Romantic Art

Sunset at Kullen near Mölle in the very south of Sweden. Between two steep cliffs, a narrow stony beach unfolds, offering a tranquil vantage point over a still sea toward Denmark. T...

Portrait of a Young Woman with Black Ribbon Signed Léopold Leprince in red at the right Robert-Léopold Leprince (Paris, 1800 - Chartres, 1847) France, c. 1825-1830 Oil on canvas, 16...

Franz Xaver von Pausinger, A Deer Family in Forest Clearing, 1876 which once hung in Häringe Castle This luminous oil painting by Austrian master Franz von Pausinger captures the se...

In this poetic lakeside scene, Hilding Werner transports the viewer to a tranquil Scandinavian summer night at the turn of the century. Four couples dance gaily upon a wooden raft or...

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

Jan KOBELL the elder Delfshaven (Rotterdam), 1756 – 1833 Landscape with ruins, bridge and river Oil on cardboard 35 x 44 cm (49.5 x 60.5 cm with frame) Signed lower left “JK f.” Very...

Antique portrait painting of a woman by French artist, Adolpe Millot (1857-1921) in a very attractive gold frame. A beautiful woman looks out at the viewer, her head covered by a lar...

Carl Flodman (1863-1888) Swede A Harbor Scene from 1884 oil on wood panel signed and dated C.Flodman 84 unframed: 13 x 21 cm (5 1/8 x 8 1/4 in) framed: 29 x 37.5 cm (11 3/8 x 14 3/...

"Still Life and Hunting Dogs, 1851" P. M. Guillemin (French, 1800-1874) Monogrammed "EG" on right side. Oil on cradle board 26 x 21 (36 x 31 frame) inches Stunning example and un...

Albert BREDOW Garnsee, 1827 – Charlottenburg, 1899 Landscape with a young girl crossing a river near a cottage Oil on canvas Signed lower left "ABredow" 35 cm x 45 cm (48 x 60 cm wit...

In this luminous landscape study, Carl Oscar Borg captures the serene beauty of the New Mexican high desert, likely looking toward Mount Taylor, a sacred peak that rises above the su...

The depiction of a young white cow on a black background using oil paints creates a unique and captivating painting. Its endlessly playful expression gives the artwork a special char...

Charles Van Den Eycken 1859 – Brussels – 1923 Belgian Painter 'The Little Writer – L’écrivain' 1913 Signature: signed lower left and dated 'Ch. Van den Eycken 1913.' Medium: oil on...

We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the...

Artist: After Guillaume Coustou, French (1677-1746) Title: Cheval de Marly Medium: Bronze Sculpture, signature inscribed Size: 22 x 19 x 9 in. (55.88 x 48.26 x 22.86 cm) This be...

Jean-Baptiste COENE Vilvoorde, 1805 - Brussels, circa 1880 Lively landscape by a mountain lake Oil on canvas 38 x 55 cm (53 x 70 cm with frame) Signed and dated lower left "J. Coene ...

Josep María Draper was born in 1931 and received a great creative influence from the 1950s. Abstract Expressionism, a form of painting tha...

Albert BREDOW Germany, 1828 – Moscow, 1899 Oil on canvas Signed lower right "ABredow" 43 cm x 62 cm (67 x 85 cm with frame) Albert Bredow is a German-Russian landscape painter, lit...

Romantic 19th century painting of a shepherd with his flock attributed to Hippolyte Paul Vayson Hippolyte Paul Vayson is a French painter and engraver born on December 4, 1841 in Go...

Hilding Werner (1880–1944) Sweden Solnedgång (Sunset), 1897 watercolour on paper signed and dated lower left H. Werner 1897 Inscribed Solnedgång (“Sunset”) on the reverse. the shee...

Artist: Sunol Alvar Title: Women with dove and Flowers Year: c.1980 Medium: Colors lithograph with embossing Edition: Numbered 28/195 in pencil Paper: Arches Image size: 16.75 x 21...

You will find this young man good company! It is a pleasure to study his thoughtful, sensitive face. He has a benevolent and real presence. To my mind, he certainly has an artistic nature - he looks like a thinker, poet and/or musician. Dating from what the French call the Romantic Period, the early 1800s, our painting is monogrammed AG and may be attributed to Auguste Glaize. Born in Montpellier, Auguste Glaize studied under the painters Achille Devéria and Eugène Devéria. He came to be one of the great French Romantic painters of the early 19th century, marking his career with important history paintings and cycles of monumental religious...

Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W. Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...

Color offset lithograph Made for an exhibition at the Galerie Maeght Paris, 12 April - 20 May 1983. Image in great condition, marginal defects

Firmado en la parte inferior, dedicado y fechado del año 1940 Se presenta enmarcada la pintura (el marco presenta algunas faltas) El estado de la pintura es aceptable Medidas obra...

Atmospheric and dramatic seascape painted by two sisters from the famed Nasmyth family of 18th/19th century Scottish artists. The names of A G Nasmyth (Anne Gibson) and Jane Nasmyth ...

The Crucifixion French School, circa 1830's circle of Eugene Delacroix (1798-1863) oil on canvas, unframed canvas: 37.5 x 22.5 inches provenance: private collection, northern France ...

Signed lower left, 'P. Lagiere' (French, 19th century) and dated, '1868'. After 'La Jeune Courtisane', 1821, by Xavier Sigalon (French, 1787–1837), held in the permanent collection o...

French oil on wood panel view of a sunny farmyard with chickens and ducks by H Tikat. The painting is signed bottom right. A very charming rural view of a hen house in a farmyard wi...

Stilla sommarkväll (1851) by Adolf Julius Berg captures a tranquil summer evening by the water, suffused with the golden glow of sunset. In the foreground, two small boats drift on glassy, reflective waters – in one, a man stands with a fishing rod in hand, patiently angling as the day fades. A gentle breeze appears to carry a few diminutive sailboats across the distant bay, their sails illuminated by the last warm light. On the shoreline stands an old windmill, its silhouette etched against the radiant twilight sky. The overall composition exudes calm and harmony, evoking the profound stillness of a Nordic summer nightfall. The alla prima handling of light and color – from the lambent rose-tinted clouds to the lustrous reflections in the water – showcases Berg’s skill in rendering atmosphere and nuanced illumination. In its poetic serenity, Still Summer Evening stands as a superb example of Berg’s romantic landscape artistry, inviting the viewer into a moment of idyllic peace. In both subject and style, this painting is emblematic of Adolf J. Berg’s oeuvre. The coastal setting with a windmill and tranquil waters suggests a locale in southern Sweden – likely inspired by the archipelagic shores of Berg’s native Blekinge or a similar Swedish seaside landscape. Berg often painted scenes from Blekinge and other picturesque Swedish locales, and he favored twilight or moonlit atmospheres that imbue the scenery with a mellow, contemplative light. The warm, low-angled sunlight in Stilla sommarkväll, reflecting off calm water and silhouetting rustic structures, is typical of his fascination with dawn and dusk effects. In the harmonious balance of land, water, and sky, one can sense the influence of Berg’s early mentor, the venerable Romantic landscapist Carl Johan Fahlcrantz, whose tradition of lyrical, sunset-lit vistas is carried on here. Every element – from the fishermen quietly tending their evening catch to the distant sails gliding home – contributes to the painting’s atmosphere of gentle reverie, evoking the timeless charm of a Swedish summer night. Adolf Julius Berg (1820–1876) was a Swedish landscape painter celebrated for his atmospheric portrayals of the Nordic countryside. Born in the coastal city of Karlskrona, Berg developed an early affinity for marine and riverside scenes. His artistic approach was shaped initially by the poetic realism of Carl Johan Fahlcrantz, and later by the dramatic naturalism of Marcus Larson...

Léonie POISSON (XIX) Black chalk and white chalk 56 x 45 cm (66 x 55 cm with frame) Signed and dated lower right "Léonie Poisson / Août 1845"

French School of the 19th Century A Man bust-length Oil on wood panel 31,5 x 22 cm Framed 47,8 x 37,5 cm In good condition. The painter chose to deal with the roughness of his suppo...

'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...

This captivating early 19th century antique oil painting presents a beautifully executed pastoral scene by an unknown but undoubtedly professional English master - signed lower left ...

This bronze sculpture by Mario Joseph Korbel is a stunning portrayal of a woman in the Romanticist style. Korbel began studying sculpture in his homeland of Czech Republic, and cont...

Painting of Lake & Mountains in England by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Antique Horse Bronze Exceptional Bronze of a Draft Horse Pierre Jules Mêne (French, 1810-1879) Circa 1860s 4 3/4 (W) x 3.25 (H) As Mêne personally ov...

This is an exclusive handprinted limited edition cyanotype. Lovely scene of a hidden pond in a Scandinavian forest. Details: + Title: Scandinavian Enchanted Forest + Year: 2024 + ...

Franz Bergmann, Austrian (1861 -1936) - Man on Persian Rug, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamp signed on bottom, Size: 4.5 x 10 x 7 in. (11.43 x 25.4 x...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

Louis-Alphonse DAVID (1798-1849) Le Moulin de la Butte aux Cailles, Paris, (The Mill at la Butte aux Cailles) signed lower left Pencil and white chalk on paper 22,5 x 36 cm Framed : 40,5 x 55 cm Louis-Alphonse David is known for a relatively small body of work, including portraits and large compositions. In any case, in this work he shows a remarkable mastery of drawing, with particularly suggestive and subtle plays of light and shadow. The Butte aux Cailles, now part of the 13th arrondissement of Paris, was a hill covered in meadows, vineyards and woods, built with several windmills and overlooking the river Bièvre. It was named after Pierre Caille...

View of the Bergsee is an original modern artwork realized by the Austrian artist and painter Josef Brunner in the middle of the XIX Century. Original Oil painting on Canvas cm. 72 x 3 x 102 (canvas). A beautiful original XIX Century decorated frame is included (total dimensions: 100 x 5 x 130). Both the work and the canvas are in very good conditions. Beautiful and intense oil painting depicting the Austrian mountain lake Bergsee. The painting is characterized by a particular play between lights and shadows: the light indeed is distributed in an extremely suffused but homogeneous way on the view but it is also able to create that sense of magic that characterized the whole landscape. The color of the lake therefore assumes a transparency and an iridescent blue that tends to the green and reflects the color of the surrounding mountains. The sky appears full of rainy clouds but they still allow the rays of the last sun to shine on. The general vision conveys calm and tranquility thanks also to the refined use of color and the play of lights and shadows, the turquoise and the pale opaque blue of the lake is perfectly emphasized by the various green tones of the trees. The white, gray and light brown rocky mountains embrace the lake and the cloudy sky in shades of blue increases the feeling of tranquility. The landscape is desolate; the only signs of life are the three fishermen on the shore: they are three small figures painted in different poses and illuminated by the light too. The surface of the water reflects in a spectacular way the surrounding landscape, it is similar to the surface of a mirror. The style, fantastic and almost dreamy, is into the full Germanic Romanticism. Mindful of Caspar David Friedrich's memoirs (Greifswald, 1774 - Dresda, 1840), the author certainly took his cue from the style of the German and the Austrian Romanticism; tangible signs of Romantic painting are the choice of the subject, an uncontaminated Nordic landscape, and the almost fairytale atmosphere that we find in the composition. This wonderful Romantic painting was created by the Austrian artist Josef Brunner (Wien, 1826 - Wien, 1893). Joseph Brunner was the son of Joseph...

Albert Roosenboom was a Belgian genre painter celebrated for his elegant depictions of everyday life in the mid to late 19th century. A pupil of the renowned Constantin Meunier, Roos...

A Seated Bulldog Wouterus Verschuur (Dutch, 1812-1874) Circa 1855 Oil on wood panel. Signed on the back 9 3/8 x 7 3/8 (15 1/2 x 13 1/2 frame) inches. The artist shows his complete g...

Early 19th century English school Oil on canvas 35x55cm (50x75cm with frame) This view of the Thames from Richemond Hill is a famous site that was...

Signature bottom right Frederick Arthur Bridgman was born in Tuskegee, Alabama, then later moved to Boston and New York. Before long, he had enlisted a group of Brooklyn businessme...

➡️Winter scene⬅️ Watercolor from Johannes Franciscus HOPPENBROUWERS (1819-1866) (see wikipedia) ⭐Structural Analysis⭐ This painting depicts a winter scene in a rural village, possibly in the Netherlands or a similar European setting. The composition is well-balanced, featuring: A central building with a distinctive thatched roof covered in snow, creating a focal point. A frozen river or canal, with a person ice skating in the middle ground, adding movement and human presence. A windmill and houses in the background, reinforcing a Dutch setting. Figures engaged in daily life, such as the man near the building carrying a walking stick and a bag, adding a narrative element. The overall scene is tranquil yet lively, capturing a nostalgic winter atmosphere. ⭐Color and Light⭐ The palette consists of muted earth tones, including warm browns, ochres, and soft grays, giving a rustic and aged appearance. The sky has an orange-yellow hue, possibly representing a sunrise or sunset, casting a gentle glow over the cold landscape...

Auguste Legras (1817-1887) Portrait of a young man in profile, signed lower right Charcoal, red and white chalks on paper 45 x 31.5 cm Framed : 52 x 39 cm This particularly evocati...

Many of you clicking on this are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

French School 19 th Century Portrait of a young man Signed (signature not deciphered) on the lower right Pencil, black chalk and heightenings of white and red chalks on paper Oval vi...

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

Rural Winter Landscape Scene with Snow & Winter Trees in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Alfred Schönian (1856-1936) Germany Rooster With Hens and Ducks by a Pond oil on panel signed A.Schönian München panel dimensions 6.29 x 9.44 inc...

This high-quality reproduction of "The Seduction of Psyche" by William-Adolphe Bouguereau, published in 1999 by the Montreal Museum of Fine Arts, captures the delicate beauty and ref...

European Symbolist Painter (early 20th century) - Cleopatra. 80 x 60 cm unframed, 109 x 90 cm with frame. Old oil painting on canvas, in its original early 20th-century frame (not ...

Painting of Lake & Trees with Birds in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a ...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait Of Charlotte Shore, Daughter Of The Governor General Of India, The 1st Lord Teignmouth. Oil On Canvas. Oval Image size 26.2 inches x 20.5 inches ( 66.5cm x 62cm ). Frame size 34.6 inches x 28.7 inches ( 88cm x 73cm ). Available for sale; this original oil painting is by Arthur William Devis and dates from around 1792 to 1795. This painting was created when the sitter and the artist were both in India, the sitter's father being the Governor General of India from 1793 to 1798. The painting is presented and supplied in a 19th century decorative frame. The painted surfaces and the frame have benefitted from some restoration, cleaning and conservation, which was performed on our instruction, supervision and approval. The canvas is lined. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52. Charlotte was the eldest child of the first Baron Teignmouth, a title that was created in 1798 for Sir John Shore. The title became extinct in 1981 on the death of the seventh Baron. This portrait was almost certainly painted by Devis in India at a time when the sitter’s father was Governor General. As such, this is a historically significant piece. John Shore was an anti-slavery campaigner, born in London but brought up in Romford. In 1769 he went to work in Bengal where he was one of the first to learn a number of local languages. In 1785 he returned to England and on 14 February 1786 he married Charlotte, the only daughter of James Cornish, a medical practitioner at Teignmouth. The couple’s first child, Charlotte, the subject of this painting, was born the following year, on January 26, 1787. The family quickly returned to India, where John Shore served as Governor from 1793 to 1798. John and his wife had three sons and six daughters over the following fifteen years. Sir John Shore left Calcutta for the final time in March 1798, sailing back to England with his wife and young family. The family settled in Clapham and Sir John became the first president of the British and Foreign Bible Society. He was involved with the Clapham Sect and their anti-slavery campaign. This adorable original oil on canvas depicts Charlotte, the eldest child and first daughter of the first Lord Teignmouth, aged around five to seven years old. (On the basis that the family returned to England in 1798 when Charlotte would have been 11 years old, this painting was almost certainly created in India, during the time when her father was the Governor General of India. We also know that the artist was painting portraits in India the decade up to 1795, when he returned to England.) Charlotte is an attractive child, with thick dark brown curly hair framing her beautiful angelic features. She has fair skin, rosy cheeks and rosebud lips. Her dark eyes are wide and engaging. She has the sweetest expression on her face and we feel that she is kind and good natured. She is wearing a simple white gown, typical of the day, with a low neckline and three- quarter length sleeves and a pale blue sash around her waist. Arthur William Devis was one of the major English artists of the early nineteenth century, noted particularly for his portraits. His life was dynamic and engaging and he produced some of the definitive images of his generation. Devis was born in London on 10 August 1763, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. There were several artists in the family and Devis showed an early genius for art. He received some artistic training from his father and then studied at the Royal Academy Schools where he received a Silver Medal, and the good opinion of Sir Joshua Reynolds. Devis became extremely well-travelled, and even circumnavigated the world; when he was about twenty, he was appointed draughtsman on the British East India Company's ship Antelope in a voyage to the East Indies, under Captain Henry Wilson. The vessel was wrecked off the Pelew Islands, on which the crew took refuge. The island was uninhabited, but the sailors formed a friendly alliance with neighboroughing islanders and took part in the wars of the natives. The crew then built themselves a small vessel and sailed for Macao. During this voyage Devis received two wounds from arrows shot from the coast, one in his body, the other in his check, which caused a permanent injury to his jaw. Devis left the rest of the crew at Macao, spent a year in China, then proceeded to Bengal. He settled in India for ten years, establishing a modestly successful practice and receiving several lucrative commissions from British colonialists, of which this painting of young Charlotte is likely to be one. In 1795 he returned to England and worked with great zeal, earning himself a reputation as a serious artist. He painted a number of important historical pieces, including “The Conspiracy of Babington in the reign of Queen Elizabeth” and “Cardinal Langton and the Barons forcing King John to sign Magna”. He soon became established as one of the most talented British artists of his day. It is known that Devis created other portraits of the Shore family between 1797 and 1817. Devis is particularly noted for being involved in the creation of the posthumous cult of Horatio Nelson. After the battle of Trafalgar, he went out to meet the Victory, and painted the acclaimed piece ‘The Death of Vice-Admiral Lord Viscount Nelson, K.B., in the cockpit of H.M.S. Victory, 21 Oct. 1805.’ For this work Devis made various sketches on board HMS Victory, including of Nelson’s body during the autopsy by Dr. Beatty, the ship’s surgeon. The completed picture has become the definitive image of Nelson’s heroic end; it was engraved by W. Bromley (1812), and presented by the Right Hon. Lord Bexley to the gallery of Greenwich Hospital in 1825. At 8 feet 7 inches by 6 feet 4 inches it is of stunning proportions. Devis’ large oil sketch for the piece was purchased by Queen Victoria, December 1852 Devis was also commissioned by Dr. Beatty to produce a half-length painting of Nelson as Vice Admiral, which was lent to Emma Hamilton, who later lost it whilst travelling. Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it, including one in the National Maritime Museum. Devis exhibited a total of sixty-five pictures at the Royal Academy between 1779 and 1821. His equestrian portrait of ‘Alexander Sinclair Gordon, Esq.’, was engraved by Anthony Cardon in 1805; ‘The Battle of Waterloo,’ engraved by John Burnet in 1819; ‘An Indian Interior,’ by P. W. Tomkins in 1797; ‘The Little Mountaineer,’ by E. Scriven in 1809, who also engraved Devis's illustrations to J. J. Howard's translation of the ‘Metamorphoses of Ovid,’ London, 1807. Thus images of Devis’ work have become well known through the years. Today there is a portrait of Arra Kovger by Devis in the British Museum, and a portrait of Governor Herbert (painted in Calcutta in 1791) in the National Portrait Museum. Despite his artistic talent, Devis was seemingly completely incapable of managing his financial affairs. He therefore failed to maintain the status in society that his talent deserved. Where money was concerned, he was generous beyond his means and was sadly declared bankrupt in 1800. In 1804 he was imprisoned for debt. Between 1802 and 1810 he received continual assistance from John Biddulph of Ledbury, but these well-intentioned interventions did not produce the results hoped for, and Devis continued to be hopelessly unreliable. Towards the end of his career he at last began to receive Royal patronage, but it came too late. When he died suddenly from apoplexy in 1822 he left his second wife and young children penniless. He was buried in St. Giles’s churchyard. Works by Arthur Devis are now very much in demand; his depiction of Bengali weavers made an eyecatching £130,000 in a UK auction...

Friedrich Wigand (Russian, 1800-1853). Portrait of a Young Man, 1841. Oil on canvas, 12.5 x 16 inches. Framed measurement: 17 x 20.5 inches. Signed an...

Decorative river landscape in romantic style, Signed lower left 'I Roy', unknown artist, Oil on canvas Dimensions excl. frame: 49 x 65 Dimensions incl. frame: 64 x 80 x 7 cm. In go...

Farm Scene with Haystacks in the English Countryside by British Landscape Artist, James Wright. Signed, Original, Oil on Canvas, housed in a gilt frame ...