Bride Art

English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...

"Sea Centaur" Original art, signed 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio Antiquity is an endless ...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 4 1/8 ...

Bear And Elf from "Intermezzi" is a print realized by Max Klinger in 1881. Signature and number of the print on plate. Black and white etching and aquatint. Original title: Bär und...

Title: French Impressionist Oil Painting of Market Day in the Village with Figures By Fanch Lel (French b. 1930) Size: 6 x 8 inches (height x width...

Jean Jansem (1920-2013) La salle de répétition de l’Opéra de Paris, 1968 Huile sur toile Signée en bas à gauche 130 x 195 cm Provenance: Wally Findlay Galleries, New York Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: 1964: c’est l’inauguration du nouveau plafond du Palais Garnier par Marc Chagall commandé par André Malraux alors ministre chargé des affaires culturelles. Commande qui fera couler beaucoup d’encre entre les partisans du modernisme et les tenants du conservatisme. Malraux tiendra bon, si ce n’est une légère concession: pour éviter de détruire l'ancien plafond et son décor, il sera masqué par une toile amovible de quelques 240m2 réalisée par Chagall dans les ateliers des Gobelins puis tendue par-dessus. Cette commande, autant acte politique que intellectuel, intervient à une époque où Malraux, convaincu que l’art contribue au rayonnement international de la France, soutiendra notamment les commandes du Mobilier national dont Pierre Paulin sera l’une des grandes figures, et où la CGT (Compagnie générale transatlantique) lancera un de ses plus gros chantiers avec le mythique paquebot France...

Auguste Rodin, French (1840 - 1917) - Male Acrobat, Year: 1902, Medium: Lithograph on Japon, signed in the plate, Image Size: 9 x 8 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Refe...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Hans (or Johann) von Achen (Cologne 1552 - Prague 1615) workshop Adoration of the Shepherds Oil on canvas 112 x 90 cm./ Framed 125 x 102 cm. The painting that we are happy to prese...

HILDA GLEIZER RINDOM original oil painting on canvas “cocktail party”. In good con measures 39x26

“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Angelo Campanella (Rome, 1748 – 1815) Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...

Artist: Slonem, Hunt Title: Into The Woods Date: 2023 Medium: Oil on wood Unframed Dimensions: 11.5" x 9.5" Framed Dimensions: 13" x 11" Signature: Signed by Artist on Verso E...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

A whimsical oil painting depicting a Courtyard Scene with a cafe of figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

James Bond 007 vs. Dr. No was the very first film in the James Bond saga, released in 1962. Directed by Terence Young, the film marked the beginning of a legendary franchise that has...

Oil on canvas painting by Heinrich Richter (German/Polish, 1920-2007). Painting is titled #50, signed and dated 1969. Heinrich Richter has had numerous solo and group exhibitions in ...

King Henry VIII English artist, circa 1840's oil on paper laid on board, framed framed: 10.5 x 10inches board: 8 x 7.5 inches inscribed verso provenance: private collection, UK cond...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works a...

Wearing a crown of white flowers, the woman in the white dress has clear blue eyes and pink lips. A classic example of Pablo Picasso's work, the woman's face is disjointed and fragme...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

English Harvest - Vintage 20th Century Impressionist Oil Painting with Horses & Figures by British Artist, David Hyde Art measures 16 x 12 inches Frame m...

The First Reading of the Emancipation Proclamation Before the Cabinet is a hand-colored steel engraving after a painting by Francis Bickne...

SOCIAL RESEARCH This work is part of the SOCIAL "research" which addresses issues that concern people and the "polis" which in Latin means city but also "political model". WOUNDED T...

Anonymous King's College Cambridge with the River Cam and Bridge to foreground 51x63.5cm Watercolour c. 1920s A fine, and large, view of King's College. The...

Artist: Slonem, Hunt Title: Mixed Migration Pink Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23" x 18" Framed Dimensions: 27" x 22.5" Signature: Signed Edition: Unique

She was a flapper - a symbol of freedom and change, the embodiment of rebellion against the conservative past. She was never bored because she was not boring. In her world, Charlesto...

Contemporary modernist American portrait oil painting. Oil on canvas. Signed. Measuring 20 by 40 inches.

Original pencil signed Grant Wood lithograph, "February," created 1940. A fine impression and one of the most important of the 19 lithographs created by the painter of "American Goth...

Antique English portrait painting. Watercolor and gouache on paper. Framed. Measuring 17 by 23 inches overall and 10 by 15 painting alone.

Geo Ham: 1900-1972. Well listed French artist who is best known for his posters of car racing. He has auction results over $32,000 for a single poster. This original lithographic pos...

The Banks of the Seine signed by Édouard Righetti (1924-2001) dated 1959 or 1960 framed oil painted on canvas, beautifully painted. very good conditio...

After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting in oil on canvas which was destroyed by fire in May 1945 at Immendorf Castle Lower Austria. Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient. Just 14 years later, the painting was tragically destroyed in a fire. With such a loss, this rare and exquisite image is all the more valuable by virtue of having been made in color. In works from his late period, Klimt continued his fascination with exploring female dynamics and their various forms of love. Girlfriends II is a fine example of how space, color and ornament play a noticeable role in the evolution of his symbolic language. Wide swaths of space in the background as well as the two female forms create the structure. Klimt’s strong brushstrokes show a painterly quality and a new move toward abstraction which feels very far away from his earlier work. Nor should Klimt’s economy of line be overlooked. His draughtsmanship is what infuses the female bodies with movement, emotion and a profundity of life. Both women confront the viewer’s gaze unselfconsciously, as if they are modern-day Viennese women stepping out of a Klimtesque ukiyo-e print. Characteristic of this late period, Klimt uses ornament...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Lady with Books 1 Original painting. size 39x23in / 100x60cm . Comes with a certificate of authenticity. Shipped stretched, as it is, ready for hanging and framed, from Florida, US....

A rare ORIGINAL and authenticated pen-and-ink drawing with a fine provenance, and a wonderful drawing at that, by legendary American Scene artist Thomas Hart Benton. Though we are most familiar with his WPA-era paintings of rural Midwestern scenes, his drawings are less familiar - but they dramatically demonstrate his superb draftsmanship. The work as framed measures 19.5" x 15.25"; unframed, the artwork measures 14.5" x 10.25". Fine condition. Comes with a copy of a certificate of authenticity: provenance: Savor Gallery, New York, NY; Parke-Bernet Galleries, New York, NY. Proudly presented by Guy Lyman Fine Art, New Orleans The following bio information was taken from AskArt: "Important realist painter of the regional school, muralist, printmaker, teacher, writer. A member of the famous Missouri political family, Tom Benton...

‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Woman nude is a modern artwork realized by Achille Funi in the early 20th Century. Mixed media on plywood. Hand signed on the lower margin. Includes frame.

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Persian School This miniature is an interesting conundrum as several elements fall outside of known examples. The overall style, depiction of architecture elements, ornamentation an...

Constantine (Algeria) 1893” Claude Firmin-Goy Oil on canvas 12 1/4 x 16 1/2 (16 1/2 x 20 3/4 frame) inches This bright and luminous work by the Avignon painter Claude Firmin-Goy re...

A delightful watercolour study by French artist Antoine Calbet. The scene depicts two ladies reclining in a stately garden in high summer. There are sur...

Joseph-Désiré COURT (Rouen, 1797 – Paris, 1865) Woman nestled in an armchair Oil on canvas Signed and dated lower left 81 x 65 cm 1834 Exhibition: in all likelihood, number 50 of ...

Beaton, Cecil & Daniela Palazzoli (Editor) Cecil Beaton – Portfolio, 1981; Electa Editrice Portfolios - LIMITED EDITION Milano, Italy: Electa Editrice Publishers, 1981. Limited Edition Portfolio. This is no. 785 out of an edtion of 1000. A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet with preface. Housed in portfolio and slipcover, portfolio: 16 1/4 x 12 1/2 in (415 x 317 mm); each print approximately 8 5/8 x 6 5/8 in (220 x 170 mm). Subjects include Gary Cooper, 1930s; Buster Keaton, 1931; Marlene Dietrich, 1935; John Wiessmuller, 1933; Greta Garbo, 1946; Marlon Brando, 1947; Audrey Hepburn, 1954; Frank Sinatra, Sammy Davis Jr., Dean Martin in "High Society", 1956; Marilyn Monroe, 1952; Rudolf Nureyev, November, 1962; Edith Sitwell, 1962; and Pablo Picasso...

Indian Miniature

Church Countryside Service by Fanch Lel (French b. 1930) Size: 8 x 8.5 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of ag...

Follower of Nicolas Lancret (Paris 1690 - Paris 1743) - Gallant scene in a landscape. 63.5 x 76 cm without frame, 91 x 102.5 cm with frame. Antique oil painting on canvas, in carve...

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Tanvi Pathare Her Ascent 190 x 100 cm Oil on Canvas Born and brought up in Mumbai,India, Tanvi Pathare showed a growing interest in Fine Arts since a very early age. Encouraged by family,she began her art education at the prestigious Sir J.J.School of Art in Mumbai and received her Bachelors in Fine Arts(Painting) with outstanding grades,topping the University. After being allured by the Realistic tradition of painting from nature, Tanvi applied and was Accepted At the Florence Academy Of Art, Florence, Italy(FAA). Here she was honored By the Best Painting Of the Year from the Intermediate Studio of the School among other awards. She taught in the Academy in their Sculpture Drawing Studio.She was awarded for her Outstanding Performance in Art in her final academic year. Tanvi presently works in her private studio in Florence while continuing to be an instructor in the Academy’s Drawing...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

Hubert-Denis Etcheverry Bayonne 1867 – 1950 Paris French Painter 'Une Consultation de Sigmund Freud' Signature: signed lower right and dated ‘D. Etcheverry / Paris 1900’ Medium: oi...

Finely carved mythological roman subject of Minerva in Marble Travertino . Excellent condition from an estate of Veneto. Measurements: Statue cm 180 . Minerva (Pallas Athena in Greek...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...