Bride Art

Blue Agave, AZ, USA - no. 11774 // Black and White Fine Art landscape photography. Blue Agave, plant, detail, Arizona, USA. Archival pigment ink print, edition of 9. Signed, titled,...

Etching on imitation Japan paper. Image dimension: 26.7x39 cm. Signed and dated in the lower right in pencil "Morandi 1945". Edition of 22/50, numbered in pencil. Ref. Vitali 111...

What could be more beautiful than rain after the summer heat? Nature seemed to be waiting for this refreshment. I want to run on the wet grass, like in my youth. Serenity, this is e...

William Pearce (British, 18th/19th Century) Showing Off the Hack, 1798 Oil on canvas Signed upper middle 20 x 23 inches 24 x 28 inches, framed

Artist: Slonem, Hunt Title: Blue Owl Date: 2026 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Edition: Unique Hunt Slo...

Sancta Maria de Pace Oil on canvas, marouflaged on panel Probably Germany, 18th century Dimensions: approx. 46 × 35 cm (exclusief. frame) Provenance: Private collection, South German...

Title: Water lily Medium: Oil on canvas Size: 15.25 x 11.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Camille Joseph Etienne ROQUEPLAN 1803 - 1855 A fantastic oppotunity to buy a piece by Camill Roqueplan.His works do not come up often in auction but in 1989 one reached FF 200 000. ...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Hand signed, hand embellished mixed media silkscreen. Unique AP edition of 12 "If you ever leave me, I'm coming with you" is a playful, humorous yet paradoxical expression of deep ...

In The Twilight, dated 1912 by Alexandr Victorovich Moravov (1878-1951) Large 1912 Russian Impressionist nocturnal interior "In The Twilight" oil on canvas by Alexandr Moravov. Ex...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

"Sophia Loren in A Countess from Hong Kong" by John Springer Sophia Loren stars as the Russian countess turned Hong Kong hostess Natascha in the film A Countess from Hong Kong. Movi...

Medium: lithograph (after the original menu illustration). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x 9 inches (310 x 230 mm). The artist was also known as Henry Gerbault...

American Impressionist Genre Figure Oil on Canvas Framed in gold leaf frame Excellent condition signed "K.A. Buehr" lower left Exhibited 24th Annual Exhibition, Art Institute...

Maria Helena Vieira da Silva Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325...

This is an above the edition impression of an original lithograph by Marc Chagall, created in 1962 and printed in 1963 by Mourlot for Chagall Lithographe II, published by André Saure...

7 colour silkscreen on bespoke 410gsm Somerset Tub Sized Radiant White Rough Textured M-R 100% cotton paper. Edition 810 of 1163 Hand-signed and numbered by the artist 68 x 54.4 cm -...

Cicciolina Puppet - Vintage Photograph is a black and white photograph realized in the 1980s. Good conditions with slight foxing.

A charming mid-19th century portrait of a young master dressed in classical robes and holding a bucket. Set against a romantic dusk landscape and captured in three-quarter view, he m...

Artist/ School: English School, circa 1740's Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'. Medium: oil painting on canvas, framed Size: painting: ...

18th/19th Century School 'A scene of Christ entering Jerusalem' Medium: oil on canvas, framed Size of painting: 21.5" x 18.25" inches condition: overa...

Fabien Fabiano (1882, Lamballe – 1962), Signed bottom right Oil on canvas Canvas Size" 24 x 20" (61 x 51cm) Outside Frame Size: 31 x 27" (79 x 69cm) F...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This rare artwork is a charcoal-on-paper composition depicting an interpretation of the proud rooster. Thi...

Impressive early Italian impressionist seaside portrait painting. Oil on board. Framed. Measuring 7.25H by 10.75L.

In this work, the artist explores the theme of self-expression and freedom from expectations. It is a story about the importance of allowing yourself to be different — not conforming...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1951. The composition captures Chagall’s poetic vision of love and mysticism, blending dreamlike imagery and radiant color into a lyrical meditation on devotion and imagination. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1951 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall's art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby's New York for Les Amoureux (1928). Marc Chagall La...

A Rare and Important Treasure: 11 Oil Painting Panels in a Majestic Fan Shape Signed by Significant 19th-Century Austrian Artists, Featuring Isidor Kaufmann A magnificent and unique artistic achievement, this rare and important assemblage of 11 oil painting panels forms a majestic fan shape, uniting the work of significant 19th-century Austrian artists in a singular, breathtaking display. Each oil on panel is signed by the artist, showcasing a rich variety of subjects—ranging from evocative landscapes to compelling portraits—all rendered in the refined and masterful techniques characteristic of the era. Bringing together the talents of Isidor Kaufmann, Adolf Kaufmann, Carl Reichert, Emma (Edle von Seehof) Müller, Ernst Novak, Johann Hamza...

Francesco Fontebasso (Venice 1709 – Venice 1769) Alexander the Great Shows Mercy to the Persians Oil on canvas 108 x 153 cm. - Framed 120 x 164 cm. Highly captivating due to ...

Satiricon is a colored lithograph, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. Not signed nor numbered. In very good condition. From series "Satiricon de Petron". The artwork represents a portrait of a nude woman with her delicate beauty expressed perfectly through confident strokes by bright and harmonic colors. Leonor Fini (1907-1966) was an emblematic painter, illustrator, writer, scene painter and draftswoman; one of her favorite subjects was human bodies painted with hybrid shapes, as animals, plants or minerals. Her subjects are neither naked nor dressed, their body is crossed by nervous tissues, veins and blood vessels.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Not signed. Co...

Title: French Impressionist Oil Painting of a Coastal Village in the Gulf of Morbihan By Fanch Lel (French b. 1930) Size: 4.75 x 6.5 inches (height x width) Signed: Yes Oil painting ...

Title: French Impressionist Oil Painting of an Interior Scene with Draped Fabric by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: ...

Ya es Hora. is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.Very g...

Reclining Nude figure

The Arrival of the Angel is an old master artwork realized by Simone Cantarini in 17th Century. Black and white etching. Image dimensions: 21x17 Mo...

"At the café. Oil on panel signed lower left.Beautiful work by the great Moroccan painter Antonio Fuentes (Tangier 1905 - 1995). In the Hotel Fuentes, Antonio Fuentes was born on O...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Artist: Jessica Rice, Belgian (1941 - ) Title: Faces at the Beach Year: 1988 Medium: Oil on Canvas, signed l.l. Size 48 x 72 in. (121.92 x 182.88 cm) Frame Size: 53 in. x 77 in. (1...

Nude Lady In Grey Bathroom Interior by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 32 x 39 inches Provenance: unsigned, all the paintin...

Portrait of Hortense-Félicité de Mailly-Nesle, Marquise de Flavacourt (1715-1799) Studio of Jean-Marc Nattier (Paris, 1685 - 1766), no visible signature Mid-18th century French Schoo...

Margaret Sarah Carpenter (Salisbury 1793-1872 London) Double portrait of a brother and sister, formerly identified as the Poulett children, c. 1830s Half-length, within a park landscape Oil on canvas Inscribed to the stretcher frame verso, ‘Ms Carpenter’ 91.5 x 71.6 cm.; (within frame) 104.2 x 84 cm. (Unsigned) Provenance: Private collection, United Kingdom; Portobello Road, c. 2014; Where acquired by a private collector United Kingdom; By whom sold, Dreweatts, Old Master, British and European Art, 10 February 2026, lot 145; Where acquired by Haveron Fine Art. Painted by the most celebrated female artist of her generation, this charming double portrait of a brother and sister belongs to Margaret Sarah Carpenter’s highly productive output of the 1830s, and is characteristic of the accomplished duality of her child portraits. Both endearing and elegant, the siblings are pictured at the cusp of adolescence, and Carpenter navigates this moment of tender transformation with a subtlety no doubt informed by her own motherhood of five children. The young boy embraces his elder sister with a fraternal warmth, resting his hand on her wrist with a hint of Regency Romanticism. Their cheeks are flushed with the vitality and pictorial sweetness of youth; their lips are delicately coloured; and their eyes gleam with enlivening highlights. Meanwhile, they have graduated to the fashion of young adults: the boy has been ‘breeched’, and wears a double-breasted velvet jacket with a black cravat, while his sister’s fashion is altogether adult, albeit comprising softer materials, with delicate lace trim and pink ribbons. Moreover, their knowing gaze towards the viewer speaks to a primed sensibility, and their standing within a park landscape perhaps foresees the responsibilities of familial inheritance come adulthood. It was this intuitive and measured approach which earned Carpenter a reputation that vastly exceeded those typically afforded to public women of the 19th century. Indeed, she was for a time considered the natural successor to Thomas Lawrence, whom she is rumoured to have briefly studied under. A typewritten label affixed to the stretcher frame gives the traditional identification of the children as ‘John and Charlotte Poulett / children of / Lt. Gen. Hon. Vere Poulett’. Himself a son of Vere Poulett, 3rd Earl Poulett (1710-1788), the Hon. Vere Poulett (1761-1812) did have a number of children, including John (b. 1789) and Charlotte. However, their birthdates are not fitting with the painting’s date of creation or Carpenter’s own age, and thus leaves the children’s identities uncertain. Indeed, there is no record of any Poulett sitters in a transcript of Carpenter’s sitter book, held in the collection of the National Gallery, London (GB 1082 MSC); however, the record is by no means exhaustive, and does not include some 500 of Carpenter’s other works (particularly her child portraits). It is nonetheless apparent that the siblings’ fashion is belongs to the established classes, and the rural setting presumably suggests a landed family, possibly of noble descent. Margaret Sarah Carpenter (Salisbury 1793-1872 London) Carpenter was born in Salisbury to Alexander Geddes, a retired army officer, and Harriet Easton. Carpenter’s early talent was developed under the tuition of Thomas Guest (1754-1818) in Salisbury, where her skill was noticed by the 2nd Earl of Radnor, who allowed her to make copies of the Old Master pictures at Longford Castle. On Lord Radnor’s advice, Carpenter sent pictures for three successive years to the Royal Society of Arts, receiving a public acknowledgement for each as well as gold medals in 1813 and 1814. Aged 21, Carpenter moved to London in 1814 with Radnor’s funding, and established her early practise in his London residence. That same year, she first exhibited at the Royal Academy and British Institution. Her works received high praise in the press, and some pictures were acquired by the Marquess of Strafford, an influential patron of the arts. Her works were heavily influenced by Lawrence and Reynolds, and it is possible that she studied for a year under Lawrence in 1812. Indeed, she later finished Lawrence’s portrait of Mrs Brandling. Carpenter married William Carpenter in 1817, who later became Keeper of Prints at the British Museum. Together, their five surviving children included artists William, Percy, and Jane Henrietta ‒ a model for some of her mother’s most tender portraits. Carpenter enjoyed a broad professional and social circle, being a close friend of Richard Parkes Bonington, and being reasonably well-acquainted with Constable ‒ who suspected that her incessant work was resulting in physical problems for her, as well as the neglect of her children (Gaze, p. 350). She introduced her sister Harriet to the artist William Collins RA...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

The painting depicts a stylised portrait of a woman, executed in a textured, almost sculptural style. The woman’s face is rendered in a generalised manner: her features are softly bl...

About the artist: I am an oil painter based out of Southern Maine. My subject matter focuses mainly on animals and capturing a sense of movement and narrative through the captivat...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

On the canvas—a quiet, almost heavenly apparition. From light brushstrokes, a face emerges, like a memory from the clouds. Blue and white paints swirl above the head, transforming in...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

A whimsical oil painting depicting a Street Scene in Venice of people going about their day by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produ...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

* No US duty or taxes to pay on this item * A beautiful early 20th century English impressionist oil on board depicting a scene at the Oxford Eights rowing regatta. The Eights (or ...

Original etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in 1931. Illustration "Avec Remarque". Catalogue Bloch Vol. I n. 128...

Paul Signac’s Saint-Briac. D’une fenêtre (1885) captures the quiet beauty of the Breton landscape at a pivotal moment in the artist’s evolution from Impressionism to Neo-Impressionis...

Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 3...

A man stares out across a party while in the sky a faint figure is visible, perhaps the invisible presence that artist Erik Freyman alludes to in the artwork's title. Invisible Pres...

This superb French Old Master oval portrait oil painting is attributed to circle of Nicolas de Largilliere. Painted circa 1700 it is a half length portrait of a gentleman in a red co...

"The Toreador" Pierre Ambrogiani (France, 1905-1985) Oil on canvas Circa 1950's  28 1/4 x 20 3/4 (31 1/4 x 23 3/4 frame) inches Signed bottom right corner If the artists Diego Veláz...

Elise Remender captures the romantic glamour of a bygone era in her contemporary figurative paintings that blend classical fine art and contemporary pop realism. Fantasy, mid-century fashion, and the glamour of travel and coastal living inform soft brush strokes and abstracted beauty; reminiscent of vintage advertisements and dusted sunlight. This original 50-inch square painting evokes a sense of delight and playfully nods at summery vintage aesthetics. This one-of-a-kind painting is painted with acrylic paint on canvas. It is signed by Remender on the front bottom right corner of the artwork. The sides are painted as a continuation of the front and it does not require framing. Free delivery within the local Los Angeles area. This artwork includes a certificate of authenticity issued by the gallery. Remender grew up in Arizona and is based in Southern California, but she has traveled all over the world gaining inspiration for her work. Her most recent series, Bathing Beauties, which captures the human form and abstracts it through light and reflection, was inspired by the vintage elegance and history of Southeast Asia’s historic hotel pools and gardens. It evokes a bygone era when Ernest Hemingway and Jackie O. were among the clientele. “I’m a bit of an old soul and there is a sense of elegance and beauty that has been lost in modern-day society, and I seek to recapture this essence in my work. I’m creating a sort of fantasy world of luxury, leisure, and old Hollywood glamour.” Her work has appeared in galleries in the US and Asia and in GQ Magazine, Architectural Digest, Dwell, California Home, People, among many other publications. Her paintings hang in luxury properties including The Ritz Carlton San Francisco, The Hard Rock Hotel Las Vegas, and Hilton properties across the United States, as well as in the homes of celebrity collectors including Ryan Seacrest and Kylie Jenner. REPRESENTATION: Artplex Gallery, Los Angeles, USA EXHIBITIONS: 2023 Artplex Gallery, Los Angeles, USA 2021 “The Beauty Myth”, Artplex Gallery, Los Angeles, USA 2018 “All American Inspired,” Merritt Gallery/Renaissance Fine Arts, PA, MD, USA “At the Shore,” Eisenhauer Gallery, Edgartown, MA “Color in Motion,” Eisenhauer Gallery, Edgartown, MA “Having a Ball,” Jules Place, Boston, MA Meritt Gallery, Renaissance Fine Arts, PA, MD Studio E. Gallery, Palm Beach, FL 2017 “Distant Memories,” 111 Minna Gallery, San Francisco, CA Merrit Gallery, Renaissance Fine Arts, PA, MD “Holiday Gift Guide...

Sara Puppet (Ciriaco De Mita) - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Good conditions with slight foxing. Typed description in Italian o...