Post-War Art

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

BRUCE OF L.A. - classic 1950s gelatin silver photograph of physique model SAM STALL by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Los Angeles. This is an original photograph, circa 1954, from the beefcake "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

"Ohne Titel (Merzbild Mit Schuhsohle) (Untitled (Merz Picture with Shoe Sole))" is an abstract Post War oil and relief assemblage on plywood painting made by Kurt Schwitters in 1945....

Cruchon Hibou 1955 Ed. 500 pcs White clay with blue, black and brown engobe painting, glazed with knife engraving H. 27.2 cm Inscribed and stamped underside : Edition Picasso, D'aprè...

"Rouge Mouille (A00963)" is an abstract Post War gouache and ink on paper work by Alexander Calder in 1965. The artwork is 42 1/4 x 29 5/8 inches and is 49 1/4 x 35 1/2 x 1 7/8 inche...

Colorful abstract expressionist piece by Les (Leslie Luverne) Anderson (American, 1928-2009) that lends itself to either vertical or horizontal orientat...

George Platt Lynes Photograph #8 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #8 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

ARTIST: Unknown (mid 20th Century) Enlgish School TITLE: " Full Length Portrait Of An Austere Lady" (1974) SIGNED: monogrammed upper right MEDIUM: oil on canvas SIZE: 103cm x 61cm ...

Picador, Pablo Picasso, Ashtray, Design, Sculpture, Ceramic, White, Edition Picador Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel D. 15.2 cm St...

Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware Ed. 500 pcs White earthenware clay, decoration in engobes under glaze Inscribed on the reverse: Edition...

"Porcelain Nightmares" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate de...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Chope Visage, Picasso, Pitcher, Edition, 1950's, Design, earthenware, Figurative Chope Visage Ed. 300 pcs 1959 Earthenware clay, decoration in engobes, g...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Faune aux marottes, Picasso, 1950's, Earthenware, Unique work, 1950's, Design Faune aux marottes Unique work 1.12.1956 Earthenware, decoration with engobes and metallic oxides 15.1 ...

"Untitled (Sounding Sculpture)" is a Post-War abstract metal sculpture created by Harry Bertoia in circa 1970. This artwork is 103 x 16 x 16 inches and weighs less than 50 lbs. Ber...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

French skiing fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several series of designs, probab...

BRUCE OF LOS ANGELES - classic mid 1950s gelatin silver photograph of popular physique model ROBERT KENDALL by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Los Angeles. This is an original photograph from the beefcake "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Frame size 86x114 cm. Signed lower left Mallol Suazo Josep Maria Mallol i Suazo (Barcelona, ​​​​1910 - Barcelona, ​​​​1986) is a well-known painter whom critics pointed out as one o...

A painting by Alexander Calder. "The Oval Spiral" is a Post-War, geometric abstract painting, gouache and ink on paper in bold colors of reds and blacks by artist Alexander Calder. T...

An artwork by Alexander Calder. "Cercles" is an abstract painting, gouache and ink on paper in bold colors of reds, blues, and blacks by Post-War, American artist Alexander Calder. T...

Alex Tschernjawski Electro Car Go (American Post-War, Impressionist, Boston, Streetcar, Tram, Cityscape, Blue Hill, Dorchester, Mattapan Square, Fra...

Pichet Gothique aux feuilles, Picasso, Pitcher, Ceramic, Design, Deco, Leaves Pichet Gothique aux feuilles Ed. 76/100 pcs 1952 White earthenware with cut engobed decoration in blue,...

Il Trovatore, Chirico, Multiples, 1970's, Bronze, Sculpture, Surrealiste Il trovatore Ed. 250 pcs 1971 Bronze with silver patina H. 31 cm Signed and date...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015). His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. The artists is significant and works of this quality are in the Metropolitan Museum, auction high is $25,000. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...

Original vintage 1948 photograph by DON WHITMAN - Western Photography Guild - of popular Physique Model PAT BURNHAM. This is an early original gelatin silv...

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...

Taureau gravé, Pablo Picasso, 1940's, plate, Sculpture, Design, Bull Taureau gravé Ed. 84/200 pcs 1947 White earthenware clay, engobe decoration, engrav...

Unique large scale mixed media assemblage featuring a three dimensional, textured handmade paper scroll unfurling to reveal an abstract expressionist watercolor painting with gold ac...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Sebastià Congost (1919-2009) - Citizens - Oil on canvas Sebastià Congost i PLA, also called Sebastià Congost (September 1919 in Olot - August 7, 2009) was a Catalan painter in the ...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi with Torah (15-F) Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

CLAUDE LALANNE "Gui" Mirror, circa 1980-1985 Edition Artcurial I Ed. 58/450 pcs Gilt bronze, bevelled glass 22 x 17 cm I 8 5/8 x 6 3/4 in Signed, stamped and numbered on the back : c...

Brockenhurst Gardens Ernest Arthur Rowe Watercolour, signed lower left and dated 1900 bottom left Image Size: 12 x 18 3/4 inches (46 x 30.5 cm) Original Victorian frame Provenance Dowdeswell and Dowdeswell The collection of C. Buttersworth Sale, Bonhams, London, 10th June 1998, lot 63 Exhibited Royal Institute of Painters in Watercolour, as 'Relics of the Civil Wars, Compton Wynyates', no.1 This watercolour is one of Rowe's few pictures of Brockenhurst park garden in the New Forest, Hampshire. Here Rowe exemplifies the garden's splendour through his deliberate low positioning within the composition. As well as the scenes mirrored...

Yan visage 1963 Ed. 139/300 pcs Red earthenware clay, engobe decoration, black H. 27 cm Numbered, engraved and stamped underside : Edition Picasso, 139/300,...

Love in the Spring at Big Sur California original Acrylic on Canvas Blossoms and flowers with Love (written on painting) and a spring mélange is a creation by Judith W Winslow (Amer...

Bold abstract painting with pink, yellow, black, brown and white forms by Les (Leslie Luverne) Anderson (American, 1928-2009). From the es...

Alkyd-oil on board, 81cm diam., (100cm diam framed). Although most famous for his portrait of HM Queen Elizabeth in the National Portrait Gallery, London, from the late 1970s up un...

Color Block Geometric Abstract in Acrylic on Canvas Bright, balanced composition by an unknown artist (20th Century). This piece is minimalist in design but maximalist in color - bo...

This lithograph is part of my private collection. The artist name could not be translated, so artist is unknown. It has beautiful fall colors, with a boy of water in the background. ...

Rabbi Reading by Candlelight (6-F) Abraham Straski, Polish (1903–1987) Date: 1959 Oil on Canvas, signed and dated Size: 23 x 19 in. (58.42 x 48.26 cm) Fr...

Seated Nude - Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman in Blue by California artist Harald "Harry" Dry Schmidt (American, 1...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 207, 1974. Published by Aim...

"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...

Cataract Creek, Alberta - Canadian Mountain River Valley Landscape Majestic landscape of a sweeping mountain valley vista at Cataract Creek in Alberta by Canadian artist Lloyd C. La...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

Oil Painting of Tree Lined River in a Forest in Ireland by Irish Artist, Denis Thornton (1937-1999) Art measures 14 x 10 inches Frame measures 18 x 13 inches This stunning origina...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design Pichet Têtes Ed. 500 pcs 1956 White earthenware, decoration with oxidized par...

"Astral Image No. 1 (M-1133)" is an abstract Post War oil on canvas painting by Hans Hofmann in 1947. The artwork is 48 x 60 inches and with the frame is 50 x 62 x 1 3/4 inches, weig...

Yves Klein, Dying Slave after Michelangelo IKB blue resin in plexiglas, signed Rotraut Klein Moquay and numbered 224/300 on the base on a label. 300 editions numbered from “1/300” to...

DIEGO GIACOMETTI La Promenade des Amis, 1984 Ed. EA XXV Woven on loom, point and needle, by hand, all wool, cotton weft, for wall and floor use 235 x 175 x 3 cm I 92 1/2 x 68 7/8 x ...