Post-War Art

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in an orange palette by Post War artist Josef Albers. The artwork is numbered 1981.524.1.31 ...

Etching "Théogonie II" by Georges Braque from 1949. The edition comprises 90 copies. The present copy is numbered in pencil below the platemark on the left, signed on the right, ...

A color pencil and pigment work on paper by Post War artist Dennis Oppenheim. Signed lower right, "Dennis Oppenheim 1981". Provenance: General Electric Corporate Collection; Hea...

A print by Josef Albers. "Formulation: Articulation 1981.524.1.1" is a screen print, executed in shades of blue and depicting abstracted, folded ...

A monotype by Kenneth Noland. "Winds 82-23" is an abstract, painted monotype on handmade paper executed primarily in yellows and greens in a chevron pattern by Post War artist...

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in a black and white palette by Post War artist Josef Albers. The artwork is numbered 1981.5...

Charles Blondin French, 1913-1991 Marche des Fleurs Devant La Madeline Oil on canvas Signed lower right 11 by 14 in. W/frame 16 by 19 in. A "School of Paris" artist during the mid...

A photograph by Lawrence Schiller. This Untitled, Silver Gelatin print on fiber base paper photograph, is a black and white portrait of Barbra Streisand...

Mimmo Rotella, Le Luci della citta 2005 Slashed silk-screen print on canvas Edition of 60 Signed and numbered on the lower left 124 x 86 cm Mimmo Rotella is an Italian artist and poet known for his collages made from torn advertising posters, which he calls "double décollages". Born October 7, 1918 in Catanzaro, Italy, he studied at the Accademia di Belle Arti in Naples before settling in Rome in 1945 and getting closer to Lettrism. Alongside Raymond Hains...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Alberto Rizzo, Incontro 1967 Screen Print Unsigned with Certificate of Authenticity All are unsigned. Alberto Rizzo was a multi award winning Master Photographer and Artist, His ...

A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Yonder Cisco" is executed in bold strokes, splashes and drips of violet, blue, green, yellow, whit...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in cream and gold by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Ja...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

A print by Josef Albers. "Formulation: Articulation" is a Post-War abstract screen print in black and white by German-American artist Josef Albers. The artwork is unsigned and is edi...

A mixed media, clock mechanism sculpture by Post War artist Tim Hawkinson. Signed verso, "Tim Hawkinson 1996". Over the course of his nearly two-decade career, Hawkinson has garnered a reputation as one of America’s most imaginative contemporary artists. His body of work ranges from paintings and photographs to miniature sculptures made from his own fingernail clippings, but he is best known for his large-scale kinetic...

An abstract acrylic on canvas by Ed Moses. "Nambo Panel I & II" is a diptych executed in whites, creams, dark green and depicting geometric shapes with various dots, circles and corkscrews against a dark background by Post War artist Ed Moses...

A silver gelatin photograph of Barbra Streisand on the set of "On A Clear Day” in 1969 by American artist, Lawrence Schiller. This print is edition 1/35 and is signed in the lower ri...

Lawrence Weiner (1942-2021) We Are Ships at Sea Not Ducks on a Pond, 2017 Medium: Screenprint and luggage sticker on 300g paper Dimensions: 59.5 x 42 cm (23.4 x 16.5 in) Edition of 3...

Peter Klasen, WET Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obje...

A painting by Sam Francis. "Untitled (Black and White Composition)" is an abstract expressionism painting, acrylic on paper executed in black and white by American Post-War artist Sa...

An abstract acrylic on canvas by Ed Moses. "Franco-Del #1 & #3" is a triptych executed in earth tones of browns, grey, black, rust and pine green by Post War artist Ed Moses...

An abstract sculpture of 132 Jello molds on an iron plate by Post War artist Tim Hawkinson. Signed verso, "88, Tim Hawkinson." Provenance: ACE Gallery, Los Angeles; Private coll...

A painting by Jae Kon Park. ""Life and Roots"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 1992"". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism...

A painting by John Millei. This Untitled work is an abstract, oil on mylar painting by Post War artist John Millei.

A painting by Jae Kon Park. "Life and Roots" is an abstract painting, oil on canvas in a blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1992". Born in South Korea, Park Jae Kon...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

A monotype on Japanese handmade paper by Kenneth Noland. “Stripes” is an abstract, unique monotype print, in a palette of pastel colors by American abstract artist, Kenneth Noland. T...

A geometric abstract monotype on Japanese handmade paper mounted on board by Post War artist Kenneth Noland. Provenance: Experimental Workshop; Private Collection.

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Peter Klasen, NGK Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obje...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

A print by Robert Motherwell. "Frontispiece from 'A la Pintura'" is an aquatint executed in blue and brown and depicts the writing A la Pintura below a small blue rectangle by Post War artist Robert Motherwell. Signed lower right, in ink, "Robert Motherwell 1972...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Peter Klasen, SY 1 Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obj...

"Ritratto di fanciullo" in gesso di h. 44 cm, risalente al 1959. Viene riportato nell'Inventario dell'artista al n. 69 ed è accompagnato dall'autentica del professor Marco Fagioli.

Philip Byrne 20th Century Tettenhall Church Yard Ink on paper, signed and titled bottom left Image size: 11 1/2 x 8 1/4 inches (29.5 x 21 cm) Hand made frame Philip Byrne, an artist...

Philip Byrne 20th Century The Quarry Ink on paper, signed and dated bottom left Image size: 11 1/2 x 8 1/4 inches (29.5 x 21 cm) Hand made frame Philip Byr...

A R Phillips 20th Century Cathedral View Gouache on board, signed and dated 1946 bottom right Image Size: 12 1/2 x 13 inches (30 x 32.5 cm) Handmade framed This painting, originally...

Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 50 years ago, in 1972, it was q...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in a reds and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon P. 1991". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism...

A painting by Jae Kon Park. "Life and Roots" is an abstract painting, oil on canvas in a blues and yellows by Korean, Post-War artist Jae Kon Park. The artwork is unsigned. Born in S...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

The extremely rare, complete collection of 28 artists original graphics, the first signed edition before the second poster edition of 4000, with varying edition numbers including Artist’s Proofs, from the total edition of 200, each hand signed and numbered or inscribed, 1969 - 1972, printed on varying papers, published by the Organising Committee for the Games of the XXth Olympiad and F. Bruckmann, Germany, with 2 additional screenprints of the Emblem by Victor Vasarely, 1972, signed from the edition of 200, on wove paper, each sheet, various measurements. (30 works) The 1972 Olympic Committee commissioned 28 international artists to each produce an original print for the Munich Games that year. The artists were given unprecedented freedom to explore their personal perspectives of the Olympic spirit using their own unique styles and methods. Departing from the traditional subject matter and style of past Olympic prints, the artists produced works which ranged from abstraction to realism, and from collage to op-art. The Committee specifically commissioned world-renowned artists to produce this series in order to destigmatise the idea that fine art should be reserved for private enjoyment. Instead, these posters demonstrated that art can exist comfortably in the public sphere, serving both as art and advertisement and echoing the founder of the modern Olympics, Pierre de Coubertin...

This coastal scene features a woman standing on a hill looking at the ocean and a beached, broken down row boat in the grass in the foreground. Seagulls fly above the scene. By Charl...

This desert landscape features a railroad extending away from the viewer. Brown grass and shrubs cover the landscape. The mountains in the distance glow purple with the sunset. 8.5" ...

Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in

A painting by Willem de Kooning. "Woman in a Rowboat" is an abstract, oil on paper laid on masonite painting executed in a lush and swirling palette primarily of greens, whites, beiges and yellow and depicting an abstracted, nude woman in a boat by Post War artist Willem de Kooning. "Woman in a Rowboat" is a seminal work by de Kooning that has a new fluidity which relates to his next major series of Woman paintings which he began in 1964. Signed lower left, "de Kooning.” Provenance: Allan Stone Gallery, New York Private Collection, New York Private Collection, Arizona Exhibition: North Hampton, Smith College Museum of Art; Cambridge, The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Willem de Kooning: a Retrospective from Public and Private Collections, April – June 1965 (Cambridge only) New York, Allan Stone Gallery, De Kooning/Cornell, February – March 1965 Rotterdam, Museum Boijmans Van Beuningen, American Paintings, September - October 1966, cat. no. 26 Dublin, The Royal Dublin Society, Rosc'67:The Poetry of Vision, November – December 1967, p. 201, illustrated Detroit, J.L. Hudson, Willem de Kooning: Three Decades of Painting, March – April 1968, no. 31 (exhibition checklist) Easthampton, Gild Hall...