Bride Art

6053 Two lovers italian monochromatic oil painting Set in a ornate frame Image size 35.5x23.5" Signed lower left

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

"Lunch Time" by Bert Hardy Five British models eating lunch in their swimwear on a yacht on the Cote d'Azur. Original Publication: Picture Post - 7850 - Th...

A lively rural scene unfolds with a woman selling cabbages by the roadside on the left, whilst on the right, a traveller on horseback asks another man for directions. Unsigned. On ca...

Jacques Prévert ( 1900 - 1977 ) FR : · " Le Théatre Faustien à Saint Jean de Latran" Collage sur papier surréaliste, authentifié par sa femme Janine Prévert le 28 Janvier 1987 au d...

A charming early 19th-century portrait depicting Mary Emerson, wife of George Forster of Steel-Hall. The artist captures her in period dress, wearing a finely frilled mob cap typical...

Et Dimitte Nobis Debita - From "Pater Noster" is a colorful illustration (offset lithograph) by Salvador Dalí, from the volume "Pater Noster" published by Rizzoli Editore, Milan, 196...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Lilacs, Size: 24.5" x 30.5" x 0...

Oil on plywood realized by Alberto Gallerati in 1970s. Hand signed. Titled on rear. Very good condition.

Very well executed work by American artist William Harnden who specialized in Native American subjects. 23 3/4 x 29 1/2 in excellent condition frame. Signed lower right.

The Old Harbor French Impressionist artist, mid 20th century oil on canvas laid over board, framed painting: 9 x 9 inches framed: 9.5 x 9.5 inches condition: overall very good, a few...

Although I have no proof whatsoever, I like to think that this remarkable picture might have been painted by a young Georgio de Chirico shortly after his arrival in France in 1911. I...

Medium: lithograph (after the watercolor). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/8 inches (310 x 232 mm). Not signed. C...

Cary Grant And Grace Kelly In To Catch A thief (1932) Silver Gelatin Fibre Print (Photo by Paramount/Getty Images Archive London England). Cary Grant and Grace Kelly publicity por...

Title: It's Beautiful Floral Still-life Colorful Delight Invest Flowers Bouquet Joy Energy Captivating This small-scale painting will energize the collectors space with abundance a...

19th Century Chinese Glass reverse Painted Figure Of A Dignifies Woman dressed in a decorated gold silk robe with ornate colorful jewelry. Circa 1825 Chinese export Signed on verso. ...

Artist: Dali, Salvador Title: Untitled 05 (Les Chants de Maldoror) Series: Les Chants de Maldoror Date: 1934 Medium: original drypoint Unframed Dimensions: 12.5" x 9.75" Framed...

This 32" x 32.75" x 3" oil painting on canvas by Scottish artist Norman Harper depicts a serene mountain valley with a body of water at its center. Towering mountains frame a dramati...

Wrapped Roman Wall  is an original contemporary artwork realized by Christo. Black and white photolithograph. Hand signed on the lower left margin. Edition of 150 specimen. Numbere...

Family Scene, Children by the Victorian Cottage By T. Stevens, British late 19th century Signed oil painting on canvas, framed Framed: 12.75 x 19 inches canvas: 10 x 16 inches Condi...

American Impressionist Genre Figure Oil on Canvas Framed in gold leaf frame Excellent condition signed "K.A. Buehr" lower left Exhibited 24th Annual Exhibition, Art Institute...

Pablo Ruiz Picasso (Málaga, 1881 - Mougins, 1973). Mother and child. 1943. 37 x 31 cm (70.5 x 63.5 cm). Not signed. Provenance: - Private collection, Marie-Thérèse Walter, Pari...

12 Mai 1970 (The King and The Queen) is an artwork realized by Pablo Picasso in 1970. Etching on paper. Date printed on plate. Artist's stamp of signature in the lower right. Hand...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

Beautiful original Folk Art painting by American artist, Arthur Glazier (1928-2015). Oil on canvas, measuring 14 x 18 inches. Signed lower bottom. Arthur was born May 29, 1928, ...

A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...

IN STOCK AND AVAILABLE FOR IMMEDIATE SHIPPING Signed limited edition archival print of Country music star Dolly Parton hugging rock star Mick Jagger of ...

Poster. Measures 23.75 x 18.75 inches and is Unframed. Good Condition. Original painting created in 1895. An Abrams Color Print, printed in Lucerne, Switzerland by Mengis & Sticher

Portrait of a Young Girl French Rococo School, 18th century, unsigned oil on canvas, framed Framed: 24 x 20 inches Canvas : 20 x 16 inches Provenance: private collection, France Con...

Lady Arabella Stuart (1575-1615), portrayed circa 1600 English School - oil on panel Circa 1600 Late Elizabethan portrayal of Lady Arabella Stuart in court attire, oil on panel. Ex...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Title: You brought Sunshine and Summer Original Floral Painting, Blue vase, Geese, Heron, Unique, One-of-a-kind. "You brought Sunshine and Summer" is a painting that portrays a dee...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

Women In Dreamy Setting (Playa Amarillo) Artist signed and title, floater frame with gold and beige wood. Ethereal oil on canvas figural painting, titled Pl...

Oil Painting by Charles Willis "The Circumnavigators"  1878-1963 A portrait painter and commercial artist who also painted historical conversation pieces. Painted many portraits of r...

The Provencal Landscape by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condi...

This splendid early 18th-century French portrait depicts an elegant lady wearing a sumptuous red silk gown, white lace and dark fur. Painted in around 1725, her appearance places her...

Short Description Original charcoal artwork on cotton canvas by Italian artist Marilina Marchica. A unique work from the Frammento series, inspired by memory, antique wallpaper, and ...

Serigraph in colors with foil stamping and embossment on wove paper. Hand signed lower right by Erte. Hand numbered 154/300 lower left. Sheet size: 34 x 29 inches. Frame size: 43...

1780's-1800 Fine English School Ink & Watercolor Occult Ritual Scene with Figures and Demonic Forms Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with wat...

German manufacture (late 19th century) - Madame Juliette Récamier reclining on a chaise longue. 13 x 7.5 x h 17 cm. Polychrome porcelain group depicting Madame Juliette Récamier se...

Marc Chagall, After, Russian (1887 - 1985) - Nice Soleil Fleurs (La Baie des Anges). Year: circa 1970, Medium: Offset Lithograph Poster, Size: 38 x 25.5 in. (96.52 x 64.77 cm), Prin...

Alphonse Mucha's "Gismonda" poster, featured as Plate 27 in "Les Maîtres de l'Affiche," stands as a testament to the harmonious convergence of visual arts and theatrical brilliance. ...

French Post Impressionist Still Life with Fruit Oil Painting French School early 20th century oil on unstretched canvas Size: 12.5 x 15 inches Provenance: private collection, France ...

A Summer French Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), un...

For this cookies and cream cupcake I wanted the syrup to look wet and gooey while the icing flecked with bits of cookie looks rich and thick. And what could be better than a cupcake ...

Art Shay's true love was street photography. It is evidently clear in this shot entitled "The Three, Maybe Four, Ages of Women" with the young mannequin bride, the middle aged women...

ÀNGEL BADIA CAMPS (Puigreig, Barcelona, Spain, 1929–2019). "Boy at Breakfast Table, Oil on Canvas by Àngel Badia Camps." Oil on canvas. Signed lower right. Artwork: 46 × 55 cm (18.1 ...

Paul Wadsworth 1964 - Current Kerala Sunset, 2026 Oil on canvas 80 x 60 cm 31 1/2 x 23 5/8 in 'Kerala is known for its beautiful sunsets dropping down into the indian ocean.. I’ve s...

Lotus III – Shinobazu Pond is a painting by contemporary Japanese artist Lumi Mizutani made with pigments and silver leaf. This particular work emphasizes the elegant lotus leaves ag...

Original collotype created from a detail of Gustav Klimt’s Beethoven Frieze. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an e...

Fair Fun (1938) - Silver Gelatin Fibre Print (Photo by Fox Photos/Getty Images) August 1929: A man standing alone on a rain-drenched pavement on the River Thames Embankment, London...

In creating this piece, I poured raw emotion into layers of pinks and greens, evoking a sense of renewal and fragile beauty. The acrylic textures express movement and growth, while t...

What Lies Beneath [2023] original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of framed Work: H:63 cm x W:63 cm x D:3cm Sold Framed Please note that insitu images ...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Still life with vase of flowers Italian School of the nineteenth century Oil on canvas cm. 74 x 92,5 frame 97 x 112 Beautiful painting representing a rich still life, of great deco...

Artist/ School: English School, circa 1740's Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'. Medium: oil painting on canvas, framed Size: painting: ...

Museum Madonna Nikolaus Weckmann Ulm 1481 - 1526 Ulm Carved limewood Polychrome painted & gilded Height 132 cm Niklaus Weckmann was an important sculptor who was active in the l...

Circle by Nicolas de Largillière, portrait of a lady in scarlet, in its original gilded oak frame, Louis XIV period, early 18th century. Not signed. A masterpiece of Baroque composi...

Original “Mercurey Kina” vintage lithographic poster. Linen backed in B condition but ready to frame. Artist: Paul Mohr. Printer: Edia Paris. Signatur...