Minimalist Art

Untitled (137.13) (Abstract Painting) Crayon on vellum - Unframed In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The vi...

Untitled, 2014 (Id. 383) (Abstract Drawing) Ballpoint pen and inkjet on paper. Unframed. Caldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a minimal esthetic, an architectural character, created with only one or two lines. Pastel tones, softened colors, and a formal composition generate a feeling of austerity and sophistication. Richard Caldicott is an English artist who explores abstract photography and creates abstract compositions on paper. He lives and works in London. As an interdisciplinary artist, Caldicott comes across materials and techniques, including drawing, photography, and sculpture. His works on paper, made with ballpoint pen and inkjet printing, reveal a bare sophistication whether it be with minimal drawings...

Gateway 15.15 (Abstract Painting) Lacquer on Aluminum. This work reveals the artist's interest in architectural form. The melodical interplay between planes and colors offers a re...

Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of color, location, light and ti...

India ! (Abstract painting) Collage on Japanese paper - Unframed This collage on Japanese paper is a result of working with the accidental arrangements of found colored papers that...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

Mid point 2 (Abstract photography) Black and white photogram. Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works in...

Anywhere now 19.15 (Abstract Painting) Lacquer on MDF and Aluminum. This work as well as 17.16 (Breather) and 14.16 (In the Cities) can be understood as reflections on urban and a...

"Pushed Boundaries" Acrylic on canvas. 48 x 48" 2019 Sara Walton orchestrates a symphony of color that transcends mere visual aesthetics, delving deep into the realm of emotion and...

"Hope" is a large uplifting minimalist abstract expressionist minimalist oil painting on canvas by artist Trixie Pitts. The palette is mainly green but is by no means monochromatic. ...

Shauna (Abstract Painting) Acrylic on 300 lb Arches. Unframed. Using mediums such as markers, watercolors and acrylics, Hallard constructs monochromatic and semi-monochromatic imag...

Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of color, location, light and time...

Twist 2 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connectin...

Untitled 393.11 (Abstract painting) Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visua...

14.16 (In the cities) (Abstract Painting) Lacquer on MDF and Aluminum. Unframed. This work as well as 17.16 (Breather) and Anywhere Now 19.15 can be understood as reflections on ...

Artist Comments
A minimalist scene of a green boat sailing under moons, a giant flower and infinity-shaped clouds. Artist Jaime Ellsworth says the painting represents sailing off to a land of peace. Rendered in her signature style combining modern and primitive painting elements.

About the Artist
Jaime Ellsworth paints animals. Her career as a cowhand never got off the ground, so she stumbled into art never knowing it would complement her passion for animals so completely. Most subjects are her own, but lately she has expanded out of her corral to include bears and beasts not commonly seen on San Juan Island, in the Pacific Northwest, where she's lived for the last 30 years. She suspects it will be years before she runs out of inspiration or has jeans that aren’t covered with paw prints or paint.

Words that describe this painting: boat, clouds, flower, ship, seascape...

Lichen memory 2 (Abstract Painting) Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigat...

Rise 3 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting...

Untitled, 2014 (Id. 383) (Abstract Drawing) Ballpoint pen and inkjet on paper. Unframed. Caldicott has always had a habit of working serially; his works on paper are rapidly produc...

Snap 8 (Abstract Painting) Acrylic and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at th...

Eckige Masse 045 (Abstract Drawing) Acrylic collage on Fabriano-pittura - Unframed In her work, Lee is responding to her emotional experiences within her physical surroundings. Col...

Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuiti...

"White covers translucent blue" 23.6 x 31.5 x 1.0, 12.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "The painting is made in white and blue acrylic, using ra...

One Year, Yellow Trail, Landscape As Time (Abstract painting) Acrylic on polyester film - Unframed This project, began in April 2013 is about time-keeping. Debra Ramsay captured t...

Flat 68.12 (Abstract painting) Lacquer on Aluminum - Unframed As the title indicates, this work stands in the trajectory of Tilman’s interest in architectural space and its correlation with light. The title ‘Flat’ relates to the simple idea of a ‘flat’ painted object. However, in a humorous sense it also makes a relation to a flat, an apartment and henceforth to an architectural description of a certain spatial quality. The series ‘Flat’, started in 2010, consist of hand-painted aluminum planes...

Oil on linen. Working on a traditional support, “R/Y/B” uses the primaries as a challenge. This later developed into a series in which Jean Feinberg worked exclusively with the thr...

This beautiful minimalist round figurative painting by Ana is from her latest body of works. It is acrylic on canvas, 60 cm in diameter and comes signed dated along with a certificat...

C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering col...

ANNA WARDĘGA Studies at Painting Departament at Academy of Fine Art in Cracow, Poland. She's dealing with easel painting, wall painting as well as drawing...

"SNAP PEA" Abstract Wall Sculpture 58" x 12" x 12" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short atten...

2006 Print (casting with handmade paper), hand-coloring with acrylic Sheet: 29 7/8 x 21 7/8 in. (76 x 55.5 cm) Edition 72 of 99 Signed, titled, dated, and numbered in pencil, lower m...

Lacquer on MDF and Aluminum. Unframed. This work as well as 17.16 (Breather) and Anywhere Now 19.15 can be understood as reflections on urban and architectural structures which fo...

Acrylic on MDF - Unframed This work is one of six similar painted works, consisting of acrylic painted MDF of the same size. Two colours are dividing the painting into two separate...

Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of color, location, light and tim...

Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic forms, resulting in atmospheric images evocative...

Oil on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. Her v...

Acrylic on polyester resin film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It ...

Ballpoint pen and inkjet on paper - Unframed Caldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a...

Lacquer on Aluminum. This work reveals the artist's interest in architectural form. The melodical interplay between planes and colors offers a reading of an intended play on infini...

Oil and pencil on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intui...

Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tran...

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

Seeking the Sound of Cobalt Blue is a series of paintings on large sheets of rag paper that have been created since January of 2014. Using domestic construction materials from her ...

This beautiful minimalist round figurative painting by Ana is from her latest body of works. It is acrylic on canvas, 60 cm in diameter and comes signed dated along with a certificat...

This beautiful minimalist figurative painting by Ana is from her latest body of works. It is acrylic on canvas and comes signed dated along with a certificate of authenticity. "I pai...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...

David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...

David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...

A Monument for Ice takes the vastness of glaciers and presents a monument that asks the viewer to look into rather than look out to the subject. It becomes a hypothetical tribute to ...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. W...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and her own fingerprints. The h...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...