Malick Sidibé Art

S. Vincent Dillard Wading Pool Girl - Greenwich Village, New York City, 1968 Gelatin Silver Print 11 x 14 inches (27.9 x 35.6 cm)

Berlin, Germany, 1961 by Leonard Freed, is a 14" x 11" gelatin silver print, signed and stamped on verso (back of photo) by the estate, by Brigitte Freed (wife of the photographer). The photograph of an African-American soldier...

Woman Protestor, March on Washington, 1963 by Leonard Freed, is a 14" x 11" gelatin silver photograph, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is in Leonard Freed's book “This Is the Day: The March on Washington'' (p. 50). Leonard Freed enjoyed documentary storytelling and as a "concerned photographer" his work demonstrated humanitarian concerns. The photographer travelled to New York, Washington, D.C., and throughout the South, capturing the daily life of African-Americans. Documenting the 1960s Civil Rights Movement from the East Coast to the Deep South, Freed’s photo essay culminated in the book Black in White America, which contributed to Freed's becoming one of the well-known documentary photographers of 20th Century America. After Freed’s death in 2006 his widow, Brigitte Freed was inspired to compile a book on the March on Washington from her late husband’s archive when she heard then-Senator former President Barack Obama remark to an audience of civil rights activists, “I stand here because you walked.” The March on Washington series is a powerful visual testimony, capturing protests that culminated in Dr. Martin Luther King Jr.’s “I Have a Dream'' speech, delivered at the base of the Lincoln Memorial. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

A black-and-white image shot on film by Roberta Fineberg becomes an abstract chiaroscuro portrait of a woman in elegant clothing -- a semi-sophis...

"Sidewalk Club of the Motherlode" a Lithobrome photograh by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Sidewalk Club of the Motherlode" on verso. Image size, 11.25"H x 13.25"W. Between 1923 and 1932, his pictures were accepted at photographic salons in Amsterdam, Toronto, Rochester, Seattle, and Los Angeles. In 1927, a one-person exhibition of his bromoil prints traveled to camera clubs in Chicago, Akron, Cincinnati, and New York. In addition to bromoil, a process that yields pointillistic images, Blumann utilized such unusual processes as kallitype (Vandyke brown), lithobrome, and pastelograph (the latter two probably his own inventions) to create original photographs using chemical processes he invented. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

This series of portraits were shot by Richard Heeps whilst he was studying Photography in Northwich. They beautifully capture a time of life. Here they have been compiled together fo...

Toned gelatin silver print (Edition of 25) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Dave Anderson is an award-winning, cross-media storyteller best known for his work behind the lens. His photography and films have been exhibited, published, screened, and lauded across the planet. Anderson’s work has been profiled on numerous media outlets ranging from “Good Morning America” to "The New York Times" to "The New Yorker," where Vince Aletti...

James Dean (1955) Silver Gelatin Fibre Print (photo via A.F. Archive/Alamy Archives) 1955 James Dean (1931 - 1955) Additional Information: Unframed Paper Size: 16x20'' Printed...

Friends, 1989 by Roberta Fineberg is a black-and-white photograph of friends in a Parisian bar in the Marais. The silhouetted figure is contrasted against the contours pf a female fa...

Audrey Gets Her Hair Done (1952) Silver Gelatin Fibre Print - Oversized (Photo Phillip Harrington / Alamy Archives) Actress and fashion model Audrey Hepburn preparing for a scene ...

Stanley (1951) Silver Gelatin Fibre Print (photo by Cineclassico/Alamy Archives) A STREETCAR NAMED DESIRE 1951. Directed by Elia Kazan With Vivien Leigh...

Rider’s Field Boot from Claremont Riding Academy on the Upper West Side of Manhattan in the 1990s was photographed for City Riders (Macmillan, 1997) by Roberta Fineberg. From the bo...