Romantic Art

Carl Flodman (1863-1888) Swede A Harbor Scene from 1884 oil on wood panel signed and dated C.Flodman 84 unframed: 13 x 21 cm (5 1/8 x 8 1/4 in) framed: 29 x 37.5 cm (11 3/8 x 14 3/...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

An oil painting by Adolf Friedrich Harper from 1799. A rare antique painting from the romanticism era. Framed in ornate gold wood frame, signed in lower left corner. Artist: Adol...

Sweet and large oil painting "Sisterly love" signed and dated 1902 by August Algermissen The present painting depicts two sisters seated in an interior, the youngest is gleefully lo...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

Color offset lithograph Made for an exhibition at the Galerie Maeght Paris, 12 April - 20 May 1983. Image in great condition, marginal defects

Exceptional detail in this painting of boys playing dice by R. Hauslar (German, 20th Century). A Hausler interpretation of a work by the famous Bartolome ...

Charles Zacharie Landelle. French ( b.1821 - d.1908 ). “Je Te Demande Une Caresse Et Tu Me Chatouilles”. (“I Ask You For A Caress And You Only Tickle Me”). Oil On Panel. Signed Lower...

You will find this young man good company! It is a pleasure to study his thoughtful, sensitive face. He has a benevolent and real presence. To my mind, he certainly has an artistic nature - he looks like a thinker, poet and/or musician. Dating from what the French call the Romantic Period, the early 1800s, our painting is monogrammed AG and may be attributed to Auguste Glaize. Born in Montpellier, Auguste Glaize studied under the painters Achille Devéria and Eugène Devéria. He came to be one of the great French Romantic painters of the early 19th century, marking his career with important history paintings and cycles of monumental religious...

French School of the 19th Century A Man bust-length Oil on wood panel 31,5 x 22 cm Framed 47,8 x 37,5 cm In good condition. The painter chose to deal with the roughness of his suppo...

Ca. 1820 Portrait of a Woman. Léon Cogniet (1794-1880, Paris), attributed. French school of 19th century. Tecnicque: oils on canvas. Dimensions: 70cm x 61cm 20th century wooden frame. Old attribution to Léon Cogniet (1794-1880, Paris) is inscribed on the wooden frame. Portrait of the restoration period, post Napoleonic wars. Stylistically the painting is found in the transition period from the late Empire period to the beginning of Romanticism. The new artistic trends can be seen in the increased naturalism, representation of the landscape/nature, in the contrasts, and in a greater emotionality of the person represented. Detailed but loose is the way to describe the winter dress...

Gustaf Wilhelm Palm (1810–1890) Sweden Ruins of the Imperial Castle Outside Split in Croatia pencil and watercolour unframed: 23.6 x 29.2 cm (9 1/4 x 11 1/2 in) framed: 40 x 45 cm...

"Ceremony" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition...

Signed lower left, 'R. Gallon' for Robert Gallon (English, 1845-1925) and painted circa 1880. This well-listed landscape and seascape painter maintained a studio in St John's Wood, ...

Antique Oil Painting on Metal – 19th Century Miniature Artist: Unidentified Medium: Oil on Metal Dimensions: Framed: 19 x 17 cm Artwork: 10 x 6 cm Style: Classical / Romanticism / M...

Phrosine and Mélidore Etching, 1879 Signed in the polate lower left of image This etching is after the Dantan painting, a copy after the Pierre-Paul Prud’hom painting Published by Vv...

19th-Century Landscape Painting – Pastoral River Scene Artist: Unidentified Medium: Oil on Board Dimensions: Framed: 35 x 47 cm Artwork: 25 x 38 cm Style: Romanticism / Pastoral Lan...

Artist: Hippolyte Moreau, French (1832 - 1927) Title: Hero Medium: Bronze Sculpture on Marble Base, signature inscribed Size: 19 x 11 x 9 in. (48.26 x 27.94 x 22.86 cm) The tale of ...

Antique painting, fisherman on the coast, oil on canvas. Frame damaged in places. Dimensions with frame.

French oil on wood panel view of a sunny farmyard with chickens and ducks by H Tikat. The painting is signed bottom right. A very charming rural view of a hen house in a farmyard wi...

Friedrich Wigand (Russian, 1800-1853). Portrait of a Young Man, 1841. Oil on canvas, 12.5 x 16 inches. Framed measurement: 17 x 20.5 inches. Signed an...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a li...

This serene landscape painting is by James Howe Carse, a Scottish-Australian artist whose lineage and mentorship are deeply rooted in the artistic traditions of his time. Carse's wor...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

Everyone holds his fortune in his own hands, like a sculptor the raw material he will fashion into a figure. But it’s the same with that type of artistic activity as with all others:...

The lake house - Landscape Wiehler Handmade Gobelin Tapestry by Maestro Vera Petrova - Sapundjieva, Bulgarian artist 1912 - 1985 About the artwork TECH...

Ceiling of the Paris Opera House This is a print made by Center Art Galleries-Hawaii, Inc. You can google their name to get a sense of the litigation surrounding this manufacturer,...

"West Point from the East Bank of the Hudson" Antique Drawing on Paper Delicate and detailed drawing by Hartford, Connecticut artist Edward Watkins Wells (1819-1898) The viewer looks out past a gate at the Hudson River, with its characteristic mountain banks. A shepherd is driving a flock of sheep towards the gate and viewer. The scene appears to have been copied from a drawing book published in 1827, based on the inscription at the bottom edge. Presented in white archival mat Mat size: 12"H x 12"W Paper size: 7.5"H x 9.25"W Notes of interest on Edward Watkinson Wells Our most significant acquisition this year came from a dealer in Philadelphia. It is a 450-page diary written over 10 years (1841-1851) by Hartford artist and dilettante Edward Watkinson Wells (1819-1898), one of the many nephews of our founder, David Watkinson (1778-1857). Edward was immersed in Hartford’s cultural life in the 1840s, exhibited his works at local fairs and gave lessons to the locals. He portrays an active involvement with with his large extended family, which often crossed and re-crossed the other prominent families of Hartford (i.e., Barnard, Channing, Dexter, Ely, Gallaudet, Gill, Goodrich, Hudson, Rockwell, Silsbee, Tappan, Terry, Tracy, Trumbull, Van Renselaer, and Wadsworth). Edward describes dancing and costume parties, soirees, teas, dinners, and receptions in private homes and public venues. He meets Charles Dickens and his wife when they come through Hartford in 1842, and describes brushes with other luminaries, such as Col. Thomas L. McKenney (who lectures on American Indians), and the Unitarian clergyman Rev. Henry Giles, who gave a pro-Irish speech. Other entertainments included a balloon ascension, exhibitions of mesmerism and hypnotism, parades, and performances by well-known groups. He also chronicles the progression of the construction of the Wadsworth Atheneum, and touches on his father’s far-reaching interests in the business world–canals, railroads, factories, and real estate. The cost of this valuable document of mid-19thC Hartford was generously underwritten entirely by a member of the Watkinson Trustees. Trinity College and the Watkinson Virtual Library has content on Edward Watkinson Wells. Yale College also: Edward Watkinson Wells also kept a diary, of which three volumes are preserved (folder 32). He describes a trip by steamboat to Florida, ca. 1855-1860, and the social life and customs he observed there. The other two volumes detail his daily life in Hartford during 1856-1860, and record the deaths of his father and David Watkinson in 1857. Other items contained in the William Wells...

This delightful painting by the renowned Victorian genre and landscape artist Henry John Yeend King captures the serene charm of the English countryside. Depicting an idyllic riversi...

This is an unsigned, but rare, late 19th century oil on canvas of a view of the French Broad River in North Carolina. It is amongst the world’s oldest rivers. The scene depicted is mountainous and the water is swiftly moving. This would put the location at the northern end of its course, north of Asheville and near the North Carolina and Tennessee border. Much like the Hudson River School in...

Painting of Farm with Geese in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage Series No.111 Art measures 10 x 8 inches (approx.) Frame measures 15 x 13 inches (approx.) James Wright was born in Peterborough in 1935 and now lives in Lincolnshire. James is a self-taught artist and a leading exponent of the traditional English landscape style. His early work concentrated on the busy fishing villages around the coast of Norfolk, Cornwall and Sussex. More recently, his traditional landscapes mainly feature the East Anglian and Lincolnshire countryside. About the English Heritage Collection From the most powerful to the most humble, from Bronze Age axes...

French school around 1850 Oil on oil 41 x 33 cm (54 x 47 cm with frame) Inscription on the back “Lefevre” Based on the model's hairstyle, the portrait can be dated around 1850. The ...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii) Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...

Eberhard Guillaume 1879 – Maastricht – 1949 Dutch Painter 'Young Girl Knitting' Signature: signed lower left and dated 'G Eberhard 1906' Medium: oil on canvas Dimensions: image siz...

Félix Ziem (1821-1911) Studies of landscapes and seascapes graphite on paper, 14 x 22 cm Stamp of the Ziem Estate bottom left Framed : 25 x 33 cm A rare exemple of mutiple studies ...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

The Girl from Togo Bronze Artist Proof MEAM in Barcelona Spain Figurative This life size bronze bust is the artist proof of "The Girl from Togo." It was personally crafted b...

Artist Unknown, Second Quarter Nineteenth Century Ruins of the Theatre at Taormina, Sicily oil on board, partially arched top unframed: 26 x 36.5 cm (10 1/4 x 14 3/8 in) framed: 31...

"Lake Landscape at Dusk with a Rowboat" is a captivating oil painting by the Swedish artist Erik Abrahamsson. Created in 1896, this work masterfully captures the tranquil beauty of a...

Francois Grenier de Saint Martin (1793-1867) A Young Lady on the beach, 1829, signed and dated on the lower left watercolor on paper 17 x 19.5 cm F...

Adolf Luben (1837–1905) "Mother and Child in a Countryside Setting" This charming 19th-century oil painting on canvas by Adolf Luben captures a heartwarming rural scene, depicting a...

Paul Albert Girard Paris 1839 – 1920 French Painter 'The Greek Temples of Paestrum' Signature: Signed lower left
 Medium: Aquarelle
 Dimensions: Image size 29 x 49 cm, frame size 41 x 61cm Provenance: Paestum, designated as a UNESCO World Heritage Site, stands as the best-preserved Greek archaeological site in Italy. Situated just south of Salerno, near the picturesque Amalfi Coast, and in proximity to Pompeii, Paestum remains somewhat undiscovered by many travelers. In its prime, Poseidonia thrived, evident in the remnants of city walls, colossal temples, and the overall urban layout. As Magna Grecia expanded and established trade routes, conflicts arose between the Greek colonists and the indigenous Samnite and Lucani tribes. Archaeological findings, however, suggest a period of peaceful coexistence between the Greeks and the Lucanians. This harmony was disrupted in 273 BC with the arrival of the Romans. The Romans, while altering the city's name to Paestum, did not obliterate it. Remarkably, their admiration for the splendidly constructed temples played a role in shaping classical architecture on the Italian peninsula, influencing subsequent Roman development and style. The Romans made additions to Paestum, including a forum, an amphitheater, a temple of their own, and residential structures, some of which still stand today. In 79 BC, the eruption of Vesuvius dealt a partial blow to Paestum, altering its landscape. Despite this setback, the city's survival attests to its resilience and enduring cultural significance. Today, visitors can explore the fascinating remnants of Paestum, a testament to the confluence of Greek and Roman influences, and the architectural prowess that has withstood the test of time. Born on December 13, 1839, in the artistic heart of Paris, Paul-Albert Girard emerged as a luminary in the world of 19th-century French painting. The son of the esteemed painter Pierre Girard, he inherited not just a name but also a passion for the arts that would define his illustrious career. Biography: Born on December 13, 1839, in the artistic heart of Paris, Paul-Albert Girard emerged as a luminary in the world of 19th-century French painting. The son of the esteemed painter Pierre Girard, he inherited not just a name but also a passion for the arts that would define his illustrious career. Paul Albert was a versatile artist, displaying his mastery across various genres – from capturing the essence of everyday life in genre scenes to breathing life into captivating portraits and landscapes. His prowess extended to watercolors, mural compositions, and the rich tapestry of Orientalist paintings depicting scenes from North Africa. In 1857, Paul-Albert embarked on his formal artistic education at the prestigious École des Beaux-Arts in Paris. Under the guidance of eminent mentors such as Jean Joseph Bellel, François Edouard Picot, and Hippolyte Flandrin...

Farm Scene with Haystacks in the English Countryside by British Landscape Artist, James Wright. Signed, Original, Oil on Canvas, housed in a gilt frame ...

View of the Bergsee is an original modern artwork realized by the Austrian artist and painter Josef Brunner in the middle of the XIX Century. Original Oil painting on Canvas cm. 72 x 3 x 102 (canvas). A beautiful original XIX Century decorated frame is included (total dimensions: 100 x 5 x 130). Both the work and the canvas are in very good conditions. Beautiful and intense oil painting depicting the Austrian mountain lake Bergsee. The painting is characterized by a particular play between lights and shadows: the light indeed is distributed in an extremely suffused but homogeneous way on the view but it is also able to create that sense of magic that characterized the whole landscape. The color of the lake therefore assumes a transparency and an iridescent blue that tends to the green and reflects the color of the surrounding mountains. The sky appears full of rainy clouds but they still allow the rays of the last sun to shine on. The general vision conveys calm and tranquility thanks also to the refined use of color and the play of lights and shadows, the turquoise and the pale opaque blue of the lake is perfectly emphasized by the various green tones of the trees. The white, gray and light brown rocky mountains embrace the lake and the cloudy sky in shades of blue increases the feeling of tranquility. The landscape is desolate; the only signs of life are the three fishermen on the shore: they are three small figures painted in different poses and illuminated by the light too. The surface of the water reflects in a spectacular way the surrounding landscape, it is similar to the surface of a mirror. The style, fantastic and almost dreamy, is into the full Germanic Romanticism. Mindful of Caspar David Friedrich's memoirs (Greifswald, 1774 - Dresda, 1840), the author certainly took his cue from the style of the German and the Austrian Romanticism; tangible signs of Romantic painting are the choice of the subject, an uncontaminated Nordic landscape, and the almost fairytale atmosphere that we find in the composition. This wonderful Romantic painting was created by the Austrian artist Josef Brunner (Wien, 1826 - Wien, 1893). Joseph Brunner was the son of Joseph...

Gouache of a Shipwreck in a Storm with Gothic Ruins, Early 19th Century Technique: Gouache on paper Period: Early 19th century Description: This romantic painting depicts a dramatic ...

The subject illustrated here is one of the moments that mark the centuries-long history of Genoa's glorious Maritime Republic, when the ashes of St. John the Baptist, one of the city...

Antoine Bouvard snr. Saint-Jean-de-Bournay, France 1870 – 1955 French Painter 'A View of Venice' Signature: Signed bottom right Dimensions: Image size 22,5 x 27,5 cm, frame size 44...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

Edgar Bundy Brighton 1862 – 1922 London British Painter ‘Peasant Children walking the Donkeys’ Signature: signed lower right and dated ‘Edgar Bundy 1885'
Medium: oil on canvas
 Dim...

Early 20th Century watercolour on paper of a farm in a landscape by G Lemy. The painting is signed bottom left and presented in a plain wood frame under glass. A charming bucolic sc...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

This is an original unique oil painting by the artist. Bernard Pothast was born on 30th November, 1882 in Hal, Belgium. He studied painting at the Rijksakademie in Amsterdam between ...

"Paradox" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition ...

This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

Franciscus Lodewijk Van Gulik Maastricht 1841 - 1899 Rotterdam Dutch Painter 'A Walk along the Snowy Landscape’ Signature: signed lower right and dated 'Frans van Gulik 1878' Mediu...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

Alfred Schönian (1856-1936) Germany Rooster With Hens and Ducks by a Pond oil on panel signed A.Schönian München panel dimensions 6.29 x 9.44 inc...

This bronze sculpture by Mario Joseph Korbel is a stunning portrayal of a woman in the Romanticist style. Korbel began studying sculpture in his homeland of Czech Republic, and cont...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

Edgar Bundy Brighton 1862 – 1922 London British Painter ‘Peasant Children walking the Donkeys’ Signature: signed lower right and dated ‘Edgar Bundy 1885'
Medium: oil on canvas
 Dim...

This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...

Unidentified Artist (19th Century) "Winter Wonderland" (1885) This charming 19th-century oil painting captures a winter landscape, depicting three figures trudging through the snow, engaged in animated conversation. The scene is set against a serene rural backdrop, where bare trees and a distant village silhouette convey the stark beauty of winter. The soft glow of the sky, transitioning from warm hues to cool whites, enhances the tranquil yet brisk atmosphere of a cold winter’s day. Plot & Interpretation The three travelers appear to be peasants or laborers, possibly returning home or embarking on a journey. Their layered winter clothing, fur hats, and backpacks suggest they are seasoned wanderers or workers, braving the elements. The gesturing figure in the middle seems to be engaged in storytelling or giving directions, adding a sense of movement and interaction. The snow-covered ground and delicate shadows create depth, emphasizing the hardship and resilience of rural life in the 19th century. Materials & Condition Medium: Oil on canvas Framed Dimensions: 47 x 46 cm Canvas Dimensions: 24 x 34 cm Frame: Ornate giltwood frame, enhancing the painting’s classical aesthetic Condition: Well-preserved with minor age-related patina, in line with its 1885 dating Historical Context & Artistic Style Likely influenced by Northern European realism, particularly Russian, German, or Scandinavian schools that depicted harsh winters and rural peasant life. Comparable to the works of Adolf von Meckel, Vasily Perov, or Carl...

Antique Horse Bronze Exceptional Bronze of a Draft Horse Pierre Jules Mêne (French, 1810-1879) Circa 1860s 4 3/4 (W) x 3.25 (H) As Mêne personally ov...

Artist: Vivian Rydgren Title: Portrait of a Gentleman Year: 1948 Medium: Color pencil and pastel on paper, signed and dated l.r. Paper Size: 23 x 15.5 inches Framed: 37.5 x 29.5 inches

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

Rural Winter Landscape Scene with Snow & Winter Trees in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Pieter Caspar Christ (Dutch, 1822 - 1888) This Romantic painter of cityscapes and landscapes received his artistic education from his ...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

"Muses of the Universe" is a visual poem about the profound unity of the elements and feminine energy. The images are interconnected and unified in a Single Circle of Power: a self-s...