Romantic Art

German or Swiss School, probably Circle of Christoph Nathe (1753-1808)), around 1800; beautiful old master drawing/ aquatint, inscribed "P 50/ 1871 gekauf...

Antique, romantic oil painting, 19th century. Old hunting lodge at the lake. The painting with frame is displayed smaller in the interior preview, because the dimensions were measur...

An odd little abandoned shack on an island just west of Seattle. :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: R...

Mt Ranier, WA... winter 2019. :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :...

My childhood memories. Remembering growing up with my grandfather who was my biggest influence and role model. :: Painting :: Romanticism :: This piece comes with an official certi...

This oil painting is on 12x12x1.5 gallery wrapped canvas and it's done in a style of romantic surrealism. The sides of the canvas are painted white and will be shipped ready to hang....

Pencil on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenage...

Pencil on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenage...

Pencil on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager...

Paper, pencil, charcoal on styrene board pasted on matte paper Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent i...

Pencils on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenage...

Pencils on paper Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. It was the be...

Pencils & acrylic on paper Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenag...

(ATTENTION ACTION! If you order two paintings third you will get like a gift. The third painting I choose one from my artworks and put it in the package with your order. I hope this ...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA unsigned oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

WILLIAM JAMES MÜLLER British, 1812 - 1845 NEAPOLITAN COAST signed "W. J. Muller" (lower right) oil on canvas 23-5/8 x 35-3/4 inches (60 x 91 cm.) ...

19th Century Street Art - British children's book author and illustrator Edith Farmiloe depicts a waif-like girl - Cockney Gutter Imp - who is disheveled. The artist draws her i...

Follower of Claude Joseph Vernet (Early 19th Century)

"Full Personality," by John Taintor Foote and illustrated by Henry P. Raleigh for the Saturday Evening Post, January 28, 1933. "I've come to drown myself -- will you help?" Henry Patrick Raleigh...

Abraham Verveer was born in The Hague in 1885. Verveer was trained at the Royal Academy of Art in his hometown, where he received a solid foundation in both painting and drawing in t...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 RIDERS PASSING BY A TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla, 1847." (lower l...

The technique and subject matter work well together in this loosely but masterfully rendered World War 1 romantic illustration of a Soldier and a Parisian woman. Even though this wo...

Hand-coloured unique portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...

"My valley" oil on canvas by French artist Sheila Querre Dimension: 65 cm H x 92 cm W x 3 cm D The colours of the original work are lighter than those on the photo. The picture is i...

Story illustration for Saturday Evening Post magazine, 1928. Image of woman seated on balcony, older man looking on. "I feel immensely flattered that you'...

Balantine books Signed lower right. Robert Berran has been a prolific romance and historical book cover illustrator since the 1970s.

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...

Moody Manhattan. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color Photogr...

This illustration was published as the paperback cover of, Build Me a Dream (Silhouette Special Edition series) by Pat Warren, Silhouette Books, 1989 A young man holding a young w...

Zebra Books Robert Berran has been a prolific romance and historical book cover illustrator since the 1970s. Signed lower left, and again on the reverse with date. Unframed Canvas...

SPANISH SCHOOL, 19th CENTURY ARTIST UNKNOWN oil on canvas 10-1/2 x 7-5/8 inches (26.5 x 19.3 cm.) framed: 15-1/2 x 12-1/2 inches (39 x 31.5 cm.) PROVENANCE Spanish Collector, Madrid...

Gala 22.0 x 16.0 x 3.0, 8.0 lbs Oil Painting Hand signed by artist Artist's Commentary: "More than any other flower, an Orchid carries special significance. It brings back memories...

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

The subject illustrated here is one of the moments that mark the centuries-long history of Genoa's glorious Maritime Republic, when the ashes of St. John the Baptist, one of the city...

Sweeping Scottish landscape of Solstice with the famous Celtic Standing Stones over the Moor of Machrie. This work has been part of an exhibition with Outlander iconic White Dress ...

Two Tango Dancers immersed in their art, strike-the-pose under the towering classical half down. Street Photographer Mitchell Funk was there at the perfect moment to capture a non...

A long lens isolates three nude chubby child figures from the Angel of the Waters Bronze Statue in Central Park. They are juxtaposed with three modern-day figures in a rowboat. The...

Golden orange light caresses a street musician as he serenades the public. We can not actually hear his music but the way the picture has been crafted in beautiful tones of orange a...

Signed and dated on lower right, numbered on verso, 2/15 other size available, unframed, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk brings the compositional ...

Billionaires' Row skyscrapers shimmer in a rich golden light with later afternoon rainbow. The warm colors of the Central Park South skyline are offset by the vibrant green of the great lawn. It acts as a counterpoint to the buildings. At the end of the rainbow lies a lot of golden buildings. This is one of the most appropriate places for a rainbow to end. The pot of gold...

Original illustration for the article “Slumming Among the Four Hundred” by Alfred Henry Lewis, for The Saturday Evening Post, published November 2, 1907. The article offers a satiri...

Couple standing beside a tree Signed lower right Henry Patrick Raleigh was one of the most prolific of all our illustrators. In spite of this...

Antique German porcelain plaque signed 'Haak' German, late 19th Century Frame: Height 42cm, width 36cm, depth 3cm Plaque: Height 28.5cm, width 22.5cm, depth 0.5cm This fine and detailed German porcelain plaque depicts a man and a woman in medieval dress...

Rural Tree Study in English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Combat: Indian, Horse and Buffalo: Arthur Putnam (September 6, 1873 – May 27, 1930) was an American sculptor and animalier who was recognized for his bronze sculptures of wild animals. Some of his artworks are public monuments. He was a well-known figure, both statewide and nationally, during the time he lived in California. Putnam was regarded as an artistic genius in San Francisco and his life was chronicled in the San Francisco and East Bay newspapers. He won a gold medal at the 1915 San Francisco...

Venus Africaine by Charles Cordier, French (1827–1905) Bronze Sculpture, signature inscribed Size: 15 x 9 x 5 in. (38.1 x 22.86 x 12.7 cm)

Gold & Despair is my adaptation of Gustav Klimt’s masterpiece "The Woman In Gold", also known as The Mona Lisa of Austria. Having admired the symbolic art of Klimt since my working days as a fine art restorer at Vienna’s prestigious Conservation Institute (Bundesdenkmalamt) in the 1980’s, I conceived the idea to recreate the jewel of his gilded period with an interpretive lens on the looming darkness of the Holocaust and World War II. As a native of Austria, Salzburg, I have developed an appreciation for Klimt’s art, and Art Nouveau in general. For the last thirty years, I have lived in New York City and worked as a fine art restorer, conservator, and painter as well as in the healing arts. Klimt had executed The Woman in Gold in the span of four years (1903-1907). My own creative process during 2014-2017, reflects my diligent care and thoroughness in rendering the original painting. In 2014, I started with the preparation of the canvas using Klimt’s original size of 54 x 54 inches (167 x 167 cm). For gesso, I used the traditional method of rabbit skin glue and chalk. For the painting, I used oil paints and genuine 23.5 karat gold in various shades, as well as silver leaves, to magnify the brilliant sheen of Klimt’s gold...

Beautiful drawing by enigmatic artist Len Poteshman