Impressionist Art

The Beach French Impressionist artist, mid 20th century oil on canvas laid over board, framed painting: 7 x 9.5 inches framed: 9.5 x 11 inches condition: overall very good, a few min...

A wonderful impressionist Autumn pastoral landscape with beautiful color tones through out. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Up for sale is this vintage original Duch oil painting on canvas depicting a serene winter landscape in a rural mountain village. The scene features a snow-covered hillside with two ...

Artist/ School: French Impressionist School, 20th century, indistinctly signed Title: Provencal country landscape Medium: signed oil painting on canvas, framed Size: framed: 2...

Still Life of Flowers French School, mid 20th century signed oil on canvas, framed in original frame. framed: 17.5 x 29 inches canvas : 12 x 24 inches provenance: private collection,...

This captivating landscape painting vividly depicts a serene lakeside scene, dominated by towering, rugged mountains. The mountains boast a patchwork of muted greens, grays, and brow...

Winter Afternoon oil on canvas panel signed LL image is 12 x 16 Here is a beautiful winter scene painted by one of my favorite artists to collect, Junius Allen, who was a former P...

A beautifully executed equestrian portrait depicting two elegant horses standing in an open landscape beneath an autumn tree, signed N. Blair and dated 1925. Painted with remarkable...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 11 x 14 Frame Size: 16 x 20 Medium: Oil on Canvas "Bluebonnets" Biography Robert Harrison (Born 1949) Robert Harrison was b...

Low Tide signed by Georges Bordonave (French contemporary) dated 1969 oil painting on canvas, unframed canvas: 18 x 21.5 inches condition: very good provenance: from a large private ...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

A beautiful signed and dated 1901 oil on paper laid on board by Auguste Grass-Mick, the French impressionist painter who was friends with Edgar Degas and Henri Toulouse-Lautrec. Gr...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil on Canvas Signed "Sea of Blue" Bluebonnets Biography Robert Harrison (Born 1949) Ro...

Acr. on canvas painting. Evening walk - acrylic on canvas, impressionism seascape painting, 2019 Size of painting - 36cm x 36cm , (14" x 14") In the eve...

A charming depiction of Snow in Downtown New York City with figures walking dogs and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whi...

Wonderful little mixed media painting by New York City artist Gilbert M. Walker. Faintly initialed lower right and inscribed on reverse. Gilbert M. Walker (born 1927) was an America...

Antique American barnyard chicken grazing oil painting by August Laux (1853 - 1921). Oil on canvas. Signed. Framed. Measuring: 18 by 22 inches overall, and 10 by 14 painting alone. E...

Ray Roberts (Born 1957) Southern California Artist Image Size: 12 x 16 Frame Size: 19 1/4 x 23 1/4 Medium: Oil ON BOARD SIGNED "Blooming California Poppies" California Landscape Ray Roberts(Born 1957) Born and raised in Southern California, Ray Roberts became a plein air* painter of desert and coastal landscapes. He earned a Bachelor of Fine Arts Degree from the Art Center College of Design* in Pasadena. His first studio was in Scottsdale, Arizona, and in 1997, he and his artist wife, Peggi Kroll Roberts, and their three children moved to Angel's Camp, California to a small ranch. He is a regular instructor of painting at the Scottsdale Artists' School. In August, 2000, Roberts won Best of Show for his painting Curtis Creek at the American Impressionist Society's* show in Cincinnati, Ohio. Source: Southwest Art, October 2004 Ray Roberts is one of California's most respected Plein Air artists. He has recently won the Gold Medal for "Best Painting" at the California Art Club and the Artists' Choice Award, the highest accolade from fellow artists, at three major Southwest art events. Ray Roberts is best known for his seascapes, figurative work, and majestic views of California and the Southwest. Ray Roberts' vibrant use of color, bold textures, and sensitivity to shifting patterns of light give life and movement to his paintings. They are to be experienced, not merely observed. Inspired by such early California impressionists as Hanson Puthuff, William Wendt, and William Ritschel, Ray Roberts seeks to capture the luminous, golden light and the magnificent, vanishing landscapes of his native state. Like his other great hero, Maynard Dixon, Ray Roberts shares a reverence for the land and a marked spirituality in his work. Ray Roberts believes in the importance of artistic legacy. "There's a brotherhood of painters who came before me and who will come after. We speak in the past, present, and future. We talk about our experience and personality, our torments and exhilarations; we talk about the beauty of the fleeting light, time and of our family, friends and acquaintances." Born in 1954, Ray Roberts grew up in an Orange County with orange groves, before the days of freeways and sprawling housing developments. It has given him an enduring affection for the untamed, undeveloped California of his youth. One boyhood neighbor was painter Evelyn Nunn Miller, who would let Ray Roberts into her studio to retrieve the balls he'd hit over her fence. Later, after the early death of his father and mother's ill-health, Ray Roberts was sent to Orme School, a beautiful, ranch-style boarding school in the Arizona desert. Its strong fine arts program helped Ray Roberts to discover his artistic talent. He then attended the Art Center College of Design in Pasadena, California, where he studied under John Asaro. He has also studied under Dan McCaw, Len Chmiel, and Mark Daily. Art Center is where Ray Roberts also met his wife, impressionist painter Peggi Kroll. While dating, the two of them would go out nightclubbing, to sketch rather than dance! It has been a successful partnership ever since. Like many successful artists before him, Ray Roberts first pursued a career as an illustrator, establishing a studio in Los Angeles and then Scottsdale, Arizona. He got up the courage to switch to fine art in 1992 and has never looked back. Ray and Peggi now live with their three children and assorted animals on a 20 acre ranch in Angel's Camp, an old California gold rush town, surrounded by the oak-studded hills which he frequently paints. The great outdoors is RayRoberts' studio. A bit of an adventurer, he's been known to backpack for several days into the wilderness, set up his easel on a cliff edge, or in the surf, for just the right setting. Awards and Affiliations Signature Member - Plein Air Painters of America (PAPA) Signature Member - California Art Club (CAC) Signature Member - Laguna Plein Air Painters Association (LPAPA) Signature Member - Northwest Rendezvous 2007 - Haggin Museum, Stockton 2007 - Santa Lucia Preserve, Invitational En Plein Air, Carmel, CA 2007 Exhibitor, Arizona: A Millennium of Arizona Art, Mark Sublette Medicine Man Gallery, Tucson, AZ 2004 Gold Medal for "Best Painting" at the California Art Club's 94th Annual Gold Medal Juried Exhibition, Pasadena Museum of California Art, Pasadena, California 2004 Artists' Choice Award- Laguna Plein Air Invitational Laguna Art Museum, Laguna Beach, California 2004 Artists' Choice Award- Maynard Dixon Country Invitational Mount Carmel, Utah 2003 Artists' Choice, Laguna Plein Air Invitational, Laguna, California 2003 Artists' Choice Award, Carmel Plein Air Festival, Carmel, California 2003 Honorable Mention, Carmel Plein Air Festival, Carmel, California 2003 Maynard Dixon Award, Sonoran Desert Invitational, Tucson, Arizona 2002 Honorable Mention, Laguna Plein Air Invitational, Laguna, California 2001 Honorable Mention, Scene on the Straight, Vallejo, California 2001 American Artist Magazine Award for Excellence, Oil Painters of America National Juried Show, Palm Desert, California 2000 Best of Show, American Impressionist Society, Cincinnati, Ohio 1999 Honorable Mention, Laguna Plein Air Invitational, Laguna, California 1999 Best Seascape, Ebell Club Annual Art Show, Los Angeles, California 1999 Artists' Choice Award, Carmel Plein Air Festival, Carmel, California 1995 Best of Show, Phippen Memorial Art Show, Prescott, Arizona 1995 First Place Oil, Phippen Memorial Art Show, Prescott, Arizona 1995 Best of Show, Beaver Creek Art...

Seascape Painting, South Bay Artist: Vahe Yeremyan Title: Coastal Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 21.5" x 31.5" x 1" inch (55 x 78 x 3cm) Presentati...

Clyde Steadman's "Family Meeting" is an original, handmade oil painting that depicts four rubber ducks gathered together

30 Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2022 Style: Abstract Art, Title: Through Impression, ...

Shades of light and color combinations convey the gentle image of a young dancer. She is light and weightless, it seems that she will jump and fly like a bird

Acquired by the gallery directly from the artist UNFRAMED: 8" x 10" FRAMED: 11.75" x 13.75" x 1.5" SIGNED: Lower Right Artist Statement "This is a painting of the entrance to Gra...

Paradise Garden" floral landscape in oil on canvas Volskaya Lily. Everyone has their own garden of eden of dreams, and maybe of reality. For some, this is a garden of love. For some,...

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Title: French Impressionist Oil of Twin Turrets and Trees Reflected in River Scene By Fanch Lel Signed: yes Size: 15 x 18 inches (height x width) Oil painting on board, unframed Cond...

Michael Carson's (US based) "Red Tights" (2024) is an original, handmade oil painting and is framed in a black float frame and is ready to hang. About the Artist: Mike Carson is a M...

French Landscape signed by Louise Alix (French, 1888-1980) *see notes below oil painting on artist paper, unframed measures: 12 inches high by 14.5 inches wide condition: overall ver...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. dated 1944 Size: painting: 1...

Breath of the Sea captures the living movement of water at the very moment a wave rises, shimmers with light, and dissolves into foam along the shore. Inspired by the spirit of Impre...

Sunflower Bouquet signed by Fanch Lel (French b. 1930) Size: 11.75 x 9.5 inches Gouache painting on cardboard, unframed Inscribed verso Condition: The painting is in good condition,...

Flying Woodcock at daybreak, oil on panel. Signed by Harald Klinckowström (1897–1974). This small yet atmospheric composition captures a woodcock in flight above a forest clearing at...

A flash of Scarlet - Forest Walk Wandering through the narrow paths of a forest, searching for the authors of the mysterious sounds, the chirps and the spectacular trills, that hide ...

Vibrant Village Scene by Fanch Lel (French b. 1930) size: 8.75 x 8.75 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been...

Portrait of a Woman by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 20 inches high by 24 inches wide condition: overall very good and so...

This is one of the most iconic paintings of Shizico Yi. This painting comes a free worldwide shipping via Royal Mail; it is insured during shipping. On top of that, it also comes wit...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2005 Title: Cupids Size: 26" x 26.5" x ...

By the time a city has a double-decker tram and a railway station, its animals are supposed to have been pushed out to the edges. Here they are on the road in front of the Porte d’Al...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

Still Life Painting of a Vase of Pink, Red & White Roses by 20th Century American Artist, Robert Cox (1934-2001) Art measures 7.5 x 9.5 inches (unframe...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Up for sale is an antique original oil painting on canvas depicting a seascape - Figures in a sailboat in the open water. Signed in a lower-left corner H. Wacker, DF. DF - "Duesse...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

A really lovely example of the artist's work providing a snapshot of a Norfolk summer landscape with a windmill and white flash of a sail at the end of the country lane. Owen Waters...

La obra va firmada por el artista en la parte inferior Se presenta enmarcada la pintura El estado de la obra es bueno Medidas obra: 47 x 56 cm. Medidas del marco: 71 x 80 cm. Emilio Grau Sala Nace en Barcelona en 1911. Maestro catalán de la Escuela de París, recordado por sus magníficas escenas realistas. Se forma en la Escuela de Bellas Artes de Barcelona. Tras varias exposiciones en su ciudad natal y ya siendo un pintor de éxito, contrae matrimonio con la pintora Ángeles Santos Torroella. De ambos nacerá en 1937 el futuro pintor Julián Grau Santos. En 1936 expuso en el Museo de Arte Moderno de Madrid y, coincidiendo con el inicio de la Guerra Civil Española, se traslada a París. Conoció de cerca las vanguardias inclinándose por una figuración colorista, derivada del impresionismo y el fauvismo. Allí entrará rápidamente en contacto con el núcleo de artistas españoles. Realiza una pintura próxima al postimpresionismo francés, con un marcado acento lírico. En París alcanzó un gran éxito realizando multitud de exposiciones. En 1936 recibe el Premio Carnegie. Grau Sala destaca, además, como creador de escenarios teatrales y como excelente ilustrador. Fallece en Barcelona en 1975. Celebró diversas muestras individuales, sobre todo en Barcelona y París, pero también en ciudades como Nueva York, Toulouse, Londres o los Ángeles. En el 2015, su hijo Julián Grau Santos cede la obra familiar de su padre para la venta a Beatriz Bálgoma como marchante. A partir de este momento la galerista expondrá obras del artista en diversas ferias de prestigio nacionales e internacionales como Feriarte, Lisbon Art...

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

This luminous original seascape oil painting is the work of American artist Max Shekhter (b. 1938), whose expressive style beautifully captures the vibrant energy and color of the oc...

“Baltic Surf” BALTIC series, MDF, Oil, acrylic, 50x75 Original oil painting on MDF board (50x70 cm) from the BALTIC series. This powerful seascape captures the restless energy of the...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "I painted this work on location above Luffenholtz Beach in Trinidad Ca...

The artist painted this life-size sketch during his creative trip to Plyos in 2005 in one session in the alla prima style. This artwork is a compelling landscape that captures the se...

Artist Comments
Artist Onelio Marrero captures a Midtown Manhattan scene in low winter afternoon light. The flags' vibrant red and blue attract attention, contrasting with the ...

Claude MONET (after) Windmills in Holland, 1873 Original Etching Engraved by Gaucherel under the supervision of Monet Printed signature in the plate (with misspelled signature Monnet) On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Dniprovska inflow Size: 19.5" x 27.5...

Title: French Impressionist Regatta Scene with Colourful Sails and Seaside Village By Fanch Lel Signed: Yes Size: 18 x 21.5 inches (height x width) Oil painting on cardboard, unframe...

Artist: Alexander Shandor Title: Winter Tree Medium: Oil on Canvas Year: 2015 Style: Impressionism Dimensions: 7.5" x 9.5" x 1" inch (19 x 24 x 2cm) Presentation: Unframed, Gallery ...

The size 143x198cm. I'll go to the TUBE! Therefore, it is necessary (you can immediately send it without unpacking) to the workshop to stretch the canvases onto a stretcher! Or w...

The Old Mas, Provence by Gabriel Deschamps ( 1919 - 2011) *see notes below signed oil on canvas, framed framed: 22.5 x 26 inches canvas: 18 x 22 inches Provenance: private collection...

A stunning oil painting depicting the Mediterranean coastal vista, rendered in a lively, impasto style that emphasizes thick, textured brushstrokes and bold color contrasts. Tania Fo...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK I Will Wait for You in Our Garden, My Dear belongs...

Bring the intoxicating, sweet fragrance of a spring garden straight into your home. This magnificent original oil painting captures a lavish, overflowing bouquet of deep purple and v...