Post-War Art

"Untitled (Rope Dancer series)" is an acrylic on canvas made by Jack Roth in 1980. The artwork is 18 x 30 1/8 inches. It weighs less thn 50 lbs. The work is signed and dated in penci...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

A painting by Robert Natkin. "Apollo XL" is an abstract expressionist painting, acrylic on canvas in a colorful palette by Post-War American artist Robert Natkin. The artwork is signed in the lower right, "Natkin". Robert Natkin (1930-2010) was born in Chicago and graduated from the Art Institute of Chicago in 1952. Natkin’s art blends Abstract Expressionism with Post-Impressionist colors. His work often runs in series he created using columns...

Colorful abstract expressionist piece by Les (Leslie Luverne) Anderson (American, 1928-2009) that lends itself to either vertical or horizontal orientat...

Artwork sold with frame (66.5x51x5 cm) Roger Ferrero is a French artist known for his vibrant and expressive landscapes, cityscapes, and seascapes. His work often captures the light...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed lower left; signed, titled, and dated verso. 65.75 x 50.25 in. 67.25 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Takis Efstathiou, PTE Fine Arts, New York Private Collection, New York Theodoros Stamos is heralded as one of the few abstract painters who bridged the New York School’s first and second generations. His age, in particular, afforded him this unique position, as he was the youngest member of the “Irascibles,” the core group of fifteen New York School painters publicized by Nina Leen...

Tête de faune, Picasso, Tile, Terracotta, Design, Sculpture, Unique, Mythology Tête de faune Unique work 27.02.1961 Red terracotta tile, painted and glazed white 15 x 15 cm 20 x 15 ...

Tête de faune, Picasso, Tile,Ceramic,Sculpture, Design, Postwar, Mythological Tête de faune Unique work circa 1968 Painted and partially glazed ceramic, square tile 15.2 x 15.2 cm C...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

"Ruptured Futures" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate design...

"Portrait of Woman II" Watercolor Painting 24" x 18" inch by Kawkab Youssef Signed and dated 1959 A short history of Kawkab Youssef El-Assal: With a...

BRUCE OF LOS ANGELES - Classic mid 1950s gelatin silver photograph of popular physique model KEN ITTNER by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Lo...

PABLO PICASSO (1881-1973) Motifs no.7 (A.R. 459), 1963 Ed. 40/150 pcs White earthenware clay, decoration in engobes and enamel, knife engraved under glaze D. 25 cm I D. 9 7/8 in Insc...

French men's fashion design from 'La Revue de l'Homme' a Parisien fashion periodical. 370mm by 270mm (sheet)

Knox Martin Alice in Wonderland, ca. 1972 Etching with hand-coloring in watercolor on wove paper Hand signed and annotated "AP" on lower front (a unique variant) Frame included (held...

Petit masque central, Pablo Picasso, 1960's, Unique, Design, Plate, Theater Petit masque central Unique work 16.5.63 Painted and partially glazed ceramic D. 25.4 cm / 9.8 in. D. 33 ...

Picador, by Pablo Picasso, 1950's, Bowl, Sculpture, Design, Edition, Earthenware Picador Ed. 500 pcs 1955 White earthenware clay, decoration in engobes and paraffin, white enamel 12...

A silver gelatin print by Post War artist Lawrence Schiller. "End of the Day, Marilyn Monroe, "Something's Got to Give"" is a black and white...

"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Scène de tauromachie, Picasso, 1950's, edition, earthenware, terracotta, scene Scène de tauromachie Ed.274/500 pcs 1957 Red earthenware clay, eng...

French men's fashion design from 'La Revue de l'Homme' a Parisien fashion periodical. 370mm by 270mm (sheet)

A mixed media work by Mary Corse. "Untitled" is a mixed media, acrylic and diamond dust on canvas in a palette of white, black, and red by American Post-war, female artist Mary Corse...

Lithographie by Pierre Alechinsky. The piece is called "Le complexe du Sphinx" from 1950. It is hand signed in pencil and numbered 89/99. Dimensions of the paper : 45x63 cm Dimensio...

A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 168, 1967. Published by Aim...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "J...

Corrida sur fond noir, Picasso, Multiple, 1950's, Animal, Toros, Spanish, Plate Corrida sur fond noir Ed. 500 pcs 25.09.1953 White earthenware c...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Burled Maple Sculpture Nude Woman with Arms Over Head Beautiful burled walnut sculpture of a nude woman. The woman stands with her arms stretched over her head. Behind her a dark st...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Cassandra Kiss" is executed in bold strokes, splashes and drips of deep blue, red, back and white ...

An abstract acrylic on canvas painting executed in deep black, orange and yellow ochre on a white background by Post War artist Jack Roth. Signed verso, "JR-33-76." Jack Roth (192...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Accolade" is executed in bold strokes, splashes and drips of yellow, red, black and blue against a...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Inscribed, signed, and dated lower center: "Monoprint H Lee-Smith '69" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is i...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Initialed and dated verso. 48 x 36 in. 49.5 x 37.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Iannetti Lanzone Gallery, San Francisco Private Collection, San Francisco Private Collection, Alameda, CA Charles Strong...

A painting by Jae Kon Park. "Life and Roots" is an abstract painting, oil on canvas in a blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1992". Born in South Korea, Park Jae Kon...

Rabbi with Torah Abraham Straski, Polish (1903–1987) Date: 1950 Oil on Canvas on Wood, signed and dated Size: 16 x 12 in. (40.64 x 30.48 cm) Frame Size: 19.5 x 15.5 inches

Sebastià Congost (1919-2009) - Citizens - Oil on canvas Sebastià Congost i PLA, also called Sebastià Congost (September 1919 in Olot - August 7, 2009) was a Catalan painter in the ...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

PABLO PICASSO (1881-1973) Colombe de la Paix, June 7th, 1954 Unique piece Oval plate in white earthenware, painted and glazed, green and blue 18 x 22 cm Signed and dated on the front...

Alkyd-oil on board, 81cm diam., (100cm diam framed). Although most famous for his portrait of HM Queen Elizabeth in the National Portrait Gallery, London, from the late 1970s up un...

René Genis (1922-2004) was a French painter of Vietnamese descent, born in Hué, Vietnam. He moved to France at a young age, where he developed his artistic skills. Genis is associate...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

You look at the street with all the cracks in it and the curb. An image communicates the whole sense of that kind of reality. You can't but it into words. I have several books in ...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 1992"". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lowe...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, ""JE Kon Park. 1992"". Born i...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon Park, 1992". Born in So...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

George Platt Lynes Photograph #8 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #8 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...