Romantic Art

G. Jeanson (active in Venice, 19th century) - View of the Venice lagoon with gondola and figures at sunset. 65.5 x 54.5 cm (without frame) - 76.5 x 62.5 cm (with frame). Oil on can...

Temple of Hercules Victor in Rome - Original 19th Century Italian Watercolor Antique watercolor painting showing the Temple of Hercules Victor at the Forum Boarium in Rome by Italia...

Watercolour on paper of a Cornish beach scene by Oliver Bedford. Signed bottom right. Titled and located on a trade label for The Rowley Gallery, Kensington, London. Presented in cus...

A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...

In this painting, an oil landscape unveils the magnificence of the sunset and the beauty of nature. The main focus is on the expansive sky, stretching across a significant portion of...

Rare Collectible by Bengal School Artist Artist : Dipen Bose Medium : Watercolours on paper Size : 7.5 x 5 inches Paintings on both sides of the paper. Extraordinary and Unique. Here the master artist shows very subtly the command he has over the brush. The dramatic effect that Monotone watercolours created, to play and tantalise all of our senses. Effortlessly executed, one cannot miss the expertise and uniqueness in the works. Even the less dense watercolours, speaks to its viewers. Its never been easier to connect with watercolours and its essence. Bengal Master Artist Dipen Bose (1921-1964)  Born in Calcutta, West Bengal. Education : Self-taught artist with no academic training in art. 1942 Completed Graduation, Calcutta. Grandfather, Nagendra Bose inspired him to start painting. Learnt the technique of oil painting from artist Debi Prasad Roychowdhury. 1947 Started to paint after giving up his job at Central Excise Service, Calcutta. His association with the Indian Institute of Art and Industry and Indian Society of Oriental Art played a vital role in his life. He was close to Indra Dugar. Associated with Art in Industry and Rachana till 1952. These associations inspired him towards traditional Indian Art, French Impressionism and Chinese Art. 1953 His painting was presented to the President, Federal Republic of Germany by Govt. of India. Dipen Bose Wrote articles on art in newspapers and journals. Style : For inspiration and evolving a personal style, Dipen looked at part of the history of art that seemed useful- Jain and Kangra painting...

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984. Linnqvist, known for his association with the Naïvist movement, often described as...

This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...

Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...

Edward Portielje 1861 – Antwerp – 1949 Dutch-Belgian Painter 'Mother and Child' Signature: signed lower left 'Edward Portielje' Medium: oil on canvas Dimensions: image size 65,5 x 51 cm; frame size 79 x 64,5 cm Biography: Edward Portielje – Belgian genre painter from an Antwerp artist family. Edward Portielje was born in Antwerp on February 8, 1861, and passed away there on December 18, 1949. He came from a distinctly artistic family that had been involved in painting for multiple generations. His works are now held in public collections and museums in Antwerp, Chicago, Melbourne, Sydney, and Bordeaux. The Portielje family had its roots in the Netherlands. Edward’s grandfather owned a bookstore in Amsterdam specializing in luxury engravings. His father, Jan Portielje, however, chose a career in painting and studied at the Antwerp Academy. From the 1850s, Jan gained recognition for his refined portraits of the affluent bourgeoisie: barons, baronesses, and elegant ladies, often with a Spanish or Oriental touch. He even painted a portrait of King Leopold II. After marrying the Antwerp native Eulalia Lemaire, he settled permanently in Antwerp. The couple had five children, including Gerard...

Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...

Cottage and Harvesters (after a watercolor by Peter De Wint, 1784-1849). 1907. Mezzotint. Hardie 88. 6 5/8 x 10 11/16 (sheet 14 x 19 1/4). Edition 100. Housed in a 16 x 20 mat. A ver...

Angels on the wall - Ciro Morrone Italia 2013 - Oil on canvas cm. 40x60 this painting is a reinterpretation of the work 'The New Angel' by New Mexico watercolourist Steve Hanks...

Tanvi Pathare Luna Contemporary Florence Portrait painting Ø 80 cm oil on linen (frame included in price) size with frame: Ø 100 cm Tanvi Pathare from India attended the Florence A...

Author: Rosendo González Carbonell Title: Mother and Child Technique: Oil on canvas Style: Figurative with elements of Romanticism and Reali...

Léonie POISSON (XIX) Black chalk and white chalk 56 x 45 cm (66 x 55 cm with frame) Signed and dated lower right "Léonie Poisson / Août 1845"

Woman in the garden. Romantic and full of light landscape with beautiful female figure by the Spanish artist Manuel García Blázquez. Oil on canvas. Dimensions: Unframed: (H) 89 x (W) 116 (D) 2 cm. / 35.04 x 45.67 x 0.79 in. Framed: (H) 109 x (W) 136 (D) 4 cm. / 42.91 x 53.54 x 1.57 in. Light is the protagonist in this landscape with female figure by Manuel García Blázquez; an intense and soft light that interacts with color, and the impressionist technique that defines the work of this painter. The beautiful silhouette of a woman dressed in white and the reflections of the water in the pond at the back of the garden give the scene a certain luminous dreaminess, which contrasts with the strength of the color of the flowers in the foreground. The background landscape, so timeless and lyrical, serves as the setting for a female portrait with classical reminiscences. The work is executed along the lines...

This artwork titled "Strawberies" 1990 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 45/485 in pencil by ...

Helen Siegl Paradise, 1976 Lithograph on wove paper Pencil signed, dated and numbered 36/100 Unframed Provenance: Rodger LaPelle Galleries, PA depicts a scene reminiscent of the Gard...

Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...

A unique pair of vintage herbarium / botanical displays collected and created by S. Lindwald in June 1946 in Sweden. These botanical specimen are preserved behind glass in a new doub...

Playboy School, 20th Century Artists and their muses: Titian and Violante; Sir Peter Lely and Nell Gwyn; Francois Boucher and Louise O’Murphy; Hogarth, Nell...

This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...

Franz Bergmann, Austrian (1861 -1936) - Slave Trader, Year: circa 1900, Medium: Bronze sculpture on wooden base, Size: 5.25 x 3 x 3 in. (13.34 x 7.62 x 7.62 cm), Description: "Re...

Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published b...

Interior of a Church is an original painting realized by Hermann Corrodi. Original oil on canvas with a contemporary wooden frame included. Hermann David Salomon Corrodi...

Old Barn Scene of a Farm in the English Countryside by 20th Century British Landscape Artist, James Wright. Signed, vintage original, oil on heavy grain linen, reframed in a high qu...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

André CHOLET Bassanne (Gironde), 1807 - ? A Little Milkmaid from the Bordeaux Region (circa 1840) Oil on canvas 40 x 32 cm (52 ​​x 45 cm with frame) Signed lower right "André Cholet"...

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

Carl Oscar Borg (1879-1947) Swedish/American Inscription Rock, New Mexico gouache on card signed CARL OSCAR BORG. unframed: 12 x 17.5 cm (4 3/4 x 6 7/8 in) framed: 22 x 27 cm (8 5/...

Serenade - Pietro Colonna Italia 2005 - Oil on canvas cm. 60 x 30 The painting by Pietro Colonna depicts a romantic scene in which the young man plays the lute to his sweet girl, th...

Picking Roses French School, late 19th century oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: good and sound condition

Augustin BADER (active between 1830 and 1860) Oil on canvas 38 x 46 cm (51.5 x 59.5 cm with the frame) Signed lower left "Bader" Old stamp on the verso "Par Augustin Bader / à Fribur...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

ink on paper signed OSC. LYCKE unframed 24 x 34 cm (9.4 x 13.4 in) framed 33.5 x 43.5 cm (13.2 x 17.1 in) Provenance: Acquired directly from Katarina Gunnarsson, who inherited the ...

This artwork titled "Winter's Tales" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 409/950 in pencil...

Josef Kugler, Austrian (1913 - 2011) - Woodlands, Year: circa 1968, Medium: Oil on Canvas, signed lower right, Size: 24.25 x 36 in. (61.6 x 91.44 cm), ...

Franz Bergmann, Austrian (1861 -1936) - Traveler with Camel, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 4.75 x 6 x 3 in. (12.07 x 15.24 x 7.62 cm)

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Antique Horse Bronze Exceptional Bronze of a Draft Horse Pierre Jules Mêne (French, 1810-1879) Circa 1860s 4 3/4 (W) x 3.25 (H) As Mêne personally ov...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Eugène Cicéri (1813 - 1890) The Mill Signed lower right Monogrammed AE, probably a collector's mark as it appears on numerous drawings by Cicéri 30.5 x 22.5 cm In good condition : ...

'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...

Everyone holds his fortune in his own hands, like a sculptor the raw material he will fashion into a figure. But it’s the same with that type of artistic activity as with all others:...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Henry Brittan Willis (1810–1884) was a British painter celebrated for his pastoral landscapes and depictions of rural life. Born in Bristol, Willis trained under his father, the mini...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Artist: Alvar Title: From Barcelona Suite Year: 1979 Medium: Color lithograph with embossing Edition: Numberd 145/185 in pencil Paper: Arches Image siz...

Samuel Chamberlain, American (1895 - 1975) - Bingham Hall and Hale Statue 1, Portfolio: Twelve Etchings of Yale, Year: 1933, Medium: Etching, signed and numbered in pencil, Editio...

Alabaster sculpture - Reclining girl. Italy, early 19th century. 32 x 12 x 9 cm high (not signed). Made entirely of carved alabaster. It depicts a sensual girl lying face down, wra...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Barend Cornelis Koekkoek (Middelburg 1803 – Cleves 1862) attributable Wooded landscape with stream oil on canvas 72 x 91 cm - framed 93 x 113 cm This evocative wooded view wit...

Gustave Dore, After by Charles Henry Jeens, French (1832 - 1883) - The King's Farewell, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7 inches, Size: 1...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series Story Lines Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series In Between Days Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Eugène Joseph Verboeckhoven Waasten 1798 – 1881 Schaarbeek Belgian Painter 'The Little Donkey' Signature: signed lower left and dated 'Eugene Verboeckhoven 1856' Medium: oil on pan...

Dutch Watercolour classical building portrait by Tineke Goedhart. The painting is signed and dated bottom left and resigned, dated and located on t...