Post-Modern Art

this work is complete abstract simplicity relying on color balance and depth. :: Painting :: Post Modern :: This piece comes with an official certificate of authenticity signed by th...

- READY TO HANG - SIGNED CANVAS - SIGNED CERTIFICATE OF AUTHENTICITY - BOLD STATEMENT PIECE Detailed brush strokes combines with gestural and organic shapes. Iridescent m...

Abstract Inspired By Natural Elements. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting Is Inspired By Nature, T...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony. Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion. This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony. Centered on a handpainted background, "The Honeymoon...

General Idea formed in 1967 in Toronto and over the next nearly 30 years made a remarkable contribution to post-modern art. Their body of work combines provocative or banal imagery with wit and irony, creating subversive cultural critiques on a wide range of topics from the role of the artist in society to the AIDS crisis. Two of the members, Felix Partz and Jorge Zontal died of AIDS in 1994. Its surviving member, AA Bronson...

Bill, Max. Um 1930 in Zurich, 1977 Offset, 50 1/4 x 35 1/4". Max Bill was an important Swiss artist, designer and architect whose work drew inspiration from Bauhaus, De Stijl, an...

Louis Carreon b. 1977 American Golden Spirit Signed "Louis Carreon" (lower right) Mixed media on canvas From Louis Carreon's celebrated Spirit Bird series, Golden Spirit is a syn...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...

Louis Carreon b. 1977 American Ballerina Signed “Louis Carreon” (lower right) Mixed media on canvas In his Ballerina series, Louis Carreon examines the ambitions and resilience o...

Seymour Lipton (American, 1903-1986), Abstract Expressionist Sculpture Study Sketch, Oil Crayon on Paper, 1981, signed and dated lower left, unframed. 11" H x 8.5" W. Provenance: F...

Nick Veasey - The Bird in Colour No 3 TR Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Nick Veasey - The Bird in Colour No 7 BL Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Jay Mark Johnson Elena Fluttering Backwards Cetona, Italia 2007 Archival pigment, paper, aluminum 41.5” x 89.5” (framed) Artist Proof $32,500

Watercolor and gouache on paper laid on board Magazine Illustration defined by bold graphic composition and limited color palate yielding a powerful image that jumps off the page. u...

San Francisco's most iconic scene is capture in Golden Gate Bridge San Francisco Bay with Sailboats. Popular Photography Giant Billboard in Times Square on 48th Street. Popular Ph...

Central Park in autumn with skyline in the background. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. O...

Moses With the Ten Commandments by Sir Jacob Epstein (1880-1959) Pencil and watercolor on paper 22 x 16 ⅝ inches unframed (55.88 x 42.24 cm) 28 ½ x 23 inches framed (72.39 x 58.42 cm) Signed on bottom left Description: In this figurative watercolor painting, Jacob Epstein depicts Moses holding two tablets, one in each arm, that are inscribed with the ten commandments. This is a visualization of the traditional biblical story in which Moses goes to Mount Sinai and has the ten commandments revealed to him by God which he inscribed onto two tablets and keeps in the Ark of the Covenant...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

MASSIMO LISTRI Museo Correr I, Venezia, 2016 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options availa...

MASSIMO LISTRI Massimo Listri, Castello di Rivoli III, Torino, Italy 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

MASSIMO LISTRI Massimo Listri - Ufficio Geologico II, Rome, 2016 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Fr...

MASSIMO LISTRI Befreiungshalle a Kehlhein, Germany 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x 71 inches 225 x 150 cm Edition of 5 Price for the work Framed. Ask us for options. The Befreiungshalle ("Hall of Liberation") is a neoclassical monument on the Michelsberg hill above the town of Kelheim in Bavaria, Germany. It stands upstream of Regensburg on the river Danube at the confluence of the Danube and the Altmühl, i.e. the Rhine-Main–Danube Canal. It is just downstream of the Danube Gorge, towering above its lower end. It was commissioned by King Ludwig...

MASSIMO LISTRI Opera Nacional, Paris, France 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing ...

Massimo Listri Castello Reale di Varsavia (Royal Castle Warsaw), Poland, 2013 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition ...

Massimo Listri Palazzo Pitti, Sala di Venere, Florence, Italy Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of...

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Massimo Listri Spencer House, London, 1998 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of...

Massimo Listri Biblioteca St. Emmeram III (Library), Regensburg, Germany, 2016 World Libraries Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches ...

Massimo Listri Libraries Biblioteca St. Emmeram I (Library), Regensburg, Germany, 2016 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inche...

Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing options available. Massim...

Louis Carreon b. 1977 American American Boots Signed “Louis Carreon” (en verso) Mixed media on canvas Louis Carreon’s American Boots offers a vibrant, Pop art-style reflection on...

Jay Mark Johnson Taichi Motion Studios Los Angeles, 2006 Durst Lambda print, film, aluminum 40” x 106” Edition 3/3 $32,500

Michel Tabori Red Wood Night, 2018 Oil, acrylic, resin, canvas on panel 57” x 75” $18,500

Jay Mark Johnson L'enigma dell Punklichkeit #1 Hamburg, Germany, 2008 Archival pigment, paper, aluminum 23” x 48” (framed) Edition 6/9 $10,500

Michel Tabori Sequoia, 2017 Oil, acrylic, resin, canvas on two-sided maple panels mounted on steel bases 84” x 10” each $6,500 each

The bronze sparrow rests on an iron support. Three wires wisely positioned on the upper edge hold it like a swing. Jessica Carroll's elegant artwork results from years of study, ex...

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. Perhaps one of the earliest of these icons is the pinching hand, or "Hand of the Spirit" which debuts around 1972 and appears frequently throughout the decade. Centered on a hand-painted background, "The Hand of the Spirit of Miss General Idea" features a vibrant crest that displays a hand with fingers curled in a mystical gesture. This print comes from "Fear Management": a set of 8 prints...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...

Women framed In San Francisco bus window. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other sizes ar...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. In Naples, Florida Street Art abounds. It's a city with perhaps more flowers than weeds. Hedge Fun ...