Romantic Art

A. Kreutzer, 19th century, fishing boats in the moonlight, painting, oil on canvas. Nocturnal coastal landscape. Age-related condition. Frame damaged in places. Dimensions without ...

Sven Berlin (British, 1911 - 1999) Owl in flight #2 Pen and ink 7.7/8 x 11 in. (19.7 x 28 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, d...

'Flower maidens,' a large oil-on-canvas painting by Émile Eisman-Semenowsky French/Polish, Late 19th Century Frame: height 72.5cm, width 111cm, depth 9cm Canvas: height 54cm, width 9...

A Venetian scene of the Palazzo Dario by F. R. Unterberger Austrian, c.1898-1900 Frame: height 97cm, width 85cm, depth 7cm Canvas: 83cm, width 70cm, depth...

Granite Pylon, Karnac Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by William Mackenzie,...

In the reading rooms I wanted to represent a very simple idea, namely how much the content of a book can acquire reality for those who are reading it, becoming as present as the true...

Paul Albert Girard Paris 1839 – 1920 French Painter 'The Greek Temples of Paestrum' Signature: Signed lower left
 Medium: Aquarelle
 Dimensions: Image size 29 x 49 cm, frame size 41 x 61cm Provenance: Paestum, designated as a UNESCO World Heritage Site, stands as the best-preserved Greek archaeological site in Italy. Situated just south of Salerno, near the picturesque Amalfi Coast, and in proximity to Pompeii, Paestum remains somewhat undiscovered by many travelers. In its prime, Poseidonia thrived, evident in the remnants of city walls, colossal temples, and the overall urban layout. As Magna Grecia expanded and established trade routes, conflicts arose between the Greek colonists and the indigenous Samnite and Lucani tribes. Archaeological findings, however, suggest a period of peaceful coexistence between the Greeks and the Lucanians. This harmony was disrupted in 273 BC with the arrival of the Romans. The Romans, while altering the city's name to Paestum, did not obliterate it. Remarkably, their admiration for the splendidly constructed temples played a role in shaping classical architecture on the Italian peninsula, influencing subsequent Roman development and style. The Romans made additions to Paestum, including a forum, an amphitheater, a temple of their own, and residential structures, some of which still stand today. In 79 BC, the eruption of Vesuvius dealt a partial blow to Paestum, altering its landscape. Despite this setback, the city's survival attests to its resilience and enduring cultural significance. Today, visitors can explore the fascinating remnants of Paestum, a testament to the confluence of Greek and Roman influences, and the architectural prowess that has withstood the test of time. Born on December 13, 1839, in the artistic heart of Paris, Paul-Albert Girard emerged as a luminary in the world of 19th-century French painting. The son of the esteemed painter Pierre Girard, he inherited not just a name but also a passion for the arts that would define his illustrious career. Biography: Born on December 13, 1839, in the artistic heart of Paris, Paul-Albert Girard emerged as a luminary in the world of 19th-century French painting. The son of the esteemed painter Pierre Girard, he inherited not just a name but also a passion for the arts that would define his illustrious career. Paul Albert was a versatile artist, displaying his mastery across various genres – from capturing the essence of everyday life in genre scenes to breathing life into captivating portraits and landscapes. His prowess extended to watercolors, mural compositions, and the rich tapestry of Orientalist paintings depicting scenes from North Africa. In 1857, Paul-Albert embarked on his formal artistic education at the prestigious École des Beaux-Arts in Paris. Under the guidance of eminent mentors such as Jean Joseph Bellel, François Edouard Picot, and Hippolyte Flandrin...

Sven Berlin (British, 1911 - 1999) Running Hare Black and brown ink on paper 15.3/4 x 22 in. (40 x 55.8 cm.)

Antoine Bouvard snr. Saint-Jean-de-Bournay, France 1870 – 1955 French Painter 'A View of Venice' Signature: Signed bottom right Dimensions: Image size 22,5 x 27,5 cm, frame size 44...

Country girl - Angelo Granati Italia 2011 - Oil on canvas cm. 90 x 70. This is his reinterpretation of painting "Young Shepherdess" by gratest old master William Adolphe Bouguereau. ...

Early 20th century watercolour of a gentleman on horseback with other riders in the background apparently signed or titled 'Count A de Monthaus'. Signed or titled bottom left. Presented in fine period gilt frame under glass. The artist has captured a moment of pause, the gentlemen rider in his fine clothes and bowler hat regarding his surroundings as his fellow riders continue the chase behind him, possibly a 'point to point'. Monthaus has captured the stance of the standing horse as well as the movement of the other horses. He has used white to give light and definition to the costume of the rider and the background. A lovely atmospheric and dynamic watercolour very much of its period and in the spirit of equine portraiture made famous by the likes of Sir Alfred Munnings. Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

Decorative antique painting, oil on canvas, 19th century. Walking the dog, castle view. Dimensions with frame: 65.5 cm x 74 cm

Sven Berlin (British, 1911 - 1999) Stag on alert Pen and ink Signed and dated 'SVEN 95' (lower edge) 7.7/8 x 11 in. (20 x 28 cm.) Sven Berlin, born in Syd...

A Palatial and Opulent Belle epoque giltwood & oil on canvas three-panel screen, circa 1890. "Allegory of Youth" Comprising of three exquisite hand-painted triptych oil on canvas panels of cherubs and putti amongst a peacock, all by Ferdinand Wagner II (German, 1847-1927). Each panel depicting different playful and joyous scenes of putti and cherubs. All three-in-one panels within individually carved giltwood and upholstered frames. One panel signed at the lower left: Ferd.Wagner. A truly magnificent and one of a kind piece, perfect for any room in the home. Overall: 101" high 85" wide x 5" deep Very good condition. Ready to place. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld. Wagner II was influenced by the Munich School of master painters and by his art teacher, Karl von Piloty, who had been teaching at the Munich Art Academy since 1856. Piloty’s approach to historical paintings was influenced by the French art academic Paul Delaroche and by the fine artworks by Rubens and the Venetians. After his return to Germany he was commissioned to decorate the former the Tenormayer Wine Tavern in Munich, subsequently he received numerous other commissions as a decorator. Ferdinand Wagner II wall paintings and ceiling frescos...

Agent X Beauté du XVIIIe Siècle 6 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 35x30in Edition: 50 Signed, dated and numbered by ha...

Agent X Beauté du XVIIIe Siècle 5 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 40x26in Edition: 50 Signed, dated and numbered by ha...

This artwork "Man Dancing with Birds" c.1970 is an oil painting on canvas by noted French artist Jovan Obican, 1918-1986. It is signed at the lower left corner by the artist. The can...

German or Swiss School, probably Circle of Christoph Nathe (1753-1808)), around 1800; beautiful old master drawing/ aquatint, inscribed "P 50/ 1871 gekauf...

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...

Farm Scene with Haystacks in the English Countryside by British Landscape Artist, James Wright. Signed, Original, Oil on Canvas, housed in a gilt frame ...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...

Many of you clicking on this drawing are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Sven Berlin (British, 1911 - 1999) Cock Black felt pen on paper Inscribed with title (lower left) 11.3/4 x 14 in. (29.7 x 35.5 cm.) Sven Berlin, born in Sydenham, London on 14th Sep...

Sven Berlin (British, 1911 - 1999) Equus Pen and ink 7.7/8 x 12.3/4 in. (19.7 x 32.4 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draug...

"Lucia" is a painting by the South African - French artist Leith Ridley. A bit of fun and colour based on the face of portrait of a young woman in a black hat by Petrus Christus in ...

Original conte crayon drawing of one of his familiar models. In pristine condition and signed lower left. It is presented in a handmade gold lea...

Sven Berlin (British, 1911 - 1999) Self-portrait Pen and ink 14.1/2 x 14.1/2 in. (36.7 x 36.7 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English paint...

This Watercolor drawing shows a noble hunting society. The duke (?) on horse and several noble ladies accompanying the soctiety. The duke (?) gestures towards a group of hunters on h...

Walking Along the Beach German School 19th Century Signature: Signed bottom right P. Bauer Dimensions: Image size 31 x 24 cm, frame size 42 x 32 cm Medium: Aquarelle

Pacific Ocean. It was a sunny day and the sky shone with joy. Clouds, like emerald facets, reflected the blue of the sea and the lines of the waves. The warm and favorable wind carefully held the wings of the sailboats...

Romantic Portrait Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 59,50 x 58,50 cm, frame size 62 x 61 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd Series: No Innocent Land This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula. Print details: © Alex Boyd, Courtesy MMX Gallery Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist Image: 82 x 58 cm Frame: 116 x 91 cm Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery. About the Artist: ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020. A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications. WORK REPRESENTED IN THE FOLLOWING COLLECTIONS: The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A *** NO INNOCENT LAND The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera...

Many of you clicking on this wonderful pen-and-ink are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Despite the tears and repairs, this remains an absolutely wonderful drawing, by a famous Southern artist. Many of you clicking on this are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Alfred Schönian (1856-1936) Germany Rooster With Hens and Ducks by a Pond oil on panel signed A.Schönian München panel dimensions 6.29 x 9.44 inc...

Romantic Portraits Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 67,50 x 62,50 cm, frame size 69,50 x 64,50 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...

Musa II. Beautiful woman playing an instrument and still life was painted by Goyo in 1997. Date and signature appear in the lower left corner. It is done with acrylics in a 122 x 6...

Serenade - Pietro Colonna Italia 2005 - Oil on canvas cm. 60 x 30 The painting by Pietro Colonna depicts a romantic scene in which the young man plays the lute to his sweet girl, th...

Signed Pencil Drawing by Andreas Geist, a German painter of animals and theatre sceneries. Andreas Geist was born as the son of the painter Joseph Gei...

Martinus Kuytenbrouwer Amersfoort, The Netherlands 1821 – 1897 Paris, France Dutch Painter Along the River “La Meuse” Signature: Signed lower right Medium: Oil on canvas Dimensions...

This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...

A fine watercolor by Thomas Miles Richardson senior, (1784-1848). A view of a Swiss lake and Alps with the Matterhorn mountain. One of the fine En...

Henri-Louis Dupray (1841-1909) Studies of military horsemen, two signed drawings Pencil on paper The first one figuring a partial study of two horsemen : 10.8 x 16.5 cm, bears a mo...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

Everyone holds his fortune in his own hands, like a sculptor the raw material he will fashion into a figure. But it’s the same with that type of artistic activity as with all others:...

Joseph-Auguste Rousselin French 1841 - 1916 Head Study Oil on board, signed with initials and signed verso Image size: 12 x 11 inches This head study provides an unbelievably moving portrait of an androgynous sitter. Employing incredible technique, the artist has achieved the highly finished porcelain skin, thoughtful eyes and pink lips of the sitter with incredible softness. The unfinished quality of the background make the composition of the work particularly satisfying to the modern eye. Loosely sketched dashes and brushy swoops outline the model's head. The mix of finished and more expressive elements reveals the artist's brilliant eye, technique and personality. Artistically, Rousselin does not seem to be influenced by the friendships that he forged with the Impressionists but rather he has remained rather faithful to the academic technique of William Bouguereau, whose studio he also used to frequent. This study is certainly comparable to the work by Bouguereau, specifically his graceful portraits of women. Bouguereau championed the traditional academic style and his methods were taught to him by a pupil of Ingres. Similar academic inspiration is apparent in this work, from the conscious posing of the subject to the evenly laid colours. Indeed, alike the work of Bouguereau this follows the same classical approach to composition, form and subject matter. The Artist Born in Paris in 1841, Rousselin grew up to be a French painter and art collector. From a young age he studied in the workshops of Charles Gleyre and Thomas Couture, here he met the young impressionist generation. His studio peers included Auguste Renoir, Alfred Sisley and Édouard Manet, with whom he forged strong bonds of friendship. It was at his invitation that his two friends Renoir and Sisley exhibited at the Salon of the Society of Friends of the Arts in Pau, a region where Rousselin had family ties. Manet invited him to his family home in Boulogne-sur-Mer where he had him pose in the summer of 1868 for 'Le Déjeuner dans l'Atelie'. Rousselin can be seen in the background of the painting as the man with the cigar, wearing a grey hat...

Woman in the garden. Romantic and full of light landscape with beautiful female figure by the Spanish artist Manuel García Blázquez. Oil on canvas. Dimensions: Unframed: (H) 89 x (W) 116 (D) 2 cm. / 35.04 x 45.67 x 0.79 in. Framed: (H) 109 x (W) 136 (D) 4 cm. / 42.91 x 53.54 x 1.57 in. Light is the protagonist in this landscape with female figure by Manuel García Blázquez; an intense and soft light that interacts with color, and the impressionist technique that defines the work of this painter. The beautiful silhouette of a woman dressed in white and the reflections of the water in the pond at the back of the garden give the scene a certain luminous dreaminess, which contrasts with the strength of the color of the flowers in the foreground. The background landscape, so timeless and lyrical, serves as the setting for a female portrait with classical reminiscences. The work is executed along the lines...

Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel and Scottie dogs with his portrait photography. His S...

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...