Impressionist Art

This vibrant artwork captures a serene lakeside scene with vivid clarity. Central to the composition are rustic boathouses, their weathered wood harmoniously blending with nature. A ...

Moonlight Marsh oil/panel 8 x 10 unframed 13.75 x 15.5 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden, that showcases a beautiful view...

Snowy Creek in Hope Valley - Landscape in Oil on Masonite Detailed winter scene by American artist Dean Packer (b. 1933). Light shines down on the snowy b...

Evening Light 8 x 10 unframed, 13.13 x 15 framed Evening Light is a beautiful impressionistic winter landscape snow scene that shows the view behind my studio. The painting is on a ...

UNFRAMED: 10" x 12" FRAMED: 14.5" x 16.5" x 2.25" Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired by a private colle...

This artwork vividly captures a serene marina scene, showcasing a cluster of sailboats gently nestled on shimmering water. The reflection of the boats creates a mesmerizing mirror ef...

A fine impressionist landscape of a Vermont farm by American artist Paul Starrett Sample (1896-1974). Sample was born in Louisville, Kentucky and went to school at Dartmouth College,...

A charming depiction of Snow on 5th Avenue New York City with figures walking and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed by the artist lower right and it comes housed in a beautiful antique ornate gold tone giltwood frame with hanging wire on verso ready to be displayed. Art measures 13 x 8.5 inches Frame measures 17.5 x 13 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

French Countryside Landscape by Edmond Quinton (French 1892-1969) *see notes below signed lower front corner oil painting on board/ panel, unframed size: 9.5 x 13 inches condition: o...

75CM X 75CM (29,5" x 29,5") 2025 The beauty of the evening light, pond with water lilies fills the picture of elegance, the blue tones add a depth of feeling in the picture. Bold te...

Edmund Winchester Kingsbury (American, 1862-1931) Untitled (Maine Coast), c. 1920s Watercolor on paper Sight: 13 1/4 x 20 3/4 in. Framed: 18 x 25 5/8 x 1 1/8 in. Signed lower right: ...

Artist/ School: French School, Post-Impressionist, 20th century Title: Provencal landscape, presented in ornate and substantial gilt frame. Medium: oil painting, on board, framed. ...

Technical Details Artist: Rosendo González Carbonell Title: River Year: c.1980 Technique: Oil on board Dimensions (without frame): 10.6 x 1...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Colin Scott Provincetown Harbor Signed lower right Oil on board 15 x 20 inches

The Coastline by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on wooden panel unframed size: 8.25 x 10.5 inches condition: v...

Title: Impressionist Sunset Harbour Scene with Sailboats and Reflections in France by Fanch Lel Signed: Yes Size: 8.25 inches (height) x 10 inches (width) (size excluding frame; 4.75...

Artist: Vahe Yeremyan Work: Original oil Painting, One of a Kind Medium: Oil on Canvas Year: 2016 Subject: Piece of Garden SIZE: 23" x 43" x 3/4''inch Unframed, Stretched on the wood...

'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Wayne Ensrud, American (1934 - ) - Reclining Woman II, Year: 1980, Medium: Watercolor and Gouache on Paper, signed l.r., Size: 30 x 22.5 in. (76.2 x 57.15 cm)

Impressive early American impressionist landscape painting. Oil on board. Housed in a period impressionist giltwood frame. Excellent condition.

Title: "Mid Century French Original Ink Drawing of Place des Vosges (Paris 1970)" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 19.75 (height) x 25.75...

Dynamic California coastal scene by an unknown artist. The orientation of brushstrokes in this piece create a sense of movement in the trees and the grass, hinting at the way the win...

Impressionist still life with flowers and fruit My paintings express movement towards rebirth, light and sun, renewal, associated with spring. This idea of movement and renewal is ex...

I was really happy to paint this beautiful lavender field from life, trying to convey the mood of summer and the light smell of fresh flowers. This beautiful spot in the center of th...

This exquisite artwork captures the vivid beauty of a floral arrangement in a clear glass vase. The painting showcases a harmonious blend of rich colors, with deep reds, soft pinks, ...

A dynamic and highly detailed 1932 oil painting by Allan C. Sawyer, this work captures an exhilarating regatta with a fleet of classic sailboats cutting through wind-whipped waves. P...

This captivating work depicts a peaceful landscape where a river winds its way between green hills. The painter uses subtle shades of green and blue to convey the tranquility and har...

This artwork showcases a vibrant bouquet of sunflowers arranged in a simple white vase, capturing the essence of rustic charm. The sunflowers are depicted in varying stages of bloom,...

This artwork titled "Ballroom" c.1990 in an oil painting on canvas by noted German artist Christian Jereczec, 1935-2013. It is signed at the lower right corner by the artist. The artwork (canvas) size is 27.75 x 31.75 inches, framed size is 39 x 43 inches. Framed in an ornate gold frame, with fabric liner and gold color bevel. It is in excellent condition. About the artist: Christian Jereczek...

Les Gitanos is a black and White etching realized by Edouard Manet in 1862.  Titled in the lower. Second state and lifetime impression realized by Société des Aquafortistes, with f...

One of several paintings that we are offering by Henri-André Martin's. A wonderfully evocative image of an expansive beach with figures relaxing on a beach in the South of France, pa...

Wonderful watercolor portrait by Theodore S. Slafter. Exhibited at the Boston Art Club and housed in a period arts and craft carved frame. Slafter was born to a distinguished New Eng...

An expressive and colorful modernist landscape by American artist Beverly Erschell. This energetic composition bursts with bold brushwork and a dynamic palette of yellows, pinks, blu...

Impressive early American impressionist winter landscape snow scene oil painting. Framed. Oil on canvas. Image size, 20H by 24L.

Early 20th century watercolour on paper of a tranquil river, bridge and village scene. The painting is presented in a plain wood frame under glass. This charming watercolour portra...

Hazel Z Weckbach's "Spring Morning" is an original, hand-made watercolor painting. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urba...

"The Great View of Venice" Antoine Bouvard Snr. (French, 1875-1955) Oil on canvas, original, gilt wood frame, Signed, lower right 20 3/4 x 28 1/2 (28 1/2 x 37 frame) inches Anto...

Paul Lecomte (1842-1920) La Ferme du Pré Oil on canvas signed on the lower right 38 x 55 cm Framed : 49 x 66.5 cm In good condition: a small repair visible on the reverse (see pictu...

The painting with rainy Manhattan painting is a great and stylish cityscape - the play of dark and light shades is captured professionally and looks great in the interior of an office or your home. The picture is author's and original. It's signed on the front and back. The edges of the picture are painted. Materials used: oil on canvas, supported wooden frame. Dimensions: 19,7x27,65 in. Packaging: I pack the paintings in special paper, then I wrap them with bubble wrap, and finally I cover artworks with strong wooden sheets. Nikolay Dmitriev...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Summer Trees, Size: 37.5" x 25.5...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Montezin's dazzling display of brushwork captures the effects of the sunlight on the water and the glittering leaves of the poplar trees. A masterwork by the artist presented in the ...

Evening Time Hudson River School Style Scene Oil on Canvas European style painting of the Hudson river Valley School by B. Czerniawski (Polish/Ame...

Evening Skies oil/panel 11 x 14 image unframed, 17.5 x 20.5 framed Evening Skies is an oil on panel painting of a scene near my studio that I love to paint in various seasons and lig...

"Meadow in the Rockies" (2025) by Lorenzo Chavez is an original, handmade oil painting that depicts a serene autumn midwestern landscape, looking out onto the base of small mountain ...

Dorothy Johnson Image Size: 12 x 16 Frame Size: 14.5 x 18.5 Medium: Oil "Prickly Pear"

Edward Dufner Road in the Mountains No. 33, circa 1910 Signed lower left; signed and titled on the reverse Oil on board 8 x 10 inches With a long-time career as an art teacher and ...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

Antique American impressionist landscape oil painting by Frances M. Lichten (1889 - 1961). Oil on board. Signed. Framed. Measuring: 24 by 26 inches overall, and 16 by 18 painting alo...

Yuri Krotov Yuri Krotov was born 1964 in Grivenskaya Cossack Settlement, Krasnodar Territory, located close to the Azov Sea. At the age of 8 he met a local painter G.A. Polugaev who...

Artist: Vahe Yeremyan Title: Pacific Highway Medium: Oil on Linen Year: 2025 Style: Contemporary Art Dimensions: 29.5" x 29.5" x 1" inch (75 x 75 x 3cm) Presentation: Unframed, Galle...

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: Gordes (Luberon Valley, Provence) Medium: signed oil on canvas, unframed and inscribed verso size: 39 x 39 inches Provenance: private collection, France Condition: The painting is in overall very good and sound condition. Arles is a historic city located in the Provence-Alpes-Côte d'Azur region of southern France. It is situated on the banks of the Rhône River and is known for its rich Roman heritage, picturesque streets, and vibrant cultural scene. Arles has a fascinating history that dates back to Roman times. It was an important Roman provincial capital and became a major trading center. Many well-preserved Roman monuments can still be found in the city today...

Luminosa opera di un prato con fiori di primavera

Dramatic painting of sunflowers. This piece is mixed media in the abstract realism style. Contemporary and gorgeous color. Works well in any decor. Quality paints and mediums. Side...

Aaron E. Kilpatrick Landscape painter. Born in St Thomas, Canada on April 7, 1872. Kilpatrick was educated in the public schools of Winnipeg and moved to the U.S. in 1892. By 1907 he...

William Edward Bloomfield Starkweather Bathing Hour, Belle-en-Mer, France, 1908 Signed lower left Signed, titled and dated on verso Oil on canvas 27 x 36 inches Provenance Estate of...