Romantic Art

Pour cette sculpture, Charles Valton s’est inspiré d’un bas-relief assyrien, conservé au British Museum à Londres. L’œuvre en question date du VIIe siècle avant J.-C. et représente A...

Signed lower left, 'P. Lagiere' (French, 19th century) and dated, '1868'. After 'La Jeune Courtisane', 1821, by Xavier Sigalon (French, 1787–1837), held in the permanent collection o...

John Nash (1893-1977) 'Poplar Plantation' ‍ Oil on canvas 61 x 91.5 cm Signed and dated 'John Nash/1974' John Nash was a lover of nature and dedicated his life to its appreciation and depiction. Despite engagement with artistic groups at the start of his career, notably the Cumberland Market Group in 1915, his commitment to landscape and singular approach meant he was truly never aligned with one. Along with his brother, Paul, and close friend Claughton Pellew...

Aleksandra (Ola) Pawlikowska born 1988, Warsaw, student of the Faculty of Graphics at the Academy of Fine Arts in Warsaw. In the years 2007-2012 she studied Art History at the Univer...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Léon Émile Caille Merville 1836 – 1907 Paris French Painter 'The Apple of Care' Signature: signed lower right and dated 'Léon Caille 1873' Medium: oil on panel Dimensions: image si...

In creating this painting, I embraced the beauty of resilience and renewal found in nature. The acrylic and oil pastel blend to weave a dance of colors, capturing the subtle textures...

Thomas Rowlandson (1756-1827) Recruits on a March Ink and watercolor on paper, mounted on support Unsigned Condition: watercolor sheet laid down on paper, moderately faded Original A...

Snow White and the Seven Dwarfs in a landscape, Mid century oil on wood panel. This vibrant and charming painting vividly portrays a whimsical forest scene featuring Snow White and ...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Josef Kugler, Austrian (1913 - 2011) - Woodlands, Year: circa 1968, Medium: Oil on Canvas, signed lower right, Size: 24.25 x 36 in. (61.6 x 91.44 cm), ...

This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984. Linnqvist, known for his association with the Naïvist movement, often described as...

Tanvi Pathare Memories of Seville Contemporary Florence still life painting 30 x 30 cm oil on linen (frame included in price) size with frame: 38 x 38 cm Tanvi Pathare from India a...

This serene landscape painting is by James Howe Carse, a Scottish-Australian artist whose lineage and mentorship are deeply rooted in the artistic traditions of his time. Carse's wor...

Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...

Watercolour landscape of a lake and surrounding mountains by Nano. The painting is signed bottom left and presented in a fine period gilt frame under glass. This painting portrays a...

Geraniums and flowers. French Mid Century oil on canvas view of flowers and a cottage by Edouard Le Saout. The painting is signed bottom right and presented in a custom wood frame. ...

An enchanting oval portrait capturing a young girl, curled up in an oversized Louis XIV armchair. She wears a deep blue dress, her dark hair neatly arranged and held in place by two ...

An exceptional terracotta sculpture signed by the French academic sculptor Léon Dufrène (1880–1917), originally titled in French as *Putto sur une peau de lion* (Putto on Lion Skin) ...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Tanvi Pathare Within Contemporary Florence Portrait painting 105 x 115 cm oil on linen (frame included in price) size with frame: 110 x 120 cm Tanvi Pathare from India attended the...

Precious Watercolor attributed to James WARD (1769-1859) - England, 1830-1840. The Fisherman' S Family. Measurements : View : 20"x14.6" (51x37 cm), With frame : 26.6"x21.5" (67.5x54....

Artist title: Evening on the Thames, near Bray, 1855 signed and dated TLRowbotham 1855 lower left watercolour on paper unframed 20.5 × 32 cm (8.1 × 12.6 in) framed 45 × 56 cm (17.75...

An important and historically documented 19th-century oil painting by the Irish artist James Mahoney A.H.R.A. (1810–1879), depicting the richly atmospheric interior of the Church of ...

This atmospheric 19th-century Romantic coastal scene depicts fishermen gathering by a rowboat along a peaceful shore, with sailing vessels anchored on calm waters and half-timbered c...

Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published b...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Artist: Hippolyte Moreau, French (1832 - 1927) Title: Hero Medium: Bronze Sculpture on Marble Base, signature inscribed Size: 19 x 11 x 9 in. (48.26 x 27.94 x 22.86 cm) The tale of ...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Contemporary figurative oil on canvas painting by Polish artist Katarzyna Szydlowska. Painting pictures female in nude. She is sitting on the beach, there is sea and cliff behind her...

This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

Igor Maikov (1966) Education: 1981 - 1984 The Academy of Art 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia 1995 - ...

Beautiful pastel drawing depicting a romantic scene of great delicacy, confidently attributed to Josep Simont. The composition portrays a couple in an intimate setting with a distinc...

Etching and burnished aquatint on laid paper, circa 1824. From the four additional plates for Los Proverbios. Sheet size 11.5 x 16.75 inches. Framed dimension 17 x 21 inches. Prove...

Pair of drawings on paper of a rabbit and a cat by Margaret Lisel. They are both signed bottom right and dated for 1934. The drawings are presented as a pair in plain gilt frames. A...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series In Between Days Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Charles Zacharie Landelle. French ( b.1821 - d.1908 ). “Je Te Demande Une Caresse Et Tu Me Chatouilles”. (“I Ask You For A Caress And You Only Tickle Me”). Oil On Panel. Signed Lower...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper Hadley's photographs have been exhibited at the Milan Photo Fair (Italy)...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Artist: Alvar Title: From Barcelona Suite Year: 1979 Medium: Color lithograph with embossing Edition: Numberd 145/185 in pencil Paper: Arches Image siz...

'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...

This twentieth-century oil on canvas painting depicts a traditional Dutch country genre scene complete with a quiet waterway, cottage, and windmill against a pale sky. A young girl s...

Oil on canvas Canvas Size: 29 x 44 in. Frame Size: 36 x 51 in. Unsigned A marvelous antique oil on canvas painting, exemplary of Romantic Dutch painting that depicts a sweeping, dra...

Fine soft ground etching printed in a orange / red ink on laid paper. A French etching in the manner of Boucher. A shepherd and shepherdess rest by water among sheep, goats a donkey ...

Beautiful seascape oil painting of boats sailing on the Nile, showing the city in the background by an unknown artist, c.1920. A serene river scene with sailboats gliding across ca...

Birger Hjelm – Våreldar ("Spring Fires"), c. 1935-1938 Oil on board unframed 80 x 84.5 cm (31 ½ x 33 ¼ in) framed 82 x 87 cm (32 ¼ x 34 ¼ in) Signed “Birger Hjelm” lower right; titl...

"Italian Landscape at Sunset" Materials & Technique Medium: Oil on canvas Framed Dimensions: 35 x 27 cm Painting Dimensions: 20 x 15 cm Frame: Giltwood with intricate decorative ...

A refined and unique portrait of a young noblewoman or aristocrat, executed in pastel on paper, signed by Edmond Jewrin and dated 1843. She is depicted in three-quarter view, seated in an armchair, with an innocent expression, her head slightly inclined to the left, looking directly at the viewer. She wears a beautiful white lace dress with bare shoulders, her arms resting in her lap. The leaf headdress is not merely an aesthetic embellishment, but rather part of the coded language of fashion and Romanticism of the period, symbolizing fidelity, marriage, and unwavering affection. Furthermore, during the 1840s and 1850s, there was a strong influence of classical mythology on formal court hairstyles. Adorning the hair with garlands of leaves (in the style of a laurel wreath or Bacchus wreath) evoked nymphs and goddesses of nature, projecting an image of purity, youth, and connection with nature. Despite the neutral, flat background in pastel blue, the artist manages to create space using a careful and precise technique, which meticulously captures the sitter's sweet facial features. It follows in the footsteps of the great 19th-century portrait painters of the Central European school, such as Franz Xaver Winterhalter. It retains its original oval, gilded wooden frame, protected by glass. The 19th century has sometimes been called "The Century of the Portrait." From its very inception, portraiture was associated with figures of economic, social, or political power who wished to display and perpetuate their influence, but it experienced its golden age during this century, especially in the last third, as it became a coveted form of distinction among those who could afford it. It extended to all kinds of techniques: painting, sculpture, medal making, miniatures, watercolor, drawing, etching, lithography, photography… Moreover, the influence of photography and the arts' growing move towards realism led to increasingly naturalistic depictions of effigies. A magnificent work that visually enriches any setting, adding distinction and historical narrative. Technical Data Technique on support: Pastel on paper Author: Signed Edmond Jewrin, Central European School Title of the work: “Female Portrait” Year: 1843 Good condition for its age and use. Frame restoration possible (quote available upon request). Overall dimensions: 95 x 80 x 6 cm. Dimensions without frame: 72 x 58 cm. Pastel on paper “Aristocratic Portrait...

Dutch Watercolour classical building portrait by Tineke Goedhart. The painting is signed and dated bottom left and resigned, dated and located on t...

This artwork titled "Waterloo Volunteers" from the suite "History of England" is an original color etching by British artist Graham Clarke, b.1941. ...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Frame size 71x62 cm. Biography of Gumersindo Vila Full Name: Gumersindo Vila Date of Birth: April 14, 1950 Place of Birth: Santiago de Compostela, Spain Nationality: Spanish Artist...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Robert Gemmell Hutchison was born and educated in Edinburgh. He began work as a seal engraver, although his real love was painting and he later studied art at The Board of Manufactur...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

An oil on panel view of a Christmas tree in a landscape heavy with snow by Boggio. The painting is signed bottom left. A charming view of a snow scene, a Christmas tree its branches...

Work on paper signed

SALE ONE WEEK ONLY "The Rev. and Mrs. E. H. Cumpston" a silhouette cut by August Edouart is in very good condition and cut by the artist sometime between 1839 - 1849. On the lower f...

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...