stein, Warrior Waging Peace: Addressing Fear 1279 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture T...

Linda Stein, View from Above 16 - Signed Feminist LGBTQ+ Acrylic on Canvas Colorful Painting View from Above 16 is from Linda Stein's Missives series--a body of work born from her ...

"""Passage"" A lone bird swims between two sea ice formations with mountains and clouds in the background Bird in between two ice formations with mountains in backdrop Th...

Linda Stein, Gender Scrambling 774: Obama, Sanger Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Victoria Gallery...

Linda Stein, Profile Solid 383.067 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.067 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Noor Inayat Khan 1131 - Feminist Contemporary Fabric Sculptural Wall Tapestry Noor Inayat Khan 1131 is from Linda Stein's Holocaust Heroes: Fierce Females series, which highlights Holocaust-era female heroes. Stein began to produce sculptural tapestries in 2013, in which she combines archival images of a subject with her pantheon of female Exemplars--Wonder Woman, Princess Mononoke, Storm, Nausicaa, Kannon, and Lady Gaga--with multiple fabrics and leather. Noor Inayat Khan 1131 features Noor Inayat Khan, a Special Operations Executive agent, who became the first female radio operator to be sent from Britain to aid the French resistance...

Linda Stein, Loreen Arbus Says Tango is Egalitarian 974 - Feminist Contemporary Mixed Media Sculptural Tapestry Loreen Arbus Says Tango is Egalitarian 974 is from Linda Stein's Sexism series, which advocates an expanded perspective of gender constructions--one that includes non-binary views of masculinities and femininities, allowing for Diversity, Equity, Inclusion, and Kindness. Stein began to produce sculptural tapestries in 2013, in which she combines archival images with multiple fabrics and leather. Loreen Arbus Says Tango is Egalitarian 974 breaks from the view of tango as a traditional gender hierarchy of a woman being led by a man by showing imagery of couples of various identity configurations--male/male, female/female, binary/non-binary, standing/in a wheelchair, mixed race...

Linda Stein, Femininities: Body Language 897 - Feminist Contemporary Sculptural Tapestry Femininities: Body Language 897 is from Linda Stein's Sexism series, which advocates an exp...

Linda Stein, Wonder Woman Escapes 892 - Feminist Mixed Media Fabric Black Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images from...

Linda Stein, I Sell the Shadow to Support the Substance (Kamala Harris) 1042 - Feminist Contemporary Fabric Leather Sculptural Tapestry I Sell the Shad...

Linda Stein, Profile Solid 383.048 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.048 is from Linda Stein's Profiles series--drawings, coll...

A woman with cigarette, 2021, 110x88 cm

Famed Disney artist Mary Blair was also an illustrator for assignments outside Disney. The present work appears to be for a Gelolo Mchugh children's book called Baby's House. There i...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Beautiful original painting depicting the interior of the room. Lots of details. Stylish painting will be a great addition to your interior and art collection.

Linda Stein, Profile Flying 446.075 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.075 is from Linda Stein's Profiles series--drawings, collages and paintin...

Patricia Dahlman was born in Cincinnati, Ohio and studied art at Wright State University in Dayton, Ohio and Yale University Summer School of Art and Music in Norfolk, Connecticut. Dahlman has lived and worked as an artist in Seattle, San Francisco and the New York City area. She has received a New Jersey Printmaking Fellowship to the Brodsky Center, two Geraldine R. Dodge Foundation Fellowships to attend Vermont Studio Center and Virginia Center for Creative Arts, a Puffin Foundation Grant Award for The War and Peace Print Project, a Yaddo Residency, a Gallery Aferro Studio Residency and recently was an artist in residence at SLAK Atelier in Arnhem, Netherlands. Dahlman has exhibited her work all over the United States and has been included in exhibitions at George Adams Gallery...

Judy Chicago Birth Tear/Tear, 1985 Signed, dated, and numbered in margin Serigraph on Stonehenge Natural White Image 25 x 35 inches Sheet 30 x 40 inches Judy Chicago’s “Birth Tear/T...

“My work is meant to evoke emotion from viewers. I want people who see my work to feel something – whether that feeling is joy or sadness or something in between. I want to capture t...

Linda Stein, Profile Flying 446.086 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.086 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile Compartmentalized 415.031 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Compartmentalized 415.031 is from Linda Stein's Profiles series--drawings...

Linda Stein, Four Against Bullying 809 - Feminist Mixed Media Fabric Black Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images fro...

bronze figurative sculpture numbered from 1 to 8 "Afghan" 19x9x7cm send in wood crate Emmanuelle Vroelant traveled to Afghanistan in the 1970s, she knew a proud and modern country th...

Behind Every Strong Woman… by Amy Gardner [2020] limited_edition Screen Print Edition number 40 Image size: H:118.9 cm x W:84.1 cm Sold Unframed Please n...

Linda Stein, In Charge 694 - Feminist Contemporary Black/Silver Leather Metal Torso Sculpture Starting in 2007, the artist Linda Stein began to...

Large charcoal drawing on Grey archival paper signed and dated bottom left. An unusual departure for the artist who generally works in color. Suitable for framing under glass. The ...

Printed on Archival Moab Entrada paper with Deckled Edge Signed by a Founding Member of the Guerrilla Girls Limited Edition of 50 "Dear Art Collector" is a provocative artwork by th...

Nancy Spero Goddess and Mourning Women 1989 unique example of handprinting and printed collage on paper, measuring 20 by 17 inches

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Nora Schnitzler was a Dutch Artist, illustrator, and children's book author born and raised in Amsterdam. Her pseudonym was Enni van Laer. In the present work, we see a charming you...

Linda Stein, Envelope 423.017, Signed Feminist LGBTQ+ Acrylic Ink Drawing Envelope 423.017 is from Linda Stein's Envelope series--drawings, collages and paintings of unfolded, abst...

wood, glass, tablet, electric cord and high definition video 2"11' loop

A stunning large figurative painting of a working farmer woman sourcing water by a well. The painting features earthy colors in a green dark tone contrasting with the white outfit of...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Linda Stein, Michelle Obama 887 - Signed Limited Edition Feminist Contemporary Fine Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of lo...

Linda Stein, Protection 430 - Black and White Signed Etching Limited Edition Fine Art Print Linda Stein has been practicing art for the last six decades. This limited edition etch...

Linda Stein, Profile Landscape 438.094 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.094 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Gender Scrambling 778: Stein, Obama Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Victoria Gallery ...