Romantic Art

mixed media on paper; unframed paper size 22.25 x 30 inches Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illumi...

mixed media on paper; unframed signed lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated wi...

A romance novel cover for Scandalous Bride by Diana Hamilton, published by Harlequin for their Scandals series, 1997. Signed Lower Right Man and woman lying in bed...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

A familiar scene to all New Yorkers and millions of tourists is pictured in a way that none see with their own eyes in person. This luminous image of the Billionaires Row skyline is ...

"Gusts of Wind" is a romantic art line painting by the Bulgarian Lachezar Yavroukov, The painting is unframed. “The impressions of Lachezar Yavroukov'...

Follower of Claude Joseph Vernet (Early 19th Century)

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

A long lens isolates three nude chubby child figures from the Angel of the Waters Bronze Statue in Central Park. They are juxtaposed with three modern-day figures in a rowboat. The...

Zebra Books Robert Berran has been a prolific romance and historical book cover illustrator since the 1970s. Signed lower left.

Balantine books Signed lower right. Robert Berran has been a prolific romance and historical book cover illustrator since the 1970s.

Signed and dated on lower right, numbered on verso, 2/15 other size available, unframed, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk brings the compositional ...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

"The oak grove". Oil on panel in Romantic style by Sheila Querre Dimension framed cm: 78 H x 97 W x 5 D Dimension frame inches: 38,18 H x 30,70 H x 1,96 D D...

Initialed center right. Saul Tepper was born on the Lower East Side of New York City, and remained a New Yorker all his life. As a youngster, Tepper was awarded a correspondence course from the Landon School of Art. He also studied at The Cooper Union, the Art Students League, and at the Grand Central School of Art, under Harvey Dunn. Tepper first worked as a letterer in a fashion catalog...

Original illustration for the article “Slumming Among the Four Hundred” by Alfred Henry Lewis, for The Saturday Evening Post, published November 2, 1907. The article offers a satiri...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Paperback Cover Cover of "Dark Fire," Harlequin Books Signed Lower Right Man and Woman holding each other

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series Story Lines Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Lost Venice highlights the Renaissance past of a city that Hadley visited often as a child and where she later lived and worked. Her ethereal, sepia-toned photographs capture the all...

A Pair of Drawings, Framed Signed and dated 1855 Chalk in black, brown wash, heightened with white, on paper each sheet, 46 x 31 cm . Framed. Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet. The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...

Two Tango Dancers immersed in their art, strike-the-pose under the towering classical half down. Street Photographer Mitchell Funk was there at the perfect moment to capture a non...

Golden orange light caresses a street musician as he serenades the public. We can not actually hear his music but the way the picture has been crafted in beautiful tones of orange a...

Billionaires' Row skyscrapers shimmer in a rich golden light with later afternoon rainbow. The warm colors of the Central Park South skyline are offset by the vibrant green of the great lawn. It acts as a counterpoint to the buildings. At the end of the rainbow lies a lot of golden buildings. This is one of the most appropriate places for a rainbow to end. The pot of gold...

Moody Manhattan. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color Photogr...

This illustration was published as the paperback cover of, Build Me a Dream (Silhouette Special Edition series) by Pat Warren, Silhouette Books, 1989 A young man holding a young w...

Rural Tree Study in English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Ġoxwa began painting at a very young age in her native land of Malta and eventually enrolled at the Saint Martin School of Art in London. Years later, she moved to Boston and atte...

Combat: Indian, Horse and Buffalo: Arthur Putnam (September 6, 1873 – May 27, 1930) was an American sculptor and animalier who was recognized for his bronze sculptures of wild animals. Some of his artworks are public monuments. He was a well-known figure, both statewide and nationally, during the time he lived in California. Putnam was regarded as an artistic genius in San Francisco and his life was chronicled in the San Francisco and East Bay newspapers. He won a gold medal at the 1915 San Francisco...

Venus Africaine by Charles Cordier, French (1827–1905) Bronze Sculpture, signature inscribed Size: 15 x 9 x 5 in. (38.1 x 22.86 x 12.7 cm)

Gold & Despair is my adaptation of Gustav Klimt’s masterpiece "The Woman In Gold", also known as The Mona Lisa of Austria. Having admired the symbolic art of Klimt since my working days as a fine art restorer at Vienna’s prestigious Conservation Institute (Bundesdenkmalamt) in the 1980’s, I conceived the idea to recreate the jewel of his gilded period with an interpretive lens on the looming darkness of the Holocaust and World War II. As a native of Austria, Salzburg, I have developed an appreciation for Klimt’s art, and Art Nouveau in general. For the last thirty years, I have lived in New York City and worked as a fine art restorer, conservator, and painter as well as in the healing arts. Klimt had executed The Woman in Gold in the span of four years (1903-1907). My own creative process during 2014-2017, reflects my diligent care and thoroughness in rendering the original painting. In 2014, I started with the preparation of the canvas using Klimt’s original size of 54 x 54 inches (167 x 167 cm). For gesso, I used the traditional method of rabbit skin glue and chalk. For the painting, I used oil paints and genuine 23.5 karat gold in various shades, as well as silver leaves, to magnify the brilliant sheen of Klimt’s gold...

This artwork is offered in 3 sizes. The price of the artwork increases with the edition. Please contact us to inquire about the current edition number, availability, and price. ONLY...

"Le Sentier Idylle (the Happy Path)" by French Romantic painter Lazare Meyer (1847-1935) 51.5 x 31.5 in. - Oil Paint on Canvas Framed A luminous, two figure composition depicting a ...

Beautiful drawing by enigmatic artist Len Poteshman