Bride Sculptures

Three Horses is a bronze bas-relief sculpture by French contemporary artist Pierre Yermia, dimensions are 42 × 81 × 2 cm (16.5 × 31.9 × 0.8 in). The sculpture is signed and numbered...

Group II is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 17 × 26 × 6 cm (6.7 × 10.2 × 2.4 in). The sculpture is signed and numbered, it is part of a li...

striking hand carved Carrara marble and linden wood sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and Greek mythology influences Med...

Pair of monkey candelabras by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina signed "Fratin" on the foot old period cas...

Vintage art deco bronze sculpture by Erte. Bronze. Signed.

Agathon Leonard (French, 1841 - 1923) Art Nouveau Silvered Bronze A French Art Nouveau gilt bronze sculpture, "Marguerite", by Agathon Léonard of Margeruite, placing a flower in her...

Louis Ernest Barrias (French 1841-1905) Nature Revealing Herself La Nature se dévoilant devant la Science Gilt, and silver patinated bronze with blue glass scarab Signed on base “E...

Franz Bergman Partial Gilt and Cold-Painted Bronze Figural Groups comprising of a Mother and her children. The nude boy and girl are draped in a cold painted garland all bare foot. A...

This larger than life gold gilded bronze of a sea man with oars will decorate any area and be a great conversation piece. The composition and casting detail are amazing. This is the ...

Wonderful and rare original Carl Kauba (1865-1922) gilt bronze of a Lady with sword and law book titled "Justitia" Signed: C Kauba and Geschutzt 4889. Height: 10.7 Inches with mar...

L'alsacienne Or Bretonne aux Rameau silver overlay patina by Leo Laporte Blairsy (French, 1867-1923). Depicting a woman in robe holding a garnet of flowers with a L'alsacienne or Bre...

Frederick Hart Ex Nihilo Maquette Cast Marble, (193/910) Limited Edition Cast Marble 20 x 30 in

Luigi Preatoni (Novara 1845 - ?), Maiden with hat Marble bust 66 x 43 x 36 cm signed (L Preatoni) on edge of dress.

This is a unique sculpture made of a bulding block in limestone from Notre Dame in 1949 by Einar Norman. Gustav Einar Norman, born 12 February 1896 in Avesta, died 28 October 1950 i...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

The work depicts, with a subtle and refined eroticism, Cupid and Psyche in the moment before the kiss, foreshadowed by the attitude of their bodies and gazes as they contemplate eac...

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 20 x 10 x h 19 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserva...

"Gold Rush (Pink)" is a numbered limited edition hand painted spray can by Mr Brainwash from the 2020 Classic Spray Can Collection. Measures approximately 2.5" x 7.5".

Virgin and Child Franco-Spanish sculptor from the Catalan/Pyrenean area Late Middle Ages, 13th-14th century Carved oak, flat back Height: 67 cm Fascinating and rare wooden sculpt...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

Saint-Gaudens, who served as an advisor for the Chicago World’s Columbian Exposition sculptural program, accepted the commission for the official award medal. He had completed his de...

Dirk Staschke is a full time studio artist who is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the s...

A very interesting Italian white marble statuary sculpture of Saint Jospeh with Jesus Christ as child, Italian school of the 19th Century. Saint Joseph portrayed in full, with the li...

"Gold Rush (White)" is a numbered limited edition hand painted spray can by Mr Brainwash from the 2020 Classic Spray Can Collection. Measures approximately 2.5" x 7.5".

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

Coppia di vasi Napoleone III Francese in porcellana policroma poggiante su basi in bronzo dorato. Il fronte principale presenta un grosso dipinto centrale raffigurante personaggi st...

Antique French Napoleon III lamp made of gilt bronze and polychrome porcelain. The three porcelain sculptures rest on an oval marble base surrounded by gilded bronze profiling. The...

The Spring by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture made in white Carrara marble signed on the base "A. Carrier-Belleuse" France circa 1870 height 76,5 cm width 30 cm depth 24 cm Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart. Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois, Eugène Delaplanche, Jules Dalou or Joseph Chéret; but he was best known for having been the master of Auguste Rodin who entered his studio as a practitioner in 1864. Carrier-Belleuse devoted himself a lot to decorative sculpture. He contributed to the decorations of many important buildings. We owe him in particular the caryatids of the Renaissance theater in Paris, the pediment of the main entrance to the Banque de France, the stucco ceilings of the Lesdiguières and La Trémoïlle pavilions at the Louvre Palace, the frieze of the Palais de la Bourse in Brussels, or the decoration of the Hôtel de la Païva on the Champs-Elysées in Paris. He also received State commissions for monuments: that of Jean-Jacques Rousseau in Montmorency, of Alexandre Dumas, in Villers-Cotterêts, of Masséna in Nice. Abroad, he produced the equestrian statue of Michael the brave in Bucharest and the tomb of José de San Martín in Buenos Aires. In 1873, Carrier-Belleuse took part in the construction of the Paris Opera house, directed by his friend Charles Garnier. He created the two monumental torchieres...

Pair of important Terracotta busts depicting the Satyr and the Nymph by Antonio Giovanni Lanzirotti (Naples, 9 May 1830 – 1921) signed on the back. Antonio Giovanni Lanzirotti was ...

Gail Folwell is a contemporary sculptor who holds a BFA from the University of Denver and has had an accomplished career in graphic design as well as extensive university and college...

This small desktop bronze sculpture suggests the sweeping battle dress of a Samurai warrior. The piece is available in various sizes and finishes (shown in the images 3-6), includin...

Pair of scagliola sculptures - Roman figures. Italy, 19th century. 51 x 26 x h 118 cm (left) - 41 x 28 x h 118 cm (right). Entirely in scagliola. Condition report: In good general...

From the estate of the Artist Charles Cary Rumsey The Artist, Charles Rumsey, was a child prodigy sent to Paris as a young boy to study sculpture. He later was a world class sports...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Emil Alzamora was born in Lima, Peru 1975, and raised in Boca Grande, Florida. He later attended Florida State University where he graduated Magna cum Laude in 1998 earning a Bachelo...

Thalia, one of the Three Graces, frequently appears alongside her sisters in Neoclassical sculptures. She is known to symbolize youth and beauty. The Coade Head of Thalia draws inspiration from a 2nd-century Roman bust that bears resemblance to Greek models from the late fourth to early third century B.C. Thalia, the Muse of comedy and pastoral poetry, finds her inspiration from an original Roman sculpture from the 2nd century. This particular artwork can be found in the Vatican in Rome. Thalia holds a significant place among the Nine Muses...

2024 Fused glass 24” x 48” x 3”

Chimera in prayer is a contemporary artwork realized by Kiki Smith in 2004. Original sculpture in porcelain and biscuit.  Provenance Lorcan O’Neil Roma Gallery.  Authenticity cert...

The Secret by Pierre-Félix FIX-MASSEAU (1869-1937) Gilded bronze Signed on the side "Fix-Masseau" Cast stamped "Siot-Decauville Paris" Raised on a rough red marble base France circ...

This piece titled "MySpace Tom No. 6" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

This piece titled "MySpace Tom No. 7" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

This piece titled "MySpace Tom No. 8" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

This piece titled "MySpace Tom No. 1" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This p...

This piece titled "MySpace Tom No. 3" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

Pair of finely worked solid silver scutures signed Gemito with Chiurazzi's gallery stamp. The woman is depicted half-length dressed in period clothing and rests on a circular base. ...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

Untitled by Tito Monzón

MASTERPIECE Piece made of cardboard, delicately hand painted by the most expert artisans of Guadalajara Jalisco, México. LISTING =================================== 1 Cardboard handpainted Virgin =================================== DIMENSIONS =================================== 24" x 24" x 8" in or 60 x 60 x 20 cm =================================== DETAILS =================================== Time of Preparation: 2 months Made: Guadalajara, Jalisco, México. Artisan: Danilo Lopez Ochoa...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

Artist: (Garo) Karapet Balakeseryan Medium: Cream Alabaster, Natural Stone, All one piece of work, One of a Kind Year: 2024 Style: Classic, Impressionism, Subject: Roses, Size: ...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2023. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. The frame is included. Package: protected cardboard box. Dispatching terms: 2-3 work...

'Aunty' wabi sabi beauty in imperfection, appreciate simplicity, handmade unique sculpture. Elevate your space with this extraordinary exquisitely sculpted clay face and head vase c...

Late 18th Century Bronze Sculpture after the Farnese Hercules Grand Tour bronze with a fine encrusted patination on a later wooden base 16 in. h., overall 12.5 in. h., bronze 3.5 in...

Artist: Nicasio Fernandez Title: Needed Tools Size: 11 × 4 1/10 × 5 1/5 in | 27.9 × 10.4 × 13.2 cm Medium: Zinc alloy and mixed media Edition: ...

A charming, kitsch comical post-war porcelain ashtray or catchall, vide-poche. Made in Japan during the late 1940s or early 1950s. The original "Japan" label is affixed to the back. ...

Exhibited in Rome in 1953 with the exhibition label affixed inside. Glazed ceramic, Hand-formed sculpture of a head with abstract surface decoration. Sicilian-born and active in Rom...