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Style: Feminist
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Rei’s Force ~ Secret Location
Located in Santa Monica, CA
Fiber print, edition of 10.
Category
Early 2000s Feminist Art
Materials
Black and White
$624 Sale Price
20% Off
"Born to be wild" by Cécile Plaisance, 27 x 22 in, 2024
Located in Paris, France
Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...
Category
2010s Feminist Art
Materials
Lenticular
XIV From The Red Series
Located in Miami Beach, FL
The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...
Category
2010s Feminist Art
Materials
Cotton, Paper, Acrylic, Watercolor, Pencil
XVII From The Red Series
Located in Miami Beach, FL
The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...
Category
2010s Feminist Art
Materials
Cotton, Paper, Acrylic, Watercolor, Pencil
XV From The Red Series
Located in Miami Beach, FL
The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...
Category
2010s Feminist Art
Materials
Cotton, Paper, Acrylic, Watercolor, Pencil
Anonymous title, original watercolor, framed
Located in Chesterfield, MI
An original impressionalistic watercolor painting of a female portrait.
Category
Early 2000s Feminist Art
Materials
Watercolor
$480 Sale Price
20% Off
American Feminist Bronze Abstract Sculpture - Knight of Tomorrow 630
Located in New York, NY
Knight of Tomorrow 630, Linda Stein - Contemporary Bronze Sculpture
Linda Stein started her Knights of Protection series after she was forced to evacuate her New York downtown studi...
Category
Early 2000s Feminist Art
Materials
Bronze, Metal, Iron
XIV and XV Diptych. From The Red Series
Located in Miami Beach, FL
The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...
Category
2010s Feminist Art
Materials
Cotton, Paper, Acrylic, Watercolor, Pencil
Nude Dancer, classic female figure, boyish face, neutral tones
Located in Brooklyn, NY
Created in mixed media, this work has a spontaneity, typical of the artist’s observational life drawings, made entirely with her non-dominant left hand. There is the impression of a ...
Category
2010s Feminist Art
Materials
Pastel, Archival Paper, Charcoal, Acrylic
Nude in the Shadow original painting by Paula Craioveanu elipse
Located in Forest Hills, NY
Original painting representing a female nude in afternoon light . Female nude seen by a female artist - female gaze. Painted on oval canvas. Size is 65 x46 cm / 25.5 x18in. Ready fo...
Category
2010s Feminist Art
Materials
Canvas, Acrylic
$960 Sale Price
20% Off
"coup d'oeil" figuratif acrylic on linen panel 80x40cm 2009
Located in Saint Pol de Léon, Bretagne
The sobriety of the lines of this body and the incisive look made me want to fix it on the canvas.
Category
Early 2000s Feminist Art
Materials
Acrylic
"Femme à l'enfant" figuratif acrylic on linen panel 60x73cm 1986
Located in Saint Pol de Léon, Bretagne
Invitée par le ministre ivoirien de la Culture Bernard Dadié à exposer son travail à Abidjan, Emmanuelle Vroelant a réalisé plusieurs peintures sur les femmes et les enfants
Category
Early 2000s Feminist Art
Materials
Acrylic
$3,026 Sale Price
20% Off
Crossfire - underwater black and white nude photograph - print on paper 43 x 72"
By Alex Sher
Located in Beverly Hills, CA
Underwater nude photograph of a young woman processed in an abstract black and white symmetrical composition.
Original gallery quality archival pigment print on archival paper sig...
Category
2010s Feminist Art
Materials
Archival Paper, Archival Pigment, Digital Pigment
Vintage Signed Silver Gelatin Photo Card Tina Turner
Located in Surfside, FL
Hatay is a visual artist, a healer and a former Rock and Roll photojournalist.
Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an intern...
Category
1980s Feminist Art
Materials
Photographic Paper
N116, 110x80, print on canvas
Located in Yerevan, AM
2021, 110x80cm
Category
2010s Feminist Art
Materials
Canvas, Color
$600 Sale Price
25% Off
"Petit Tutu (profil)" by Cécile Plaisance, 27 x 22 in, 2024
Located in Paris, France
Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...
Category
2010s Feminist Art
Materials
Lenticular
Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Art
Materials
Laid Paper, Monoprint
The Amazons and the Hydra (woodcut print, figurative, mythical, feminism)
By Susan Kiefer
Located in Kansas City, MO
Susan Kiefer
The Amazons and the Hydra
Woodcut and chine collé on paper
Year: 2018
Size: 22x27in
Edition: 8
Signed by hand
COA provided
Ref.: 924802-1662
Framed woodcut print. A fan...
Category
2010s Feminist Art
Materials
Woodcut
$1,555 Sale Price
40% Off
Orignal " Oreal Sirene et Phoque" 1940s coffee poster
Located in Spokane, WA
Original poster: SIRENE et PHOQUE; artist: P. Scheiurllez. 1940's original antique French lithograph coffee poster.
Original lithographic, archival ...
Category
1940s Feminist Art
Materials
Lithograph
$716 Sale Price
20% Off
9 Pointed Circle, Daintree, Australia
Located in Santa Monica, CA
Fiber print.
Category
2010s Feminist Art
Materials
Black and White
$624 Sale Price
20% Off
Yin Yang (woodcut, hand-pulled print, black and white, figurative, patterned BG)
By Susan Kiefer
Located in Kansas City, MO
Susan Kiefer
Yin Yang
Woodcut on paper
Year: 1990
Size: 33x23x0.35in
Signed, dated and inscribed by hand
COA provided
Ref.: 924802-1661
Framed artist proof woodcut print of male and...
Category
1990s Feminist Art
Materials
Woodcut
The Small Hours -- Letterpress, Lithograph, Text Art by Louise Bourgeois
Located in London, GB
The Hour Is Devoted to Revenge, 1999
Louise Bourgeois
Letterpress and lithograph in colours, on two sheets of smooth wove Arches
Signed with initials, inscribed ‘AP’ and numbered 15...
Category
1990s Feminist Art
Materials
Lithograph
Deflowered Monograph with DVD hand signed by famed feminist artist Judy Chicago
By Judy Chicago
Located in New York, NY
Judy Chicago
Deflowered (Hand Signed Book), 2013
Hardback Monograph and DVD (Mixed media book set)
Boldly signed by the artist in black marker on the first front end page.
12 1/4 × 12 1/4 x 2 1/2 inches
Unframed
This hand signed monograph makes a terrific gift! Judy Chicago signed...
Category
2010s Feminist Art
Materials
Mixed Media
Ann Chernow, Trouble, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
Carolee Schneemann, Infinity Kisses, (for her cat) Unique Signed work, Framed
Located in New York, NY
Carolee Schneeman
Infinity Kisses, 1988
Archival pigment print
Signed and dated on the front
This is a unique work of art
Frame included
Infinity Kisses for the artist's beloved cat...
Category
1980s Feminist Art
Materials
Archival Pigment
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Thread, Dye, Found Objects
I wanna chilling on the beach
Located in Zofingen, AG
This work is a celebration of the beauty and peculiarity of every woman, regardless of age and figure.
The brightly painted woman's body brings a joyful mood to the painting.
Category
2010s Feminist Art
Materials
Gesso, Canvas, Linen, Varnish, Acrylic
Ann Chernow, Bad Girls Folio of Eight Etchings, 2015, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
Airborne, Silkscreen with collage additions on Somerset velvet paper Signed/N
By Nancy Spero
Located in New York, NY
Nancy Spero
Airborne, 1998
Mixed Media: Silkscreen with collage additions on Somerset velvet paper
30 × 22 inches
Edition of 50
Signed, dated and numbered from the limited edition of only 50 on the front
Unframed
Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...
Category
1990s Feminist Art
Materials
Mixed Media, Screen
Contemporary Fine Art Screen Print Red Green Marbleized - Twelve Nudes 360.056
Located in New York, NY
Linda Stein, Twelve Nudes 360.056 - Contemporary Limited Edition Fine Art Screen Print
Linda Stein has been practicing art for the last six decades. This limited edition screen pr...
Category
1960s Feminist Art
Materials
Screen, Paper, Acrylic
Tracey Emin, The Sex Series (The Complete Set of 5) Giclee Print on Paper, 2013
By Tracey Emin
Located in Dubai, Dubai
Tracey Emin, The Sex Series (The Complete Set of 5) Giclee Print on Paper, 2013
Giclee print on paper
Edition of 200. Signed, unnumbered
Excellent / 'as new' condition. Each piece i...
Category
2010s Feminist Art
Materials
Paper, Giclée
N120, 110x80cm, print on canvas
Located in Yerevan, AM
2021, 110x80 cm
Category
2010s Feminist Art
Materials
Canvas, Color
$600 Sale Price
25% Off
N115, 110x88cm, print on canvas
Located in Yerevan, AM
2021, 110x88 cm
Category
2010s Feminist Art
Materials
Canvas, Color
$600 Sale Price
25% Off
Benton, Mabel Loomis Todd, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Art
Materials
Gold Leaf
"Untitled"
Located in Edinburgh, GB
Beautiful original painting depicting the interior of the room. Lots of details. Stylish painting will be a great addition to your interior and art collection.
Category
20th Century Feminist Art
Materials
Canvas, Oil
Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Fabric, Dye, Plastic
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Signed Feminist LGBTQ+ Acrylic on Canvas Painting - Profile Landscape 438.077
Located in New York, NY
Linda Stein, Profile Landscape 438.077 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting
Profile Landscape 438.077 is from Linda Stein's Profiles series--drawings, collages and pa...
Category
1970s Feminist Art
Materials
Canvas, Acrylic
American Feminist Contemporary Chair Black Red Sculpture - Brush Swivel 64
Located in New York, NY
Linda Stein, Brush Swivel 64 - American Feminist Contemporary Chair Black Red Sculpture
Linda Stein has been addressing the theme of Power/Vulnerability for more than five decades....
Category
1970s Feminist Art
Materials
Plexiglass, Wood, Paper, Found Objects, Acrylic
$12,000 Sale Price
20% Off
Repairs in the Sky -- Letterpress, Lithograph, Text Art by Louise Bourgeois
Located in London, GB
Repairs in the Sky, 1999
Louise Bourgeois
Letterpress and lithograph in colours, on two sheets of smooth wove paper
Signed and numbered “Inscribed ‘AP’ and numbered ‘12’, one of 14 ...
Category
1990s Feminist Art
Materials
Lithograph
Yo Yo - Feminist Female Illustrator
Located in Miami, FL
The current work, Yo Yo, is rendered by a pioneering Feminist Female Illustrator a trailblazer and friend and roommate of Gloria Steinem.
to include: "Yo Yo", 1967, signed and dated ...
Category
1960s Feminist Art
Materials
Ink, Watercolor, Archival Paper
American Feminist Contemporary Chair Black Tan Sculpture - Skeletal Format 67
Located in New York, NY
Linda Stein, Skeletal Format 67 - American Feminist Contemporary Chair Black Tan Sculpture
Linda Stein has been addressing the theme of Power/Vulnerability for more than five deca...
Category
1970s Feminist Art
Materials
Plastic, Wood, Found Objects, Acrylic
Dana Kane, Kelly Girls, 1996, color print
By Dana Kane
Located in Darien, CT
The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...
Category
1990s Feminist Art
Materials
Color
Benton, Catherine Marya Sedgewick, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
2010s Feminist Art
Materials
Gold Leaf
Patricia Miranda, Lamentations for Ermenegilda; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Ann Chernow, I Want to Report a Murder...My Own, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Canvas, Oil, Pencil, Screen
Benton_Mary Church Terrell Over Time_monoprint and collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Over Time, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Art
Materials
Laid Paper, Monoprint
Ann Chernow, Bad Girls Folio of Eight Etchings, 2015, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
Benton, Ida Gibbs Hunt, Class of 1884, monoprint with Chine collé, Oberlin
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Art
Materials
Gold Leaf
Ann Chernow, Bad Girls, folio of eight etchings, 2015, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
Ann Chernow, Pulp...Fact or Fiction, 2019, silkscreen, oil, canvas, 50 x 40 in
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Canvas, Oil, Pencil, Screen
Suzanne Benton_The Golden Shadow_2004_ etching with chine colle__ 12 x 4 inches
Located in Darien, CT
Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...
Category
2010s Feminist Art
Materials
Etching
Great Great Grandpa's Grandpa
Located in Santa Monica, CA
Watercolor
Category
21st Century and Contemporary Feminist Art
Materials
Watercolor
$680 Sale Price
20% Off
Incredible photo of three king penguins standing against a snowy backdrop
By Drew Doggett
Located in US
"""Polar Guardians""
Incredible photo of three king penguins standing against a snowy backdrop
Five king penguins stand in a perfectly arranged triangular formation looking at some...
Category
2010s Feminist Art
Materials
Archival Pigment
American Feminist Contemporary Chair Black Purple Grey Sculpture - Bowed Pole 66
Located in New York, NY
Linda Stein, Bowed Pole 66 - American Feminist Contemporary Chair Black Purple Grey Sculpture
Linda Stein has been addressing the theme of Power/Vulnerability for more than five de...
Category
1970s Feminist Art
Materials
Fabric, Glass, Wood, Acrylic
Ann Chernow, I'm Velma, I Did Some Warbling, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Canvas, Oil, Pencil, Screen
Ann Chernow, Pearl, A Dancer With A Bit of Class, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Canvas, Oil, Pencil, Screen
Mary Dwyer, Rachel Carson, 2017, watercolor on paper, Suffragists and Journalists
By Mary Dwyer
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story.
Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women.
The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work.
Recently she has been working on a Memorial Paintings...
Category
2010s Feminist Art
Materials
Acrylic, Archival Paper
Ann Chernow, Noir II, 2016, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Art
Materials
Rag Paper, Etching
Feminist art for sale on 1stDibs.
Find a wide variety of authentic Feminist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Cécile Plaisance, Lida Pshenichka, Suzanne Benton, and Ann Chernow. Frequently made by artists working with Fabric, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Feminist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $45,000, while the average work sells for $2,769.
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