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Style: Feminist
Airborne, Silkscreen with collage additions on Somerset velvet paper Signed/N
Airborne, Silkscreen with collage additions on Somerset velvet paper Signed/N

Nancy SperoAirborne, Silkscreen with collage additions on Somerset velvet paper Signed/N, 1998

$2,500

Airborne, Silkscreen with collage additions on Somerset velvet paper Signed/N

By Nancy Spero

Located in New York, NY

Nancy Spero Airborne, 1998 Mixed Media: Silkscreen with collage additions on Somerset velvet paper 30 × 22 inches Edition of 50 Signed, dated and numbered from the limited edition of only 50 on the front Unframed Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...

Category

1990s Feminist Art

Materials

Mixed Media, Screen

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1148
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1148

Linda SteinSigned Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1148, 2022

$4,000

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1148

Located in New York, NY

Linda Stein, Profile 1148 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...

Category

2010s Feminist Art

Materials

Paper, Ink

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1150
Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1150

Linda SteinSigned Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1150, 2022

$4,000

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1150

Located in New York, NY

Linda Stein, Profile 1150 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...

Category

2010s Feminist Art

Materials

Paper, Ink

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

Patricia MirandaPatricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl, 2016

$1,500

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

By Patricia Miranda

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Art

Materials

Fabric, Thread, Plaster, Dye, Found Objects

"Afghane" bronze figurative sculpture numbered from 2 to 8 19x9x7cm 2009
"Afghane" bronze figurative sculpture numbered from 2 to 8 19x9x7cm 2009

Emmanuelle Vroelant"Afghane" bronze figurative sculpture numbered from 2 to 8 19x9x7cm 2009, 2009

$1,221Sale Price|20% Off

"Afghane" bronze figurative sculpture numbered from 2 to 8 19x9x7cm 2009

By Emmanuelle Vroelant

Located in Saint Pol de Léon, Bretagne

bronze figurative sculpture numbered from 1 to 8 "Afghan" 19x9x7cm send in wood crate Emmanuelle Vroelant traveled to Afghanistan in the 1970s, she knew a proud and modern country th...

Category

21st Century and Contemporary Feminist Art

Materials

Bronze

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

Patricia MirandaPatricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl, 2016

$1,000

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

By Patricia Miranda

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Art

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Ann Chernow, Trouble, Rag Paper, Etching

Ann ChernowAnn Chernow, Trouble, Rag Paper, Etching, 2014

$650

Ann Chernow, Trouble, Rag Paper, Etching

By Ann Chernow

Located in Darien, CT

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Category

2010s Feminist Art

Materials

Rag Paper, Etching

Woman IV - XXI Century Contemporary Oil & Tempera on Canvas Painting, Portrait

Joanna RusinekWoman IV - XXI Century Contemporary Oil & Tempera on Canvas Painting, Portrait, 2017

$3,406

Woman IV - XXI Century Contemporary Oil & Tempera on Canvas Painting, Portrait

By Joanna Rusinek

Located in Warsaw, PL

Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okrassa. Annex...

Category

21st Century and Contemporary Feminist Art

Materials

Canvas, Oil, Tempera

Vintage Signed Silver Gelatin Photo Card Tina Turner
Vintage Signed Silver Gelatin Photo Card Tina Turner

Nona HatayVintage Signed Silver Gelatin Photo Card Tina Turner, 1982

$400

Vintage Signed Silver Gelatin Photo Card Tina Turner

Located in Surfside, FL

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an intern...

Category

1980s Feminist Art

Materials

Photographic Paper

Benton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist

Suzanne BentonBenton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist, 1992

$2,640

Benton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist

By Suzanne Benton

Located in Darien, CT

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Category

1990s Feminist Art

Materials

Gold Leaf

Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women
Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women

Suzanne BentonBenton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women, 2018

$5,400

Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women

By Suzanne Benton

Located in Darien, CT

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights. Terrell’s parents were freed slaves who grew to become financially successful. A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I In 1884, she graduated from Oberlin College...

Category

2010s Feminist Art

Materials

Laid Paper, Monoprint

Feminist art for sale on 1stDibs.

Find a wide variety of authentic Feminist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Cécile Plaisance, Lida Pshenichka, Suzanne Benton, and Ann Chernow. Frequently made by artists working with Fabric, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Feminist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $45,000, while the average work sells for $2,769.

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