Post-War Art

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

Mimmo Rotella, Le Luci della citta 2005 Slashed silk-screen print on canvas Edition of 60 Signed and numbered on the lower left 124 x 86 cm Mimmo Rotella is an Italian artist and poet known for his collages made from torn advertising posters, which he calls "double décollages". Born October 7, 1918 in Catanzaro, Italy, he studied at the Accademia di Belle Arti in Naples before settling in Rome in 1945 and getting closer to Lettrism. Alongside Raymond Hains...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 210, 1974. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 210, 1974. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 175, 1968. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 210, 1974. Published by Aim...

Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed). Born in London to his renowned artist mother Elisabeth Frink RA and a French architect father, Michel Jammet, Ja...

David Hockney (British, b. 1937) Straw on the Left, Gold on the Right, 1969 Series: Rumpelstilzchen (Six Fairy Tales from the Brothers Grimm) Medium: Etching and aquatint on handmade...

Italian School, Untitled (Paint Tubes), Oil on Canvas, signed "Sacchetti" lower right and verso, unframed. 30" H x 40" W x 0.5" D. Provenance: From a New York City Collection.

Composition Size: 20" x 30" Framed Size: 30.5" x 40.25" Signed, bottom right. In this spirited oil on canvas painting by Charles Shaw captures the rhythmic vitality and festive grac...

By Gérard Valtier Medium: Oil on canvas Size: 21" x 25" Framed This painting by Gérard Valtier (1950), titled "Soil au Peptit," depicts an elegant outdoor gathering scene, bathed in...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Alex Katz (American, b. 1927), "Bella", Lithograph in Colors, 1972, numbered edition "194 / 200" lower right, white-washed wood frame. Image: 33.5" H x 23.5" W; frame: 38.5" H x 28....

A mixed media artwork by Jim Dine. A silverpoint and acrylic on 2 joined canvases, wood, knife, and string in artist's frame work by Post War artist Jim Dine. "Double Silver Point Robes" depicts the outline of two robes in silverpoint on a white acrylic painted ground. Jim Dine's use of his favorite bathrobe, a frequent image in his works, is a self portrait which connects an everyday object and imbues it with meaning. This Robe painting was part of the first exhibition of Robe paintings at Sidney Janis...

"Cote Basque" is an original lithograph of the Basque region of France created by Vecoux for the Societe Nationale des Chemis de fer Francais, the French N...

Robert Capa (born Endre Ernő Friedmann October 22, 1913 – May 25, 1954) was a Hungarian–American war photographer and photojournalist. He is considered by some to be the greatest com...

suite of 4 etchings, in original portfolio each print measures 22 x 15 inches Martin Mull is an actor, musician, and artist whose visual work is noted for its combination of Pop Art...

An abstract acrylic on canvas painting executed in deep black, orange and yellow ochre on a white background by Post War artist Jack Roth. Signed verso, "JR-33-76." Jack Roth (192...

Robert Philipp (American, 1895-1981), "Rochelle in Hospital", Ink on Paper, 1971, signed lower left, titled and dated lower right, giltwood frame. Image: 2.5" H x 3.5" W; frame: 9.2...

A set of 10 prints by Lawrence Schiller. “Barbra Set, Set of 10” is a set of 10 photographs, chromogenic prints in color by American artist Lawrence Schiller. The artwork is signed i...

"Fisherman" Oil Painting 12" x 16" inch by Fathi Afifi Fathy Afifi is an Egyptian Postwar & Contemporary artist who was born in 1950. He participated in local and international exh...

hand colored photograph of green apples. Still-Life. framed in wood with gold leaf corners.

Isadore (Isador) Firestone emigrated from Budapest, Hungary which was also part of Austria at one time. The artist grew up in Cleveland, OH.

A mixed media, clock mechanism sculpture by Post War artist Tim Hawkinson. Signed verso, "Tim Hawkinson 1996". Over the course of his nearly two-decade career, Hawkinson has garnered a reputation as one of America’s most imaginative contemporary artists. His body of work ranges from paintings and photographs to miniature sculptures made from his own fingernail clippings, but he is best known for his large-scale kinetic...

Shiryu Morita (1912-1998) Circular movement / free unimpeded movement 1964 Ink on paper, mounted on board 33 x 60 cm Title, signature and seal on label ...

Bert de Beul is a Belgian Postwar & Erie Postwar contemporary artist who was born in 1961. Numerous key galleries and museums such as IKOB – Museum of Contemporary Art have featured ...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

ADAM GONDEK (American b. 1979) TWO COLLAGE DRAWINGS, "Pink Ad," and "Gold Ad," 2013, each with enamel on magazine paper mounted on paper; each 18 3/4'' x 14 3/4'', framed 22 1/4'' x ...

"Village Life" Oil Painting 12" x 20" inch (1987) by Fathi Afifi Fathy Afifi is an Egyptian Postwar & Contemporary artist who was born in 1950. He participated in local and interna...

Max Papart (French, 1911-1994), "Hopi Bird No. 3", Oil on Canvas, 1977, signed lower right, signed, titled, and dated in Roman numerals verso, unframed. 25.75" H x 21.75" W x 0.75" ...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, in warm yellows and browns, with artist's studio stamp verso, apparently unsigned, unframed. 2...

A monotype by Kenneth Noland. "Winds 82-23" is an abstract, painted monotype on handmade paper executed primarily in yellows and greens in a chevron pattern by Post War artist...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed, dated, and titled verso. 46.5 x 36 in. 47.5 x 37 in. (framed) Custom framed in a maple floater. Charles Strong, who was born in Greeley, Colorado on Christmas Day in 1938, was one of the youngest artists of the San Francisco School of Abstract Expressionism. He was a colleague of vanguard artists such as Elmer Bischoff, Richard Diebenkorn, Jack Jefferson...

Paul Shimon (American, 1919-2011), "The Three Hebrew Lads Going into the Furnace", Gouache on Paper, 1948, depicting a scene from the Book of Daniel, signed and dated lower right, ti...

"Untitled (Abstract Figure Study)" is an abstract figurative Post War mixed media on paper painting by Hans Burkhardt in 1979. The artwork is 22 1/2 x 15 inches and, with the frame, ...

An abstract acrylic on canvas by Ed Moses. "Nambo Panel I & II" is a diptych executed in whites, creams, dark green and depicting geometric shapes with various dots, circles and corkscrews against a dark background by Post War artist Ed Moses...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi holding Torah Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 2 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

"Crucifix" is an abstract Post War oil over monotype painting by Hans Burkhardt in 1981. The artwork is 11 x 7 5/8 inches and, with the frame, is 14 1/4 x 10 3/8 x 3/4 inches. It is ...

David Hostetler created this form originally in ceramic in 1948. He used the mold in the 1980's to cast a bronze. It has a green marble base that measures 2"h x 5.5"w x 4"d. The sculptures David created at the beginning of his career in the late 1940's and 1950's were abstract and in stone and ceramic. He was inspired by Henry Moore, Archipenko, Modigliani and Ancient Greek statues...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Initialed and dated verso. 48 x 36 in. 49.5 x 37.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Iannetti Lanzone Gallery, San Francisco Private Collection, San Francisco Private Collection, Alameda, CA Charles Strong...

Turkish Beach Scene, 1966 - Euan Uglow (Oil on Panel) Twentieth Century Painting Euan Uglow (1932-2000) Turkish Beach Scene, 1966 Inscribed ‘Euan Uglow, Oil’ on label on reverse Oil...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Accolade" is executed in bold strokes, splashes and drips of yellow, red, black and blue against a...

A photograph by Lawrence Schiller. “Paul Newman in the motion picture "Cool Hand Luke” is a figurative, silver gelatin photograph in black and white by ...

A painting by Arne Heirsoux. "Mem Sahib" is an acrylic and paper on canvas, abstract painting by Post War artist Arne Hiersoux. "Mem Sahib" is depicted in deep reds, blues, blacks, t...

"ASARABACA" is an abstract Post-War industrial weight aluminum sculpture created by John Chamberlain in 1973. The sculpture is 20 x 23 x 22 inches and weighs less than 50 lbs. Cham...

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in an orange palette by Post War artist Josef Albers. The artwork is numbered 1981.524.1.31 ...

A print by Josef Albers. "Formulation: Articulation" is a Post-War abstract screen print in black and white by German-American artist Josef Albers. The artwork is unsigned and is edi...

An abstract acrylic on canvas painting in deep saturated colors of scarlet red, lime green, orange, yellow and midnight blue by Carl Morris. Born in Yorba Linda, Calif., in 1911, ...

A mixed media work by Mary Corse. "Untitled" is a mixed media, acrylic and diamond dust on canvas in a palette of white, black, and red by American Post-war, female artist Mary Corse...

A painting by Jae Kon Park. ""Life and Roots"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon...

JEAN DUBUFFET 1901-1985 (Philippe-Arthur) 1901 Le Havre - Paris 1985 (French) Title: Galloping Race, from: Fables Course la galope: Fables, 1976 Technique: Original Hand Signed, D...

"Untitled, portrait of artist in studio" is an abstract figurative Post War pastel on paper painting by Hans Burkhardt in 1971. The artwork is 25 x 19 1/2 inches and, with the frame,...

A silver gelatin print by Post War artist Lawrence Schiller. ""Let's Make Love", Marilyn Monroe" is a black and white photograph of Marilyn Monroe...

Peter Klasen, WET Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obje...

A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media with Collage Elements, circa 1965, apparently unsigned, wood frame. Image: 9" H x 10.5; frame: 10" H x 1...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, circa 1965, apparently unsigned, wood frame. Image: 7" H x 10.75; frame: 8.25" H x 11.75" D x ...

The themes of celebrity and scandal anchor much of Lawrence Schiller’s diverse body of work, which spans from photography and nonfiction writing to directing Emmy and Oscar-winning f...