Post-War Art

Saturated, intimate depiction of sharing a bed with a partner by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on an out of focus photograph, this piece stradd...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...

Cataract Creek, Alberta - Canadian Mountain River Valley Landscape Majestic landscape of a sweeping mountain valley vista at Cataract Creek in Alberta by Canadian artist Lloyd C. La...

"The Day After" is an abstract Post War oil on canvas painting by Michael (Corinne) West in 1963. The artwork is 85 1/4 x 50 1/8 inches and is 86 7/8 x 51 5/8 x 2 inches with the fra...

When Red Meets Yellow - Original Abstract In the Style of Diebenkorn and Rothko Substantial abstract expressionist oil painting depicting the conjoining of red and yellow by America...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Colorful abstract expressionist piece by Les (Leslie Luverne) Anderson (American, 1928-2009) that lends itself to either vertical or horizontal orientat...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi with Torah (15-F) Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

George Platt Lynes Photograph #6 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #6 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Circa 2010. Canvas size...

Petit Pont-Neuf - Pont Saint-Michel Paris Bridge at Night Original Oil on Linen Pont Saint-Michel Paris Bridge at Nigh by an unknown artist, signed illegibly and possibly H. Pierrot ...

Abstract Expressionist Composition with Stairs in Gouache and Ink on Paper Bold abstract composition by Pacific Northwest artist Karen Guzak (American, b. 1939). A large, dark blue ...

Industrial River Landscape with Factory Smoke, Spanish Post-Impressionist Oil on Panel, Framed, c.1975 Artist: Rosendo González Carbonell (1910–1984, Spanish) Title: Untitled (Indus...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Seated Nude - Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman in Blue by California artist Harald "Harry" Dry Schmidt (American, 1...

George Platt Lynes Photograph #1 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photogra...

"how far can you stretch the ego?" Collage with Social Commentary Elaborate mixed media collage by Mickey "Kano" Kane (American, 20th century). A large biomorphic form, evocative of...

Robert Rauschenberg’s Urn (Spread) (1979) belongs to the celebrated Spread series (1975–1983), widely regarded as among his strongest mature bodies of work and the natural successor ...

"Avocado Salad” is an oil on prepared canvas by American artist, Wayne Thiebaud. Thiebaud is best known for his still life paintings of everyday food items such as pies, cakes, gumba...

Work in the fields - Achille Beltrame italia - Mixed technique on cardboard cm. 45 x 22 . Mesaure with wooden frame are cm. 54 x 32

By French post-war artist James Coignard (1925-2008). The painting is framed in a modern gold frame featuring a black mat/passepartout. Dimensions without frame (and excluding pas...

Latin American School Abstract Portrait in Mixed Media on Paper II (1987) Robert Azensky Fine Art Gallery is proud to present this gorgeous ex...

Shiryu Morita (1912-1998) forget 1964 Ink on paper, mounted on board in frame 32,2 (37) x 45,5 (50) cm Title, signature and seal on label on plate (bac...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds, yellows, and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jaw Kon Park, 92"". Born in South Korea, Park Jae Kon...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 157, 1966. Published by Aim...

Color Block Geometric Abstract in Acrylic on Canvas Bright, balanced composition by an unknown artist (20th Century). This piece is minimalist in design but maximalist in color - bo...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 157, 1966. Published by Aim...

Josef Albers (German/American, 1888-1976), "The Interaction of Color Plate XXII-2", Screenprint in Colors on Paper, 1973, published Josef Keller Verlag Starnberg, black frame. Image...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Yves Klein, Dying Slave after Michelangelo IKB blue resin in plexiglas, signed Rotraut Klein Moquay and numbered 224/300 on the base on a label. 300 editions numbered from “1/300” to...

Giuseppe Migneco (Messina 1903 - Milan 1997) - The Fortune Teller. 49.5 x 39.5 cm (without frame) - 52.5 x 40.5 cm (with frame). Mixed media drawing on paper, in wooden frame. Sig...

"Kitty Cat" - 1979 Abstract Expressionist Lithograph on Paper Blue and purple abstract expressionist lithograph by Sidney Jonas Budnick (1921 - 1994) depicting an outline of a cat....

Oil on canvas Relined with new stretcher bars Overall with gold leaf frame 30 x 36 inches

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This sweet and sentimental painting by Charles Shaw depicts an idyllic scene of a mother watching her children play in a field. One of the children holds up a flower he found to his ...

Bold and expressive large scale figurative abstract painting of two people conversing in a theater, with a silhouette of a third figure in the foreground, by Jane Voitle Mellin (Amer...

Original drawing made with pencil on paper Unique piece Hand signed lower left And dated 2021

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Dynamic abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009). Oil on masonite. Titiled on verso "Their Feet are Those ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 168, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Bandstand II, captured on a visit to his grandparents in Eastbourne in 1985, this black and white photograph collection by Samuel Field is a beautiful reminder the British seaside of...

A dynamic, abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, Californ...

Striking mid century abstract expressionist painting by Leslie Luverne Anderson (American, 1928-2009). Oil on masonite painting titled "Lightnings Infinte Art of Living...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 175, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

George Platt Lynes Photograph #12 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver portrait photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #12 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

"The Zoo" is an abstract Post War oil on panel painting by Hans Hofmann in 1944. The artwork is 21 3/8 x 24 1/2 inches and, with the frame, is 22 1/4 x 25 1/2 x 2 inches. "The Zoo...

"Willow Sculpture" is an abstract Post War stainless steel sculpture by Harry Bertoia in c. 1970-79. The artwork is 61 1/2 x 39 x 39 in. Betroia's work creates a dynamic, flowing c...

Black and white chalk on paper Signed (upper right) 29cm × 24cm (45cm × 40cm framed) Cadmus was an American artist known for his satirical paintings, drawings, and prints of America...

An original hard copy of Andy Warhol's Brillo book. 11.25" h x 8.75" w. Wear consistent with age and use. Some wear at corners, as in the images. Andy Warhol, an American artist,...

George Platt Lynes Photograph #7 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #7 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

A vibrant and atmospheric watercolor on paper by Vietnamese artist Nguyen Sao (1915–2006), depicting workers engaged in rice transplanting in the flooded paddies. The artist captures...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Landscape painting with working man by renowned Danish artist Joergen Boberg (1940-2009) is 11,8in (H) x 11,8 (B) / 30cm (H) x 30cm (B). Signed 'B' and dated '57' in upper left corn...

Florida is an oil and ink mixed media artwork mounted on panel, 24 x 20 inches, signed and dated 'STEINBERG/1969' lower right. Inscribed '22 Florida' verso in pencil. Framed in a con...

Rabbi Reading by Candlelight (6-F) Abraham Straski, Polish (1903–1987) Date: 1959 Oil on Canvas, signed and dated Size: 23 x 19 in. (58.42 x 48.26 cm) Fr...

This refined early color photograph presents an intimate backstage moment between two ballerinas preparing for performance, captured with exceptional tonal control and compositional ...