Romantic Art

Andrew Melrose Summer on the Delaware, 1884 Signed and dated lower left; titled on the reverse Oil on canvas 25 x 30 inches Provenance Private Collection, Buffalo, New York Not mu...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

The technique and subject matter work well together in this loosely but masterfully rendered World War 1 romantic illustration of a Soldier and a Parisian woman. Even though this wo...

Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...

With an expert command of light and movement, Victor Huguet’s At the Shore transports the viewer to a coastal expanse where a group of Arab horsemen and figures gather against a stun...

Adelsteen Normann Norway, 1848–1918 Norwegian Fjord Oil on canvas 31 ¼ by 41 ½ in, w/ frame 37 ⅛ by 47 ⅜ in Signed lower right Inventory Number: 01658 Adelsteen Normann was a Norw...

This exquisite painting by the artist Otto Lindberg (1880-1955) is a mesmerizing depiction of a spring sunset. Crafted in 1952, this piece stands as one of Lindberg's final paintings...

In creating this painting, I embraced the beauty of resilience and renewal found in nature. The acrylic and oil pastel blend to weave a dance of colors, capturing the subtle textures...

Gorgeous and very refined watercolor seascape on paper by the renowned artist Juan Antonio Morales, originally from Valladolid. Signed and dated 1996. Waves crash powerfully against...

KATARZYNA SZYDLOWSKA (born in 1969) Katarzyna Szydlowska studied at the European Academy of Arts under prof. Jerzy Duda Gracz, Antoni Fa?at and Franciszek S...

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

Oil on panel canvas :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :: Canvas ...

An enchanting oval portrait capturing a young girl, curled up in an oversized Louis XIV armchair. She wears a deep blue dress, her dark hair neatly arranged and held in place by two ...

Alabaster temple with Corinthian capitals, palmette decoration runs along the rim. On the front, two swans are carved on the base, while there are five rosettes at the top. In the ce...

Beautiful Orientalist painting - The Framed size: 47 inches x 34.5 inches. Magnificent ornate Frame The paint surface looks like the style of William-Adolphe Bouguereau Signed lower right. Provenance: Gallery Label with inventory number: Size on label is in centimeters, which indicates the painting came from a United Kingdom art gallery. Subsequently, Robert Funk Fine Art...

Guignet was born in Annecy and grew up in the city of Autun. He was a friend of Hippolyte Michaud. He was a rather popular orientalist painter in h...

Birger Hjelm – Våreldar ("Spring Fires"), c. 1935-1938 Oil on board unframed 80 x 84.5 cm (31 ½ x 33 ¼ in) framed 82 x 87 cm (32 ¼ x 34 ¼ in) Signed “Birger Hjelm” lower right; titl...

A unique pair of vintage herbarium / botanical displays collected and created by S. Lindwald in June 1946 in Sweden. These botanical specimen are preserved behind glass in a new doub...

Edition of 7 Printed on archival pigment paper by the artist Signed on Verso Lost Venice highlights the Renaissance past of a city that Hadley visited often as a child and where sh...

Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...

Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...

Signed lower left, 'R. Gallon' for Robert Gallon (English, 1845-1925) and painted circa 1880. This well-listed landscape and seascape painter maintained a studio in St John's Wood, ...

Abraham Verveer was born in The Hague in 1885. Verveer was trained at the Royal Academy of Art in his hometown, where he received a solid foundation in both painting and drawing in t...

Reference to the film and novel by Nevil Shute. Oil on Linen. The painting will be signed when purchased, if the buyer wishes. :: Painting :: Romanticism :: This piece comes with...

Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...

Flamenco Dancer. Romantic French pastel portrait on paper of a Spanish beauty by Louis Fortuney. The work is signed bottom left, and presented in a very fine carved gilt rococo wood ...

The invitation for Grisebach's 'Spring Auctions in Berlin' held from May 31 to June 3, 2017, features the artwork Frühsommerlicher Weinberg in Pillnitz by Carl Gustav Carus. Grisebac...

Paul HUET (Attributed to) Landscape with a boat on a strait Oil on wood panel Not signed 22 x 34 cm (31 x 43 cm with frame) Panel dealer's stamp on the verso and collector's stamp? V...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 CONVERSANDO signed "Cortellini" (lower right) oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "The Nightmare" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the side and the back of the painting. We ship al...

Gustaf Fjæstad (Fjaestad) (1868–1948) Sweden A Rocky Shore at Night, Full Moon Signed “G. F.” Authenticated on the reverse by Bo Fjæstad (1903–1991), the artist’s son pencil on pap...

Scene of a seated headmaster watching over a pair of studying students in the style of Romanticism. The work has been attributed to the renowned American portrait artist Thomas Sully...

France middle of 19th century A set of 5 drawings Landscapes, farms and ruins Brown ink and brown ink wash on paper, Black ink and black ink wash on paper Dimensions vary : A big fa...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Head Study of a Young Man with Open Collar, French School circa 1820–1840 Oil on canvas, 50 × 44 cm with frame Frame in painted wood with traces of gilding An elegant oil on canvas ...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Bulldog and Frog France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portr...

Angels on the wall - Ciro Morrone Italia 2013 - Oil on canvas cm. 40x60 this painting is a reinterpretation of the work 'The New Angel' by New Mexico watercolourist Steve Hanks...

"Les Raisins" is an 18.25x22 original oil painting by renowned artist Alain Pontecorvo. Featured is a still life of a black bowl of a bunch of red grapes on a table with green grape...

Barend Cornelis Koekkoek (Middelburg 1803 – Cleves 1862) attributable Wooded landscape with stream oil on canvas 72 x 91 cm - framed 93 x 113 cm This evocative wooded view wit...

A late 18th Century oil on canvas laid on board of a young beauty in period costume carrying a basket of flowers on her head. Presented in a very fine gilt, period 'Directoire' frame...

Pair of 2 European cityscapes, each signed below the image, circa 1870 Each signed illegibly at the bottom right Size each: 38.5 x 27 cm Frame each: 53 x 41.2 cm Presumably cityscap...

Karl Adam Heinisch Neustadt 1847 - 1923 Munich On the Shore of Lake Constance Oil on canvas Munich School 1894 Oil on canvas / lined Signed and dated lower left Size: 55 x 85 cm Fram...

The romantic merges with the classic in Mitchell Funk's 1970s interpretation of the Brooklyn Bridge. With a long lens, Funk incorporates the emotionally joyful colors of out-of-focu...

19th Century Street Art - British children's book author and illustrator Edith Farmiloe depicts a waif-like girl - Cockney Gutter Imp - who is disheveled. The artist draws her i...

Music Lesson Italian Romanticism Neo-Rococo Oil Painting Gerolamo Induno Italian, 1871 Canvas: Height 64cm, width 86cm Frame: Height 89cm, width 110cm, depth 10cm This exceptional ...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

'Flower maidens,' a large oil-on-canvas painting by Émile Eisman-Semenowsky French/Polish, Late 19th Century Frame: height 72.5cm, width 111cm, depth 9cm Canvas: height 54cm, width 9...

Country girl - Angelo Granati Italia 2011 - Oil on canvas cm. 90 x 70. This is his reinterpretation of painting "Young Shepherdess" by gratest old master William Adolphe Bouguereau. ...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Title Page-An Encampment in Ethiopia Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates) Published by Wil...

This luminous and finely executed painting by August Hagborg captures three nude women preparing to bathe at the edge of a still, tree-lined body of water. One figure is seated on a ...

Louis-Eugène Lambert (1825-1900) La Montagne qui accouche d'une souris (The Mountain and the mouse) Pen and black ink, ink wash on paper Signed lower ...

Early 20th Century French Countryside Pastoral Landscape Beautiful early 20th century Romantic period European landscape by an unknown artist, circa 1900. This pastoral scene featur...

Limited edition 10. Print, signed by the author.

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Story illustration for “Tin Crown” by Rex Beach for Cosmopolitan, published February 1933, page 61. Battling writer's block, songwriter Bertram Berry relies on the hidden talents of...