Bride Art

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

Attributed to Antoine Felix Boisselier (19th Century) French (unsigned) 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso S...

Woman Wearing a Hennin by Arnold Koblitz, Czech (1883 - 1933) Date: Circa 1910 Oil on Canvas, signed lower right Size: 24 x 17 in. (60.96 x 43.18 cm)

German chromolithograph of native American tribes. Circa 1895. Each portrait is numbered.

Title French Modernist Cannes Still Life Flowers Vase Blue Interior Oil Painting Key Details Artist: French Modernist, signed verso Title: Cannes Medi...

11 x 14" vintage silver gelatin photograph of American Ballet Theatre prima ballerina Alessandra Ferri as "Giselle". Comes directly from the J...

MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: L'Ecuyere, 1954 Technique: Original Hand Signed and Dated Lithograph in Colours on BFK Rives Wove Paper Th...

This impressionistic painting captures a bustling winter street scene, with snow-covered buildings and bundled figures moving through a flurry of white flakes. The artist's loose bru...

Gathering Firewood by W Pettingale (19th century) signed oil on canvas, framed framed: 16.5 x 12.5 inches canvas : 14 x 10 inches Provenance: private collection, England Condition: v...

Italian School, late 19th century Christ in the Garden of Gethsemane miniature painting, framed framed: 3.5 x 3 inches image: 2.5 x 2 inches provenance: private collection, Italy con...

Suma is an original modern artwork realized by Utagawa Kunisada II and Hiroshige II in 1864. Woodcut Print Oban Format. From the series "Omokage Genji go...

Marzio Masturzo (Active in Naples and Rome in the second half of the 17th century) Attributable Battle between Christian and Turkish cavalry Oil on canvas 78 x 144 cm - 99 x ...

The Roman Court French School, circa 1780-1820 period pencil/charcoal/white chalk drawing on artist paper stamped with a name (either a collector or the artist) size: 18 x 24 inches ...

This lithograph by Marc Chagall, created in 1958, appears on page 33 of Chagall Lithographe II, published by André Sauret, Paris, in 1963 with text by Fernand Mourlot. This sheet co...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1965. Titled, on old label, 'Le Modele'. Previously with: Crocker Galleries, CA From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

This is a highly stylized circus acrobat scene. Done “en grissille” or shades of grey, it portrays an acrobat on a trapeze high above the crowd, abstractly shown lower right. The stark composition, enhanced by the theatrical lighting...

Three facsimile editions of Françoise Gilot’s travel sketchbooks, made between 1974 and 1981, combine the distinct atmospheres of Venice, India, and Senegal with Gilot’s abstract fig...

shipped in roll This work draws on personal memories of time spent with family. The image of a rural courtyard, animals, and the surrounding space is not merely a setting, but an i...

Veronica Offering the Holy Veil to Christ – Flemish School, oil on copper. Oil on copper. Framed size: 41 × 47 cm Unframed size: 36 × 30 cm 19th-century later frame. Copper plate ...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Aube (The Dawn), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 13 Waterc...

Mid-century modern oil on canvas by Sicilian painter Jean Calogero, 1922-2001. Fantasy scene of three black gondolas on a Venice canal, with green water, blue skies and Venetian arch...

'Still Life of Tulips' by Poul Nielsen, 1954. Post-Impressionist, Royal Academy of Art, Copenhagen ---- Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) an...

Lucien-Victor Guirand de Scévola (1871-1950) Portrait of his wife, Marie-Thérèse Pierat signed upper left oil on canvas 46 x 38 cm Framed : 57,5 x 49,5 cm The intensity and unique...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Large still life with vase of red chrysanthemums, oil on canvas, French school, early 20th century, signed lower right Y. Evrard. This large oil on canvas depicts a rich bouquet o...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 1995 Title: Medieval plot Size: 26.5" x...

Eugène GRASSET Antic Beauty in the Woods, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...

"Guardian Angel” 27.5x19.5in / 70x50cm Pencil and sepia ink on watercolor paper. Shipped rolled in a tube, directly from the artist's studio. Shipping anywhere in the world. Registe...

The Bedside is an original Original Lithograph by Jean-Pierre Chaput in the Mid 20th Century. Good condition. The artwork is depicted through strong strokes in a well-balanced comp...

Artist: Jack Graves III (American, 1988-) Title: "Princess Diana Icon V" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium:...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Bo Bartlett (b.1955). Untitlrd, 1991. Charcoal and pencil on paper, 18 x 18.5 inches, 28.5 x 28.5 inches framed. Non-reflective museum glass. Signed and dated lower right. Artist seal in red ink lower left. Excellent condition. While Bo Bartlett’s paintings pay homage to an art historical tradition that has long been rooted in Philadelphia, Boston, and New York, his work highlights the American South—a place he refers to as both the “center of the art world” and the “center of the real world.” After graduating from high school in Columbus, Georgia, Bartlett traveled to Florence, Italy, to pursue an artistic career. There, he studied under North Carolina painter Ben Long...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

“Where the Tall Grass Grows” is a large contemporary horse painting from 2017, created in oil on cotton. A single white horse stands with its head lowered to graze, its body extendin...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Marc Chagall, Russian (1887 - 1985) - Le Lion Amoureux, de la Fables de La Fontaine, Year: 1952, Medium: Etching on Japon Nacre, Image Size: 11.75 x 9.5 inches, Size: 15 x 11 in. (3...

A stylish, colorful Mid-Century Modern portrait of a seated young woman in a pink dress by famed Chicago Modern artist, Francis Chapin. A fashionably dressed, young model is seated ...

Title: Water lily Medium: Oil on canvas Size: 15.25 x 11.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

A Museum Quality French White Marble Roundel Relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

Originally purchased at Abend Gallery in 2012. Born in 1957, in Omaha, Nebraska. English was raised in a rural town near Colorado Springs, and completed his formal artistic trainin...

IVER ROSE (1899-1972) BREAD LINE ca. 1935 Lithograph, signed, titled and no. 22/85 in pencil. Image 15” x 17 3/8. Large margins, sheet 18 x 22”. Generally good condition. Some slig...

A Large, Dynamic WPA Era Modern Industrial Scene by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Depicting a gritty view of a steel railroad bridge, boat house and soaring ...

Blue Flowers, watercolor/mixed media on paper by Robert Kulicke. 7" x 7.75" sight, 13.75" x 14.5" framed. Initialed lower right. A beautiful Kulicke, perfect for the discerning colle...

Medium: lithograph (after the original menu illustration). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x 9 inches (310 x 230 mm). The artist was also known as Henry Gerbault...

Georges D’Espagnat French, 1870-1950 Still Life with Roses Oil on canvas 25 ¾ by 32 in, w/ frame 33 ¾ by 40 in Signed lower right Inventory Number: 01547 Born at Melun on 14th Aug...

An intimate portrait study by William Mainwaring Palin (1862-1947) depicting a young Edith Sitwell in a flowing green dress, striking a powerful full-length pose. Palin renders Sitwe...

Portrait of a Gentleman Robert Le Vrac Tournières (1667-1752) (no visible signature) 18th century French School, circa 1725 Oil on canvas Dimensions: h. 81 cm, w. 64 cm. Important gi...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

A stroll down the street in the evening

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Erté designed Golden Fleece for a Folies-Bergére scene entirtled "The Golden Fleece" and a 1926 George White's Scandals scene entitled "La Toison d'or." Erté, whose artistic style was influenced in part by a childhood admiration of classic Greek art, was always drawn to a good story with a sense of drama – typified by Greek tragedy. Catalogue - Erté: The Last Works (Dutton, pgs. 115, 207). From the total edition of 462; numbered 207/375 (there were also 50 Roman and 37 AP). Referring to the legend of Jason and the Argonauts, the Golden Fleece sculpture depicts an elegant woman in a classic Greek garment. The curled horns of the ram style her headdress, elegant in appearance and yet fierce in battle. Descending from these horns is the golden fleece itself, its curly mane covering the woman to her toes. Her gown, a gracefully draped toga, is designed to leave one breast bared, in the folkloric tradition of the Amazon tribe of women warriors...

"The wind in the mountains was chasing the clouds" painted from life in the mountains during a windy spell.

Svarta Diamanter of The Black Diamond, 1922 original Swedish film poster. Archival linen backing with restored fold marks. Issued in Sweden by A.B. Svenska. Artist: Gunner Hakansson....

Study of the Biedermeier Style Painting The Attic Room by Carl Spitzweg This painting is a study after The Attic Room by Carl Spitzweg signed "Perez" and executed in homage to Spitz...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...

This enchanting 18th-century French fête galante captures the elegance and joy of aristocratic leisure, set amidst a lush garden adorned with flowers. A scene of refined celebration,...

A whimsical oil painting depicting a cafe scene with Lakeside views of Lake Lugano. A region in between Switzerland and Norther Italy. As an Italian Impressionist artist, most of Ca...

Portrait of Woman is a drawing realized in the early 20th century by an Anonymous French artist. Pencil on paper. The state of preservation is good. The artwork is represented thr...