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Style: Post-War
A Unique Abstract Surrealist Wall Assemblage, Chicago Imagist Tradition
A Unique Abstract Surrealist Wall Assemblage, Chicago Imagist Tradition

A Unique Abstract Surrealist Wall Assemblage, Chicago Imagist Tradition

Located in Chicago, IL

A Unique, Unusual and Striking 1996 Abstract Surrealist Wall Assemblage Painting in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "Post Modern Blues for Patricia Barber" in reference to the famed, Blue Note label Chicago Jazz musician. A diminutive mixed media collage composition of found objects and acrylic on canvas, accompanied with the artist's original frame. Shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the Chicago Imagist school, including H.C. Westermann and others experimenting with assemblage and the integration of inanimate objects. Artwork size: 14 x 11 inches; Framed size: 15 x 12 inches. Signed and dated "Edwards 1996" on the reverse and titled "Post Modern Blues for Patricia Barber" (an original artist card with the title and media of the artwork is affixed to the reverse). Provenance: The Artist; Private Collection, Chicago, IL (circa 2010) Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Category

1990s Post-War Art

Materials

Mixed Media, Acrylic, Canvas

Urako Battlefield of Genpei - Japan original vintage poster
Urako Battlefield of Genpei - Japan original vintage poster

Urako Battlefield of Genpei - Japan original vintage poster

Located in Spokane, WA

Original vintage poster: Urako Battlefield of Genpei - Japan. This travel poster has information about this important island where ancient battles h...

Category

Mid-20th Century Post-War Art

Materials

Lithograph

The Artists Country Home Rodgau Germany Original Oil on Linen 1944
The Artists Country Home Rodgau Germany Original Oil on Linen 1944

The Artists Country Home Rodgau Germany Original Oil on Linen 1944

Located in Soquel, CA

The Artists Country Home Rodgau Germany Original Oil on Linen 1944 Oil painting of the German Countryside circa 1944 by an anonymous artist. (German, 19th-20th C). Well painted of a...

Category

1940s Post-War Art

Materials

Linen, Oil, Stretcher Bars

Gouache Drawing Aviation Airline Study by C. Villars
Gouache Drawing Aviation Airline Study by C. Villars

Gouache Drawing Aviation Airline Study by C. Villars

Located in Atlanta, GA

Post-War Airline Illustration by C. Villars (France, 20th Century) — Gouache on Arches Velin Paper. This rare, original post-war gouache illustration was hand-painted by French artis...

Category

1940s Post-War Art

Materials

Paper

George Platt Lynes Vintage 1949 Photograph #8 of dancer Francisco Moncion
George Platt Lynes Vintage 1949 Photograph #8 of dancer Francisco Moncion

George Platt Lynes Vintage 1949 Photograph #8 of dancer Francisco Moncion

By George Platt Lynes

Located in Glenford, NY

George Platt Lynes Photograph #8 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #8 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Category

1940s Post-War Art

Materials

Silver Gelatin

Bandstand I, Eastbourne, UK - Black and White Vintage Photography
Bandstand I, Eastbourne, UK - Black and White Vintage Photography

Bandstand I, Eastbourne, UK - Black and White Vintage Photography

By Samuel Field

Located in Cambridge, GB

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Category

1980s Post-War Art

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Signed Agudelo, Abstract Composition, Assemblage, 1966
Signed Agudelo, Abstract Composition, Assemblage, 1966

Signed Agudelo, Abstract Composition, Assemblage, 1966

Located in Astoria, NY

Agudelo (XX), Abstract Composition Assemblage, Oil on Board with Collage Elements, 1966, strings mounted to left side and abstract painted canvas mounted to lower half of board, 1966...

Category

20th Century Post-War Art

Materials

Found Objects, Oil, Board, Canvas

Bandstand III, Eastbourne, UK - Black and White Vintage Photography
Bandstand III, Eastbourne, UK - Black and White Vintage Photography

Bandstand III, Eastbourne, UK - Black and White Vintage Photography

By Samuel Field

Located in Cambridge, GB

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Category

1980s Post-War Art

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Vrouw met duif - Cobra, 20th century, Lithograph, Figurative Print, EA
Vrouw met duif - Cobra, 20th century, Lithograph, Figurative Print, EA

Vrouw met duif - Cobra, 20th century, Lithograph, Figurative Print, EA

By Guillaume Cornelis van Beverloo (Corneille)

Located in Sint-Truiden, BE

Guillaume Corneille Lithograph 70 x 50 cm Epreuve d'artiste op 10 exemplaren EA 6/10 Corneille was one of the founders and one of the most important representatives of the Cobra move...

Category

Late 20th Century Post-War Art

Materials

Lithograph

Bandstand III, Eastbourne - Black and White Vintage Portrait Photography
Bandstand III, Eastbourne - Black and White Vintage Portrait Photography

Bandstand III, Eastbourne - Black and White Vintage Portrait Photography

By Samuel Field

Located in Cambridge, GB

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Category

1980s Post-War Art

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Love in Spring at Big Sur California original Acrylic on Canvas
Love in Spring at Big Sur California original Acrylic on Canvas

Love in Spring at Big Sur California original Acrylic on Canvas

Located in Soquel, CA

Love in the Spring at Big Sur California original Acrylic on Canvas Blossoms and flowers with Love (written on painting) and a spring mélange is a creation by Judith W Winslow (Amer...

Category

Early 2000s Post-War Art

Materials

Canvas, Acrylic, Stretcher Bars

"Lithograph VI", Abstract Lithograph in Colors, Signed, 1975
"Lithograph VI", Abstract Lithograph in Colors, Signed, 1975

"Lithograph VI", Abstract Lithograph in Colors, Signed, 1975

By Joan Miró

Located in Astoria, NY

Joan Miro (Spanish, Spanish, 1893-1983), "Lithograph VI", Lithograph in Colors, 1975, from the "Lithograph II" series, published Maeght Editeur, signed in pencil lower right, numbere...

Category

1970s Post-War Art

Materials

Paper, Lithograph

Country Landscape Lithograph, Post-War Style, Mid-20th Century
Country Landscape Lithograph, Post-War Style, Mid-20th Century

Country Landscape Lithograph, Post-War Style, Mid-20th Century

Located in Belgrade, MT

This lithograph is part of my private collection. The artist name could not be translated, so artist is unknown. It has beautiful fall colors, with a boy of water in the background. ...

Category

Mid-20th Century Post-War Art

Materials

Lithograph

"I've Already Left Home" Satirical Bond Paperwork Collage
"I've Already Left Home" Satirical Bond Paperwork Collage

"I've Already Left Home" Satirical Bond Paperwork Collage

Located in Soquel, CA

"I've Already Left Home" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate ...

Category

1980s Post-War Art

Materials

Glue, Mixed Media, Archival Paper, Magazine Paper, Watercolor

Abstract Expressionist Original Watercolor on Paper style of de Kooning
Abstract Expressionist Original Watercolor on Paper style of de Kooning

Abstract Expressionist Original Watercolor on Paper style of de Kooning

Located in Soquel, CA

Abstract Expressionist Original Watercolor on Paper style of de Kooning Abstract Watercolor titled "Lands End" by Harold Winer (American, 1913-2006). Bright and bold colors of a Fl...

Category

1970s Post-War Art

Materials

Illustration Board, Laid Paper, Watercolor

Fruit and Glass Still Life

Fruit and Glass Still Life

By Donald S. Vogel

Located in Dallas, TX

Donald S. Vogel's work has entered the collections of the following institutions: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charle...

Category

1950s Post-War Art

Materials

Oil, Panel

"The Baron Waits" Satirical Bond Paperwork Collage
"The Baron Waits" Satirical Bond Paperwork Collage

"The Baron Waits" Satirical Bond Paperwork Collage

Located in Soquel, CA

"The Baron Waits" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate design ...

Category

1990s Post-War Art

Materials

Glue, Mixed Media, Archival Paper, Magazine Paper

Rabbi Reading, Oil Painting by Abraham Straski
Rabbi Reading, Oil Painting by Abraham Straski

Rabbi Reading, Oil Painting by Abraham Straski

By Abraham Straski

Located in Long Island City, NY

Artist: Abraham Straski, Polish (1903 - 1987) Title: Untitled - Polish Rabbi F Year: 1952 Medium: Oil on Canvas, signed l.r. Image Size: 10 x 7.5 inches Frame Size: 17.5 x 15 inches

Category

1950s Post-War Art

Materials

Canvas, Oil

Vanitas (unfinished)
Vanitas (unfinished)

Vanitas (unfinished)

By Michael Leonard

Located in London, GB

Alkyd-oil on board, 81cm diam., (100cm diam framed). Although most famous for his portrait of HM Queen Elizabeth in the National Portrait Gallery, London, from the late 1970s up un...

Category

Early 2000s Post-War Art

Materials

Board, Oil

Warrior on Horse
Warrior on Horse

Warrior on Horse

By Harold Town

Located in Toronto, Ontario

Harold Town (1924-1990) was an exceptional and dynamic figure in the Canadian art canon, who created a wide range of brilliant artworks beginning in the 1950s and well into the 1980s...

Category

1950s Post-War Art

Materials

Etching

Portrait of a Young Man dressed as a Sailor
Portrait of a Young Man dressed as a Sailor

Portrait of a Young Man dressed as a Sailor

Located in London, GB

Charcoal and watercolour on paper 64cm × 47cm (70cm × 53cm framed) An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited ...

Category

1950s Post-War Art

Materials

Paper, Charcoal, Watercolor

Red Barn Near Foothills - Landscape in Oil on Canvas
Red Barn Near Foothills - Landscape in Oil on Canvas

Red Barn Near Foothills - Landscape in Oil on Canvas

By Nellie M. Hodgson

Located in Soquel, CA

Red Barn Near Foothills - Landscape in Oil on Canvas A beautiful pastoral scene of a red barn near the foothills by Nellie M. Hodgson (American, 20th Century). A barn is nestled in ...

Category

1930s Post-War Art

Materials

Canvas, Oil

Untitled
Untitled

Untitled

Located in Palm Desert, CA

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in grays and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ...

Category

Late 20th Century Post-War Art

Materials

Oil

Untitled
Untitled

Untitled

Located in Palm Desert, CA

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in a colorful palette of blues, oranges, yellows, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 92". Born in South Korea, Park Jae Kon...

Category

Late 20th Century Post-War Art

Materials

Oil

"Twilight Colored Pencil" - Original Pastel and Charcoal on Paper
"Twilight Colored Pencil" - Original Pastel and Charcoal on Paper

"Twilight Colored Pencil" - Original Pastel and Charcoal on Paper

Located in Soquel, CA

"Twilight Colored Pencil" - Original Pastel and Charcoal on Paper Original charcoal and pastel drawing of a man and woman looking off into the distance. Their backs are to the viewe...

Category

1950s Post-War Art

Materials

Paper, Charcoal, Oil Pastel

Post-war art for sale on 1stDibs.

Find a wide variety of authentic Post-War art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. Frequently made by artists working with Paint, and Acrylic Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-War art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $70 and tops out at $325,000, while the average work sells for $9,986.