Feminist Art

Linda Stein, Letter 424.027, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.027 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Linda Stein, Missive 343.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.006 is from Linda Stein's Missives series--a body of work born from her earlier...

Judy Chicago Deflowered (Hand Signed Book), 2013 Hardback Monograph and DVD (Mixed media book set) Boldly signed by the artist in black marker on the first front end page. 12 1/4 × 12 1/4 x 2 1/2 inches Unframed This hand signed monograph makes a terrific gift! Judy Chicago signed...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

The first painting in my Resilience series, created shortly after I returned to Ukraine. During those days, Odesa endured five consecutive days without electricity while living under...

This painting explores the relationship between temptation, transformation, and feminine creation through the language of symbolism. The oyster represents the feminine essence—the q...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Suffragist (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment to the US Constitution...

Anna - Portrait of a Student, a Future Artist. This work is not simply a portrait of a student's appearance, but an attempt to capture the moment of the birth of a new creative union...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

ZOFIA ANNA MISIAK Zofia Anna Misiak is a contemporary painter from an artistic family. Her parents are Janina Żylińska and Stanisław Misiak. Zofia Anna Misiak graduated from the Acad...

Linda Stein, Hot Rush 129 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Hot Rush 129 is from Linda Stein's Missives series--a body of work born from her earlier explo...

Linda Stein, Across the Middle 132 - Signed Feminist LGBTQ+ Acrylic Colorful Painting Across the Middle 132 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.002 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.002 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.003 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.003 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.004 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.004 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.005 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.005 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Safe Landing 131 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Safe Landing 131 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Etude Op. 10 No. 418.032 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Etude Op. 10 No. 418.032 is from Linda Stein's Profiles No...

Linda Stein, La Joyeuse 418.033 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing La Joyeuse 418.033 is from Linda Stein's Profiles Notation serie...

Linda Stein, Practice Makes Perfect 120 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Practice Makes Perfect 120 is from Linda Stein's Missives series--a body of work...

Linda Stein, Before the Computer 121 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Before the Computer 121 is from Linda Stein's Missives series--a body of work born ...

Linda Stein, Voyage Beyond 122 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Voyage Beyond 122 is from Linda Stein's Missives series--a body of work born from her ear...

Linda Stein, Interested Party 124 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Interested Party 124 is from Linda Stein's Missives series--a body of work born from h...

Linda Stein, High Wind 126 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting High Wind 126 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Linda Stein, Profile Landscape 438.075 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.075 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Profile Landscape 438.077 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.077 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Profile Landscape 438.078 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.078 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Profile Landscape 438.086 - Signed Feminist LGBTQ+ Acrylic on Canvas Paintings Diptych Profile Landscape 438.086 is from Linda Stein's Profiles series--drawings, collag...

Linda Stein, Profile Landscape 438.079 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.079 is from Linda Stein's Profiles series--drawings, collages and pa...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Linda Stein, Blade Vibration 276 - Acrylic on paper, impressionist, colorful, yellows, reds In the 1990s Linda Stein began to work on a series called Blades, sculptural works that...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Invitée par le ministre ivoirien de la Culture Bernard Dadié à exposer son travail à Abidjan, j'ai réalisé plusieurs peintures sur les femmes et les enfants.

Linda Stein, Profile Solid 383.035 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.035 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.060 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.060 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.036 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.036 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.037 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.037 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Bourrée I 418.031 - Signed Feminist LGBTQ+ Ink and Graphite on Paper, Musical Notation Drawing Bourrée I 418.031 is from Linda Stein's Profiles Notation series--draw...

Linda Stein, Letter to an Archeologist 20 - Mixed media, acrylic and shells on board, sculptural painting Letter to an Archeologist 20 is from Linda Stein's Missives series. The mi...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

The social theme of the southern life of the people of Africa. Their way of life, national costumes and the color of the clay red soil. All this creates a unique original coloring in...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Linda Stein, Profile Notation 418.020 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.020 is from Linda Stein's Profiles ser...

Linda Stein, Profile Notation 418.024 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.024 is from Linda Stein's Profiles ser...

Linda Stein, Profile Notation 418.025 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.025 is from Linda Stein's Profiles ser...

Linda Stein, Profile Notation 418.026 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.026 is from Linda Stein's Profiles ser...

Linda Stein, Profile Notation - 418.028 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.028 is from Linda Stein's Profiles s...

Linda Stein, Courante 418.030 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Courante 418.030 is from Linda Stein's Profiles Notation series--d...