Post-War Art

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Memphitis" is executed in bold strokes, splashes and drips of black, red, green, yellow and ochre ...

This is an original Post-war illustration drawing, hand-painted with gouache on Arches Velum paper by French artist C. Villars (France - 20th Century). With a backdrop of the world a...

A drawing by Andy Warhol. "Woman in a Pink Hat" is a figural drawing, ink and tempera on paper in a soft palette of pink and white by Post-War American artist...

Arman 2003 Sliced blow lamp and paint on canvas Unique work Signed « Arman » on the edge below Artwork accompanied by a certificate from A.R.M.A.N Fondation....

A painting by Jae Kon Park. "Life and Roots" is an abstract painting, oil on canvas in a blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1992". Born in South Korea, Park Jae Kon...

Peter Klasen, SY 1 Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obj...

Botanical Still-Life with House Plants & Red Roses Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 19...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015). His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. The artists is significant and works of this quality are in the Metropolitan Museum, auction high is $25,000. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Yonder Cisco" is executed in bold strokes, splashes and drips of violet, blue, green, yellow, whit...

Peter Klasen, WET Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obje...

A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Claudio Bravo, (Chilean 1936-2011), Torso, 1978, Screenprint on paper, signed and dated (lower right) and numbered '28/50' (lower left), 18cm x 30cm (image size), 34cm x 46cm (sheet ...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1986". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. ""Life and Roots"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

British, 1954, Manner of John Nash (1893-1977) Woodland scene with a body of water Watercolour and graphite on paper, mounted to card Signed indistinctly and dated lower left 34.1 x...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

French men's fashion design from 'La Revue de l'Homme' a Parisien fashion periodical. 370mm by 270mm (sheet)

BRUCE OF LOS ANGELES - Classic mid 1950s gelatin silver photograph of popular physique model KEN ITTNER by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Lo...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Cassandra Kiss" is executed in bold strokes, splashes and drips of deep blue, red, back and white ...

Lithographie by Pierre Alechinsky. The piece is called "Le complexe du Sphinx" from 1950. It is hand signed in pencil and numbered 89/99. Dimensions of the paper : 45x63 cm Dimensio...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

'Bandstand', set of three framed artworks, captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of da...

Vintage Abstract Expressionist Nude Figurative - Heavily Textured Oil on Canvas Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dry...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Mid-century impressionist oil on board of a cinema forecourt. The artist is unknown but the painting is signed bottom right. Quite likely an Italian artist as the oil painting was fr...

Two cheetahs, lying in tall grass, occupy the foreground of an engraving defined by clean, refined outlines. Their posture—both relaxed and tinged with alertness—reflects the inheren...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

"Pygmalion's Ladder" - Surrealist Colored Etching 9/20, 1975 In this etching, a figure in soft blue could be interpreted as the sculptor surrounded by their creations by James C. Cr...

This is a large mixed media abstract painting with stencilled letters in a sans serif typeface in blue and red. it is in the manner of James Coignard but does not appear to be signed...

Fred Herzog BC Electric/Sherwood 1962 Archival pigment print Edition: 6/20 Framed with Tru Vu AR Glass: 30 x 48 in This is the largest format the picture is available in. Fre...

A drawing by Irving Norman. "Night Life 2" is a social surrealist drawing, graphite on paper in black and white by Post-War artist Irving Norman. The...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Saturated, intimate depiction of a bedroom interior by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on a photograph, a slightly out of focus figure can be see...

Unique representative piece from the jewish school . Born painter 1936 in Paris dead in 2022 . Son of a Russian emigre of semitic and slavic culture , he bathed from his earliest c...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 253, 1982. Published by Aim...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

Minimalist Red & Black Abstract Geometric, "John Favors Red" Bold organic geometric abstract with black and light yellow form titled "John Favors Red", by Oregon artist Cassandra Linnea Auker (American, b. 1971), 2005. Interesting grainy texture varying among colors adds interest and depth. Titled and signed on verso "John Favors Red", "Auker 2005". Presented in slat frame painted to match the piece. Frame size: 24.50"H x 24.50"W. Image size: 24"H x 24"W. Cassandra Auker...

Guillaume Corneille Lithograph 40 x 50 cm Hors Commerce HC Gesigneerd Corneille was one of the founders and one of the most important representatives of the Cobra movement. He was a ...

Guillaume Corneille screen prints 3 pieces + poem of Bert Schierbeek in portfolio Corneille was one of the founders and one of the most important representatives of the Cobra movemen...

A good still life composition aims to craft a captivating story around elements. Proper placement and lighting allow the viewer to appreciate its creation. David Segel constructs his...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 175, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

"In the Fields" Pastel Painting 8" x 12" in (circa 1970) by Inji Efflatoun Stamped by artist's estate Not signed Inji Eflatoun pursued free studies in art. Since 1942, she has par...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 157, 1966. Published by Aim...

"Lac d'Annecy II" Landscape Watercolor Painting 10" x 12" inch by Inji Efflatoun Dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibition...

Original Textured Abstract Expressionist Nude - Oil on Canvas Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dry Schmidt (American...

Guillaume Corneille Lithograph 70 x 50 cm Epreuve d'artiste op 10 exemplaren EA 6/10 Corneille was one of the founders and one of the most important representatives of the Cobra move...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

The Muse - Nude Figurative Study on Paper Clean and confident sketch of nude models by an unknown San Francisco Bay Area artist (20th Century). The top three sketches show a woman p...

Original vintage poster: Urako Battlefield of Genpei - Japan. This travel poster has information about this important island where ancient battles h...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...