Building Art

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...

Chromogenic Print – Unframed Free Shipping – Ask us foar custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My p...

This artwork "European Cityscape" c. 1990 is a oil painting on hard board by Argentinian artist Henry D. Ramirez. It is signed at the lower left corner by the artist. The hard board ...

Pevero Golf Corse The Pevero Golf Course, Costa Smeralda, Sardinia, 1978. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

"Streets of London" by Clyde Steadman (United States) is a handmade cityscape painting that is unframed, but ready to hang.

Roman Theater is an original etching on paper realized after Michelangelo Specchi, the engraver is anonymous. Signed on the plate, lower left. With the description on the lower. T...

The painting depicts an early hour on the Grand Canal in Venice. It is not yet dark, and the motif is immersed in a misty turquoise haze. The outlines of the buildings on the far ban...

Chromogenic Print by David Drebin Price for UNFRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options Print size: 30 x 45 inches (76...

Vivid vintage landscape of a blooming Statice flower field beneath the hills with a farmhouse at the focal point by Pasha Polikarpov (American, 20th Cent...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

Biblioteca Vaticana, Roma, 1996 C print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is based in Florence, and is...

"Stacked" (2013) is an original, handmade oil painting by Samantha Buller, that depicts multiple stacks of hay bales underneath a steel pavilion. Samantha Buller currently lives in...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Another example previously exhibited: An Exhibition of Recent Paintings ...

There was a time when pausing in a subdued environment dappled with the sunlit jeweled tones of stained glass helped to bring one closer to God. It may still work. Certainly, the Bri...

Medieval is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 2 dimensions: *80.2 × 80.2 c...

Country Winter Road signed by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on board, unframed board: 18 x 13 inches condition: sligh...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 25 x 19.5 inches condition: very good and ready to be enjoyed provenance: t...

Vieielle France is an original oil painting on canvas realized by Jean Lereu, in the late 19th century. Hand-signed in red, in the lower left margin. 49.5x69 cm with frame. Good...

This is a unique photographic work taken by Andy Warhol while visiting Catherine Guinness' English Estate in Gloucestershire in 1986. Work comes with a Certificate of Provenance iss...

Hunt Slonem butterfly oil painting 'Blue Silver Ascension' 2026. Oil on wood, 10 x 8 in. / Frame: 15.5 x 13.5 in. Signed, dated, adn titled on verso. This painting features Slonem's...

A large, captivating 1950s Mid-Century Modern city street & construction scene by Pennsylvania Regionalist artist, George W. Mengelson (Born 1916). A wonderful example of Twentieth ...

This 1993 oil on canvas captures the iconic facade of the L.W. Hunt Drum Co. in London’s Soho. Painted by Catalan artist Santiago Roca D. Costa, the work is a sophisticated study of ...

Reinhard Görner Toreno Biblioteca del Senado, Madrid 2017 50 x 59.7 inches ed. of 10 $6,000 60 x 71.7 inches ed. of 7 $9,000 70 x 83.6 inches ed. of 5 $11,000 signed and numbered...

Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort. Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper. Visible watermark verso Small printer crease in the bottom right below the caption plate. Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Paris: Charles Hullmandel, circa 1850. Lithograph with engraving on white wove paper, 9 7/8 x 7 1/2 inches (250 x 190 mm), the full sheet. In good condition with some minor scattere...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in ...

6210B Tuscan Village Landscape Set in a gilt wood frame Image size 23x14.5"

Artist/ School: French School, mid 20th century, indistinctly signed Title: Provencal Landscape Medium: oil painting on canvas, framed Size: painting: 25 x 36.25 inches, frame: ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE :French photographer Ludwig Favre continues his series on empty archit...

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good conditio...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower left Artist Statement "During a recent stay in San Francisco, I had this gorgeous view of this beautiful city from my room. Mason Street glows as it heads up to Nob Hill...

Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...

Title: Historic Miniature Watercolor of The Nails and Corn Exchange Corn Street Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...

“CITY RISING” was painted in circa 1990 with acrylic on canvas. The stretched canvas size is 41.50 x 33.50 inches. The artist's initials “M. D. C.” are in the lower right. This pain...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

By The Sea by Wayne Cooper, (1942 - ) Date: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 350 Size: 21 in. x 24 in. (53.34 cm x 60.96 cm)

Andreas FEININGER New York : Empire State Building, 2008 Quadrichromie original vintage poster On paper 92 x 68 cm (c. 36 x 27 in) Original poster for artist's exhibition in Fundati...

© Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm whit...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1955, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Musei Vaticani XIV, Scala Simonetti 2011 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 Massimo Listri is based in Florence, and ...

A capriccio with the Colosseum in Roma 17th century Italian school Circle of Viviano Codazzi (1604-1670) Oil on canvas Dimensions: h. 35.43 in, w. 51.18 in Modern 17th century style ...

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

Black and White Fine Art Photography. Small stone bridge and a canal in Venice with boats. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Cer...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13.25 x 11.15 inches, framed size is 24.75 x 21.75 inches. Custom framed in a wooden black and gold frame, with light grey matting and blue fillets. It is in excellent condition, slightly toned by age around the plate mark, see picture #7. The frame have a very small minor restoration, practically invisible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna...

Etching with drypoint on cream laid paper with a deckle edge, 7 7/8 x 13 1/8 inches ( 200 x 334 mm), full margins. Signed and numbered 27/100 in pencil in the lower margin. With two ...

Palazzo is a limited-edition photograph by British contemporary artist Gina Soden from the “Decadenza” series. This photograph is sold unframed as a print only. All prints are sign...

Tower is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “Emergence” series. This photograph is sold unframed as a print only. It is available in o...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

This is a high-quality reproduction of Chapelle de Ronchamp by Le Corbusier, printed on fine art paper with a cotton mat finish. The premium surface enhances the architectural detail...

Parisien Café is a Modern artwork realized by Orfeo Tamburi  (Jesi, 1910 – Paris,1994)  in the 1970s.  Colored Lithograph.  Hand-signed. Numbered on the lower, Edition, 125 prints...

Title: Historic Miniature Watercolor of Temple Church and Shakespeare Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurem...

Title: British Impressionist Watercolor of Charming Narrow Alleyway with Figures by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25...

George Tice 1938-2025 Farmhouse in Fog, Lancaster, Pennsylvania, 1966/Printed July 2006 Signed in pencil on recto; Titled & dated in pencil on verso Platinum/palladium print 8 x 10 i...

"Forum Romanum III/Rome/Italy" by Heiko Mattausch (Germany based) is an original oil painting that depicts a landmark Roman Ruins. I am a painter and graphic artist living and work...

Vintage black and white photograph realized in the Mid-20th Century. Good conditions.

An extremely scarce impression from the artist's own collection. Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...