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Feminist Art

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Style: Feminist
Dana Kane, Kelly Girls, 1996, color print
Dana Kane, Kelly Girls, 1996, color print

Dana KaneDana Kane, Kelly Girls, 1996, color print, 1996

$250

Dana Kane, Kelly Girls, 1996, color print

By Dana Kane

Located in Darien, CT

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

Category

1990s Feminist Art

Materials

Color

XXX From The Red Series
XXX From The Red Series

Megha JoshiXXX From The Red Series, 2023

$1,200

XXX From The Red Series

By Megha Joshi

Located in Miami Beach, FL

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Category

2010s Feminist Art

Materials

Cotton, Paper, Acrylic, Watercolor, Pencil

Signed Feminist LGBTQ+ Acrylic on Canvas Painting - Stretch 55
Signed Feminist LGBTQ+ Acrylic on Canvas Painting - Stretch 55

Linda SteinSigned Feminist LGBTQ+ Acrylic on Canvas Painting - Stretch 55, 1975

$25,000

Signed Feminist LGBTQ+ Acrylic on Canvas Painting - Stretch 55

By Linda Stein

Located in New York, NY

Linda Stein, Stretch 55 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Stretch 55 is from Linda Stein's Profiles series--drawings, collages and paintings of facial profiles she...

Category

1970s Feminist Art

Materials

Canvas, Acrylic, Stretcher Bars

Signed Feminist Acrylic and Collage Colorful Painting - Puddle 47
Signed Feminist Acrylic and Collage Colorful Painting - Puddle 47

Linda SteinSigned Feminist Acrylic and Collage Colorful Painting - Puddle 47, 1979

$6,500

Signed Feminist Acrylic and Collage Colorful Painting - Puddle 47

By Linda Stein

Located in New York, NY

Linda Stein, Puddle 47 – Signed Feminist Acrylic and Collage Colorful Painting Puddle 47 is from Linda Stein's Missives series--a body of work born from her earlier explorations of...

Category

1970s Feminist Art

Materials

Found Objects, Acrylic, Board, Plexiglass

Yo Yo - Feminist Female Illustrator
Yo Yo - Feminist Female Illustrator

Barbara NessimYo Yo - Feminist Female Illustrator, 1967

$12,500

Yo Yo - Feminist Female Illustrator

By Barbara Nessim

Located in Miami, FL

The current work, Yo Yo, is rendered by a pioneering Feminist Female Illustrator a trailblazer and friend and roommate of Gloria Steinem. to include: "Yo Yo", 1967, signed and dated ...

Category

1960s Feminist Art

Materials

Ink, Watercolor, Archival Paper

Suzanne Benton, Becoming, 1975, Copper, Coated Steel
Suzanne Benton, Becoming, 1975, Copper, Coated Steel

Suzanne BentonSuzanne Benton, Becoming, 1975, Copper, Coated Steel, 1975

$16,000

Suzanne Benton, Becoming, 1975, Copper, Coated Steel

By Suzanne Benton

Located in Darien, CT

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Category

1970s Feminist Art

Materials

Copper, Steel

Suzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel
Suzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel

Suzanne BentonSuzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel, 1974

$10,667

Suzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel

By Suzanne Benton

Located in Darien, CT

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Category

1970s Feminist Art

Materials

Copper, Steel

Signed Limited Edition Feminist Contemporary Art Print - Flo Kennedy 406

Linda SteinSigned Limited Edition Feminist Contemporary Art Print - Flo Kennedy 406, 2003

$1,100

Signed Limited Edition Feminist Contemporary Art Print - Flo Kennedy 406

Located in New York, NY

Linda Stein, Flo Kennedy 406 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of love. Ea...

Category

Early 2000s Feminist Art

Materials

Archival Pigment

Benton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist

Suzanne BentonBenton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist, 1992

$2,640

Benton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist

By Suzanne Benton

Located in Darien, CT

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Category

1990s Feminist Art

Materials

Gold Leaf

"Soft strength"
"Soft strength"

Jalina Nikityuk"Soft strength", 2024

$3,000

"Soft strength"

Located in Edinburgh, GB

The Oyster For me, the oyster is a metaphor for feminine energy—quiet, resilient, and endlessly transformative. I was drawn to explore not only its physical form but also its symbo...

Category

21st Century and Contemporary Feminist Art

Materials

Canvas, Oil

Feminist art for sale on 1stDibs.

Find a wide variety of authentic Feminist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Cécile Plaisance, Lida Pshenichka, Suzanne Benton, and Ann Chernow. Frequently made by artists working with Fabric, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Feminist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $45,000, while the average work sells for $2,769.

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