Post-Modern Art

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony. Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion. This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony. Centered on a handpainted background, "The Honeymoon...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

The female body has always been a source of inspiration for an artist, the simplicity of a simple line that expresses the content, a background that does not vary its range of colors...

From my series of the same name. This work highlights the role of technology today in looking for romantic love and the speed at which relationships come and go (whirlwind) and the...

this piece came together quite nicely: i ran a sheet of silver foil through my printer/copier multiple times roughly knowing were the various object would print and as luck would hav...

this piece deals with the media saturated world we now live in and the constant propaganda and sales pitches that surround us. it is one of the original pieces from a series of abstr...

my take on narcissus and the general human condition of blind self love. this abstract piece is a mix of computer and found imagery that's been transferred onto silver foil and pape...

An idea of space and sensitive perception. It is through the practice of dance that Remi Delaplace addresses the question of space. In this painting, he proposes a reflection arou...

spray paint - Cutting - Collage - print on Art paper - size 50*65 cm ( edition of 30 in this size and 7 on a bigger size. ) each one with a few differences as made by hand Numbe...

this work is complete abstract simplicity relying on color balance and depth. :: Painting :: Post Modern :: This piece comes with an official certificate of authenticity signed by th...

- READY TO HANG - SIGNED CANVAS - SIGNED CERTIFICATE OF AUTHENTICITY - BOLD STATEMENT PIECE Detailed brush strokes combines with gestural and organic shapes. Iridescent m...

Oil On Canvas Based On Natural Elements. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting Is Inspired By Nature,...

Abstract Inspired By Natural Elements. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting Is Inspired By Nature, T...

Nick Veasey - The Bird in Colour No 2 TM Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Nick Veasey - The Bird in Colour No 4 ML Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Text by Michelle Cantin-Reid The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original. From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted. These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...

Watercolor and gouache on paper laid on board Magazine Illustration defined by bold graphic composition and limited color palate yielding a powerful image that jumps off the page. u...

Moses With the Ten Commandments by Sir Jacob Epstein (1880-1959) Pencil and watercolor on paper 22 x 16 ⅝ inches unframed (55.88 x 42.24 cm) 28 ½ x 23 inches framed (72.39 x 58.42 cm) Signed on bottom left Description: In this figurative watercolor painting, Jacob Epstein depicts Moses holding two tablets, one in each arm, that are inscribed with the ten commandments. This is a visualization of the traditional biblical story in which Moses goes to Mount Sinai and has the ten commandments revealed to him by God which he inscribed onto two tablets and keeps in the Ark of the Covenant...

Jay Mark Johnson Constantino Sott’Acqua #2 Cetona, Italia, 2007 Archival pigment, paper, aluminum 47.5”x 95.5” (framed) Edition of 3/3 $32,500

"White Picket Fence (Aspirational Memoir)" is an oil painting by contemporary Trompe L'Oeil painter Anthony Mastromatteo, inspired by Toni Morrison's novel "The Bluest Eye". A composition of mostly pitch black ground, features a "white picket fence" of masking tape around a green square, highlighting a clipping from an old illustrated children's book. The focal point is a bright green square, encased with a picket- fence made of white tape. Inside the square is an old page torn from a “Dick and Jane...

Melanie Pullen explores our desensitization to violence and its glamorization, especially involving women, through dramatic recreations of actual crime scenes and images depicting ou...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

San Francisco's most iconic scene is capture in Golden Gate Bridge San Francisco Bay with Sailboats. Popular Photography Giant Billboard in Times Square on 48th Street. Popular Ph...

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...

China Town Lanterns Signature: Signed , dated lower right and numbered verso 4 /15, Unframed, on Hahnemühle paper. Other sizes available. San Francisco

Michel Tabori Sequoia, 2017 Oil, acrylic, resin, canvas on two-sided maple panels mounted on steel bases 84” x 10” each $6,500 each

Black and white original photography by Cyrille Druart. Edition: II/VIII Dimensions: 50 x 40 cm Cyrille Druart is a French photograph and arch...

Michel Tabori Red Wood Night, 2018 Oil, acrylic, resin, canvas on panel 57” x 75” $18,500

Black and white original photography by Cyrille Druart. Edition: I/V Dimensions: 120 x 90 cm Signed and Dated Cyrille Druart is a French photograph and architect, a book about his...

Thierry Mutin is a French multidisciplinary creator, a polymath,born on January 1, 1956. Author, painter and composer, his creations and research works are mainly oriented towards the future of Human specy . He is one of the creators of the Post-Humanist Artistic Movement that was born in Silicon Valley. AUTHOR Thierry Mutin has co-writed, with Elizabeth Hirschmann, a Literary Saga entitled « PREDICTS » which is a powerful mix between sci-fi and astrology. This large-scale project, having required years of research and writing, was created form the outset as a content for an international Full-length film or TV show Series. DIGITAL AND POST HUMAN ART From his first exhibitions in France (1980), Thierry Mutin was part of the trend of fantastic art (Hieronymus Bosch, Alfred Durer, Escher, etc.) and science fiction (Chris Foss...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

MASSIMO LISTRI Massimo Listri, Castello di Rivoli III, Torino, Italy 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Edition 15/25 Gelatin silver print 16 x 20 in. Signed and dated in pencil on print verso by Ralph Gibson

MASSIMO LISTRI Befreiungshalle a Kehlhein, Germany 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x 71 inches 225 x 150 cm Edition of 5 Price for the work Framed. Ask us for options. The Befreiungshalle ("Hall of Liberation") is a neoclassical monument on the Michelsberg hill above the town of Kelheim in Bavaria, Germany. It stands upstream of Regensburg on the river Danube at the confluence of the Danube and the Altmühl, i.e. the Rhine-Main–Danube Canal. It is just downstream of the Danube Gorge, towering above its lower end. It was commissioned by King Ludwig...

MASSIMO LISTRI Sammezanno X, Tuscany, 2005 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 22...

Massimo Listri Castello Reale di Varsavia (Royal Castle Warsaw), Poland, 2013 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition ...

Massimo Listri Palazzo Pitti, Sala di Venere, Florence, Italy Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of...

Massimo Listri Sao Vicente de Fora Monastery, Sacristy, Lisbon, Portugal, 2017 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edi...

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Massimo Listri Libraries Biblioteca St. Emmeram I (Library), Regensburg, Germany, 2016 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inche...

Massimo Listri Biblioteca St. Emmeram III (Library), Regensburg, Germany, 2016 World Libraries Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches ...

Massimo Listri Libraries Biblioteca St. Emmeram II (Library), Regensburg, Germany, 2016 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inch...

Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing options available. Massim...

Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing options available. Massim...

Jay Mark Johnson Taichi Motion Studios Los Angeles, 2006 Durst Lambda print, film, aluminum 40” x 106” Edition 3/3 $32,500

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity