Post-War Art

Hidden in the Flowers - Abstract Bird in Acrylic on Threaded Paper Multicolored abstract composition by Judith W Winslow (JW) (American, 1943-2023). A bird with white feathers is pa...

"Kitty Cat" - 1979 Abstract Expressionist Lithograph on Paper Blue and purple abstract expressionist lithograph by Sidney Jonas Budnick (1921 - 1994) depicting an outline of a cat....

'Bandstand', set of three framed artworks, captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of da...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Frame size 86x114 cm. Josep Maria Mallol i Suazo (Barcelona, ​​​​1910 - Barcelona, ​​​​1986) is a well-known painter whom critics pointed out as one of the main names in non-avant-g...

Lee Teter, born in 1959, has used American historical events as common themes throughout his pieces. From American wars, to Native American struggles, Lee has used oil paints to prod...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, mounted on board, circa 1965, apparently unsigned, unframed. 8.5" H x 11" W x 0.75" D. Provena...

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Guillaume Corneille screen prints 3 pieces + poem of Bert Schierbeek in portfolio Corneille was one of the founders and one of the most important representatives of the Cobra movemen...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

"ASARABACA" is an abstract Post-War industrial weight aluminum sculpture created by John Chamberlain in 1973. The sculpture is 20 x 23 x 22 inches and weighs less than 50 lbs. Cham...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 168, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 175, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

Lee Teter, born in 1959, has used American historical events as common themes throughout his pieces. From American wars, to Native American struggles, Lee has used oil paints to prod...

White Flower Display in a Glass Vase by Henri Miloch (1898-1979) signed lower right watercolour painting on artist's paper, unframed sheet: 18 x 12 inches Charming still life pain...

Profil de Jacqueline, Pablo Picasso, Edition, 1950's, Monochrome, Design, Plat Profil de Jacqueline Ed. 100 pcs 22.01.1956 White earthenware clay D. 42 cm Stamped on the back: Empre...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

Etching by Pierre Alechinsky. The piece is called "Motus Vivendi" from 2008. It is hand signed in pencil and numbered 62/90. dimensions of the paper : 225mm x 155mm. Dimension of the...

René GROEBLI (*1927, Switzerland) 521, 1952 Vintage silver gelatin print on Baryta paper Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.) Sheet 34 x 23 cm (13 3/8 x 9 in.) Unique Framed Signed and dated on verso This photograph is part of the MoMA permanent collection. René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR. In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996. With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Red Barn Near Foothills - Landscape in Oil on Canvas A beautiful pastoral scene of a red barn near the foothills by Nellie M. Hodgson (American, 20th Century). A barn is nestled in ...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

Mid Century Santa Barbara Eucalyptus and River Landscape Wonderful mid century Santa Barbara California landscape of eucalyptus trees near river with mountains in background by Max ...

"Le Chat III" Oil Painting 14" x 20" inch (circa 1950) by Zohra Efflatoun Not signed Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from ...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015). His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. The artists is significant and works of this quality are in the Metropolitan Museum, auction high is $25,000. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

Work in the fields - Achille Beltrame italia - Mixed technique on cardboard cm. 45 x 22 . Mesaure with wooden frame are cm. 54 x 32

Lithographie by Pierre Alechinsky. The piece is called "Haut Parleur" from 1950. It is hand signed in pencil and numbered 89/99. Dimensions of the paper ...

Donald S. Vogel's work has entered the collections of the following institutions: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charle...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

Original Textured Abstract Expressionist Nude - Oil on Canvas Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dry Schmidt (American...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

"Bathing Nude III" Watercolor Painting 24" x 17" inch (1959) by Kawkab Youssef Signed and dated 1959 A short history of Kawkab Youssef El-Assal: Wit...

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

Original Post-War Oil Painting of Island in Northern Ireland by 20th Century Modern Irish Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inche...

"Robed Woman" Watercolor Painting 24" x 16" inch (1959) by Kawkab Youssef Signed and dated 1959 A short history of Kawkab Youssef El-Assal: With a s...

Joseph Beuys (German, 1921-1986) Ich ernähre mich durch Kraftvergeudung, 1978 Medium: Pencil on paper plate (found object) Dimensions: 11.5 x 17 cm Edition of 120 + 10 AP: Hand-signe...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi and Torah Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

Botanical Still-Life with House Plants & Red Roses Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 19...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Untitled - Polish Rabbi 12F Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 10.5 x 7 inches Frame Size: 20 x 15 i...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...

The Muse - Nude Figurative Study on Paper Clean and confident sketch of nude models by an unknown San Francisco Bay Area artist (20th Century). The top three sketches show a woman p...

"Aubergines I" Still Life Watercolor Painting 10" x 14" inch by Inji Efflatoun Stamped by artist's estate. Not Signed. Inji Eflatoun pursued free studies in art. Since 1942, she ha...

"Aubergines II" Still Life Watercolor Painting 10" x 14" inch by Inji Efflatoun Stamped by artist's estate. Not Signed. Inji Eflatoun pursued free studies in art. Since 1942, she h...

This lithograph is hand signed in pencil by the artist "Picasso" at the lower right margin. It is also hand numbered in pencil, from the edition of 50 at the lower left margin. It is...

Hidden by Clouds is an original framed painting by artist Rosie Phipps. Featuring her gestural and expressive use of mark making to create these beautifully intimate landscapes. Rosi...

A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...