Bride Art

Antique European impressionist portrait oil painting . Oil on canvas. Signed. Framed. Measuring: 26 by 32 inches overall, and 21.5 by 26.5 painting alone. Handsomely framed in a gi...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

Artist: Alexander Shandor Title: Floral Breath Medium: Oil on Hardboard Year: 2022 Style: Impressionism Dimensions: 20 x 23.5" x 0.2" inch (50 x 60 x 1 cm) Presentation: Unframed, ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 18126 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Original 1971 “Scars of Dracula” / “Horror of Frankenstein” vintage U.S. one-sheet movie poster — 27 x 41 in. An original U.S. theatrical one-sheet poster for Hammer Films’ 1971 dou...

Oil on wooden table realized by Hippolyte Camille Delpy in the late 19th Century. A very nice small painting by an importante french painter of the late 19th Century, deeply influen...

Maggie Taylor (born 1961 in Cleveland, Ohio) is an artist who works with digital images. Her work has been widely exhibited in the United States and Europe and is represented within...

Original antique 19th century oil on canvas depicting a lively French street scene with figures gathered outside a village tavern or inn. The composition shows women in traditional d...

Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...

OUT CHORUS(RHYTHM SECTION) is a limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking paper, 100% acid free, in an editio...

Le Marche by Regine David (female French artist, 1910-2018) signed verso oil on board, unframed board : 15 x 18 inches inscribed verso Provenance: the artists estate, France Conditio...

Nacimiento del Niño Jesús. Escuela Italiana del Siglo XVIII. Importante pintura cargada de detallismo, excelente calidad. El óleo esta re-entelado y va con un marco macizo de cerezo ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Mark Morrison (1895-1964) Black Swan , ca. 1950 Carved and polished black pearl granite 7" wide, 11.5" deep, height is 29" Provenance: Estate of Mrs. Mark Morrison. Born: Kin...

This artwork "Couple Holding a Baby" c 1940 is an oil painting on hardboard by noted American artist Victor Thall, 1902-1983. It is signed at the upper right corner by the artist. The board size is 10.75 x 17.25 inches, framed size is 22.25 x 27,75 inches. Framed in original gold wash frame, with fabric liner. it is in excellent condition. About the artist: Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction. Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual. Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths. Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983. Education: 1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond. Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris Teaching: 1947 -1949 Art Students League Selected Bibliography: Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991. Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery. 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950. Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43. 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949. Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill. Upton, Melville, "George Binet Gallery," Sun, December 13, 1947. Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947. "Victor Thall at Binet Gallery," Art News, December 1947, p. 59. Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947. Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery. Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker, May 27, 1944, pp. 68-69 Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22. Devree, Howard, "Victor Thall," New York Times, October 24, 1943. Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune, October 24, 1943 Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943. Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition. Victor Thall Oil Paintings, New York: Puma Gallery, 1943. Art News, "Our Own Exhibition Gallery," June-july 1943, ill. MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill. Selected Public and Private Collections: Brooklyn Museum Desmond Child, Los Angeles Robert Crewe, Los Angeles Sidney Lumet, New York Newark Museum Billy Steinberg, Los Angeles 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Leonor Fini (1907-1996) Portrait with flowers, 1960 Lithograph 25 1/4 x 19 in (64 x 48 cm) With frame: 33 x 26 1/2 in (83,5 x 67,5 cm) Leonor Fini was born in 1907 in Buenos Aires a...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Medium: heliogravure (after the Rembrandt etching). This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: ...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

This wonderful unsigned Madonna and Child panel, painted on a gabled wooden tabernacle, exemplifies the lyrical and stylized aesthetic pioneered by the Sienese master Duccio di Buoni...

A splendid oil painting on canvas, the artist's first work on canvas, attributed to the great German painter Friedrich August Bouterwek (1806–1867). Signed "FB" and dated 1853 in the...

Lady Emma Hamilton British School, late 20th century signed oil on canvas, framed framed: 16.5 x 12.5 inches canvas: 14 x 10 inches provenance: private collection condition: very goo...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

Fréderic MENGUY - The Bride, 1975 Original Lithograph Signed in pencil Numbered / 119 copies in Roman numbers On Japan paper 56 x 42 cm (c. 22 x 16.5 inch) Excellent condition

Title Robert Bouille French Modernist Portrait of a Country Lady Oil Painting Key Details Artist: Robert Bouille, French, 1926–2021 Title: Portrait of a Country Lady Medium: Oil pain...

Charming Courtyard Scene Simone Forge 1930's French Impressionist oil on board unframed board: 9.5 x 7.5 inches Provenance: private collection Condition: great condition For more ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21179 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

French Modernist Charcoal Still Life with Bottles, Jug and Ceramic Bowl Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and pencil on artist paper, unf...

Interesting oil on canvas depicting the Virgin and Child, belonging to the Colonial School, almost certainly Cusco (Peru). It dates from the mid-19th century and is unsigned. The wor...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Mother and Child signed initials by Irina Hale (British 1932-2022) oil painting on thin card , unframed double sided painting: 5 x 4 inches provenance: private collection, Cotswold...

A delightful study of George Hayter's portrait of the Honourable Emily Pakenham (1798-1875). At the table with her drawing board, the subject looks toward something beyond the frame,...

Albert Goltyakov (1924-2016) Born in a family of workers. Studied at the Krasnoselsk Technical School of Artistic Metal Processing (1948-52), graduated from the LVMA Department of ...

Artist: Vadim Zang Title: Lora Medium: Oil on Linen Year: 2014 Style: Figurative Impressionism Dimensions: 14" x 11" x 0.8" inch (36 x 28 x 2c...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 10 x 9 inches Provenance: private collection, France Condition: The painting is in overall...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 100. Very good condition.

Dimensions: 70 W x 24 H x 25 D cm Weight: 11 kg Material: Bronze, patina, metal Edition: 5/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a bra...

A Finely Drawn, 1930s Art Deco Modern Female Figure Study, Portrait of a Young Woman in Profile by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exquisite studio portrai...

Party Line by Norman Rockwell, (1894 - 1978) Date: circa 1975 Medium: Poster Edition: 2500 Size: 25 in. x 22.5 in. (63.5 cm x 57.15 cm)

Alonso Sánchez Coello (Valencia, 1531 – Madrid, 1588) Workshop of Portrait of a Noblewoman Oil on canvas 100 x 70 cm. - In an antique frame, 120 x 92 cm. This portrait, ric...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and hotspots of contemporary city life." - Financial Times, Baya Simons. This painting depicts an impressionistic scene of Vesuvio Bakery in West Village NYC...

Werner Bronkhorst Horseplay, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-cer...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

The Courting Couples French Rococo artist, 19th century oil on board, framed framed: 10.5 x 13 inches board: 9 x 10.5 inches provenance: private collecti...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

Return of the Jedi 1983 Original Vintage Poster measures 27×41" inches / 68 x 104 cm unfolded rolled excellent condition Return of the Jedi (also known as Star Wars: Episode VI ...

Colours Of The Night #3 - This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #3 from a series of 4 art...

Oil on canvas realized by Benito Trolese (1937-2017) in 1988. Hand signed and dated. Titled on rear. Includes a contemporary wooden frame cm. 41x51. Benito Trolese is an Italian p...

Wrapped Roman Wall  is an original contemporary artwork realized by Christo. Black and white photolithograph. Hand signed on the lower left margin. Edition of 150 specimen. Numbere...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

Corrado Giaquinto (Naples, 1703 – Naples, 1765) Venus tries to dissuade Adonis from going hunting Oil on canvas 131 x 100 cm. – With an important period frame (imperfections, mi...

A beautifully executed and deeply evocative late 19th-century painting of the Virgin of Guadalupe, signed “Y. Gons. Cervantes pinxit / Abril 1887.” Rich in symbolism and devotional i...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Pablo Picasso "Tête de femme n°1. Portrait de Dora Maar" 1939 Colour aquatint, scraper and drypoint on laid paper with watermark "Picasso" Lower right inscribed and signed by the art...

L’étoile, from the series Fantômes, 2025. © Diana Markosian / Aperture Framed and Signed Magnum/Aperture square print sale Diana Markosian takes an intimate approach to her photogr...

Title: Venice Grand Canal Waterfront Study Signed Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on paper Size: 11.75 inches (height) x 9.5 inches (width) Condit...

"17th Century Flemish School Old Master Adoration of the Magi." Oil on canvas. Previously relined. Unsigned. Artwork: 81 × 61 cm (31.9 × 24 in.). 88 × 69 cm (34.6 × 27.2 in.). (Fra...