Post-Modern Art

Massimo Listri Spencer House, London, 1998 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of...

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Massimo Listri Portrait of Interiors Metropolitan, New York, USA 2013 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5...

Massimo Listri Libraries Biblioteca St. Emmeram I (Library), Regensburg, Germany, 2016 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inche...

Massimo Listri Biblioteca St. Emmeram III (Library), Regensburg, Germany, 2016 World Libraries Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches ...

Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing options available. Massim...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 16 x 20 in. *Available in additional sizes. Al Satterwhite started working as a photographer at a major d...

Edition of 25 Signed and numbered in black ink on print margin by Al Satterwhite Paper size: 16 x 20 in. *Available in additional sizes. Al Satterwhite started working as a photogr...

Jay Mark Johnson Swept Away #1 Belgrade, Serbia, 2008 Durst Lambda print, film, aluminum 40” x 96” Edition 2/3 $28,500

Jay Mark Johnson Taichi Motion Studios Los Angeles, 2006 Durst Lambda print, film, aluminum 40” x 106” Edition 3/3 $32,500

Michel Tabori Sequoia, 2017 Oil, acrylic, resin, canvas on two-sided maple panels mounted on steel bases 84” x 10” each $6,500 each

The bronze sparrow rests on an iron support. Three wires wisely positioned on the upper edge hold it like a swing. Jessica Carroll's elegant artwork results from years of study, ex...

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. Perhaps one of the earliest of these icons is the pinching hand, or "Hand of the Spirit" which debuts around 1972 and appears frequently throughout the decade. Centered on a hand-painted background, "The Hand of the Spirit of Miss General Idea" features a vibrant crest that displays a hand with fingers curled in a mystical gesture. This print comes from "Fear Management": a set of 8 prints...

Text by Michelle Cantin-Reid The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original. From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted. These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

Women framed In San Francisco bus window. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other sizes ar...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. In Naples, Florida Street Art abounds. It's a city with perhaps more flowers than weeds. Hedge Fun ...

Jay Mark Johnson L'enigma dell Punklichkeit #1 Hamburg, Germany, 2008 Archival pigment, paper, aluminum 23” x 48” (framed) Edition 6/9 $10,500

Jay Mark Johnson Amboseli Migrations #1 Kenya, 2014 25” x 48.5“ (framed) Archival pigment, paper, aluminum Edition of 1/9 $10,500

Jay Mark Johnson Eva Kein Auto Hamburg, Germany, 2008 Durst Lambda print, film, aluminum 40” x 105” Edition 2/3 $28,500

The Elektra series was the first of Chadwick's bronzes to make use of polished surfaces added to the head, breast, and upper thorax. In explaining this, Chadwick writes, 'In the case...

Very rare cast. (edition of 1 or 2) This work was featured in an article "The Appropriation of Marginal Art in the 1980s Author: Donald Kuspit Source: American Art, Vol. 5, No. 1/2 (...

This fascinating artwork depicts a serene face, sculpted from a complex assemblage of small three-dimensional wooden pieces. Each meticulously carved element contributes to the uniqu...

This fascinating artwork features a relief-sculpted face, composed of small wooden cubes assembled with exceptional precision. The varying shades of brown, pink, and green create a s...

This captivating sculpture stands out for its futuristic and organic aesthetic. Shaped in metal, it depicts a stylized human head with fluid curves and undulating patterns that evoke...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began photo...

An original and unique painting by contemporary artist Eric Alfaro. On display at our Parisian gallery. Painting is signed by the artist, accompanied with it's certificate of authent...

Mixed media on shaped canvas

Large format lithograph with architectural study, partly coloured. Signed at lower right. Edition 65/100(?).

David L. Deming’s world of lively canine sculptures captures the artist’s love for dogs and presents a whimsical look at four-legged behavior at its best. His extensive and unique collection of painted steel and lacquered steel dog sculptures...

Jay Mark Johnson Victoria Falls #96 Zimbabwe, 2014 Durst Lambda print, film, aluminum 40” X 288” Triptych (40” x 96” each) $75,000 ($28,500 each)

Peter Voulkos Title: Plate CR952-W Medium: Woodfired ceramic Year: 1989 Signed and dated by the artist Size: approx. 20.5 x 5 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry Takemoto...

Oil, acrylic polymers, grout, gold leaf, on shaped canvas

A turn towards figurative work by artist Jack Reilly from his Eros, Love and Myth series, depicting love in a time of hate. The work is stretched canvas ov...

Vintage gelatin silver print George Platt Lynes studio stamp in black ink, verso Literature: Crump, James. George Platt Lynes: Photographs from the Kinsey Institute. 1st ed., New York City, Bullfinch Press, 1993, pp. 65-67 [three other examples] This artwork is offered by ClampArt, located in New York City. George Platt Lynes (1907-1955) was a renowned American fashion and commercial photographer who enjoyed the prime of his career during the 1930s and 1940s. Although he was very sought after by major fashion publications for his beautiful images and stunning compositions, his real passion was the male...

Vintage gelatin silver print George Platt Lynes studio stamp in black ink, verso Literature: Crump, James. George Platt Lynes: Photographs from the Kinsey Institute. 1st ed., New York City, Bullfinch Press, 1993, pp. 65-67 [three other examples] This artwork is offered by ClampArt, located in New York City. George Platt Lynes (1907-1955) was a renowned American fashion and commercial photographer who enjoyed the prime of his career during the 1930s and 1940s. Although he was very sought after by major fashion publications for his beautiful images and stunning compositions, his real passion was the male...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began pho...