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Feminist Art

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Style: Feminist
Benton, Susan B. Anthony the Elder, monoprint with Chine collé, PioneerActivist

Suzanne BentonBenton, Susan B. Anthony the Elder, monoprint with Chine collé, PioneerActivist, 2020

$2,640

Benton, Susan B. Anthony the Elder, monoprint with Chine collé, PioneerActivist

By Suzanne Benton

Located in Darien, CT

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020 From Wikipedia Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society. In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...

Category

2010s Feminist Art

Materials

Laid Paper, Monoprint

Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel

Patricia MirandaPatricia Miranda, Seeing Red Lace, 2020, egg tempera on panel, 2020

$2,250

Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel

By Patricia Miranda

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Art

Materials

Fabric, Plastic, Dye

Benton, The Gaze (Dorothy Canfield Fisher) monoprint with Chine collé, Feminist

Suzanne BentonBenton, The Gaze (Dorothy Canfield Fisher) monoprint with Chine collé, Feminist, 1999

$1,800

Benton, The Gaze (Dorothy Canfield Fisher) monoprint with Chine collé, Feminist

By Suzanne Benton

Located in Darien, CT

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. THE GAZE Monoprint with Chine collé, 13 ¼ x 10 inches, 1999 Dorothy Canfield Fisher 1879 –1958) Dorothy Canfield Fisherwas an educational reformer, social activist, and best-selling American author in the early 20th century. She strongly supported women's rights, racial equality, and lifelong education. Eleanor Roosevelt named her one of the ten most influential women in the United States. The Women’s Rights Historical Park exhibited Benton's growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Category

1990s Feminist Art

Materials

Silver

Mary Dwyer, Nellie Bly, 2017, watercolor on paper, Suffragists and Journalists
Mary Dwyer, Nellie Bly, 2017, watercolor on paper, Suffragists and Journalists

Mary DwyerMary Dwyer, Nellie Bly, 2017, watercolor on paper, Suffragists and Journalists, 2017

$850

Mary Dwyer, Nellie Bly, 2017, watercolor on paper, Suffragists and Journalists

By Mary Dwyer

Located in Darien, CT

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Category

2010s Feminist Art

Materials

Acrylic, Archival Paper

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

Patricia MirandaPatricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl, 2016

$1,000

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

By Patricia Miranda

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Art

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Ann Chernow, Vendetta, 2015, Rag Paper, Etching
Ann Chernow, Vendetta, 2015, Rag Paper, Etching

Ann ChernowAnn Chernow, Vendetta, 2015, Rag Paper, Etching, 2015

$900

Ann Chernow, Vendetta, 2015, Rag Paper, Etching

By Ann Chernow

Located in Darien, CT

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Category

2010s Feminist Art

Materials

Rag Paper, Etching

Divine Appreciation
Divine Appreciation

Isis RodriguezDivine Appreciation, 2026

$3,500

Divine Appreciation

Located in Miami, FL

"Divine Appreciation" is a luminous oil painting exploring the spiritual initiation of the Quinceañera. Moving beyond social custom, Rodriguez depicts the traditional flower ceremony...

Category

2010s Feminist Art

Materials

Oil, Wood Panel

"African women"
"African women"

Madalena Zampassi"African women", 2015

$3,890

"African women"

By Madalena Zampassi

Located in Edinburgh, GB

The social theme of the southern life of the people of Africa. Their way of life, national costumes and the color of the clay red soil. All this creates a unique original coloring in...

Category

21st Century and Contemporary Feminist Art

Materials

Canvas, Oil

Feminist art for sale on 1stDibs.

Find a wide variety of authentic Feminist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Cécile Plaisance, Lida Pshenichka, Suzanne Benton, and Ann Chernow. Frequently made by artists working with Fabric, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Feminist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $45,000, while the average work sells for $2,769.

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